Short Synopsis: Aoki tries to catch the culprit of this arc’s crime red-handed.
Highlights: A solid conclusion.
Overall Enjoyment Value: 8/10
This arc really took its time to tell its story, and it worked out pretty well. The thing I liked about this arc wasn’t the characterizations or the intensity that some of the other arcs of Himitsu showed, but rather the complexity of its storyline. The previous episodes showed lots of question-marks, and this episode answered them very nicely, even though I had trouble as usual, trying to understand those elaborate dialogues. ^^;
So in the end, it was indeed the bald guy with the hat. The first incident on the train wasn’t because of him, but a girl he really liked was assaulted by a knife. When he tried to stop it, the girl got stabbed, and a bottle that contained the disease got slashed open, spreading the disease through the various people on the train. The following murderers were him, trying to erase the evidence. I didn’t like it when the characters started talking Chinese, though. It was already hard enough for me to grasp what that dialogue was about without some Japanized Chinese translated in Kanji…
I also liked how this episode addressed the sardine-can syndrome of the Japanese trains and subways. They are notorious for how nobody ever seems to talk there, and when such a major incident happens as someone getting threatened with a knife or something, most of them try to ignore it, instead of trying to do something to resolve it.
Then there’s that idiot Aoki. As it turns out, he never kissed and got himself infected, but he just made his fingernails look like they were infected. He did jump right in front of a train in order to save the culprit, though, in a desperate attempt to save Miyoshi from her disease. In the end, there was a romantic tension between the two, but Aoki reminded Miyoshi too much of Suzuki. That doesn’t really work when he wants to get a relation with her to make her forget about the guy.
I think I also finally get why this series feels weird at times, and I can’t seem to fully enjoy it like I did when it first started. I first thought that it was because of bad characterization, but that’s not quite right: even in the first half, this show has seen some great cases. The thing with this series is that it’s incredibly inconsistent: one episode focuses at characterization, while the next focuses on mystery, then the next one is all about horror, then there’s one that aims to disturb, then there’s a thought-provoking one, et cetera. The things that made a previous episode great aren’t the focus of the following. The best example of it is episode eight: possibly the best episode of the entire series because it was so bloody disturbing, but it also caused me to expect the same of the rest of the series.
In other words: this series is incredibly unpredictable: you’ll never know what an episode will be about. It’s both so in the good ways and the bad ways. On one hand, those bloody expectations don’t always cooperate you expect tension but instead get a fairly quiet episode that aims to be more thought-provoking, et cetera. On the other hand, it does show great writing to be so incredibly versatile with this series. It’s a bit of a double-edged sword, that’ll probably cause Himitsu to never really make it to my favourites, but it’s a great series nonetheless.