Posted on 31 October 2008 with categories: Tytania

Short Synopsis: Alses continues his manhunt for Fan Hulic
Highlights: Talk about a complete change of mood.
Overall Enjoyment Value: 7/10 (Enjoyable)
Okay, so this is something I didn’t really see coming. This episode, instead of focusing on the usual politics instead tried to lighten the mood by focusing on first romance and then comedy. I’m not too much of a fan of Lira yet. I can understand how she would be desperate to keep Van Hulic as her ally, but nonetheless she annoyed me half of the time.

Miranda, however, rocks. She’s the perfect example that women too can be GAR, and the soldier she captured (who seems to be an old acquaintance of her who joined the army) works really well with her in terms of banter. I never thought that I would praise this series for being funny, but there you have it, the second half of this episode was really fun to watch. ^^;

Meanwhile at the Tytania-department, it becomes clear that Alses and Salisch aren’t exactly on one line, and even though Salisch has a higher position, his mother seems to be more attached to Alses. Lydia is still far removed from the plot, and the rest of the family also doesn’t seem to do much in this episode. I think that the introduction is going to take a while longer, since the next episode is probably going to focus on Fan, getting accustomed to the rebels’ hideout. Still, it’s good that the creators are taking their time and not keeping to the same mood, but it indeed takes a bit of patience to sit through it. ^^;

Posted on with categories: Monthly Summaries

Okay, so since this list already is huge for this month, I decided to omit the OVAs in this list, along with series that have already finished and belong to the previous season, like Chi’s Sweet Home and Wagaya no Oinarisama, in an attempt to keep this list a bit overviewable (although I do want to say that RD’s ending was probably my favourite ending of 2008). Overall, Fall 2008 is without a doubt the season with the biggest amount of solid titles of 2008 for me. There are lots of series that are already amazing, and just about as much series with enough potential to become amazing later on. It’s especially a season with lots of horror and comedy.

#43 (new) – Bihada Ichizoku – (1,5/10) – Okay, so the first episode was so laughably bad that I’m pretty sure that it’s going to end up as the show with the worst first episode of 2008 and 2007. If you ever want to know how not to write a story, watch this. Else: AVOID.
#42 (30) – Rosario to Vampire – (3/10) – Dropped.
#41 (new) – Kurogane no Linebarrels – (4,5/10) – I really don’t want to sit through another Romeo x Juliet or Dragonaut. Kurogane no Linebarrels shows every sign of a bad Gonzo series. Dropped.
#40 (new) – Akane-iro ni Somaru Saka – (5/10) – What is it with these harem-series and their impossible hairstyles? I mean, it’s not even pretty. Dropped.
#39 (new) – Kemeko Deluxe – (6/10) – The problem with this series is that it tries to be random for the sake of being random. There’s hardly a joke that really feels inspired. Dropped.
#38 (new) – Tentai Senshi Sunred – (6/10) – The second episode was horribly dull, which indeed confirmed my fears about this series having no future at all. Dropped.
#37 (new) – Macademi Wasshoi – (6,25/10) – This series just isn’t funny enough, especially compared to the other comedies this season. Dropped.
#36 (new) – Kuroshitsuji – (6,25/10) – The fun in this series quickly ended, the characters turned into stereotypes and the individual stories so far have been simply boring. Dropped.
#35 (new) – Toradora – (6,75/10) – I’ve sat through one season of Shana, and that was more than enough. Dropped.
#34 (new) – Yozakura Quartet – (6,75/10) – The most interesting part of this series were the two minutes of back-story at the beginning of the first episode. That’s got to be a bad thing, right? Dropped.
#33 (new) – Inazuma 11 – (7/10) – So, this is one for the kids out there. I admit it’s better than your average series of the genre, but I see no reason why anyone over 12 years old would get excited over it. Dropped.
#32 (new) – To Aru Majutsu no Index – (7/10) – It’s a shame that this series had to air during a busy season like this. Otherwise, I would have wanted to give this one a chance, to see whether it’ll turn better over time, but right now there’s much better stuff airing. Dropped.
#31 (19) – Shugo Chara – (7/10) – You know, I could have enjoyed this series if it wasn’t for the fact that it’s just so damned long. Right now, the time needed to put into this series just isn’t worth the reward in the end. Dropped. Again.
#30 (new) – Hokuto no Ken Raoh Gaiden – (7,25/10) – It’s a manly series and all, but I just don’t see any potential in this one. Dropped.
#29 (24) – Vampire Knight – (7,25/10) – I sat through the first season, but I don’t think I have the will nor the patience to do the same with thirteen more episodes. Dropped.
#28 (23) – Noramimi – (7,5/10) – Noramimi is a decent enough show to watch one episode of, but after that there really isn’t much of a reason to continue watching it, especially in such a large season as this one. Dropped.
#27 (17) – Soul Eater – (7,5/10) – Well, I finally decided to drop this thing completely. The thing is that it would have fitted much better as a series with just 39 episodes. Right now, this series is just trying to stretch its airtime with pointless exposition that goes on for episodes at a time. That’s not what a fun-filled action-series is supposed to be.
#26 (new) – Stitch! – (7,5/10) – I originally wanted to keep watching this series, but this season is just too busy for that. It’s a nice children’s series, though. Dropped.
#25 (new) – Kyou no Go Ni – (7,5/10) – If the season wasn’t so busy already, I would have watched this, but this seasons has just too many comedies already. Dropped.
#24 (new) – Kannagi – (7,75/10) – For now, I’m going to continue with this series. Some of the jokes work and the characters are adorable if they really try. However, the animation is incredibly inconsistent: it ranges from incredibly good to incredibly bad. This series also tries too hard to become a harem, it would have been just fine to show the daily antics between the male and female lead. There’s enough material for that to fill up 12 episodes.
#23 (13) – Junjo Romantica – (7,75/10) – So far, nothing special yet, but then again the “hot passion” has yet to erupt. I’m not sure about the exact potential of the love-jealous brother yet, but with a bit of luck Usagi’s past will shed more light into that.
#22 (new) – Tales of the Abyss – (7,75/10) – So far, I’m not sure about the magic-system of this series, and why little girls that are barely ten years old seem to be masters in them. Luke and Tear do have a lot of potential, though, and I expect this series to show to get fired off as soon as its second half starts.
#21 (11) – Clannad – (8/10) – Clannad shines when it takes itself seriously. It falls when it doesn’t, and apart from the first episode, this formula hasn’t changed much in the second season: the comedy just wasn’t interesting, but the serious moments really made up for it.
#20 (new) – Ga-Rei Zero – (8/10) – The big problem with Ga-Rei Zero is that out of all the interesting characters they could have chosen, the producers decided to focus on the least interesting one. The girl is a whiny brat, and really brings down the awesome set-up of the first two episodes. I’m hoping right now that she’s going to develop properly, and doesn’t make this one of those series where the best episode is the first one.
#19 (new) – Chaos;Head – (8/10) – So far, the potential’s definitely there. The only really bad part is the stereotypical sister, but I do see her role in this series. It’s an interesting paranoid mystery-series.
#18 (new) – Shikabane Hime – (8/10) – Shikabane Hime has been pretty solid so far. It’s not the best of the season, but the potential’s definitely there. What stood out the most was the nice characterization and interesting fight-sequences.
#17 (11) – Telepathy Shoujo Ran – (8,25/10) – Much of the same, which is a good thing for this series. I do hope that the final parts of this series will at least include some character-development, because this series has been awfully dry on that part. A real shame with such enjoyable characters.
#16 (new) – Tytania – (8,25/10) – Okay, so it’s been mostly (if not all) building up this month, but you can already see that this is going to be a very interesting political thriller once all the pieces have been set right.
#15 (new) – Michiko e Hatchin – (8,25/10) – One of the few new series that’s not some sort of adaptation of something, and it shows. Detailed characterization, an incredibly original setting, and nice production-values to back it up. For now, it’s still a bit one-sided and it’s nothing amazing yet, but I can already see the characters grow into something memorable.
#14 (new) – Kurozuka – (8,25/10) – Kurozuka is basically one big horror-feast for the senses, with a pretty intriguing story to boot. The OP is also my number one for this season.
#13 (new) – Hyakko – (8,25/10) – I’m really surprised, from afar the characters look like a lot of stereotype, and yet the series has been consistently hilarious so far. This one can actually keep being funny through its entire run, provided that the creators aren’t going to stuff in some dramatic climax at the end.
#12 (11) – ef – a tale of melodies – (8,5/10) – Hmm, I think that this series was a bit too keen on getting to the meat of the series, but on the other hand it’s probably going to take six more episodes before we get to see the point that the creators are trying to make. Nevertheless, it’s a very solid series so far, and definitely an example of how a good visual-novel adaptation should be done.
#11 (3) – Bonen no Xamdou – (8,5/10) – It seems that this series is on a short break to let the Japanese broadcast version catch up to the English one, apparently. It should be back around half November, I think.

#10 (9) – Mobile Suit Gundam 00(8,5/10)

This series really can go anywhere from this point, but at least the second season stared off really nicely. Now let’s hope that the creators can keep up this pace.

#9 (25) – Nodame Cantabile – (8,5/10)

So far, it’s a hilarious start of the second season, but the question is of course whether the drama that’s going to pop up in the rest of the series is going to live up to the first season, and whether eleven episodes are enough for that.

#8 (new) – One Outs – (8,5/10)

I think Usagijen says it all. I’m really surprised that One Outs turned into the most underrated series of the season, considering Akagi and Kaiji’s fanbase. One Outs is intense, intelligent and exciting, and even though I don’t understand everything while watching raws, something tells me that I’m going to enjoy this series a lot more than I did with Kaiji, especially since I don’t have to write about it on a weekly basis.

#7 (5) – Porfy no Nagai Tabi – (8,75/10)

Woo! It’s finally time to get to the real meat of this series. This month, Porfy has still shown travel-arcs, but the storyline suddenly got much darker as Porfy arrived into France. I’m really curious to see whether this series can surpass the amazing Earthquake-arc.

#6 (2) – Gintama – (8,75/10)

Ehrem… I was eating some very spicy crisps during episode 87… Yeah… That was it….

#5 (10) – Blade of the Immortal – (8,75/10)

An excellent month for Blade of the Immortal, especially the growth of the characters is getting more interesting with every episode.

#4 (new) – Casshern Sins – (8,75/10)

Without a doubt the series with the best art-direction that’s currently airing. Everything about this series looks just amazing. The characters started out a bit dodgy, but I’ve found that the script is surprisingly intelligent and well written.

#3 (new) – Skip Beat – (8,75/10)

Skip Beat so far has been an hilarious shoujo-series, that also continues to develop its lead character, rather than keep with a bunch of bloody stereotypes.

#2 (9) – Jigoku Shoujo – (8,75/10)

This show’s crack! Really, the difference with the first seasons has been huge so far, and yet the third season is incredibly entertaining.

#1 (new) – Mouryou no Hako – (9/10)

Definitely my number one pick of the shows that started airing in the Autumn-Season. It’s got such a complex and mysterious story, the visual direction is awesome and there is so much expressivity in the characters.

Posted on 30 October 2008 with categories: Casshern Sins

Short Synopsis: Lyuze and Ringo return.
Highlights: How come Ringo and Casshern went to exactly the same place?
Overall Enjoyment Value: 7,5/10 (Good)
This episode returns us to the main storyline, when first Lyuze finally decides to show up and kill Casshern (she’s been following him everywhere, it seems). Even though Casshern still doesn’t remember what he did, he knows that he committed a horrible sin. As it turns out, Lyuze’s sister was the first he killed, and infected with that robot-breaking-down disease.

At the moment, Casshern is some sort of combination between human, robot and immortal being; there are so many facets to this guy: he doesn’t need any food, yet he can shed tears, he’s incredibly powerful, he can heal any sort of wound, and yet he suffers from memory loss and he’s got an alter ego that appears once he’s angry. I suppose that this alter-ego here is the key to everything. My guess is that Luna did something before she was killed, which tried to suppress Casshern’s violent personality, though only succeeded in this partially.

I was a bit disappointed when Casshern suddenly was able to save Ringo from out of nowhere, though. Has it been clearly mentioned that the two had the same destination, which I missed somewhere? Otherwise, it’s a pretty jarring coincidence on an otherwise excellent series. I already really like this series, but it’s just too early for my suspense of disbelief to just ignore these sorts of things. The point the creators tried to make with it was clear, though: up till now, Casshern’s violent side only disappeared when said side calmed down, but this time Ringo was able to call the guy out of it.

It’s very strange; this series is really well-written: the single dialogues are really detailed, and bring out the best of the different characters, and then there are a few things in the set-up that just don’t sit right. This episode too portrayed the ugly robots as much more evil than the human-like robots. It feels as if this series has a crappy guy behind the series composition, and yet the most amazing scriptwriters and art directors. Especially considering the former, this does make sense when you look at the staff-list, since the guy behind the series composition also did those of Claymore, Yume Tsukai and Shakugan no Shana. The chief animation-director also did the same for Mushishi, which could explain the amazing visuals, but I still have no bloody clue where that amazing dialogue comes from. Could it really be, that after directing countless of Dragonball Z-movies, the director suddenly saw the big bright light at the end of the tunnel or something?

Posted on with categories: Shikabane Hime

Short Synopsis: A bunch of teenagers jack a car and are attacked by a Shikabane.
Overall Enjoyment Value: 6,5/10 (Lacking)
Ack, this series was doing so well, and then that transfer-student popped up. This is all just a pet peeves of me, and I don’t care whether it makes sense or not. It’s not even the fact that she’s a transfer-student, but I personally HATE the scene where suddenly a girl whose prettiness somehow outshines every other girl in school introduces herself to the class, how every single male APART from the lead character makes loud comments on how hot she is, and out of everyone out there, she chooses the male lead as a friend, making every other guy jealous at him. I don’t care how the anime tries to explain it; I don’t bloody care whether it’s important to the story. I’ve just seen the same friggin’ scene way too many times, with hardly any variation. The fun is really gone at this point.

Seriously, anime makes it look like every single good-looking Japanese is continuously travelling the country or something.

In any case, the rest of the episode thankfully proved to be interesting enough to stop this episode from being unimpressive and disappointing. The first is obviously the car-Shikabane, which kidnaps unsuspecting teenagers that are looking for an exciting ride. I mean, you just have to think of it. ^^; The whole action-scene within that car maybe lacked a bit of horror, but nonetheless it was very fun to watch.

At the same time, the creators continue to very slowly give more and more depth to the characters. I mean, the big twist in this episode was no surprise for anyone who read the premise of the series, but it’s like I mentioned before: this series really takes its time, and that’s a good thing so far. At the same time we also see the new bad guy, who is the only one of his… organization (or whatever it’s going to be called) not faded out in the OP.

And really, I don’t hate the new characters or anything. They’ve got potential, but the way in which they were introduced was just… ugh…

Posted on with categories: Porfy no Nagai Tabi

Short Synopsis: The reunion with Mina doesn’t become so certain anymore and Major SPOILER ahead.
Highlights: It’s finally time for the creators to use everything they’ve built up for…
Overall Enjoyment Value: 8,5/10 (Awesome)
Holy crap, I knew it! My suspicions became sure at the beginning of this episode: the creators have been systematically removing everything that ties Porfy and Mina to Simitra, up to the point where there were just two things left: Apollo and Apollo’s medallion that Porfy made. Yeah.

The episode starts with Porfy, arriving at a local farm, and he asks the farmer whether he can give him some water. The farmer’s wife then returns a bit later with a rumour about a small girl who travels with her fortunetelling mother in the next town. It sounds too good to e true, but Porfy goes to check it out anyway, as the farmer gives him a few apples, and he and his wife feel pity with the guy.

Meanwhile, we see Mina again. She’s inside a train, and at that point she asks Isabella to tell her fortune. The first card that she opens unfortunately happens to be the death-card (foreshadowing, anyone?). Isabella then comments on how Mina has changed a bit. She’s indeed become more open when compared to when we last saw her.

Porfy meanwhile arrives at the town from which the rumour came, and indeed the villagers seem to recognize the description Porfy gives them. Meanwhile, Isabella’s father has troubles with his back (foreshadowing, anyone?), and they decide to travel on foot because the train won’t show up. Porfy meanwhile finds the inn the rumoured Mina is staying in, though they just checked out. He manages to find them, just before they hit a bus, but like suspected, they are some completely different people.

However, they do seem to know Isabella and the others, and in fact they met them once. Especially the girl was able to accurately describe Mina. They’ve got no idea where they are now, but nevertheless, there’s a good chance that they’re going to be heading to Paris. So, Porfy plans to head North, with the assurance that Mina’s doing fine (foreshadowing… anyone?).

At the local inn, Mina enjoys Isabella’s performance, and then suddenly she breaks down due to some vision she had or something similar (foreshadowing, anyone?). A bit later, we see that Porfy’s lost in some remote forest, with a hunter nearby (if that isn’t foreshadowing, then I don’t know anymore…). Porfy runs into said hunter, who asks what he’s doing there. It turns out that Porfy’s on some private property of that hunter, and even though Porfy tries to apologize and tell him that he’s lost, the hunter doesn’t believe him, and thinks that he’s the guy who has been stealing from his lands. He then sees Apollo and shoots him.

Meanwhile, something strange happens with Mina, and she somehow seems to feel Apollo’s death, and this time, she breaks down completely. She even calls out Porfy, for the first time since they separated. We switch back to Porfy, as he has just created a grave for Apollo. We never see him cry about it, nor do we know whether he did or not. And the episode ends.

I must say that even though there were so many signs of foreshadowing, Apollo’s death still made a lot of impact there. I think that this episode also introduced the final arc of this series. There first was the Greece-arc, which was slice of life, then the Earthquake-arc came, which was downright sad, the Slow Travel-arc then came, in which the stories took up three or four episodes, then the Fast Travel-arc, which was instead episodic, and now the Final Arc comes, which focuses on both Porfy and Mina, travelling to Paris, and it’s probably going to go back even more to the Earthquake-arc, but with an even more depressing mood. The question is of course going to be: does the final arc have what it takes to surpass the amazing Earthquake-arc?

With this episode, we also know for sure: SOMETHING is going to have to happen to Isabella’s father. There’s no other way to interpret his aching back. I also predict that whatever it is that will happen to him, it’s going to trigger Carlos’ time-bomb. What surprised me was how mellow Carlos was in this episode. There wasn’t even a bad word that came out of him.

There’s also something I’ve been wondering for episodes right now, because I’m also watching Perrine Monogatari at this point. Porfy grew up in Greece, so he’s not used to bad weather. Now that he’s in France, and it’s starting to become Winter, then won’t the guy catch a cold at one point? It’s strange, because there have been no signs foreshadowing this yet, and at the same time with nine episodes left, there still is enough airtime left for that to happen.

I’m also wondering: Mina’s death card was about Apollo… but did the creators mean more by that? The creators have been systematically killing everything from Simitra so far. Will they also give Porfy and Mina the same treatment. Like mentioned above: their reunion suddenly doesn’t become so certain anymore.

Posted on with categories: Michiko e Hatchin

Short Synopsis: Obviously, the police isn’t going to let Michiko get away without a fight.
Highlights: Surprisingly genuine.
Overall Enjoyment Value: 7,5/10 (Good)
Well, since Michiko e Hatchin’s second episode took so long to come out, it’s taken me quite a while to finalize my blogging schedule, but here it is (note that the days correspond to the days in which I can expect to get my hands on them, rather then their actual airdates)
Monday: Blade of the Immortal*
Tuesday: Nope
Wednesday: Mouryou no Hako, Kurozuka, Porfy no Nagai Tabi, Michiko e Hatchin**
Thursday: Shikabane Hime, Casshern Sins, Bonen no Xamdou***
Friday: Tytania
Saturday: Telepathy Shoujo Ran, Jigoku Shoujo
Sunday: Mobile Suit Gundam 00
*airs bi-weekly
**could move to thursday at this pace
***seems to be on a hiatus for about a month

Like always, the good shows seem to have concentrated themselves on two or three days, rather than spreading evenly, so Wednesday and Thursday are going to be pretty busy, while Monday and Tuesday will be quiet.

In any case, I’ve decided to blog this. The first episode could have been better, but there’s definitely potential here. Manglobe is a unique animation company, in the way that they only release a series every two years or so. This is a very risky strategy, because if the sales disappoint, they’re screwed, but this way it does allow them to put extra effort into developing their series, and making everything come out right. In Samurai Champloo’s case, it enabled them to create some really awesome fight-scenes, Ergo Proxy did this with its plot, and Michiko to Hatchin seems to be doing this with its characters.

The fight are not amazing, and neither the plot is very complicated, but the characters so far are feeling much more genuine than with Samurai Champloo and Ergo Proxy’s case. If given time, I can really see Michiko and Hatchin develop into an excellent duo, which makes up for their own weaknesses. At first sight, they may seem like a standard “Strong and Weak person who Travel”-series, but I’ve yet to see such a series where the strong person is such an irresponsible person as Michiko is. And yet, she does show that she can take responsibility, just as how Hatchin is a strong girl, but can just as easily collapse, since she’s still only nine years old.

I just wonder… why are there two people called Michiko and Hana, walking around in Brazil? They don’t really strike me as typical Portuguese names or something. Still, I do have to admit that I really appreciate it that the creators have chosen such an original settings. There are so many different countries out there, with so many different cultures and potential for juicy stories, and yet 90% of all anime plays in Japan, 5% in a fantasy world, and 4% somewhere either in Europe or the United States (okay, so these numbers are way from exact, but you get the picture). It’s awesome to see a series that attempts to screw conventions and go with something completely different.

Posted on 29 October 2008 with categories: Kurozuka

Short Synopsis: Kurou remembers what happened to Kuromitsu, and the story takes an interesting turn.
Highlights: Matrix, anyone?
Overall Enjoyment Value: 7,5/10
I remember that during the winter-season, I was very annoyed with Madhouse for some strange reason. If I recall correctly, then apart from Mokke and Ooedo Rocket, every of their recent series at that time had some sort of annoyance that brought it down: Dennou Coil and especially Saiunkoku Monogatari had their endless amounts of hiatuses, Shigurui and especially Claymore had their disappointing endings, Death Note was unbalanced, Kaiji dragged on and Devil May Cry, Maple Story, Nougami Neuro, Kaibutsu Ojou were just badly written.

And here I am right now, seeing them continue to churn out hit after hit, for three consecutive seasons. Is this really the same Madhouse we’re talking about? I’m not sure what happened, perhaps some high-ranked official found it a good idea to put more emphasis on quality and originality, perhaps it’s just chance, and they’ve chosen a string of excellent series to animate (in a way, it’s like Gonzo’s string of excellent series from 2006 till Summer 2007). In any case, whatever it is, I really appreciate it, and I hope that this string of excellent series will last as long as possible.

This episode of Kurozuka again adds a whole new dimension to the series. We learn that when the screen turns funky, it’s not simply because of the visual effects, but at that time Kurou can also slow down time significantly. We also learn that Kuromitsu has been kidnapped by the strange enemies, but the end of the episode reveals that it was Karuta’s allies that took her away, making this not just a story of good vs evil anymore. It does make me wonder why they were walking around in enemy-suits, though. And why the heck the enemy’s after them, and why they needed Kuromitsu in the first place.

One problem that I have with the series is that it’s aired a bit too soon after Ultraviolet. I just can’t help but think that Kuromitsu and 044 are alike: their character-designs are so similar, and Paku Romi uses nearly the exact same voice for them. She’s going to have to be fleshed out a bit more if she really wants to stand apart from her Ultraviolet-counterpart, especially since their roles seem to be completely different. Ultraviolet was a strong-minded killer on the run, while Kuromitsu feels more like a damsel in distress (please don’t let her end up captured for the rest of the series).

Posted on with categories: Mouryou no Hako

Short Synopsis: Not just heads get cut off in this series.
Highlights: Awesome use of different camera-angles.
Overall Enjoyment Value: 8/10 (Excellent)
Those creators really are out to get me with their incredibly complicated dialogue. Heck, the website even refuses to list the name of the different characters in anything else but Kanji, making it even more difficult to try and put combine the names with the different faces, especially since half the cast doesn’t seem to be introduced yet (Yoriko has a sister?).

So, the beginning of this episode shows the main character with glasses, apparently Tatsumi Sekiguchi is his name, as he’s just cut up several bodies, commenting on how he just can’t get them right. Later in the episode, we see him again, showing a novel he’s writing. We don’t know whether his “failure” refers to his novel, where the cut-up body was just a visual metaphor, or whether he really does have a secret. Yoriko’s sister Kimie is apparently much older than she looks on the official website, and my guess is that she works for the ones who plan to publish Sekiguchi’s novel.

And at the same time, we see Kanako in a strange bed as she’s lost all of her limbs. There is someone who watches her, who I suspect to be the guy with glasses who left a bit earlier and whose name was Noritada Amemiya, I think. Later, strange limbs are found all over the country, but the DON’T belong to Kanako. The detective acts shocked, while the chief policeman in charge (at least, that’s what I thought their roles were) doesn’t act surprised. Suzaki (the most important doctor) then gets killed (probably to make sure that he doesn’t find any weird stuff) and the biggest enemy of Yoko is the detective Kiba. Yoko in some way has a very big role in this, but what exactly is it? For some reason, she also completely flipped once she found out that Suzaki was dead.

Then, a random teenaged girl gets kidnapped, cut up and stuffed into a box, I’m not sure who the guy was who did that. What I guess are a few months later, a new detective contacts Kiba, probably to team up with him, and he tells him about the four limbs that were found, and even though htey weren’t Kanako’s, he believes the two cases to be related. He seems to think that Sekiguchi is the victim, and the night he ran into them in the hospital wasn’t a coincidence, it seems. I wish I could remember who those others were who were with him in the car.

He points Kiba to some guy that Yoko got affiliated with when she was still an actress. Minami Kinuko, could that possibly be her stage name? It doesn’t appear anywhere on the list of names for this series. This is where Amemiya pops up again, apparently he was the one who forced Yoko to retire from her job as an actress. The guy also tells him about a certain doctor “Amakasu”, who is trying something like the doctor Frankenstein: he’s trying to create the perfect soldier that won’t die, explaining why in this series bodies have to be cut up.

What really strikes me so far is that this is a 13-episodes, and yet two of the five main characters haven’t felt like main characters at all (they only popped up once or twice) and two haven’t even appeared yet! I’m really curious to see what this series is going to turn into once it hits its second half, but so far I’m already loving every second of this. I’m in for lots of convolution once in a while, and this series is exactly what my inner mystery-fanboy needs.

It’s also interesting that this series shows the power that still frames can have. Especially that sequence in the beginning: it just consisted out of about ten drawings, there was no movement, and yet it perfectly showed what was going on, it looked excellent, and it set the mood. Madhouse really is an excellent studio when it comes to proving that you don’t need the budget of a small country to make a series look beautiful. You can easily try to save budget by simplified drawings (á la Kaiba) with lots of motion, or go Shigurui and have very detailed drawings with hardly any motion, but as long as you put enough thought into the artistic direction, you can make anything look good this way. This is exactly why I’m a big fan of series that experiment a bit with their graphics. It looks much more interesting than the straightforward drawings that just go with predictable poses and camera-angles.

Posted on 27 October 2008 with categories: Gunslinger Girl - Il Teatrino, OVAs and Movies:

Short Synopsis: First Rico and Jan travel to Venezia, then Jan, Jose, Henrietta and Rico visit Jan and Jose’s hometown.
Highlights: Haunting as ever.
Overall Enjoyment Value: 8/10 (Excellent)
Am I glad to see more of this or what? The OVA cleverly chose to focus on character-development, rather than action, and it was SO WORTH the fifty minutes of airtime. It would be such a shame if this series was the end of this franchise, because those final volumes of the manga really deserve to be animated. This OVA really reminded me why I labelled this series as the best one to start airing in the past Winter-Season after with Porfy no Nagai Tabi

The first half was basically about Rico, and how she’s probably the most haunting member of this cast. It’s still awkward to see such a killing-machine like her transform to such an innocent girl so easily, and especially that nightmare she had made a lot of impact: to suddenly wake up without having any limbs. During that moment, the creators and especially her voice-actress did a wonderful job at conveying her emotions at that time.

Il Teatrino concludes with the background story of the subplot that had been looming over the entire series: the death of Jan and Jose’s sister, and it’s interesting how both of them decided to live with it in a same way. Jan tried forget her, while Jose tried to not forget her. As a result, Jan has a strange illusion of her when he visits his old house back (and after seeing Henrietta wear some of his sister’s old clothes). At the same time, he also seems to be mourning over the death of a certain “Sophia”, though I didn’t pick up exactly who she was.

I’m also becoming an increasingly bigger fan of Kou Otani as a musical composer. So far, I’m loving the soundtracks he’s produced so far. They’ve all got a folky feel, but all of them are distinctive and different.

One thing that would be an interesting idea for of the third season ever gets highlighted, is for the series to switch production-companies again. In this way, we’ve got a series with three different, yet consistent parts that form a bit story as a while.

Posted on 26 October 2008 with categories: Mobile Suit Gundam 00

Short Synopsis: Marina plans to go back to Azadistan, to try to rebuild her country again.
Highlights: That romance is either going to make or break this series.
Overall Enjoyment Value: 7/10 (Enjoyable)
The ED of this series is starting to sound better and better, and I finally realized that it’s been done by Ishikawa Chiaki (who also did the theme songs of Bokura no). It’s pretty much the best theme song of this series so far, even though it still comes nowhere near the work she’s done for Bokura no.

In any case, this episode was pretty much about romance(or potential romance, in any case): Alelujah and Soma grew up together, but Soma doesn’t seem to realize this (most likely from the time when people messed with her brain, in the first half of the first season. Of course the removal of these berserk tendencies needed to have some repercussions). Then we have Feldt, who sees the image of Neil in Lyle, and Lyle uses this to hit on her. Meanwhile, Marina asks Setsuna to go with her to Azadistan, while both of them proclaim that they’re not in love in stereo (pretty much THE hint in anime of a future couple). Billy meanwhile is angry because Sumeragi “betrayed” him and started to develop new mobile suits for the enemy.

The thing is, that this series definitely can’t use some badly developed romance at this point. The creators are going to be very careful to actually develop all these relationships right, in the middle of the series. I’ll be happy as long as the romance is used wisely, and doesn’t get in the way of what’s really important in this series, and gets used as character-building. I was glad that the second season removed the teenaged-part from the series, but that doesn’t mean that this has given the light for cheesy romance now. It’s just too late now to turn this series into a romance-one.

There’s also one thing I’m wondering for a bit, but that may be because I’ve been watching the second season raw so far. But if four years have passed already, then why hasn’t the Earth-Federation gotten the chance yet to mass-produce the Solar Furnaces? Why haven’t they discovered the workings of the Trans-Am-system they’ve gotten from Alelujah’s machine when he was captured? Their tactics in this episode were pretty weak: they pretty much knew the position of the Poseidon, and yet they only attacked with a small number of Mobile Suits. But I guess that that was meant to be: to show the ineptness of the new white-haired commander, and push Kati up a rank.

And there’s one thing I’m also glad about: neither Saji nor Louise was annoying in this episode. Saji is already trying to work on the Poseidon (so my big fear of him becoming a Gundam pilot is unfounded), and Louise is growing up much more, although I’d like to see more screen-time of her, since she only appeared in two or three short scenes so far.

Kaiser Eoghan
Kaiser Eoghan
Going back to the fanservice topic, its very easy to complain about it in anything but then something actually comes along that actually does it for you. I mean I always say that I don't watch a show/movie for its fanservice elements and stick with pictures on image boards, but then I ended up seeing a film where I actually got something out of the fanservice while watching the film its.
Kaiser Eoghan
The oujia prequel was competent genre fare, the director cared about the characters and every now and the built up a decent mood. Although jump Scares are there . And I always appreciate a horror film having a mean spirited ending. One of the rare cases where the young actors do well in a horror film. The pace is a bit uneven, rushed and a bit laggy .
Kaiser Eoghan
In the sense of how messed up/especially bleak those two episodes were.
Kaiser Eoghan
There was the sense too with both those episodes of "Jesus...I wasn't ready for that...."
Kaiser Eoghan
Though the first episode of the first season and the third episode of season 3 are very hard to beat. Adding to what I thought of s3 ep3 I felt that one hit me on the same level as s1 ep1 did so.
Though in previous seasons I generally only really liked 2 out of the 3.
@Kaiser, though the previous seasons where only 3 episodes long and you enjoyed 3 out of 6 in this season. So yo essentially get the same amount of enjoyment as previous seasons.
Kaiser Eoghan
Based on my comments, it looks like I had a mixed reaction to the third season. Three out of six, but the great was was great and forgives it but I still feel that there was more of a consistentancy in quality in the other seasons. I enjoyed every story in seasons 1 and 2.
Kaiser Eoghan
The final episode felt like a movie all on its own, I'd have gladly watched another thirty minutes of it, ending was a nice punch in the gut.
Just finished black mirror season 3. I hear people basically complaining that it's not as strong as the previous two season but I disagree. I really enjoyed this and this is a show that deserves much more episodes. Personal favorite is between shut up and dance and hated in the nation. Worst I thought was San Junipero. Overall thought each episode was interesting.
Kaiser Eoghan
On the upside I loved black mirrors fifth episode, I'm a sucker for war/action-dramas and I particularly liked the tech in this one.
Kaiser Eoghan
Yeah this is impossible for me to sit through, the romance part is also rather dull.
Kaiser Eoghan
Eh, this fourth episode is plodding and trite, feels like a bad, poorly dated 90s film.
Kaiser Eoghan
@Aidan: Third episode also instilled a great sense of paranoia.
@Kaiser: thanks for that mate. I have too much to say for Flipflappers but to put them all in coherent flow is goddamn hard. And like I said I still fell I left many details out: that gung-ho potato or Yayaka and the twins
@Friend: jugding from the last convention I went to, people loved Re:Zero customs (Emilia and Rem, Ram were highlights. Or you could try RWBY characters (I for once love to see someone cosplay Pirrha Nikos or Velvet Scarlatina)
Kaiser Eoghan
@Aidan: Didn't care much for new black mirrors second episode, then again I'm not really the target for that story. The third episode while a bit heavyhanded and predictable was suspenseful, nasty/mean and I liked that about it, did in 50 minutes what some thrillers fail to achieve in two hours.
Holo is a good one :0
Materials aren't a problem at all for the most part, except for anything too crazy like working in brass. I'd prefer it to be characters I'm familiar with.
Does it matter to you that they're from shows that you like, or are you just in it for the challenge?
@Friend Aidan has some good ones there. I'd also give the cast of Akame ga Kiru a shot, I don't like the series but it has a lot of neat character designs.
I was thinking simple as I didn't know what kind of materials you got on hand. I was also thinking of Holo from spice and wolf or Kino from Kinos journey either.
Mm, Tatsumaki might be not challenging enough to design for. Doesn't Shiki simply wear either a coat or Japanese kimono? I do work in set design and not in character prop design, but I'd love to try something that would let me reasonably challenge myself.
@Friend, Spit balling here but Tatsumaki from One Punch Man? I know the costume for that one would be simple enough. Or maybe Shiki from Kara No Kyoukai?
*I don't want to do anything too complex for my first try, but I also don't want to do anything boring. Boring would be a character like Rukia or Celty. Any ideas?
I remember talking about this with Emma/Kaiser before, but has anyone here gone cosplaying at an expo before? I thought it would be neat to try designing my own costume and try something else beside drawing on a computer.
@Kaiser, I am up to episode 4. 3 has been the best one so far.Though in all these episodes I pretty much figured out the twist from the get go. Still this shows always tends to get you thinking.
Kaiser Eoghan
I think the roles/identity thing with flipflappers, at least with the protaganist does fit in well with adolescence.
Kaiser Eoghan
@Aidan: I've only seen the first episode so far. I felt the acting was intentional and reflected the satire Brooker was going for on the shallow nature of society. Bleak as ever but gloriously grotesque.
Kaiser Eoghan
@Mario:Good in depth reviewing there Mario of flipflappers episode three.
Good god this first episode of black mirror is hard to watch. I know exactly how it's going to turn out but it's just so damn painful to watch.
Well, tbh up to where I've seen there's not much explicit yaoi in yuri on ice, only a lot of fujoshi fuel.
@Kaiser. thanks for the torrent. Gonna blaze through this today.
@Topgavin, as someone who watches a metric ton of anime I am rather surprised at that estimate that 90% of it contains Yuri.
My god those gay scenes in Yuri on Ice are hard to watch for me. Wonder if this is how it feels to be a girl watching 90% of normal anime nowadays.
okay, Flip Flappers episodic review was up. This is my lengthiest weekly review so far and I still feel I missed a lot of points. Damn you Flip Flappers
Kaiser Eoghan
You have seen the light, not needing to know everything thats happening to enjoy something ^_^
Kaiser Eoghan
I've given some consideration to reviewing that oujia film followup.
Whether you see one or the other is entirely up to your preferences, so it makes no difference to me which is worse. I have gotten very tired of generic character types, but again that's just because of the things I decide to regularly follow.
I will say if it must come down to either unnatural dialogue or unnatural character types, at leas the character type is speaking their own words and not the words of the script writer.
Or was that a black and white fallacy? Maybe it was a little of both.
@Realjustified, K-Off wasn't agreeing with me. That's a Moving the Goal Posts logical Fallacy but well I will answer regardless. Honestly it's preferable to have neither. The big mistake you are making here is that you are putting down a condiction that a show must have one or the other. But both cartoons and anime can have both. I just think it's a lot more prominent in cartoons than anime.
Like, having read hundreds of harem manga over the years, a majority of the ultimate love interest always happens to be the first girl the protagonist meets.
Wait wait wait wait. Aidan and K-Off. I get that dialogue in cartoon can seem like it was written by a script writer, but at the same time, lots of anime have characters whose sole purpose is entirely scripted. The whole spectrum of "deres" and everything. What do you think is worse? Unnatural dialogue, or unnatural character types?
You guys should really go fuck yourself, it's a solution and it's nothing short of great!
You guys should really watch the first 4 episodes of Bungo, it's a prequel and it was nothing short of great!
omg!! I just realized To be Hero was one of the show that I reviewed its 1st episode back in Chinese Animation post. I watched raw then though
forgive me if I'm a bit too overwhelmed by Flip Flappers... For this episode alone I took like 25 screenshots...trying to write a review now...
I have absolutely no idea what is going on in Flip Flappers plot. And yet for some reason I am OK with that.
Anyone out there that's a fan of crude humor should go watch ep.3 of To Be Hero. Certinately stepped it up a notch from the last two humor-wise.
One downside I can think of already is that I'm bound to lose or break one of the detachable controllers. The cost for those pieces is what I'm most interested in.
Nintendo Switch hmm? Honestly it looks too good to be true. I expect some major downsides to this thing.
I like cartoons, don't get me wrong. Certainly good for a change of pace. But there is something about the way they are written that I find rather distracting.
I don't know, maybe if I said it's like the difference from how characters talk in movie vs how characters talk in a sitcom?
@K-Off, I said one liner's or jokes. Not one liner jokes. It's hard to explain. Basically when I hear a conversation in anime even if it is based in stereotypes, it at least feels like a conversation that's being had in the moment. In cartoons however there is a layer of artificiality and it feels like characters know what a person is going to say and has a response prepared.
That's probably why some of my favorite anime in recent years haven't been very heavy on character archetypes, or were either parodies of it.
Comedic dialogue with anime in recent years have leaned too much on the idea of playing off character archetypes. The collected character vs the energetic character, for one. I'd like to see more variety. Some more word play, hyperbolic humor, body humor, etc etc.
@Aidan Not quite sure what you mean by that, because it's certainly not even a majority of cartoons that rely on cheap one liner jokes. I suppose it's entirely up to taste, but I can appreciate the energy in cartoons like Steven Universe or Regular Show when compared to the increasingly repetitive dialogue found in some recent anime.
@Topgavin: I just read that review and his main reason being Shelter is pretentious. oh well! Can't never please anyone.
Thought I'd check out the reviews for Shelter on MAl and the top review is a 1/10. Apparently because it's a cute girl we sympathise with her more, which is bad because reasons. I mean.. what? MAL never ceases to amaze me
@Mario, no. It's more that the dialogue keeps trying to push out one liners or jokes regardless of whose talking.
@Aidan: maybe because they spoke in your native language do you can feel that it's artificial, ya know? I know I have the same problem with Vietnamese drama/ cartoon and maybe Japanese people have that same issues with anime?
By which I mean, the way characters talk in cartoons is very...artificial. Like you can tell that the dialgoue was clearly written beforehand and it never really sounds natural. At least to me.
@Anon, I wouldn't. The writing and structure are too cartoon. What with the episodic nature and dialogue that generally pushes for a comedic tone.
Kaiser Eoghan
Flanagan also directed absentia which I haven't seen yet but I think someone I came across of 4chan linked it to being lovecraftian?
Kaiser Eoghan
Oculus was a film of two halves for me. Hush was a pretty standard home invasion thriller, making the victim deaf was an interesting twist but not as unique as you might think, still suspenseful though.
Kaiser Eoghan
I never saw the first oujia film. Though Mike Flanagan who did the sequel, he's never made a bad movie but he's never really made a great one either.
Kaiser Eoghan
I stick to the firm belief that cartoons and anime, visually should do and be their own thing. I'll prefer a western artstyle for cartoons rather than one pretending to look like anime style.
But this is a good topic and I'm sure everyone has their own opinions so I'm looking to hear some more arguments
@anon352392: no they aren't. For me not because of where their production based, nor their intended audience, but rather their styles, both visually and storytelling-ly, are different
Anime,” they assert, is not a “style” of illustration or animation.
That's where I differ to those guys. For me, anime is a style. In that sense, I consider RWBY, and Canadian-produced short Flutter as an anime. Thunderbolt Fantasy is not and anime-influence shows/movies that are intented for Western audience like AniMatrix or Afro Samurai are anime
@Anon nah they wouldn't be because they aren't made by a japanese producer for the japanese market. Quality isn't the question, production is
NX and Red Dead Redemption 2 trailers tomorrow.
They are good series and i honestly like them alot more than most anime series, would their quality make them anime?
What about cartoons like Steven Universe, Gravity Falls, Wander Over Yonder, Star Vs The Forces Of Evil?
In other news a sequel to an absolutely terrible horror movie called Ouija is out and it's...actually pretty good? Wondering if critics were paid off or it is legit good. Well it did have the guy who was behind Oculus and that was a pretty good movie.
Simplify the term down enough and anime is literally anything animated but the whole point of the term is to distinguish it. For to call Spongebob an anime makes me want to projectile vomit. Point is this, you say you watched a cartoon, people think Tom and jerry, Scooby doo etc. You say you watched an anime, people think Cowboy bebop, Attack on titan, etc. Whole point of the term.
For example, I don't consider Avatar or RWBY to be anime for while they use anime style, the writing is fundamentally structured like an American cartoon. Through I would consider Bloodivores an anime even though it was made by a Chinese animation company, making it technically a Chinese cartoon.
As far as what is and isn't anime I honestly think of the term as a means of distinguishing it from cartoon which gives the impression of being for children. It's like Graphic novel is to comic book. Though techically graphic novels are issues of comics bound in book form, the term Graphic novel is often used to distinguish works that go above superhero comics and whatnot.
Basically I think it was due to Porter Robinsons involvement that they didn't consider it anime.
@Aidan: Did the mods give any concrete reasons why they didn't consider it an anime?
@Mario, It wasn't the community that had the problem. It was the mods. The community made it pretty clear that they considered it anime.
So despite the art style is obviously anime, the character speaks in Japanese, and the production was animated by A1 Studios, it's not an anime? Sometimes I feel sad that the anime community keeps limiting themselves with such fixed minds.
I saw it yesterday and yes it was good. For a 5-minute story, they don't make it too overwhelme with details, and still pack an emotional punch. Moreover it elevates the song. Good stuffs.
Shelter was quite good though. It works well and the animation was beautiful. Song is not bad either. It's got a nice emotional punch to it though it's a bit simple a story.
Well anyway I only saw all this because I checked out the video for the first time and wanted to see how others thought of it with a quick scan through reddit. And I get this shitshow instead.
Playing the victim is the one really pisses off the internet. For refusing to admit you f*cked up only encourages people to shove how you f*cked up into your face. That's what really grinds peoples gears.
Yep, seen that too. The mods even put up another tread about the video and tried to guilt trip people by saying they got death threats. Look, internet rules 101. If you said or did something stupid admit to it and just walk away. Do not try to deflect blame or play the victim, that only adds fuel to the fire.
@Aidan oh yeah saw that live lol. Porter himself even commented on twitter about it, gotta love internet drama
So did anyone happen to catch the big old shitstorm of that Shelter music music when a mod of the Anime subreddit decided it wasn't "Anime" enough and removed the discussion post about it? Oh internet drama...what silly nonsense.
Finally caught up with JoJo. Diamond is Unbreakable has turned out to be much better than Stardust Crusaders. Should have waited for the season to finish through as I really loved marathoning it.
I had a feeling that might be the case considering the source materail for luger.
@Mario Oh I watched that, certinately worth it. Packed more story that some 12-episode shows do nowadays and gorgeous animation.
and I will check out "Shelter" music video to see what all the fuss is about
*this weekend to be exact.
Sounds like Luger Code 1951 is an OVA that will air next week, the same air date with "my" Zaregoto OVA.
@Mario: doesn't sound real at all to me lol
@Mario, I might be able to manage. If all else fails I can talk about the past of these historical figures.
While I don't mind watchinng Drifters, I swaer if I had to cover that show, I couldn't come up with anything to say.
Do you guys know what language the fairies speak in Drifters? It does sound like a genuine language
@topgavin: humanity has declined is a great show. It has good writing and dark, witty sense of humor. I could talk about it in length but psgels pretty much covered it all. He was really impressed by that show however.
That should be me covered till the weekend. Why do all my shows air on the weekend...
@Mario nah I've watched the whole thing but I'd heard about it at the start of this year and put it off. The dialogue between her and the fairies was great stuff, probably gonna rewatch it this weekend now that you mention it
Alright, I got three posts written up and will be throwing them out in about two hours or do.
I thought you've finished it. Yeah I love her character a lot, so cynical but witty. My favorite moment was when she read about fairy's plan to invent religions. She was like "so religions are invented?" (beat) "I've learn something new today". Priceless
@Mario Oh nice, it was one that I had heard about but never got round to. To put it in simple anime terms, Watashi is best girl
@topgavin: I just finished the series yo mentioned the other day: humanity is declined. Man, I love it. I know now I have a thing for dark twisted absurdist anime
@Ano340004: the name is Watashi ga Motete Dousunda, or to put it short Motete. I have fun with it but i'm not that enthuastic
@anon the english name is Kiss him, not me. Search through the first impressions if you need the jap name.
then that girl really loves BL (boy love)
what is the name of the anime that the girl is fat and then she got depressed because her favorite boy anime died then she got thin?
Season 7 is awesome so far too. It feels like the tone of the show is finally back to normal and it feels like Adventure Time again.
Whew, I binged all seasons of Adventure Time this weekend. The show hit a low spot in Season 6 but I think it needed to happen...Poor Finn needed the serious character development after what he did to FP.
You guys are too hard on it
Motete is very funny
Kaiser Eoghan
When it comes to gag manga and four-koma, I just eventually reach a stopping point with a comedy series in that format. Even with hidamari sketch.
I think it was typical light novel trash based on what was in the PV. I laughed that despite it being horrible that the crowd still cheered anyway, likely because it had a bath clip in it.
The PV was hilarious. I had no idea what the anime was about.
@Aidan I'm good, I'll stick with Working.
@K-Off, you could switch to something like Gi(a)rlish Number if you like. I for one am really digging the satire of the show. Plus I like that it's basically showing how an utter train-wreck of an anime can be made. That PV in the last episode was truly painful.
Feeling pretty disappointed with Working. I haven't gotten any more cynical with comedies, at least I don't think, and its flaws are so irritating.
@Adam Le, I find that with Comic book dialogue. Which is one of the reasons I have gone off marvel movies. Cartoons have it to a degree as well.
I love the instagram shots in Yuri
Maybe I can have a watch through those live action films and do a compare/contrast to see which version works better. After all movie and tv series are 2 different medium, and live-action vs animation is the topic that we never get tired of
speaking of which, the overlap between anime and live-action adaptation from manga is overwhelming. For this year alone, there were Erased, 3-gatsu no Lion, Fune o Amu, orange, and Chihayafuru (part 1&2). Those were just the ones I know.
@Adam: Don't know which genre you're into but you can try Fune o Amu (The Great Passage)
Adam Le
I can't seem to get into any of these new shows. I don't know, the dialogue always seems off to me and the forced comedy is a big turn off.
Reminds me of a thought I had when I was last at the Getty art museum. People walking past works of art hundreds of years old, but only taking a second-long glance before moving on to the next one. Not their fault really, it's only the professional critics who can understand what they see with depth.
I'm the opposite really, they're getting paid for what they said so they better know their shits
Kaiser Eoghan
I suppose I'm slightly envious of professional critics somewhat.
Sometimes you're just meant to experience the ride you know. I don't watch those explained video anymore because after all it's just one guy's opinions.
Kaiser Eoghan
Kaiser Eoghan
And I mean people who art professionals or students.
Kaiser Eoghan
I guess I'm just unsure of something, how many people watching "arty" stuff are able to pick it up on their own. By looking up an "explained video" or "explained essay" to get it, am I copping out?
Kaiser Eoghan
I feel like I've begun getting on board with the european art stuff but am really only scratching the surface with the Chinese and that stuff.
Kaiser Eoghan
And find myself missing whats going on sometimes.
Kaiser Eoghan
I'll admit I do find it frustrating, that even though I can like art films, emotionally connect at times, appreciate the visual techniques and admire them for being so different without looking up analysis by people far smarter than myself I honestly feel lost sometimes as to the meaning.
@Kaiser: Apichatphong Weerseethakul's films are so otherworldly and spiritual that I wouldn't dare to call them "dreams" anymore. Check out his "Uncle Boonmie", "Syndromes and a Century", "Cemetery of Splendors". he has such singular vision that just watch and experience his films are rewarding enough
@afgm: well, if we really go over-analyze it, bunnies can represent desire for example ^^
like eating sweet snow is so randomness for me
@Badesh: the things you said might be something I might do in the future. After all I love dissecting symbolism. But for Flip Flappers I need to know more what are intentional and what are randomness first
So Papika is corrupting Cocona? That would make some sense I guess
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Flip Flappers – 02 [Pure Converter]

While I admit that I was impressed with the first episode of Flip Flappers, I had my worries as well. With a show that relies heavily on wild visuals, on their own brand of logic and very loose sense on plot, it walks a really tightrope to hold everything together for a full core season, […]

First Impressions: Mobile Suit Gundam: Iron-Blooded Orphans Season 2

It been awhile since I wrote anything for this site as I have been quite busy over the last few months and the summer season of anime didn’t interested me all that much. Having previously covered the first season of Iron-Blooded Orphans (on another site), I’m compelled to cover the second half in its entirety. […]

Latest Reviews

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orange Review – 73/100

What would you do if you receive letters from your future-self saying that you can change your future? That’s exactly what Naho experienced as she obtains ones from herself 10 years later that urge her to look after her new friend and prevent him from committing suicide. The premise, I agree, is hardly anything groundbreaking, […]

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91 Days Review – 68/100

When taking up the job of checking out every anime season you really can starve for something different. Variety is the spice of life and yet the entertainment industry seems determined to give us more of the same. So in the sea of average high school students gaining superpowers and harems I see an anime […]

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Mob Psycho 100 Review – 80/100

After the explosive popularity of One Punch Man it really was a high bar that another work of the author ONE had to reach. While it didn’t quite manage that it still differentiated itself enough to allow it to be a worthy anime of it’s own right. But admittedly that will depend on whether this […]

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Re:Zero -Starting Life in Another World Review – 91/100

I will be the first to admit that this is very much a biased review as I have come to love this series very dearly and will now proceed to devour every piece of entertainment related to it that I can find until the day a second season is confirmed. The story involves a boy […]


The House in Fata Morgana Video Game Review – 83/100

Well I promised I would do a review of this visual novel quite a while ago and believe it or not I only just got around to finishing it. If the fellow who requested it is still here then here you go, I kept my word. Anyway it has been a while since my last […]


Tokyo Mirage Sessions ♯FE Review – 65/100

The title of this game rather says everything you need to know about my initial reaction, and I’m still all around puzzled at the mixed bag that this turned out to be – it IS just a standard mashup while having a bit of fun with some experimentation, but the game itself is actually a […]

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Kizumonogatari Part 1: Tekketsu-hen (2016) Movie Review – 85/100

Just a quick note that I originally intended this week’s review to be about Miss Hokusai. But because of the DVD release of this Kizumonogatari (with good subtitle to boost), I decided to bump this up and review it instead. Monogatari series has been among one of my favorite series, and certainly the one that […]

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The Murder Case of Hana & Alice (2015) Movie Review – 85/100

Welcome to the third installment of World Animation section, but this time we head back to Japan for my favorite anime movie out of last year. If anything, I have always wanted those reviews to be a recommendation if you want to look for something different. So if there is anyone who would check out […]


Legend of Legacy Review – 80/100

Oh Square Enix, this is the kind of avant-garde work you need to do. Developed by Furyu with the people behind SaGa, and written by Masato Kato of Chrono Trigger, I knew I was in for a unique game right from the start. But its gameplay is certainly divisive and for good reason, as this […]