Posted by psgels on 16 September 2008 with categories: Ultraviolet: Code 044



Short Synopsis: Luka tries to rescue King, and more things happen which I’m not going to spoil here.
Highlights: So different from what I expected!
Overall Enjoyment Value: 8.5/10
Whoa! That was actually a really good ending! This episode was among the best episodes of the entire series, and it exactly knew how to use the things it built up for, and carried them further. Here I just expected 044 to go after Luka in a sudden flash of guilt. Here I just expected Daxus II to easily finish off Luka, only for 044 to finish him. Oh, how wrong I was! I expected the final episode to focus on action. Instead, I got a final episode that focused on character-development.

As it turns out, 044 infiltrates indeed Daxus’ headquarters, but not because she wants to help Luka. Instead, Garcia managed to find out from who 044 was cloned (more on that below), and she wanted to meet that person, who just happened to be sealed inside Daxus’ headquarters. Instead, it’s none other than King who kills Daxus II. A very fitting combination, considering the things that Daxus had done to him.

I’ve seen quite a few solid series, where you’d expect a great ending from, disappoint in their finale. For example, Ghost Hound and Dennou Coil: both were very well written, and yet their endings were rushed, and in Ghost Hound’s case it was all over the place. Ultraviolet, though, manages to use exactly what it’s been building up for to provide some nice extra twists, like how Daxus II is actually a clone of his father, but refuses to admit it. Fear o fhis own identity fits his character exactly.

And of course, there was the twist that 044 is Ultraviolet’s clone. Now everything makes sense: she was the one who unconsciously spoke to 044, and this is also the explanation why 044 was such a badass fighter. This also laid an appreciated parallel to the movie, however bad it may have been.

Then there’s the aftermath: Daxus’ headquarters blows itself up. I didn’t quite catch why, but nevertheless it was a very fitting end to such an action series. I also loved how absolutely zero budget was spent on that explosion. It’s just about the opposite a normal action series would have done. I really appreciate the subtlety of it all.

And the three that survived in the end were Garcia, Matilda and Luka. I especially liked the way that Luka managed to survive: you never actually see the guy escape, he just lives. It’s up to the viewer’s imagination of how he managed to get out of that exploding building in time. I must say that it was a very nifty way of the creators to save some time, rather than to increase the pacing elsewhere and make the ending rushed. We don’t really need to know how Luka escapes. It’s irrelevant to the story. All we need to know is whether he survives or not.

And finally, Garcia. I really like how this series never put him into a love triangle with 044: he knew that she had feelings for Luka, and decided to help her as a friend, preventing this series from delving into a pointless love triangle. I think we can thank Matilda for that as well.

One Response

  1. windy says:

    Yes, I was surprised to see Garcia survive, that’s what made me think about 044’s survival as well, I guess it’s quite impossible. She touched the glass window of her original clone and then a blow occurs!

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  • Bam
    (Saturday, Apr 30. 2016 10:44 AM)
    In a world where Urotsukidoji gets 3 series of OVAs there is nothing you want to make that is too risqué or edgy that nobody would want to pick up. I get a small startup trying to push their fist film out, but most big Kickstarters are ran by bigname talents that already have a string of hits on their resume. C’mon, just have some faith in your work, it’s just crazy to ask for money upfront.
  • Bam
    (Saturday, Apr 30. 2016 10:37 AM)
    SuperMario: I assume you mean Charlie Kaufman’s new film, in which case he already did pretty much whatever he wanted. Have you seen Synecdoche, New York and Adaptation? Now I’m a big ran of the man, but this creative control card gets a bit overplayed. The Under the Dog producers claim the same thing, but looking at their trailer it doesn’t look like anything that Japanese studios don’t already greenlight.
  • SuperMario
    (Saturday, Apr 30. 2016 09:01 AM)
    for me though, I only pay for projects that I’m certain to watch (and have to pay for it eventually), so I don’t see the point not to “helping” them out. It’s all the same for me.
  • SuperMario
    (Saturday, Apr 30. 2016 08:58 AM)
    @Bam I think the core concept is 1) with Kickstarter, many projects that otherwise never could have made is get supported here and 2) creators have more artistic control over their project. Take Amonalisa for example, big studios was very hesitate to fund the film, because of the commercial failure of his first film, but he insisted to get crowdfund and we have one of the more creative animation output last year.
  • Bam
    (Saturday, Apr 30. 2016 08:53 AM)
    A lot of the tech stuff is things you will never use twice; like a smartphone microscope attachment. they’re usually pretty shifty with it too. Yeah I’m sure it takes the price of a house to make a video series about sexism in videogames- right? And it takes almost a million dollars to make a 4 level indie game with three guys- seems legit. Must be pretty nice to basically do business with zero chance of failure.
  • Bam
    (Saturday, Apr 30. 2016 08:47 AM)
    I just don’t get the core concept of why I should pay for someone else’s business endeavors? They’re going to reap the benefits, they usually have money, let them pay for it. I get it if it’s research, or some strange art project for the sake of the art, but movies, games and anime that are going to get a commercial release? I swear people are so easily bamboozled.
  • SuperMario
    (Saturday, Apr 30. 2016 08:21 AM)
    @Kaiser:I have been supporting Kickstarter for a while, but not for games or movies, but for animation projects. I think it’s worth it. But like Bam, Aiden and K-Off said, sometimes it gets a bit muddy. For movies for example there are a lot of projects that was just ideas… and ideas alone are not enough.
  • Kaiser Eoghan
    (Saturday, Apr 30. 2016 08:08 AM)
    Ah but that would frustrate me in muv-luv, I’d be the one suffering as a result of having to wait for the characters suffering to start.
  • Kaiser Eoghan
    (Saturday, Apr 30. 2016 08:06 AM)
    I’ve heard kickstarter being used for crowdfunding indie films, honestly as a film buff I really should get on that and start supporting.
  • Kaiser Eoghan
    (Saturday, Apr 30. 2016 07:41 AM)
    I generally don’t pre-order unless its a gift for someone else, so I can guarantee for 100% sure I can get it for them and it won’t sell out.

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