Posted by psgels on 10 August 2008 with categories: Nijuu Mensou no Musume



Short Synopsis: The “detective girls” go after a rumour about two teachers that seem to fancy each other.
Highlights: The French was nice and all… but NOT with a Japanese accent!
Overall Enjoyment Value: 8/10
This episode convinced me that the “detective girls” only exist in Haruka’s head. The creators have no intention to just end the series with a bunch of random detective story arcs, because this episode set up the story and characters for the rest of the series. We get introduced to a bunch of new characters, and Nijuu Mensou’s past is revealed a bit more.

In the meantime, Chiko’s classmates have already started the fanfiction…

In any case, this episode introduces a former university professor who knew Nijuu Mensou when he was young (I wonder, do we ever get to hear what his real name is?). I didn’t quite catch what he told Chiko exactly, but it seems to come down to that he was once a brilliant scientist when the war started, and so he ended up developing all those supernatural weapons for killing. Since his motto was “look and think for yourself”, at one point he abandoned his research, and now that everything comes to try and bite back at him, he’s had no choice than to use Chiko as a decoy.

The next villain is someone who’ll be a big problem for Chiko to escape, as he’s basically just as small and light as Chiko, and the guy’s even stronger and faster. Ever since the train incident, Chiko has only had to fight people who were much bigger than her, so the guy might be one of her toughest enemies yet.

I also wonder how the creators are going to use the story of that washed-up cleaner, and when that super-powered woman of a number of episodes back is going to return. This episode showed that she’s indeed the product of Nijuu Mensou’s research, but is she going to play a bigger role than just a bit of background for the guy?

3 Responses

  1. asdfj says:

    Nothing is interesing w/o Nijuu Mensou… he needs to come back… and I’m sorry, but I really, really, really don’t care for the subcharacters… they’re just there to waste time

  2. Reiter says:

    Is it just me or did Haruka and Chiko give off yuri vibes in the last ep? I also had to laugh at the thug ogling Tome and her reaction; seductress indeed. I’m kinda glad that the whole Detective Girls thing is just a pipe dream of Haruka’s and not something so cheesily plausible in the series, though I’m curious as to what sort of climax the creators are building up to with Twenty Faces and his seemingly passing the torch (or emotional baggage) over to Chiko.

  3. Ghostfriendly says:

    Yeah, all these minor villains really aren’t doing much for the series at all.

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  • Bam
    (Monday, May 25. 2015 05:54 AM)
    The episode was alright and felt dense as I watched it, but in hindsight only really moved the plot forward incrementally. Lancer not untying Tohsaka as soon as he killed Kirei and then not killing Shinji when he clearly had the chance left a bad taste in my mouth. That and Shirou’s heavy plot armor at this point is becoming reminiscent of another famous anime dual-wielder. Not a compliment.
  • Bam
    (Monday, May 25. 2015 05:46 AM)
    UBW 20 felt like another rendition of Eva 26 (Take care of yourself), complete with character analysis, battle with one’s Jungian Shadow, and loosely Buddhist ideas of self-actualization. It even featured the repetitive monologue shots that fade to black (with “I saw Hell” instead of Rei’s “Sky. Red, red sky”). It never went as far as Eva with “which way is up?” type of Soliloquy, but that’s probably a good thing.
  • Emma
    (Sunday, May 24. 2015 05:48 AM)
    Ashura was an excellent example of how to through anime illicit and emotional response in an honest, non-melodramatic way.
  • Emma
    (Sunday, May 24. 2015 05:46 AM)
    @Bam: I’d be more than happy to take a look at some of those shorts anytime.
  • Bam
    (Sunday, May 24. 2015 05:44 AM)
    @Emma: there’s a lot of European animators that got active in the last 10 years or so that are really reinvigorating their animation scene, and every now and then I get introduced to some fabulous shorts.
  • Bam
    (Sunday, May 24. 2015 05:40 AM)
    @Emma: no I don’t really mind gory ‘for the fuck of it’ violence, I even like it in some grindhouse type of works, but I just don’t think it’s always effective as a shock factor. Live-action is the most sympathetic for obvious reasons, but there are animated works that do elicit a deep response. Probably because of circumstances but also the details of the in-between animation, which can induce certain feelings of disgust.
  • Emma
    (Sunday, May 24. 2015 05:39 AM)
    *here and there
  • Emma
    (Sunday, May 24. 2015 05:35 AM)
    @Bam: I really wish there was more arthouse anime now to give some kind of a balance to everything thats out these days.
  • Emma
    (Sunday, May 24. 2015 05:33 AM)
    Now I like my exploitation every so often, but yes Bam I really do wish that adult and mature storytelling could be better associated with truly, more pure mature themes.
  • Emma
    (Sunday, May 24. 2015 05:25 AM)
    I get choked up over Bergmans cries and whisper and Autumn sonata, I look back on a work by Key and Jun Maeda and wonder, think of how silly it looks to me now.

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