Posted on 30 September 2008 with categories: Anime Reviews, Natsume Yuujin-Chou


Strange how the best series for me this season end last. Anyway, Natsume Yuujin-chou is a perfect summer-series. As Brains Base’s latest production, it tells about a boy named Natsume, as he tries to deal with his ability to see spirits. Sure, it’s a thing that’s been done many times before. But never this subtle.

While not the most subtle series of the past season (it’s near-impossible to beat Natsu no Sora in that, after all), Natsume Yuujin-chou shines in the dream-like atmosphere it manages to create. This is a real series that you can relax at as it progresses with its heart-warming stories. Throughout the series, it manages to create a really interesting setting of Youkai versus humans, and especially the focus on niceness makes a lot of impact. Youkai are beings that spend a lot of time alone, and so a very simple action of gratitude or kindness can mean the world to them, even though they may seem like unimportant to human eyes.

Added to that comes an excellent sense of characterization. Especially Nyanko-sensei is an awesome character, but the rest of the cast is also filled with a number of very enjoyable and deep characters. The characters feel natural, and away from the stereotypes.

The result is an episodic series where nearly all of the stories turn out heart-warming, some a bit more than others, and there are a few utterly stunning episodes amongst them, despite the limited time this series has to build up. Just be aware that the best episodes aren’t necessarily located near the end of the series. Overall, Brains Base has done it again. They really are a studio that constantly tries to deliver unique and innovating series, and they pretty much succeeded here again.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: Natsume Yuujin-Chou



Short Synopsis: It’s time for the local shrine festival and Ponta gets kidnapped by a manipulative woman.
Highlights: Someone hired different animators?
Overall Enjoyment Value: 8,5/10
What an awesome way to conclude the first season of Natsume Yuujin-chou. The different stories weren’t that connected to each other, but this episode instead of introducing new characters, brings back some of the older ones, and develops all of them a bit. It’s an excellent way to close off the past season, and at the same time introduce the second season, because this means that now, the characters are going to be a tad different from what we’ve seen up till now.

The biggest development is of course that Kaname finally knows that Natsume can see spirits, due to some slip-ups from Nyanko’s side, which made the two of them finally get a bit closer to each other, rather than being two people that happen to know each other and occasionally bump into each other. The rest of the cameos this episode was also very appreciated: the adorable fox returns, and Natori also makes his appearance, to do something that will probably be explained three months from now, with the start of the second season. Hinoe also made a short but nice appearance.

But really, this probably was the strangest time possible to suddenly switch animation styles. The background art was much more colourful, and the character-art was much messier than usual, especially in the first half of the episode. It looked pretty interesting, but… why now?

Posted on with categories: Monthly Summaries

Overall, I don’t think I’m ever going to label the past half year as the best that anime can give. Instead, the past season stood out with its large amount of series that at first sight don’t seem to stand a chance, and yet turn out to be surprisingly solid and enjoyable. My top 10 series for this month is also filled with randomness again, with some shows having very disappointing finales, while others managed to close off very strongly.

#26 (new) – Hakushaku to Yousei – (6,75/10) – The first show of the new season, and unfortunately I’m not impressed. Too many bishies, too little substance. The only good point is its concept of fairies, so let’s hope that the rest of the series goes in-depth to them, instead of the male characters that just look too much like each other.
#25 (25) – Slayers Revolution – (7/10) – This series ended less than a week ago, and I already have trouble to remember what it was about. It’s been a really generic month for Slayers Revolution, much like the rest of the series.
#24 (23) – Sekirei – (7,25/10) – Okay, so the ending was crap. I at least enjoyed the rest of this month, making it not an entire failure. Thankfully the characters remained charming until the end.
#23 (20) – Strike Witches – (7,5/10) – Not the best month for Strike Witches, but enjoyable enough nonetheless. It just feels that those final bad guys were a bit superficial, and strayed away from what made the series enjoyable.
#22 (15) – Macross Frontier – (7,5/10) – The more I think back, the less exciting the ending becomes, unfortunately. I’m especially unhappy about the way that the creators tried to deal with the love triangle. Sure, I can understand how they want to save that for the final movie, but that’s no excuse to increase the cheese-level and bring everything back to square one.
#21 (10) – Nijuu Mensou no Musume – (7,5/10) – The biggest disappointment this season. Everything went so well, but this series’ finale didn’t stand out anywhere. It was too predictable, formulaic and ridiculous. It’s a real shame, considering the potential that this series had.
#20 (26) – Code Geass – Lelouch of the Rebellion – (7,5/10) – Okay, granted. That final episode could have gone much worse, and it provided a fitting closure for the series. Was it just me, or did that finale give out strange Bee-Train vibes? During the final episodes of this series, the soundtrack suddenly played much more on the foreground, and suddenly choirs and flutes (which are very popular in Bee-Train series) popped up. If only the rest of the series was as calm as the final episode. Ah well, at least the series provided entertainment, but I’m so glad that it’s over now.
#19 (17) – Mission-E – (7,75/10) – Mission-E’s best episode was without a doubt episode 11, where the plot took a step back and instead put the focus back on the characters. The finale was decent: it could have gone better, but also worse.
#18 (21) – Detroit Metal City – (8/10) – Still a solid comedy-series. 12 episodes seems to be the perfect length for this series, but let’s hope that it doesn’t run out of jokes before that time comes.
#17 (22) – Soul Eater – (8/10) – I absolutely loved episode 23. Now THAT was an amazing fight. Unfortunately, the series quickly dulled in again afterwards. The ratio of awesome versus mundane episodes had better be a bit bigger for that second half.
#16 (19) – Chi’s Sweet Home – (8,25/10) – Ah of course, the ending is near so even Chi’s Sweet Home needs to work towards a climax. Still, so far the creators got away with it pretty nicely. The whole pet regulation in the apartments has lurked over the entire series, and now that it finally pops up for real, it becomes pretty charming.
#15 (9) – Antique Bakery – (8,5/10) – I’m probably one of the few in this, but I actually liked the ending of Antique Bakery a lot. It was all about moving on, instead of getting held back by your past. It was a bit rushed, but I really felt that it not solving the cake-mystery was the right choice of the creators.
#14 (24) – Itazura na Kiss – (8,5/10) – So, the college arc was pretty awful, but I’m really glad to see that the creators managed to crawl back up and delivered an excellent finale for this series. Especially episode 24 was everything it needed to be.
#13 (16) – Birdy the Mighty Decode – (8,5/10) – Senkawa did cause a bit of trouble here and there, but overall it was a very good finale for the first half of Birdy the Mighty Decode. Obviously it doesn’t live up to Noein or Escaflowne, but I think I’ve said that too many times now already.
#12 (1) – Natsume Yuujin-Chou – (8,5/10) – Overall, Natsume Yuujin-Chou wasn’t as good as in August. Nevertheless, It’s still a heart-warming series and I’m looking forward to that second season.
#11 (14) – Telepathy Shoujo Ran – (8,5/10) – A surprisingly genuine month for this series, and it’s been really enjoyable so far. I only hope that this remains through the second half.

#10 (2) – Blade of the Immortal – (8,5/10)

What I really like about this series is the way that Bee-Train presented everything. There’s always something interesting going on, and the climaxes of each episode really pack a punch.

#9 (7) – Ultraviolet: Code 044 – (8,5/10)

I don’t think anyone’s going to remember this series, but I enjoyed it until the last minute, and it landed an ending that ranks amongst my favourites of the past season. It did exactly what it was supposed to do, with a few extra twists added. Consider me an Osamu Dezaki-fan after this.

#8 (8) – Blassreiter – (8,5/10)

Overall, a very solid finale, with a number of excellent fight scenes. Many people died, but nearly all those deaths were satisfying.

#7 (18) – Wagaya no Oinarisama – (8,5/10)

Ooh, exciting: the two final episodes are going to be a standalone climax. I always like these sorts of endings. In any case, Wagaya no Oinarisama has been better than ever, both in its light-hearted and serious stories.

#6 (12) – RD Sennou Chousashitsu – (8,75/10)

Agh, it’s hard to judge the finale of RD Sennou Chousashitsu without having seen the final episode. For now, I’m not going to judge it until I actually see what it’s been building up for.

#5 (5) – Porfy no Nagai Tabi – (8,75/10)

This month: episodic travel arcs. They ranged from enjoyable to awesome. They were thought-provoking at times, and really varied. Excellent month for Porfy.

#4 (6) – Mahou Tsukai ni Taisetsu na Koto ~Natsu no Sora~ – (8,75/10)

Natsu no Sora ended with an excellent finale that really stood apart as the best parts of the series. Especially episode 10 was just heart-breaking, and the ending was wonderfully subtle.

#3 (4) – Bonen no Xamdou – (8,75/10)

I’m beginning to love this series more and more. Every single character here has his or her own identity and stands apart from the others. I’m really looking forward to see what it has in store for its second half.

#2 (11) – Gintama – (9/10)

I really thought that the best of Gintama this month came from the Yagyuu-arc: it was both incredibly hilarious and heart-warming. Then episode 83 came along, which most likely ranks amongst the funniest episodes of this series yet. Even for Gintama’s standards, that episode was extreme. The past September really has been one of the best months for Gintama yet!

#1 (3) – Himitsu ~The Revelation~ – (9,5/10)

It’s a pity that the final episode hasn’t aired yet, but basically Himitsu’s finale has been blowing away every other finale so far. This show indeed has its problems at times, but boy, the past number of episodes have been beyond awesome.

Posted on 29 September 2008 with categories: Anime Reviews



Next up in the category “so bad that it’s good”: if I see you in my dreams. Another very short series, with only 16 episodes of 7 minutes long, it tells about a love triangle between three people in their early twenties. Basically, it’s a kaleidoscope of what not to do when you’re dating someone. Both if you’re the one dating, and also if you’re writing such a character.

In a strange way, it’s pretty amazing: the episodes are only 7 minutes long, and yet the creators always managed to find some sort of excuse to stuff in some sort of Deus ex Machina and some sort of opportunity to show fanservice in nearly every single one of them. It’s pretty hilarious, how you can pretty much predict what’s going to happen in the big plot twist, and the series makes no attempt whatsoever to hide it.

But the strange thing is that the characters are all pretty enjoyable to watch. For such a love triangle, they’re all surprisingly genuine. Their reactions to the above-mentioned Deus ex Machina are also really cute at times, even though we’re dealing with fully grown adults. It still doesn’t excuse the very badly written plot, but it’s good to see that not everything about this series is terrible.

But what actually baffled me in this series was that final episode: Yume de Aetara actually closes off with a really sweet ending. This ending was really well written, and actually made the character-development come together in the end. For such a mediocre series to end on such a good note. It doesn’t happen often. But then again… I guess that that’s going to happen if you’re crazy enough to put Hiroshi Watanabe behind the series supervision.

Storytelling: 5/10
Characters: 8/10
Production-Values: 7/10
Setting: 8/10
Posted on with categories: Telepathy Shoujo Ran



Short Synopsis: Ran, Rui, Rin and Midori now have to solve the mystery that lies behind the family curse.
Highlights: A bit of a questionable climax, but an impressive plot nonetheless.
Overall Enjoyment Value: 8,5/10
oh, this definitely was the best arc of Telepathy Shoujo Ran yet. The story was pretty imaginative and more complex than what you’d expect from such a children’s series. So, if I understood things correctly, the red-haired woman and the first victim’s employer were behind the whole thing. The red mask on your elbow originally was a curse, that would kill a daughter of the family, but this time, they created a fake one, and instead poisoned the poor girl. If guessed this correctly, this basically was a bit of an extreme way to get their hands on the family’s money.

It was a bit anticlimactic when the bad guy appeared, parading around with Rui and Midori tied up in ropes. It’s times like here when the censorship gets a bit out of hand, and it would have fitted much better if they were actually carrying some kind of gun. Or a knife, which was used earlier in the episode. I don’t understand these censorship-laws anyway. Guns are bad, but starting a huge fire in a house doesn’t get censored. At least be a bit consistent in this.

The ending also was a bit of an anticlimax, but it did fit. The big problem with detective children is that it’s very hard for these children to outsmart and overpower adults. So the plot device of having telepathic powers gives these children a bit of extra help to solve these mysteries, and it keeps the series going. In a way, it’s the lesser of two evils. After all, think of the plotholes that this series would need to introduce otherwise.

In other news, I’m glad that Midori’s gawking over Rin still isn’t getting old, even though we’ve passed the halfway-mark of this series. The creators also can’t use the same dividing-joke again, since they’ve now really run out of options, so they’re going to have to come up with something new.

Posted on 28 September 2008 with categories: Anime Reviews


When Blassreiter first started, it was met with a lot of doubts, which is of course natural after Gonzo’s escapades with the infamous Dragonaut. Blassreiter looked like it would be the same bloody thing again. But as it turns out, the creators pretty much managed to nail down a very entertaining action-series. I am very picky when it comes to action-scenes, but the ones from Blassreiter left me very impressed.

You do need to get used to the fact that the fights are entirely done in 3D CG. If you’re one of those people that hate CG with passion, then you’re not going to like this series. However, because the fights make optimal use of this CG, the creators are able to do things that would never be possible with just 2D animation. CG means that there are no still frames, constant and smooth movement, and complex camera movement. Blassreiter takes this, and produces some of the best 3D fight scenes of the entire year, and I wouldn’t be surprised if I ended up labelling it as the best action-series of 2008. The camera-movements, combined with the character-movements result into a number of absolutely beautiful fight scenes.

Action-scenes are one thing, but I personally can’t enjoy a good action scene unless I care about the characters. That’s where Gonzo screwed up with Afro Samurai, because the characters and plot were utterly retarded. Thankfully, they avoid the same mistake here. The first half of the series has a very creative storyline, which goes away from the tried and true formula. The second half is more straightforward, but to make up for it the characters develop, and you’ll end up caring about them in a strange manly genuine fashion. The two complement each other pretty interestingly.

Blassreiter is not without its major flaws, though. Especially in the first half, it tends to be a bit too melodramatic for its own good, to the point of a few scenes that are just way too emo. Especially bullying subplot is just too extreme to be taken serious. This series is just too emo while trying to build up. The results are pretty awesome, but I can imagine how you’d not want to watch an angsting teen over and over.

There’s also the fact that the 3D-scenes don’t try at all to blend in with the 2D art, which will take some time to get used to. Overall, it’s been an interesting series, despite its questionable start. I recommend it if you’re looking for an action-series. This series has the three ingredients for awesome fight scenes: excellent choreography, sympathetic characters and a great soundtrack. I can’t recall having seen any series that made as much of an optimal use of the capabilities of 3D animation.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Anime Reviews


Well, so it’s finally time for me to review this thing. Since I didn’t get the chance to review the first season, this review is about both seasons together. Code Geass is your typical Sunrise Mecha Trainwreck. It can be compared to the bastard child of Death Note and Gundam 00 gone horribly wrong, and the typical case of “the bigger they are, the harder they fall”. I personally consider it the most overrated series of both 2007 and 2008, but admittedly, it’s not an entirely bad series.

The big problem with this series is that it wants to create a sensation a little too badly, up to the point where it uses bad writing, just to create an as big shock as possible. The series starts out nicely enough, though. It builds up properly, but very quickly, the plotholes start popping up, one after the other. Too often to characters just “run into each other”, or happen to be at the wrong place and wrong time. A few instances of these plotholes would of course be okay, but this series just keeps using them, over and over.

The series could have made up for it in terms of characters, but even there things went wrong once they started “developing”, or at least, when they’re supposed to. More often than not, the characters suddenly start acting completely out of character, whatever happens to be convenient for the story, rather then what would be the most natural thing to do. People don’t switch sides because of complex political reasons, but more because the creators want them to.

To add to that, the creators also have a very nasty habit with killing off their characters. If you see an important character kicking the bucket, you can be 75% sure that he or she is somehow going to magically reappear again, later in the series. It becomes rather anticlimactic, when you just know that a character that dies is going to come back anyway (pretty much the dragonball-syndrome).

Then there’s an issue with the setting of this series, which mostly pops up in the first half of this series, in the form of its incredibly nationalistic messages: Japan is being oppressed by the evil Brits and Americans, and it’s up to the main character to vanquish the oppression. The second season also happily continues this tradition by portraying the Chinese as a bunch of fascistic pigs. It’s full of unnecessary stereotypes that make no sense.

So, with all of this criticism, why do you want to watch this series in the first place? Simple: the entertainment factor. The climaxes, badly written as they may be, do try their best to make a huge spectacle with what they can do. This is a typical series that you want to watch if you want some brainless action, and nothing deep or well written. You can mock the ridiculous plotholes and cheese and at the same time enjoy the action scenes for what they are.

But yeah, that doesn’t excuse the fact that Code Geass is a whole mess in terms of storytelling, and wants too much too fast. The character-development is ridiculous, it’s full of plotholes and unable to really create something memorable (not in a good way, at least). I’ve read somewhere that even the director thought that this series has turned crappy, so I hope that he learned from his mistakes and that his next series will be a “bit” more solid.

Storytelling: 7/10
Characters: 7/10
Production-Values: 8/10
Setting: 7/10
Posted on with categories: Anime Reviews, Nijuu Mensou no Musume


A major theme of the past half year was fooling the viewer, and the uncrowned king (or queen in this case) of this theme definitely is Nijuu Mensou no Musume. In this series, Studio Bones tells about a twelve-year old girl, who gets adopted by a glamorous and world-famous thief, in the period of right after the second world war. That leads you to expect that this is going to be some sort of thief-series, where Chiko and Nijuu Mensou (the girl and the thief) spend most of its time to steal a number of precious artefacts. Well, no.

I refuse to spoil what’s exactly going to happen, but expect a lot of points where the storyline in this series will just take 180 degree turns as the series progresses. This is really one series that keeps you guessing, and wondering where the characters will go next. And that’s the charm of this series for me.

To accompany the storyline, the series also has a number of very solid characters. Chiko works really well as a female lead: she’s smart and composed, although in the first few episodes, she does lean awfully close to a Mary-Sue. Thankfully, as the series progresses, she develops away from that trope. The side-characters are also excellent, though there are a few oddballs among them. Characters as Ken and Haruka never really can seem to find their place in this series.

Unfortunately, as this series enters its final third, its quality decreases dramatically. Up till that point, the series had been wonderfully unpredictable, and then it decides to close off with a drawn-out rip off of one of its earlier arcs, and a final antagonist who just lacks development for the big role he’s supposed to have, turning him into another one of those villains that are evil because they’re evil. The development in this arc pretty much stagnates, a few deus ex machina pop up here and there, it takes several episodes to do something that could just have been done in one, the final climax is a string of clichés, and overall it just took the potential this series had and threw it away.

Because of that, I just can’t label this as a great series, since it could have been so much better if a bit more time was spent to tweak that final arc. What could have been a masterpiece went rather downhill during its finale. Because of that, Nijuu Mensou no Musume still is a good series, but nowhere near the best of the season.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Nijuu Mensou no Musume



Short Synopsis: The aftermath of Nijuu Mensou no Musume, where Chiko has moved to London, and the detective girls finally have the chance to solve one mission.
Highlights: Chiko’s growth.
Overall Enjoyment Value: 8/10
Ah, thank goodness. The climax was disappointing to say the least, but at least the aftermath was excellent, as it showed what everyone’s been doing, two years after said climax. It’s interesting how Chiko chose her own way, and stopped getting herself involved with dangerous stuff, and instead just concentrated her time on studying. It’s also good to see that Ken got some proper development. He’s always been the odd character in this show, ever since the train incident, but at least he’s now able to move on, and not get held back by Chiko.

that masked murderer and ken really came from nowhere, but at least we got to see a nice fight to close off the series in this way. The lost boy also formed a nice way to conclude the series, pointing back to Chiko and Akechi’s lost nephew. Haruka also has grown up very nicely (and actually didn’t get married at her sixteenth ^^;), although her character-design felt a bit off. She had a bit of a “Kimikiss”-face, as in a face where the eyes are a bit too far apart from each other for their own good.

Overall, because I was able to blog more series than usual this series, I ended up blogging Nijuu Mensou no Musume on a whim, in an attempt to become a Bones-fanboy. Okay, so that attempt failed when both their contributions to the past spring-season ended up disappointing a bit. I still consider them a good production-company, which managed to nail a few very good series, but I still just can’t label it among my favourites. I had a lot of fun when this series was good and unpredictable, but the final parts were just too uninteresting for what it built up for.

Posted on 27 September 2008 with categories: Anime Reviews, Birdy the Mighty Decode



My three personal favourite series are the following: 1) Mahou Shoujotai, 2) Noein, 3) Visions of Escaflowne. Because Mahou Shoujotai wasn’t directed by just one guy, but a whole bunch of directors and the latter two were directed by the guy called Kazuki Akane, it’s pretty safe to say that he’s my favourite director. So, when he comes with a new series that plans to revive an old OVA from the nineties, then I obviously had to watch it. Overall, it doesn’t live up to his other work, but it’s an impressive series nonetheless.

Although it doesn’t always show this, this series knows how to build up. The first half of the series might goof off at first sight, but once the second half kicks in, everything slowly starts coming together, and the tension is very smoothly built up until the actual climax, and it becomes apparent that the first few episodes were definitely necessary, to flesh out the different characters and settings, and make them believable.

What impressed me the most, though, is the way that this series uses its production-values. There’s time enough for the story and characters to develop, with the second season and all, but both the graphics and music are very well done. The budget of this series is obviously limited, but the creators managed to save most of it in order to treat the viewer to a very small amount of beautifully animated fight scenes, which I’d classify as the best 2D-fight scenes of the past half year. When a character sprains his ankle, or gets his or her arm twisted, you see exactly the bones and muscles that move out of place, which is something most other anime tend to neglect.

There’s just one minor point about this series: it doesn’t have the most exciting main character to work with. Senkawa really is your typical fourteen year old brat, which love issues and impulsive tendencies thankfully the creators do manage to develop his character sufficiently, but he does whine a lot in the process.

Apart from that, I can’t really say much more about this series. It’s a typical series that’s meant to really take off in its second season, and for that it built up really well. There are some clichéd characters here and there, but the director has an excellent sense of timing, and knows what to say when, where and how to make the best out of them.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
CHANGE USERNAME
Lenlo
Best villain was clearly JJ. JJ is actually the best character for every category.
Lenlo
@SuperMario, I just felt there was some social context to the discussion with the boss that I missed.
Kaiser Eoghan
Bah, haven't you heard, the best villain category was for the dictionary in Lost passage, must have been bastard-hard effort getting that compiled =P
AidanAK47
To sum that up, don't bully my waifu or I will end you.
AidanAK47
@Mario, She only killed him once and tortured him for information once. Both times because he had something which showed he had a connection to the witch. Besides, the anime mainly showed off her good points but she still has a crushing inferiority complex and a rather delicate mindset.
SuperMario
Oh I have one. How about Lovepon? lol
SuperMario
@Topgavin: it was sarcasm actually, if we do it again next year we might cut down some categories. But I totally agree that we're lacking of good villains. Biba and that teacher are the worst as they actually dragged their shows down.
Topgavin
Honestly though there's been a real lacking of good villains last year. I hear some guy from Jojo was pretty good, but other than that they've either been okay or lackluster. Makes you wonder how FMA:B managed to get so many villians right in so many ways when shows usually fail to get even 1 half as good.
Topgavin
@Supermario Biba or Teacher-dude from Erased surely...
SuperMario
Maybe we should include the best villain next time, haha. I honestly don't know who to pick...
SuperMario
oh Rem, that demon girl who tried to kill Subaru many times over. Why is she the best girl again?
SuperMario
@Kaiser: I watched Moonlight last night in cinema and it was great. I had high expectation for that and it pretty much delivered. Also Janelle Monae was so freaking hot.
SuperMario
OMG, that 3rd episode of Rakugo was so greattttt. @Lenlo: don't need to understand the meaning of the rant thou, Yotaro doesn't understand either
Kaiser Eoghan
Think of the fine children/breeding stock Aidan and rem would offspring =P
Kaiser Eoghan
Dye their hair, make things confusing ;)
AidanAK47
@Anon, hahahaha, cool joke bro.....
...............................Don't make me destroy you.
Lenlo
The one with red hair of course
Anonymous765953
rem? who's that?
Lenlo
Having read the books, theres afew inconsistencies and I dont like some of the choices for actors.
Kaiser Eoghan
*couldn't
Kaiser Eoghan
Buh buh but Aiiiidan you still have the koe no katachi movie and thaaats kyoani =P But lol phantom world was so poor I couldn't get past the second episode. A shame that they could go with the darker spin the author ended up apparently going for in later volumes.
AidanAK47
@Lenlo, I am currently eh on it as well. Only at the second episode so far. I find it interesting but it has a lot of things that turn me off.
Lenlo
7 YEARS I SAT ON THAT BOAT!

Still havnt finished Flip Flappers. I like it, its pretty, each episode is different, but I can barely tell what the over-arching narrative is and thats a big deal to me
Lenlo
ITS REAL
Lenlo
BOAT TIER
Lenlo
@Aidan, Series of Unfortunate Events was eh. I wasnt a big fan of the TV adaptation, though I did like Neil Patrick Harris
Kaiser Eoghan
@Lenlo: BOAT TIER lmao.
Kaiser Eoghan
Thats why I LOVED flippflappers so much, where else can I get THAT anywhere, totally its own thing/beast.
Lenlo
My big ones for the year were easily Rakugo and Re:Zero. Disappointments, biggest one is Berserk. Ive been following it for years, have the entire series on my shelf, and I watched it like a captain going down with his ship
Kaiser Eoghan
At the same time well, yes its still good to see a non-highschool story in ANYTHING.
Kaiser Eoghan
Ah, you see I don't really award points to an anime doing something unique to anime, I judge by all mediums as a group/whole. 91 days may be a mafia drama, kabaneri may be a zombie show but theres already plenty of those in the world elsewhere.
Kaiser Eoghan
I could see myself getting some oldskool charm out of alderman if I watched it. I was waiting for yuri on ice to be dubbed. Drifters for all its problems was some of the most fun I've had in ages.
Kaiser Eoghan
The only thing I saw that I truly abhorred though was the new shinkai film.
Kaiser Eoghan
Most of the other stuff I didn't really bother watching. Its pointless for me to shit on about 91 days and re:zero because I was guaranteed to dislike both before seeing either.
Kaiser Eoghan
Biggest disappointments for me were erased , berserk and joker game. Whereas my surprise was lost passage. My favourites of the year were flippflappers and Rakugo. I wanted Kabaneri and dimesion w to save anime and bring back some oldskool charm but that didn't happen.
AidanAK47
Alright I spent over an hour formatting this thing and now I am knackered. Readers, this summery is over 23 pages long so be prepared as this thing is pretty huge. Don't say you were not warned.
AidanAK47
@Kaiser, Watch it. I bet it will be up your alley.
Kaiser Eoghan
Thats a problem with adaptations, put a voice on certain characters and it can become irritating.
Kaiser Eoghan
And to be fair on scums wish, that it deals with the sex bit in a teen story, well that makes it more daring and thats points for it.
Kaiser Eoghan
@Aidan: Largely stayed away from that series as I assumed it was for young children.
Kaiser Eoghan
@Aidan: Additionally the relationships in that manga got too convoluted, the comedy stands out worse in the anime too. Still though I DO dig the idea behind the show of two kids who are in a fake relationship.
AidanAK47
@Kaiser, you think that's hard to watch try watching Netflix's A series of unfortunate events. Because boy do I want to brutally murder the banker and his family. That may sound severe to you but trust me, you will feel likewise.
Kaiser Eoghan
@Aidan: You were right about it being harder to watch scums wish than read it. I want to hit the twin tails girl with a hatchet.
Kaiser Eoghan
I'm laughing now remembering an old ANN review where they stated golgo 13 was a stress reliever for 30 something Japanese office workers, I get that so much more now lol
Kaiser Eoghan
But seriously violence in fiction, anime/manga included is so damn therapeutic.
Kaiser Eoghan
As such I genuinely was able to enjoy the new M night shaylman flick lol
Kaiser Eoghan
Venting here largely because I can, I now imagine the teenage/twenty something audience members at horror/thriller films as the victims in the films, makes it more tolerable to deal with their existence in the cinema.
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
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