Posted on 30 September 2008 with categories: Anime Reviews, Natsume Yuujin-Chou


Strange how the best series for me this season end last. Anyway, Natsume Yuujin-chou is a perfect summer-series. As Brains Base’s latest production, it tells about a boy named Natsume, as he tries to deal with his ability to see spirits. Sure, it’s a thing that’s been done many times before. But never this subtle.

While not the most subtle series of the past season (it’s near-impossible to beat Natsu no Sora in that, after all), Natsume Yuujin-chou shines in the dream-like atmosphere it manages to create. This is a real series that you can relax at as it progresses with its heart-warming stories. Throughout the series, it manages to create a really interesting setting of Youkai versus humans, and especially the focus on niceness makes a lot of impact. Youkai are beings that spend a lot of time alone, and so a very simple action of gratitude or kindness can mean the world to them, even though they may seem like unimportant to human eyes.

Added to that comes an excellent sense of characterization. Especially Nyanko-sensei is an awesome character, but the rest of the cast is also filled with a number of very enjoyable and deep characters. The characters feel natural, and away from the stereotypes.

The result is an episodic series where nearly all of the stories turn out heart-warming, some a bit more than others, and there are a few utterly stunning episodes amongst them, despite the limited time this series has to build up. Just be aware that the best episodes aren’t necessarily located near the end of the series. Overall, Brains Base has done it again. They really are a studio that constantly tries to deliver unique and innovating series, and they pretty much succeeded here again.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: Natsume Yuujin-Chou



Short Synopsis: It’s time for the local shrine festival and Ponta gets kidnapped by a manipulative woman.
Highlights: Someone hired different animators?
Overall Enjoyment Value: 8,5/10
What an awesome way to conclude the first season of Natsume Yuujin-chou. The different stories weren’t that connected to each other, but this episode instead of introducing new characters, brings back some of the older ones, and develops all of them a bit. It’s an excellent way to close off the past season, and at the same time introduce the second season, because this means that now, the characters are going to be a tad different from what we’ve seen up till now.

The biggest development is of course that Kaname finally knows that Natsume can see spirits, due to some slip-ups from Nyanko’s side, which made the two of them finally get a bit closer to each other, rather than being two people that happen to know each other and occasionally bump into each other. The rest of the cameos this episode was also very appreciated: the adorable fox returns, and Natori also makes his appearance, to do something that will probably be explained three months from now, with the start of the second season. Hinoe also made a short but nice appearance.

But really, this probably was the strangest time possible to suddenly switch animation styles. The background art was much more colourful, and the character-art was much messier than usual, especially in the first half of the episode. It looked pretty interesting, but… why now?

Posted on with categories: Monthly Summaries

Overall, I don’t think I’m ever going to label the past half year as the best that anime can give. Instead, the past season stood out with its large amount of series that at first sight don’t seem to stand a chance, and yet turn out to be surprisingly solid and enjoyable. My top 10 series for this month is also filled with randomness again, with some shows having very disappointing finales, while others managed to close off very strongly.

#26 (new) – Hakushaku to Yousei – (6,75/10) – The first show of the new season, and unfortunately I’m not impressed. Too many bishies, too little substance. The only good point is its concept of fairies, so let’s hope that the rest of the series goes in-depth to them, instead of the male characters that just look too much like each other.
#25 (25) – Slayers Revolution – (7/10) – This series ended less than a week ago, and I already have trouble to remember what it was about. It’s been a really generic month for Slayers Revolution, much like the rest of the series.
#24 (23) – Sekirei – (7,25/10) – Okay, so the ending was crap. I at least enjoyed the rest of this month, making it not an entire failure. Thankfully the characters remained charming until the end.
#23 (20) – Strike Witches – (7,5/10) – Not the best month for Strike Witches, but enjoyable enough nonetheless. It just feels that those final bad guys were a bit superficial, and strayed away from what made the series enjoyable.
#22 (15) – Macross Frontier – (7,5/10) – The more I think back, the less exciting the ending becomes, unfortunately. I’m especially unhappy about the way that the creators tried to deal with the love triangle. Sure, I can understand how they want to save that for the final movie, but that’s no excuse to increase the cheese-level and bring everything back to square one.
#21 (10) – Nijuu Mensou no Musume – (7,5/10) – The biggest disappointment this season. Everything went so well, but this series’ finale didn’t stand out anywhere. It was too predictable, formulaic and ridiculous. It’s a real shame, considering the potential that this series had.
#20 (26) – Code Geass – Lelouch of the Rebellion – (7,5/10) – Okay, granted. That final episode could have gone much worse, and it provided a fitting closure for the series. Was it just me, or did that finale give out strange Bee-Train vibes? During the final episodes of this series, the soundtrack suddenly played much more on the foreground, and suddenly choirs and flutes (which are very popular in Bee-Train series) popped up. If only the rest of the series was as calm as the final episode. Ah well, at least the series provided entertainment, but I’m so glad that it’s over now.
#19 (17) – Mission-E – (7,75/10) – Mission-E’s best episode was without a doubt episode 11, where the plot took a step back and instead put the focus back on the characters. The finale was decent: it could have gone better, but also worse.
#18 (21) – Detroit Metal City – (8/10) – Still a solid comedy-series. 12 episodes seems to be the perfect length for this series, but let’s hope that it doesn’t run out of jokes before that time comes.
#17 (22) – Soul Eater – (8/10) – I absolutely loved episode 23. Now THAT was an amazing fight. Unfortunately, the series quickly dulled in again afterwards. The ratio of awesome versus mundane episodes had better be a bit bigger for that second half.
#16 (19) – Chi’s Sweet Home – (8,25/10) – Ah of course, the ending is near so even Chi’s Sweet Home needs to work towards a climax. Still, so far the creators got away with it pretty nicely. The whole pet regulation in the apartments has lurked over the entire series, and now that it finally pops up for real, it becomes pretty charming.
#15 (9) – Antique Bakery – (8,5/10) – I’m probably one of the few in this, but I actually liked the ending of Antique Bakery a lot. It was all about moving on, instead of getting held back by your past. It was a bit rushed, but I really felt that it not solving the cake-mystery was the right choice of the creators.
#14 (24) – Itazura na Kiss – (8,5/10) – So, the college arc was pretty awful, but I’m really glad to see that the creators managed to crawl back up and delivered an excellent finale for this series. Especially episode 24 was everything it needed to be.
#13 (16) – Birdy the Mighty Decode – (8,5/10) – Senkawa did cause a bit of trouble here and there, but overall it was a very good finale for the first half of Birdy the Mighty Decode. Obviously it doesn’t live up to Noein or Escaflowne, but I think I’ve said that too many times now already.
#12 (1) – Natsume Yuujin-Chou – (8,5/10) – Overall, Natsume Yuujin-Chou wasn’t as good as in August. Nevertheless, It’s still a heart-warming series and I’m looking forward to that second season.
#11 (14) – Telepathy Shoujo Ran – (8,5/10) – A surprisingly genuine month for this series, and it’s been really enjoyable so far. I only hope that this remains through the second half.

#10 (2) – Blade of the Immortal – (8,5/10)

What I really like about this series is the way that Bee-Train presented everything. There’s always something interesting going on, and the climaxes of each episode really pack a punch.

#9 (7) – Ultraviolet: Code 044 – (8,5/10)

I don’t think anyone’s going to remember this series, but I enjoyed it until the last minute, and it landed an ending that ranks amongst my favourites of the past season. It did exactly what it was supposed to do, with a few extra twists added. Consider me an Osamu Dezaki-fan after this.

#8 (8) – Blassreiter – (8,5/10)

Overall, a very solid finale, with a number of excellent fight scenes. Many people died, but nearly all those deaths were satisfying.

#7 (18) – Wagaya no Oinarisama – (8,5/10)

Ooh, exciting: the two final episodes are going to be a standalone climax. I always like these sorts of endings. In any case, Wagaya no Oinarisama has been better than ever, both in its light-hearted and serious stories.

#6 (12) – RD Sennou Chousashitsu – (8,75/10)

Agh, it’s hard to judge the finale of RD Sennou Chousashitsu without having seen the final episode. For now, I’m not going to judge it until I actually see what it’s been building up for.

#5 (5) – Porfy no Nagai Tabi – (8,75/10)

This month: episodic travel arcs. They ranged from enjoyable to awesome. They were thought-provoking at times, and really varied. Excellent month for Porfy.

#4 (6) – Mahou Tsukai ni Taisetsu na Koto ~Natsu no Sora~ – (8,75/10)

Natsu no Sora ended with an excellent finale that really stood apart as the best parts of the series. Especially episode 10 was just heart-breaking, and the ending was wonderfully subtle.

#3 (4) – Bonen no Xamdou – (8,75/10)

I’m beginning to love this series more and more. Every single character here has his or her own identity and stands apart from the others. I’m really looking forward to see what it has in store for its second half.

#2 (11) – Gintama – (9/10)

I really thought that the best of Gintama this month came from the Yagyuu-arc: it was both incredibly hilarious and heart-warming. Then episode 83 came along, which most likely ranks amongst the funniest episodes of this series yet. Even for Gintama’s standards, that episode was extreme. The past September really has been one of the best months for Gintama yet!

#1 (3) – Himitsu ~The Revelation~ – (9,5/10)

It’s a pity that the final episode hasn’t aired yet, but basically Himitsu’s finale has been blowing away every other finale so far. This show indeed has its problems at times, but boy, the past number of episodes have been beyond awesome.

Posted on 29 September 2008 with categories: Anime Reviews



Next up in the category “so bad that it’s good”: if I see you in my dreams. Another very short series, with only 16 episodes of 7 minutes long, it tells about a love triangle between three people in their early twenties. Basically, it’s a kaleidoscope of what not to do when you’re dating someone. Both if you’re the one dating, and also if you’re writing such a character.

In a strange way, it’s pretty amazing: the episodes are only 7 minutes long, and yet the creators always managed to find some sort of excuse to stuff in some sort of Deus ex Machina and some sort of opportunity to show fanservice in nearly every single one of them. It’s pretty hilarious, how you can pretty much predict what’s going to happen in the big plot twist, and the series makes no attempt whatsoever to hide it.

But the strange thing is that the characters are all pretty enjoyable to watch. For such a love triangle, they’re all surprisingly genuine. Their reactions to the above-mentioned Deus ex Machina are also really cute at times, even though we’re dealing with fully grown adults. It still doesn’t excuse the very badly written plot, but it’s good to see that not everything about this series is terrible.

But what actually baffled me in this series was that final episode: Yume de Aetara actually closes off with a really sweet ending. This ending was really well written, and actually made the character-development come together in the end. For such a mediocre series to end on such a good note. It doesn’t happen often. But then again… I guess that that’s going to happen if you’re crazy enough to put Hiroshi Watanabe behind the series supervision.

Storytelling: 5/10
Characters: 8/10
Production-Values: 7/10
Setting: 8/10
Posted on with categories: Telepathy Shoujo Ran



Short Synopsis: Ran, Rui, Rin and Midori now have to solve the mystery that lies behind the family curse.
Highlights: A bit of a questionable climax, but an impressive plot nonetheless.
Overall Enjoyment Value: 8,5/10
oh, this definitely was the best arc of Telepathy Shoujo Ran yet. The story was pretty imaginative and more complex than what you’d expect from such a children’s series. So, if I understood things correctly, the red-haired woman and the first victim’s employer were behind the whole thing. The red mask on your elbow originally was a curse, that would kill a daughter of the family, but this time, they created a fake one, and instead poisoned the poor girl. If guessed this correctly, this basically was a bit of an extreme way to get their hands on the family’s money.

It was a bit anticlimactic when the bad guy appeared, parading around with Rui and Midori tied up in ropes. It’s times like here when the censorship gets a bit out of hand, and it would have fitted much better if they were actually carrying some kind of gun. Or a knife, which was used earlier in the episode. I don’t understand these censorship-laws anyway. Guns are bad, but starting a huge fire in a house doesn’t get censored. At least be a bit consistent in this.

The ending also was a bit of an anticlimax, but it did fit. The big problem with detective children is that it’s very hard for these children to outsmart and overpower adults. So the plot device of having telepathic powers gives these children a bit of extra help to solve these mysteries, and it keeps the series going. In a way, it’s the lesser of two evils. After all, think of the plotholes that this series would need to introduce otherwise.

In other news, I’m glad that Midori’s gawking over Rin still isn’t getting old, even though we’ve passed the halfway-mark of this series. The creators also can’t use the same dividing-joke again, since they’ve now really run out of options, so they’re going to have to come up with something new.

Posted on 28 September 2008 with categories: Anime Reviews


When Blassreiter first started, it was met with a lot of doubts, which is of course natural after Gonzo’s escapades with the infamous Dragonaut. Blassreiter looked like it would be the same bloody thing again. But as it turns out, the creators pretty much managed to nail down a very entertaining action-series. I am very picky when it comes to action-scenes, but the ones from Blassreiter left me very impressed.

You do need to get used to the fact that the fights are entirely done in 3D CG. If you’re one of those people that hate CG with passion, then you’re not going to like this series. However, because the fights make optimal use of this CG, the creators are able to do things that would never be possible with just 2D animation. CG means that there are no still frames, constant and smooth movement, and complex camera movement. Blassreiter takes this, and produces some of the best 3D fight scenes of the entire year, and I wouldn’t be surprised if I ended up labelling it as the best action-series of 2008. The camera-movements, combined with the character-movements result into a number of absolutely beautiful fight scenes.

Action-scenes are one thing, but I personally can’t enjoy a good action scene unless I care about the characters. That’s where Gonzo screwed up with Afro Samurai, because the characters and plot were utterly retarded. Thankfully, they avoid the same mistake here. The first half of the series has a very creative storyline, which goes away from the tried and true formula. The second half is more straightforward, but to make up for it the characters develop, and you’ll end up caring about them in a strange manly genuine fashion. The two complement each other pretty interestingly.

Blassreiter is not without its major flaws, though. Especially in the first half, it tends to be a bit too melodramatic for its own good, to the point of a few scenes that are just way too emo. Especially bullying subplot is just too extreme to be taken serious. This series is just too emo while trying to build up. The results are pretty awesome, but I can imagine how you’d not want to watch an angsting teen over and over.

There’s also the fact that the 3D-scenes don’t try at all to blend in with the 2D art, which will take some time to get used to. Overall, it’s been an interesting series, despite its questionable start. I recommend it if you’re looking for an action-series. This series has the three ingredients for awesome fight scenes: excellent choreography, sympathetic characters and a great soundtrack. I can’t recall having seen any series that made as much of an optimal use of the capabilities of 3D animation.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Anime Reviews


Well, so it’s finally time for me to review this thing. Since I didn’t get the chance to review the first season, this review is about both seasons together. Code Geass is your typical Sunrise Mecha Trainwreck. It can be compared to the bastard child of Death Note and Gundam 00 gone horribly wrong, and the typical case of “the bigger they are, the harder they fall”. I personally consider it the most overrated series of both 2007 and 2008, but admittedly, it’s not an entirely bad series.

The big problem with this series is that it wants to create a sensation a little too badly, up to the point where it uses bad writing, just to create an as big shock as possible. The series starts out nicely enough, though. It builds up properly, but very quickly, the plotholes start popping up, one after the other. Too often to characters just “run into each other”, or happen to be at the wrong place and wrong time. A few instances of these plotholes would of course be okay, but this series just keeps using them, over and over.

The series could have made up for it in terms of characters, but even there things went wrong once they started “developing”, or at least, when they’re supposed to. More often than not, the characters suddenly start acting completely out of character, whatever happens to be convenient for the story, rather then what would be the most natural thing to do. People don’t switch sides because of complex political reasons, but more because the creators want them to.

To add to that, the creators also have a very nasty habit with killing off their characters. If you see an important character kicking the bucket, you can be 75% sure that he or she is somehow going to magically reappear again, later in the series. It becomes rather anticlimactic, when you just know that a character that dies is going to come back anyway (pretty much the dragonball-syndrome).

Then there’s an issue with the setting of this series, which mostly pops up in the first half of this series, in the form of its incredibly nationalistic messages: Japan is being oppressed by the evil Brits and Americans, and it’s up to the main character to vanquish the oppression. The second season also happily continues this tradition by portraying the Chinese as a bunch of fascistic pigs. It’s full of unnecessary stereotypes that make no sense.

So, with all of this criticism, why do you want to watch this series in the first place? Simple: the entertainment factor. The climaxes, badly written as they may be, do try their best to make a huge spectacle with what they can do. This is a typical series that you want to watch if you want some brainless action, and nothing deep or well written. You can mock the ridiculous plotholes and cheese and at the same time enjoy the action scenes for what they are.

But yeah, that doesn’t excuse the fact that Code Geass is a whole mess in terms of storytelling, and wants too much too fast. The character-development is ridiculous, it’s full of plotholes and unable to really create something memorable (not in a good way, at least). I’ve read somewhere that even the director thought that this series has turned crappy, so I hope that he learned from his mistakes and that his next series will be a “bit” more solid.

Storytelling: 7/10
Characters: 7/10
Production-Values: 8/10
Setting: 7/10
Posted on with categories: Anime Reviews, Nijuu Mensou no Musume


A major theme of the past half year was fooling the viewer, and the uncrowned king (or queen in this case) of this theme definitely is Nijuu Mensou no Musume. In this series, Studio Bones tells about a twelve-year old girl, who gets adopted by a glamorous and world-famous thief, in the period of right after the second world war. That leads you to expect that this is going to be some sort of thief-series, where Chiko and Nijuu Mensou (the girl and the thief) spend most of its time to steal a number of precious artefacts. Well, no.

I refuse to spoil what’s exactly going to happen, but expect a lot of points where the storyline in this series will just take 180 degree turns as the series progresses. This is really one series that keeps you guessing, and wondering where the characters will go next. And that’s the charm of this series for me.

To accompany the storyline, the series also has a number of very solid characters. Chiko works really well as a female lead: she’s smart and composed, although in the first few episodes, she does lean awfully close to a Mary-Sue. Thankfully, as the series progresses, she develops away from that trope. The side-characters are also excellent, though there are a few oddballs among them. Characters as Ken and Haruka never really can seem to find their place in this series.

Unfortunately, as this series enters its final third, its quality decreases dramatically. Up till that point, the series had been wonderfully unpredictable, and then it decides to close off with a drawn-out rip off of one of its earlier arcs, and a final antagonist who just lacks development for the big role he’s supposed to have, turning him into another one of those villains that are evil because they’re evil. The development in this arc pretty much stagnates, a few deus ex machina pop up here and there, it takes several episodes to do something that could just have been done in one, the final climax is a string of clichés, and overall it just took the potential this series had and threw it away.

Because of that, I just can’t label this as a great series, since it could have been so much better if a bit more time was spent to tweak that final arc. What could have been a masterpiece went rather downhill during its finale. Because of that, Nijuu Mensou no Musume still is a good series, but nowhere near the best of the season.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Nijuu Mensou no Musume



Short Synopsis: The aftermath of Nijuu Mensou no Musume, where Chiko has moved to London, and the detective girls finally have the chance to solve one mission.
Highlights: Chiko’s growth.
Overall Enjoyment Value: 8/10
Ah, thank goodness. The climax was disappointing to say the least, but at least the aftermath was excellent, as it showed what everyone’s been doing, two years after said climax. It’s interesting how Chiko chose her own way, and stopped getting herself involved with dangerous stuff, and instead just concentrated her time on studying. It’s also good to see that Ken got some proper development. He’s always been the odd character in this show, ever since the train incident, but at least he’s now able to move on, and not get held back by Chiko.

that masked murderer and ken really came from nowhere, but at least we got to see a nice fight to close off the series in this way. The lost boy also formed a nice way to conclude the series, pointing back to Chiko and Akechi’s lost nephew. Haruka also has grown up very nicely (and actually didn’t get married at her sixteenth ^^;), although her character-design felt a bit off. She had a bit of a “Kimikiss”-face, as in a face where the eyes are a bit too far apart from each other for their own good.

Overall, because I was able to blog more series than usual this series, I ended up blogging Nijuu Mensou no Musume on a whim, in an attempt to become a Bones-fanboy. Okay, so that attempt failed when both their contributions to the past spring-season ended up disappointing a bit. I still consider them a good production-company, which managed to nail a few very good series, but I still just can’t label it among my favourites. I had a lot of fun when this series was good and unpredictable, but the final parts were just too uninteresting for what it built up for.

Posted on 27 September 2008 with categories: Anime Reviews, Birdy the Mighty Decode



My three personal favourite series are the following: 1) Mahou Shoujotai, 2) Noein, 3) Visions of Escaflowne. Because Mahou Shoujotai wasn’t directed by just one guy, but a whole bunch of directors and the latter two were directed by the guy called Kazuki Akane, it’s pretty safe to say that he’s my favourite director. So, when he comes with a new series that plans to revive an old OVA from the nineties, then I obviously had to watch it. Overall, it doesn’t live up to his other work, but it’s an impressive series nonetheless.

Although it doesn’t always show this, this series knows how to build up. The first half of the series might goof off at first sight, but once the second half kicks in, everything slowly starts coming together, and the tension is very smoothly built up until the actual climax, and it becomes apparent that the first few episodes were definitely necessary, to flesh out the different characters and settings, and make them believable.

What impressed me the most, though, is the way that this series uses its production-values. There’s time enough for the story and characters to develop, with the second season and all, but both the graphics and music are very well done. The budget of this series is obviously limited, but the creators managed to save most of it in order to treat the viewer to a very small amount of beautifully animated fight scenes, which I’d classify as the best 2D-fight scenes of the past half year. When a character sprains his ankle, or gets his or her arm twisted, you see exactly the bones and muscles that move out of place, which is something most other anime tend to neglect.

There’s just one minor point about this series: it doesn’t have the most exciting main character to work with. Senkawa really is your typical fourteen year old brat, which love issues and impulsive tendencies thankfully the creators do manage to develop his character sufficiently, but he does whine a lot in the process.

Apart from that, I can’t really say much more about this series. It’s a typical series that’s meant to really take off in its second season, and for that it built up really well. There are some clichéd characters here and there, but the director has an excellent sense of timing, and knows what to say when, where and how to make the best out of them.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
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SuperMario
hello anon, following any anime this season?
Kaiser-Eoghan
My head kind of just floats over the edutainment parts in honda-san.
Kaiser-Eoghan
You read into these shows much better than me lenlo =)
Lenlo
This is the kind of character drama I enjoy. Its so grounded. Kurahara is trying to lead, but only has how his old toxic team was lead to go by. He doesnt see Nico basically killing himself with poor dieting. Yet he has progressed from "Im not on this team" to "I want to win first place with this team, at any cost".
Lenlo
Kaze Fui was soooo good this week. I love it.
Kaiser-Eoghan
@Mario: Air doll is also a manga adaptation now that I remember.
Kaiser-Eoghan
@Mario: Ending to his film Nobody knows hits like a ton of bricks. I still need to see distance and Hana.
SuperMario
@Kaiser: Shoplifters is also screening at my local theatre and I'm asking one of my friend to watch it with me. Such a powerful film. I think My Little Sister is the closest slice of life 'anime' we'd ever get from him, considering that film is based on a manga
SuperMario
Bloom into You is getting better now for me. Lots of good observations about teens coming to term with their feeling and their sexuality. Saying that I still don't like Yuu as a character at all
Kaiser-Eoghan
@Mario: I am seeing shoplifters by Koreeda on Friday. I also just watched After the storm and on a second time round it clicked with me more. I think I'd enjoy a slice of life anime directed by him.
SuperMario
Golden Kamuy embraces its goofy larger than life tones but damn it's entertaining to watch. Then the last few episodes it shows us how it can handle intimate scene and downright effective drama
SuperMario
I'm alright with Run with the Wind so far, still a solid show overall. 2 other shows that surprise me in a good way, however, are Golden Kamuy 2 and Bloom into You
Anonymous3119663
I didnt like this one as much as the others....
Kaiser-Eoghan
I like it that, even though I may not embrace a show as strongly as those who are really into it, that I can still at this stage be surprised by one.
Kaiser-Eoghan
and lol, I didn't expect the ashita no Joe references.
Kaiser-Eoghan
They seem to have dropped Kings job search arc though and the red haired guy though.
Kaiser-Eoghan
This episode was particularly funny, and wasn't it great that neither the scene between Hakone and Kakeru or Kakeru's scene with the rest of the group at the start never felt like shitty forced drama? Glad to see Hakone showing another side of him, getting mad.
Anonymous3119182
Getting into arguments with Haiji who actually lashed back at him, and taking his frustrations out on the rest of the team. It looks like his past is catching up to him and he'll need to confront it soon.
Anonymous3119182
Surprisingly from this episode of Kaze ga, I'm now convinced that Kakeru will gets his comeuppance soon because man that reality check from the last episode really hurt his ego that badly for him.
Animosh
It consistently looks good, and unlike so many other adaptations, the staff is taking their time instead of rushing through the source material. In the latest episode they even added stuff to flesh out a certain character, and most source readers seem to consider it an improvement!
Animosh
@Amagi: I'm actually pretty impressed with the slime anime. Sure, the story is nothing special, but I didn't expect it to be. As an adaptation, though, it has far exceeded my expectations: I expected a cheap ad for the LN/manga, but the staff is clearly putting a lot of love into this.
panda
Weirdly enough, I liked the character additions to Bleach even though I know that besides the initial two arcs and the Hueco Mundo arc they weren't as interesting.
>weren't as interesting
Okay it was a disaster but still.
panda
I kind of feel the same way about series adding shit tons of characters to the series. Especially when we know that they're not even going to show up as much later in the series. I had this problem with Fairy tail and a lot of other shounen manga.
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
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