Posted on 27 August 2008 with categories: Ultraviolet: Code 044



Short Synopsis: Zakusa and Daxus’ armies face off against each other.
Highlights: An action-packed episode that works.
Overall Enjoyment Value: 8,5/10
Excellent episode. The building-up of the past few episodes really paid off with a very exciting episode. I’m glad that despite the negative reactions, I kept watching this series, because even though it’s nothing deep, complex or special, I’ve been enjoying every minute of it. Osamu Dezaki rocks!

There’s of course nothing much to say about such an action-episode, apart of course from Zakusa’s death, and how he still helped 044 and Garcia escape when his army finally got defeated. In the end, it turns out that he was also in the debt of Luka’s boss, the cult leader. These guys obviously have enough tricks up their sleeve for escape, since they’ve managed to stay hidden for that long. This also answers the question of “how the heck is Luka going to track down 04?”

This episode also showed that Daxus II is a very proud and cocky person, and he likes to gloat over his victims when he knows that they’re not a threat. That’s of course going to be the thing that’ll kill him in the end: my prediction is that he and 044 somehow face off together, after which her superior skills end up killing him. The question is of course how they get to that point, what Luka and Garcia can bring in and how the creators are planning to fill up those final three episodes.

Posted on with categories: RD Sennou Chousashitsu



Short Synopsis: Souta struggles with his feeling, while the top executives plan to do… something…
Highlights: Talking, talking and more talking. Oh, and some very nice romance.
Overall Enjoyment Value: 7,5/10
Ugh, at times like these I regret being the only raw blogger of this series. Something major definitely got started in this episode, but those top officials are like a bunch of walking dictionaries. Usually, I can pick up enough Japanese to understand an episode, but this was one major exception to that. The online dictionary I use wasn’t of much help either, because the words it suggested kept making no sense in their context… If someone did understand what exactly happened in this episode: care to explain?

In any case, the romance-parts of this episodes were something I did understand, and they were really well done. Even though this is a typical building-up episode, Souta finally decided to buy a gift for Holon and break up from sleeping with his boss. Nothing really happens between him and Holon, but that’s only a matter of time.

Haru can also fully walk again, albeit with the help of a walking-stick. Kushima also seemed really happy with that news. This really was a big episode for him, especially since what happened to the guy at the end of the episode. All “that was revealed was that he was “swept away”, but what exactly that means is up for the next episode.

Posted on with categories: Anime Reviews



Well, time for me to pimp another very unknown series. This one comes completely subbed, courtesy of a one-man fansub group (who did a very admirable job, by the way), and it tells about Tetsuya, a legendary gambler and Mah-jong player. For the past few years, Akagi has turned into the symbol of Mah-Jong anime, but this series shows that it wasn’t the pioneer of the genre.

When I first started to watch this series, and realized that this series plays a lot of emphasis on cheating, I expected some sort of combination between Akagi and Kaiji, but that comparison turned to be a bit off, as there are some subtle differences. Tetsuya doesn’t really try to get very deep into the heads of the different players, but it’s much more about different cheating-techniques and its characters. In Kaiji, all the gamblers are referred to as human trash, while Tetsuya shows a more human side of them.

Tetsuya doesn’t try to go as deep as Akagi and Kaiji, but it did avoid these two series’s biggest weakness: their horribly slow pacing. Tetsuya’s pacing is quick and to the point that it never really drags, so that we can get to see a wide variety of players through the limited time of only 20 episode. There’s never really a moment to get bored. Even the final arc only takes up two episodes, instead of dragging things out in an attempt to create tension.

And the characters really shine. A lot of them are very interesting to watch, as they either team up with or play against Tetsuya, considering their limited screen-time. My favourite was the match against Innami, the walking corpse. He’s an excellent example of a character that shatters the boundaries of good and evil.

One complaint is that at times, it becomes clear that this series was based on a much larger manga. Thankfully, each arc is a standalone story, but there are a few story-threads that get introduced, and yet never answered. Boshu’s wife never makes an appearance, even though including her would have greatly fleshed out Boshu’s character. There’s also one character in the OP that never appears in the actual series. You can’t help but wonder what’s up with that.

Overall, I don’t think that this series is going to be better than Akagi (I’ll get back to that statement once I get the chance to finish that series), but nevertheless Tetsuya is a simple but effective series with a cast of great characters. It in any case deserves to get more attention than what it’s getting right now.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on 26 August 2008 with categories: Mission-E



Short Synopsis: Chiyoko Soraizumi and Nietzsche Kafka may have eloped together, but Chinami isn’t planning to end things that way.
Highlights: Great opportunity to see some different sides of Chiyoko and Nietzsche.
Overall Enjoyment Value: 8/10
Oh boy, it’s hard to believe that we’re still talking about the tough Maori and Adol (or as they introduce themselves in this episode: Chiyoko and Nietzsche) in this episode. They were totally different persons from what they usually were, though it does make sense in a way. Some people can show very different sides of themselves, depending on the people they’re with. Maori usually has to deal with Chinami, which requires her to be the responsible one. Amongst her classmates, she neither finds the chance to really open up, but with Nietzsche, she finally has someone to look over her, and shows a much more female side to him.

But really, did neither of them recognized each other? I originally thought that Adol was trying to lure her into some sort of trap somehow, but it turns out that they just coincidentally ran into each other when they were both having troubles with work. It takes away a bit of the believability, but I’ll forgive this series for it, since this episode did flesh out both of them really well. It was fun to watch, despite being nothing more than a dating-sim.

And it really seems that Adol’s biggest reason is revenge against Chinami for what she did to his sister. I wonder whether the creators will be pulling the famous plot-twist of bed-ridden major characters: will Mils regain her personality at the most convenient/inconvenient moment. With this series, it could really go anywhere, but I hope that the creators will go for the less clichéd way and make her get back to senses, a few years after he major climax in this series.

On a side-note: the graphics looked really nice in this episode. Lots of nice poses and facial expressions. Glad to see that the animators are trying to experiment a bit.

Posted on 25 August 2008 with categories: Natsume Yuujin-Chou



Short Synopsis: Natsume meets a person who used to be able to see Youkai.
Highlights: That feeling of separation.
Overall Enjoyment Value: 9/10
Oh my god… just when I thought that this series couldn’t get much better than it already was, it surpasses itself. This episode was downright heart-wrenchingly awesome. I remember how, when this series first started, the biggest criticism against it was that its format or returning names could get old very easily. Well, let me tell you that this series has PLENTY of inspiration for its stories. Heck, this episode wasn’t about returning names at all.

Nearly everything about this episode was perfect. For starters, it makes Natsume think about something he never could have imagined: that his ability to see youkai would disappear as he’d become an adult. After all, when we see Reiko in a flashback, she always appears as a child of the same age, hinting that she compiled the yuujin-chou when she was a high-school girl. There’s a very good possibility that she didn’t lose interest afterwards, but just became unable to see youkai. Otherwise, you’d think that she’d leave Natsume with more than just a yuujin-chou.

But the real star of this episode was the ayakashi that Natsume meets. It once was a firefly, and she made friends with that person when he still could see Youkai. His ability suddenly disappeared in one night, even though their bond couldn’t have been closer. Like all other Ayakashi in this series, the firefly just patiently kept waiting beside him, even though he couldn’t see her anymore. They always used to meet at one particular lake, and even though they can’t see each other, they still kept returning to this lake. At the time of this episode, this is about to change, though, when the guy is about to get married, and plans to not return to the lake.

The firefly isn’t able to do anything about it, and would rather return to a firefly, just so he could see her one more time (which she does at the end of this episode). It was really sad to see the two of them apart like that, with no chance to get back. The climax, where the sky was filled with fireflies, was a beautiful conclusion.

Oh and on a side-note: I loved Nyako’s suggestion to name her after a bunch of noodles. ^^;

Posted on with categories: Anime Reviews



Beck is a lot like the younger rebellious brother of Nodame Cantabile. While the latter is about students, classical music and orchestras, the former is about a bunch of middle and high-school kids who try to start a rock band. Nodame Cantabile was very much up-beat and a positive series, while Beck is much darker, more down-to-earth and loved playing with the darker sides of humanity. Still, both series are about a passion for music and the chemistry between the people you play with.

In terms of music, Beck draws on the shorter end, though. Don’t get me wrong, the rock-music that the creators selected for this series is excellent, but it doesn’t feel as part of the series in the way that Nodame Cantabile did. There seems to be no difference in a song when one of the band-members is missing, and that’s a bit sloppy. Koyuki, the lead character in this series was supposed to be an awesome singer, but I could never really see why. Sure, he was good at singing, but his singing was full of Engrish, which hardly anybody (even the Americans) seemed to notice. Okay, perhaps it wasn’t the best idea to watch Beck right after Nodame Cantabile (which paid attention to even the slightest mistakes), but this was a rather annoying flaw.

Thankfully, there’s more than enough to make up for that. Beck has a cast of downright excellent characters, with an almost haunting chemistry between them, due to the realistic approach it chooses to portray the Japanese Indie band scene. There are so many good amateur rock bands out there, that it’s going to be very hard to stand apart from them, and even as this series nears its end, it’s still a huge mystery whether the guys from Beck are actually going to get famous or not.

Koyuki may not have had the best voice-actor, but apart from that, he’s an excellent character, who grows a lot through the series. He starts out as an insecure little kid, and he gradually loses his insecurities, to become more outspoken. Nearly the entire cast is also well-defined and has its clear purpose in the series.

Then there’s the romance, which was actually pretty good. There was this strange sort of realism that actually made the bits of romance in this series engaging, rather than annoying, which is where most teenaged romances seem to head for, especially when they’re not the main focus of a series. There’s something memorable in the bond that develops between Koyuki and Maho, in the way that the creators keep teasing the viewer, although the creators may have spent a bit too little time on it in the series’ second half. They could have played with it a bit more, I feel.

Certain parts of the series are a bit unbelievable, though. Ryuusuke’s age of sixteen years old feels a bit unbelievable, considering the things he’s already done, or certain plot-twists seem to come from nowhere, which will raise some eyebrows at the realistic nature of this series. Nevertheless, though, Beck is a very memorable series that combines slice of life and the struggles to form a successful rock band excellently.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on with categories: Blade of the Immortal



Short Synopsis: Rin visits an old teacher of her to request assistance.
Highlights: Bee-Train hasn’t forgotten how to make great action-scenes at all, despite this series’ limited budget.
Overall Enjoyment Value: 8,5/10
Well, so it really seems that this series is going to air every two weeks, instead of the weekly schedule of 99% of all other anime. Ah well, it may take a long time to wait for the next consecutive episode, but this does allow the creators to take their time, and produce a very solid series, rather than trying to rush it. Blade of the Immortal has been consistently awesome for me so far, so I don’t mind waiting an extra week for each episode. It’s much better than those random unexpected hiatuses that come from nowhere that plagued gems as Kaiba, Saiunkoku Monogatari and Dennou Coil.

I just love the style of this series, and this episode was the most enjoyable so far. It may not catch the specific style of the manga, but the creators nevertheless have enough ideas to make the action-scenes more than just a few slashes of blades. Sure, the budget is very limited in this series, but to make up for it the fight coordination is really enjoyable, and it almost turns the fight scenes here into a work of art. The fight in this series made excellent use of the characters’ various traits and personalities. It’s really something I kept missing at Soul Eater: the fights were there, but they never were anything special. But then again, this comes from the guy who loved the fight scenes in Gunslinger Girl – Il Teatrino, so it may just be my strange taste. ^^;

The flashback of Rin’s parents getting killed is also typical Bee-Train: every episode so far has seen that shot, and you see the same technique in many of their best series: Noir, .Hack//Sign and El Cazador. At first sight, it doesn’t make any sense: repetition in storytelling can very easily get annoying. At first sight, it seems rather uninspired. However, it does make sense: Rin’s parents were killed in front of her eyes. Of course this made a huge impact on her, and she’ll very often recall that moment. Those flashbacks merely try to mimic what’s happening in Rin’s mind. They don’t seem to add anything to the story, but they’re excellent for fleshing out characters.

It’s strange, but Blade of the Immortal is shaping up to be my favourite series of the season, along with Natsume Yuujin-chou. It definitely doesn’t shine in terms of realism, but it’s so much fun to watch the series and characters, and this is just after episode 4, with a second season already in the works.

Posted on 24 August 2008 with categories: Anime Reviews



Ah, I managed to finish this one just in time for the second season that starts in October. Nodame Cantabile is a series about classical music: it follows the rise of a brilliant conductor named Chiaki, and how he spends his college years. If for some reason, you needed any more reasons as to why noitaminA rocks, then go and watch this series, because it’s among the best series that came from an already excellent timeslot.

Finally, an anime comes and pulls off an accurate portrayal of a genius. After all, it’s easier to write a stupid character than to write a smart one, let alone a brilliant one. You really need to be well-versed in the classical music-business to pull that one off, and the creators actually did it. Okay, I know hardly anything about good music, but I still could see that this “Chiaki”-guy was going to make it big someday. Through the series, you’ll get to see exactly what this guy’s thinking, and what’s pushing him forward, what he finds important and why he became so good with music in the first place. It’s for this reason that Nodame Cantabile is an incredibly inspirational anime that can motivate you in a slightly different way than most other motivational series (which are often about an underdog, rather than an already established genius).

The rest of the cast also shines in this series. Every major side-character (which are quite a few, actually) gets his or her time to shine. With the exceptions of the characters that only appear in one or two episodes or random orchestra-members, every character is interesting, and has a bit of depth. This really is a series that shines because of its characters.

The only oddball is the female lead: Nodame. She’s just about the polar opposite of Chiaki, and for the major part of this series, you’ll be wondering what she’s actually doing in this series. She feels like this series’ Yuki Cross (from Vampire Knight): she’s there, she gets admired, but she doesn’t do anything important for the story. Thankfully, as the series goes on, her purpose in this series becomes very clear. I’m not going to spoil anything but let’s just say that her character-growth is very admirable and the highlight of this series’ finale.

There’s also plenty to laugh at in this series. It’s not strictly a comedy, but that doesn’t stop the characters from having fun and providing laughs from the beginning to the end of this series. The creators know exactly when they need to be funny and when they need to be serious.

There’s a slight downside with the use of CG, though. Since this is a series about classical music, there are obviously lots of instruments being played, and the creators used a motion-capturing technique in order to show characters playing the piano/violin/oboe/whatever. This makes sure for lots of movement that would never have been possible with traditional animation techniques, but it also looks fake. The 3D hands and instruments just don’t mesh well with the 2D characters, which makes the visuals in this series rather sloppy. Thankfully, it’s able to make up for that with a downright excellent soundtrack. Not only were many classical pieces played throughout the series, but these pieces really felt like how the characters would play them, rather than a background piece that would just start on cue and sound the same everywhere.

Overall, noitaminA is a timeslot with two faces: post high-school antics and horror, all with some kind of experimental touch (save from Honey and Clover perhaps, but I haven’t seen that one yet). noitaminA is a very charming series about a bunch of conservatory-students. On paper, it’s one of the duller concepts that came from the timeslot, but it makes up for that with a number of downright awesome characters. I can understand why this series happily sat on top of AniDB’s ranking for more than half a year.

Storytelling: 9/10
Characters: 10/10
Production-Values: 8/10
Setting: 9/10
Posted on with categories: Nijuu Mensou no Musume



Short Synopsis: The old scientist shows what he’s been doing for the past decades.
Highlights: Lots of depth for Nijuu Mensou.
Overall Enjoyment Value: 8,5/10
So in the end, the energy from water-arc wasn’t as good as the doll-arc, but this episode was still pretty awesome. While it first looked like this arc was just a copy of the previous one, this episode showed that the purpose of this arc was very different from the Doll arc. This episode was really meant to show some different sides of Nijuu Mensou. Even though the minions from that scientist individually weren’t as strong as the doll-woman, they proved to be much more trouble, since Nijuu Mensou and Chiko were in the minority: they were too busy to fight these one-on-one, giving the scientist the time he needed to fire his energy-beam. I do wonder, though: why did he need Chiko in order to fire it? I failed to pick that one up.

This episode showed that Nijuu Mensou never really was happy about the research he conducted, and it finally showed his past from his own perspective. It seems that it’s especially his research on the energy from water that caused his change of heart. It just wouldn’t work, even though he captured the basics. That got him thinking about the ethical issues (especially since he nearly destroyed his laboratory in a failed experiment). It’s there when he decided to stop his research and burn his evidence, though (as we already know by now) that left many people unhappy.

With a bit of luck, Haruka will mature a bit after this episode. She wasn’t hurt in this episode, but hopefully she realizes that Chiko’s life is nothing like the life she imagined, and that there a lot of nasty sides under Nijuu Mensou’s appearance. Nijuu Mensou has also been hurt at the end of the episode, so he finally can’t run away from Chiko anymore. The next episode should prove to be fun.

It also turns out that the woman we saw with Ken is the woman back from episode eight, with a bit of a changed appearance. Again, it would prove to be interesting when she meets with Chiko, now that Nijuu Mensou can’t run away anymore. There are four episodes left, so there’s probably one major climax coming up. Something tells me that that woman is going to play a big role in it. And what about that washed-up cleaner that we saw, nine episodes ago?

Posted on 23 August 2008 with categories: Telepathy Shoujo Ran



Short Synopsis: This episode brings us Telepathy Shoujo Ran’s version of the story where a ghost has been waiting under a sakura for her loved one to return for ages.
Highlights: Just when I thought that the banter in this series couldn’t get any better.
Overall Enjoyment Value: 8,5/10
Okay, so apparently, the nine volumes of the original light novels that this series is based on turn out to be just a bit too short to fill in 26 episodes, hence why this and the past episode have treated us with anime-original material. I’m not going to use the word “filler” for it, because that term seems to have become something incredibly negative in the fandom, while in fact the past two episodes were highly entertaining, though not in the way you might expect. ^^;

In this episode, the creators did exactly what they’re good at: sending Ran, Rui and Midori on an adventure and having Ran and Midori bicker endlessly in the process. I think the big problem with anime-original episodes is that it’s here where the writers of the anime have to show that they can write for themselves, rather than copy somebody else’s work. This episode showed that the creators of this series most definitely know how to write. With series as Claymore, it’s entirely the opposite: its writers were excellent at copying and pasting, but when they went with their own storyline they fell flat on their face.

The story wasn’t that special, and it’s been done many times before: two lovers who were once separated by a war. The lady is still waiting under a Sakura for her loved one to return, and over time they became youkai. But then again, this series was never about its originality. I remember World Destruction doing a very similar story (if I recall correctly, I dropped that series after that exact episode), and it never tried to spice things up, even though it was dealing with a very dull storyline that would never work on its own. Telepathy Shoujo Ran, however, knows exactly how to spice things up, with the above-mentioned banter between the characters, and the plot of trying to find the tree that the woman waited under, even though it already had been cut down. And of course how their romantic reunion was disturbed by a bitch-slap instead of a heart-warming and overacted hug.

CHANGE USERNAME
Anonymous2040262
its almost like he could be an antagonist
SuperMario
For me I don't mind if I have to pay to watch the series/ films, but damn it don't restrict me to access it. Entertainment medium is meant to be an exposure (for the lack of better terms), it's supposed to be available to the mass and nobody care for a series that isn't available for streaming. We have way too many other options out there
SuperMario
"Piracy is almost always a service problem and not a pricing problem". Someone said that and I couldn't say it better
SuperMario
@Amagi: which part of Firework that you stopped? It's the movie that make less and less sense as the story goes on so I feel you on that
Amagi
I really wonder what's up with this guy. Considering the hype and VN screens he gets he seems to be more than just random side-protagonist. Looking forward to the rest of this series.
Anonymous2039704
One of my favorite OPs this season
Amagi
Now I textwalled again and feel bad.
Amagi
In short: be it indie-products or official series or papers, just upload everything on a virtual plattform and you'll get a bigger audience, many of them even willing to pay as long as they get what they want in high quality.
Amagi
Something might only become popular 4 weeks later but it doesn't matter because it's still there and people can watch it whenever they want and the other series don't matter since it isn't a classical rivalry as we know it from tv.
Amagi
"Less people watched the first episode than the 1000th iteration of [insert some "classic" movie old people watch for the sake if it]. With streaming plattforms like Netflix and others series just get dumped and are always accesible.
Amagi
Another reason for why I prefer streams and stuff: TV and quotes are a horror. They often cancelled series after one or two episodes because the quotes didn't live up to what they wanted. Instead of giving a new series some time. It needs time to get a fanbase and people often need weeks to even know about a new series, but nope.
Amagi
In the end such things are usually screened in ~3 places around the country for a day or two. So if you aren't living nearby or have work to do on that day: good luck.
Amagi
Sometimes it isn't their fault though, like when there is an anime or some indie guy from my country is making a movie - and nobody wants to show them.
Amagi
Same here. I really want to give small companies or indie/artists a chance, but it's not always easy.
Kaiser-Eoghan
What baffled me was the British film institute blocking Irish users using their legal streams.
Kaiser-Eoghan
Believe it or not I actually WANT to support.
Kaiser-Eoghan
While I do pirate alot, in cases where an obscure film actually gets a cinema release I make sure to pay to see it at the cinema, I support all the rare anime screenings too.
Amagi
There is so much stuff I had to pirate or I would have had to relinquish it completely. Even with non-fiction books for my university studies.
Amagi
lmao. But I 100% agree. Maybe you're lucky if you live in the US but otherwise you are often enough f*ed. Bad marketing.
Kaiser-Eoghan
Point I was trying to make is that, region blocking is only encouraging piracy more.
Amagi
narf~ couldn't manage to finish that Firework movie, do I miss much? It seems like something that might have a bunch of good ideas for the later part but the first half just bored me and I couldn't get into it for some reason.
Kaiser-Eoghan
Release your damn indie project on a reputable site or at least offer a paypal option and if its something off-colour in content, send the bloody thing digitally and not as a dvd.
Kaiser-Eoghan
Oh look, funimation releases eng dub trailer...think I'll...wat....oh wait this video is not available in your region"
Kaiser-Eoghan
"This video cannot be streamed outside of"
"Sorry we do not deliver to Ireland"
"Sorry this film from less than a decade is out of print"
Yeah, fuck legal streaming, just for that I'm pirating you.
Kaiser-Eoghan
@Mario: Truly you have become the most super of Marios.
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
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Featured Posts

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Megalo Box – 2 [The Man Only Dies Once]

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Darling in the Franxx – 13[The Beast and the Prince]

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