Posted by psgels on 26 November 2008 with categories: Kurozuka



Short Synopsis: Kuro suddenly finds himself approached by a strange old man.
Highlights: Now this is psychological horror!
Overall Enjoyment Value: 8,5/10 (Awesome)
Best episode of the show so far since the first episode. It’s taken a while for this series to arrive at its real meat, but now it’s finally about time to work towards the series’ finale and this episode really showed the building up come together.

What especially made this episode work well were the bad guys. They were no longer strange caped dudes who kill lots of people, but instead had real personalities. I felt like they were people, rather than a bunch of literal killing machines, and it’s good to see this series spend some effort in its weakest area: the characterization.

I especially like that lizard man, who uses illusions to get rid of his enemies. This episode starts out at a point that doesn’t make any sense at all, where Kuro suddenly finds himself in the middle of a huge city, while in fact it turns out to be one huge illusion by this guy. It really increases the subtle paranoid level of this series: as long as the lizardman is around, you won’t know what’s real or not.

Ooh, and Kuromitsu showed herself, but she immediately leaves again after she saves Kuro. Her own agenda still remains a huge mystery at this point, but I think Kuro is somehow very much needed in it, so she wanted to make sure that he’d survive. How she knew where he was… the only explanation for that is that she’s been monitoring him from the beginning with the strange time stopping power of hers. It also turns out that she knows Sanniwa, suggesting that either Sanniwa was very old, or she and Kuro split ways more than just that time.

It’s also interesting that the story of the anime seems to diverge from the manga. I have no idea by how much this has happened since I’ve not read the manga, but it shouldn’t be too much of a problem as long as the creators know what they’re doing. This will of course only become clear in the final episodes, when everything in this series is supposed to come together. What the creators must make sure of is that they need to shed light on every mystery in that episode, and at the same time pull off a satisfying climax. Bringing back the godly animation of the first episode helps too.

4 Responses

  1. asdf #1 says:

    i think saniwa said she came from kagura and that’s why she knew kuromitsu since kuromitsu was staying there for like the past 20 years.

  2. the op of kurozuka is weird says:

    how many eps is this gonna be?

    and who wants to bet that the red emperor is benkei?

  3. Windspirit says:

    “It’s also interesting that the story seems to diverge from the manga.”
    >> Who cares, the manga’s story sucked anyways.

  4. you gotta wonder what Saniwa’s magic power was. And was Kuro released from the Lizardman’s illusion, or did Kuro break free?
    and what is Kuromitsu’s true objective. All these questions better be answered in the last ep. Can’t wait!

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  • Emma
    (Sunday, May 24. 2015 04:49 AM)
    I’m fairly fond of the artstyle sunrise used back in the 90s also.
  • Emma
    (Sunday, May 24. 2015 04:46 AM)
    Actually with old artstyles in mind, I watched an old ova called california crisis recently, the character design stood out for me, the ova itself is fairly trashy however, more of a guilty pleasure.
  • Emma
    (Sunday, May 24. 2015 04:31 AM)
    I still don’t like the art in madoka regardless though.
  • AidanAK47
    (Sunday, May 24. 2015 04:29 AM)
    “Even if a series which has detailed backgrounds and a sharp dark tone features moe characters the show would be considered lighthearted and Moe, and any violence will come off as forced or even comical.”
    Madoka says otherwise.
  • Emma
    (Sunday, May 24. 2015 04:24 AM)
    But still even in terms of cutesy looking female characters, I’m still going to pick the old art over the new usually.
  • Emma
    (Sunday, May 24. 2015 04:23 AM)
    In general I would prefer character designs fit in with their genre usually. I do however believe that moe, fanservice and those oldskool designs have their place and where they are or aren’t appropriate.
  • Bam
    (Sunday, May 24. 2015 04:11 AM)
    @Emma: the old Madhouse style was also my favorite. Even tho they were cartoony it was still a much more realistic approach. I think we talked in length about how moe just took over the industry, to the point of making anime synonymous with that specific style.
  • Emma
    (Sunday, May 24. 2015 04:00 AM)
    Shiki was another example where I could forgive the terrible character designs because I was invested in the plot.
  • Emma
    (Sunday, May 24. 2015 03:55 AM)
    But where older art styles are concerned, its the character designs found in the likes of ninja scroll, ghost in the shell and wicked city that catch my interest most.
  • Emma
    (Sunday, May 24. 2015 03:49 AM)
    *some of the older artwork more

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