Posted on 31 December 2008 with categories: Yearly Summaries

I originally wanted to wait with posting this until Porfy no Nagai’s final episode got released, but its time is nearly running out here. The Share-uploaders have a very cruel sense of humour: out of all the episodes they could have picked to delay, it became that one. In any case, here’s the second half to my review of 2008.

Most Pleasant Surprise

Kaiba

Well, here’s a no-brainer. When I wrote my preview (apologies for the lack of images there), I originally ignored this series, mistaking it for a simple kiddie show. Then when it was finally time for the show to air, it totally blew me away. Other nice surprises this year were Chi’s Sweet Home (never knew that cats can be so awesome) and Blassreiter (which for a Gonzo action series turned out to be actually really good).

Best Action

Bonen no Xamdou

This was a tough one to decide, as there wasn’t exactly one series that really stood out in the action-department. Blassreiter featured some amazing fast-paced camera work because of the CG, the very few fight scenes of Real Drive were detailed and exciting, and Shikabane Hime featured some great typical Gainax-action scenes. But I guess that none of them really is able to beat Bonen no Xamdou: amazingly detailed animation, an amazing soundtrack and characters made for the best action scenes I watched this year.

Best Comedy

Gintama

Obviously, Gintama takes this award for the second year in a row. It’s not just funny, it’s been funny for nearly 100 episodes, and it still simply getting better and better. Runner-ups as Hyakko, Skip Beat and Chi’s Sweet Home may have been hilarious, but they still just didn’t match up to some of the most hilarious episodes of Gintama this year.

Best Old Series I Happened to See This Year

Mysterious Cities of Gold

Yeah, so what if the series is already 26 years old. It’s still everything an adventure series should be: a fast non-linear pacing, original setting, there’s always something going on. The cast of characters was awesome, especially Mendoza was brilliant, and it’s got to have the best soundtrack of any anime of the seventies and eighties. Runner up is Air (more than simply a bittersweet series).

Best Character-Development

Porfy no Nagai Tabi

Yeah, it’s probably no big surprise that a WMT-series is running off with this award again. This series has 52 episodes of nearly pure development in not just Porfy, but every other important character of the series, making them feel not only incredibly real, but also extremely dynamic, with lots of different sides. Especially Porfy is an excellently rounded character, and it’s an award well-earned. Runners up include Saiunkoku Monogatari (obviously) and in terms of shorter series: Blade of the Immortal (the growth of Rin, and the bond between her and Manji is definitely memorable).

Best Animation

Bonen no Xamdou

I can’t really give this one to Macross Frontier. Sure, it had a huge budget, but nevertheless the characters art kept looking inconsistent. A good use of messy animation would be something like Kurenai: things didn’t always flow well, but it was nevertheless full of life and detail. The only series that managed to beat Kurenai in that aspect this year was Bonen no Xamdou: the animation shined in everything through the series, and the creators really managed to pay attention to some small details. While not as good as the series that got this award last year (Seirei no Moribito), the work that the animators did on Bonen no Xamdou remains very impressive.

Best Script

Casshern Sins

From the outside, Casshern’s individual episodes seem like mere fillers, and yet the creators manage to use the time of each episode to the full potential through imaginative dialogues that get the best out of each characters. The scripts of the runners-up as Amatsuki and Mouryou no Hako was also very impressive.

Most Imaginative Setting

Kaiba

This is an award that I didn’t hand out last year, but I decided to include it this time for the series that have spent a significant amount of time to flesh out the world they’re set in, with the key word being imagination. Real Drive is an excellent example of this, with the vision of the world in sixty years it tried to create. Bonen no Xamdou also has some excellent ideas that are hidden in its setting, from the Xam’d designs to the imaginative locations that the series visits. But yeah, none of them can match up to Kaiba: there was hardly anything about the series that didn’t feel imaginative.

Best Slice of Life

Mokke

The definition of Slice of Life is of course a bit ambiguous, as it can mean different things depending on how you look at it. Still, I consider the daily lives of Shizuru and Mizuki to be part of the genre, and the combination of the two of them made for a compelling slice of life drama, with both parts equally interesting.

Best Thought-Provoking Anime

Mouryou no Hako

Runner-ups as Kaiba (questions what it means to have a body) and Jigoku Shoujo Mitsuganae (never afraid to be completely politically incorrect and yet it’s very critical of this) were already very interesting, but none of them really match up to the dialogues of Mouryou no Hako. There’s always something going on, and even when the characters aren’t discussing the plot, they’re delving into some sort of topic that vaguely has something to do with it, in order to flesh it out.

Best Supporting Character

Vanilla – Kaiba

The guy remains a total bastard for some of the things he did, but you can’t help but love the guy as the story unfolds. His quirks were a lot of fun, and also the serious scenes around him were downright awesome. The runners-up for this category probably are the side-casts of Amatsuki and Shion no Ou: thanks to them, there always was something interesting going on in their respective series.

Best Male Character

Akihiko Chuzenji – Mouryou no Hako

A bit of a strange choice, but let me try to explain. In 2008, there wasn’t really a male character that stood out for me in a way like: “Yes! He’s going to be the best male character of the year!”, so I had to turn to the runner-ups: characters that didn’t stand out per se, but nonetheless were excellent to watch. Those were Gintoki (Gintama, whenever he appears you know you’re going to crack up), Watanuki (xxxHOlic, I really liked how his character grew through the second season) and Akihiko. While we hardly know anything about him, compared to other characters in other series, the guy has an air of presence, similar to Ginko of Mushishi.

Best Female Character

Shion – Shion no Ou

When I watched the series, Shion struck me as a very headstrong character, despite all of the things that she had to cope with. She grew into an absolutely adorable one by the end of the series, and it was always fun to watch her rise in the tournament. Runner-ups are Minamo (RD Sennou Chousashitsu, a downright lovable character) and Hatchin (Michiko e Hatchin, sarcastic, independent and awesome to watch).

Best Mystery

Mouryou no Hako

Since mystery is one of my favourite genres, I was a bit let-down by 2007 due to the very small amount of good mystery-series in that year, but thankfully 2008 came back with some excellent series of the genre. Kurozuka was simple, yet effective, and Kaiba made optimal use of the unknown in creating its downright awesome storyline. Still, Mouryou no Hako gets this award for me, due to the sheer complexity and creativity of all the weird things that happen throughout the series. The questions are satisfying, but the eventual answers even more.

Best Drama

Shion no Ou

It’s always a bit vague what really belongs in this category, since nearly all anime has some sort of drama. The best drama I watched this year came from Shion no Ou, though. It was powerful, and yet never really melodramatic.

Best Story

Kaiba

Even though it only had 12 episodes, in those episodes Kaiba accomplished what most other series can’t even do in 26 of them. Kaiba’s story is complex, multi-layered and continuously interesting. Runners-up: Mouryou no Hako, Shion no Ou, Bonen no Xamdou.

Top 20 Anime of 2008: #10 – #1

#10: xxxHOlic: Kei

A very worthy successor to the original xxxHolic series. While the series was a bit short and the Kohane-arc disappointed a bit, the beginning and ending were downright excellent, and definitely the best stories that the series has shown us thus far. Even with the many crossovers to Tsubasa Chronicle in the manga, this series still kept its identity as an anime about modern folklore, and I really enjoyed it.

#9: Gunslinger Girl – Il Teatrino

Perhaps a controversial entry on this list, since according to many people it ruined the first season. I, however, don’t care, since the story was downright excellent. Artland’s adaptation was definitely different, yet at the same time a very enjoyable series, with an especially haunting cast of characters.

#8: Amatsuki

Amatsuki is one of the two big “lots of talking”-series this year. Still, it worked really well, not only because of the depth of the dialogue, but also the strength of the storytelling and characters. At times it may have been a bit difficult as a raw-watcher to understand what went on, but nevertheless it was one of the highlights of the past spring season.

#7: Ghost Hound

2008 may have been a relatively bad year for Production IG, but none of this reflected in Ghost Hound. It’s a unique series with its extreme emphasis on sound effects and psychology, but nevertheless it was a very interesting series to watch, and it did the seemingly impossible by making a bunch of teenaged brats into excellent characters.

#6: Porfy no Nagai Tabi

Ah, the latest World Masterpiece Theatre series. Unlike Les Miserables, it didn’t have an enormous story to work with, and instead it was a simple travelling series, but it put such an amazing amount of detail into just about everything. Porfy and Mina are some of the most rounded characters of the year due to their non-stop development, and I haven’t even mentioned the amazing background art yet.

#5: Bonen no Xamdou

Really, if there was some sort of book called “the ultimate guide to writing a good story”, then Bonen no Xamdou would be mentioned everywhere in it. It never takes anything for granted and slowly builds up just about everything that might be important to the storyline later on. There are no forced climaxes, and yet the attention to detail is amazing.

#4: Himitsu ~ The Revelation

If Madhouse’s domination in this year’s anime wasn’t already obvious enough: 3 of my top 4 series come from them. Himitsu had a concept with so much potential handed to it, and it used this to deliver one awesome series during the past spring-season. It was delightfully unpredictable: you never knew what the next story would be focusing on, or whether an episode would be simply entertaining or downright awesome. I also really grew to like the cast of characters more and more, and especially the series’ final quarter was one hit after the other.

#3: Mouryou no Hako

Mouryou no Hako really took me by surprised. Before it aired, I was almost certain that nothing would be able to beat Amatsuki this year in terms of complex dialogues, and then this series came and either equalled or even surpassed it in just about every aspect. Even though the series is filled with dialogues, the creators also succeeded in a very subtle chemistry between the characters, and wasted no moment to further flesh out its cast through either this dialogue or through their expressions. Clamp’s character-designs and the very solid production values made it continuously pleasing to look at, and the plot itself also was really well written.

#2: Kaiba

This year I again had a lot of difficulty choosing my number one. Both Kaiba and my number one pick for 2008 were downright incredible and just as good -if not better- than my top picks of 2007, though in the end I put this one on number 2 because of its rushed ending. Apart from that, though, this series felt like one that was its time far ahead. Masaaki Yuasa succeeded in delivering by far his best work. It’s series like this one that show the beauty of experimental series to its fullest.

#1: Shion no Ou

In the end, I really have to give my top pick of the year to Shion no Ou, the only series of 2008 to make it in my top 10. I hardly knew anything about Shougi, and yet it turned into an awesome series that managed to exploit the tournament setting to its fullest. The awesome cast of characters also made nearly every episode a success and the addictive pacing never let any episode get anywhere near boring. The animation was also daring, but ultimately it gave the series a unique and excellent look. I’m hoping to run into more series like this one in 2009.

Okay, that was it from me for 2008. A happy new year everyone, and the best wishes for 2009!

Posted on with categories: Anime Reviews, Mouryou no Hako


The past fall season aired a lot of good and great series, but none of them was as good as this series: Mouryou no Hako, Madhouse’s latest masterpiece. This is one series that did just about everything right. Obviously it’s not for those who don’t like people talking over and over again, but it’s perfect for those who are looking for mature and complex anime. This is how mystery should be done!

I honestly can’t recall any other anime apart from a Mamoru Oshii-production that puts more emphasis on talking as this one. The series follows a string of bizarre murders, and the people who try to solve it. This whole mystery is multi-layered, it’s full of flashbacks and references, you’ll never know when something that passes the screen is important for the future. There are lots of scenes that don’t necessarily have any direct meaning, but instead are there to flesh out the setting or throw the viewer on a side-track, and yet the series itself never loses track of its goals, and everything comes together in the end in one of the best endings I’ve seen.

Another big selling-point of the series is its cast of characters. They hardly get as much screen time or background as your average anime, and yet they’re utterly amazing. The animation knows exactly what it needs to do to show their subtle movements and gestures in order to flesh them out while many other things happen, and the background that’s there is meaningful and has a huge impact. Every character has his or her own distinctive presence, with the best ones being Kanako and Akihiko, both for very, very different reasons. The entire cast is colourful and a delight to watch, despite the huge amounts of talking within this series.

Also, if you thought that shows as Code Geass is disturbing, then you haven’t seen anything yet. I refuse to spoil anything here, but like a few other Madhouse productions, this series breaks taboo after taboo. This is nothing near your average tame detective story.

Then the visuals: they look utterly incredible. Especially in the beginning episodes and episodes, the characters all look crisp and very detailed. The animators throw the most beautiful shots and visual effects at the viewer. Combine that with an awesome soundtrack, and you’ve got some amazing production values.

The only possible turn-off is, like mentioned above, the large amounts of talking: if you don’t like it, then it’s going to be hard to enjoy this series. There are two particular consecutive episodes, where nothing else happens apart from three guys, sitting in a room and talking to each other. This anime isn’t afraid to take risks, even though it might turn off some people.

So overall, this has been an amazing series. The script is fresh and creative and has a huge impact. There’s a lot of symbolism, both visual and in the storyline, and an excellent recommendation for those who look for a short mature series. The storytelling is strong yet subtle, and it’s yet another masterpiece by Madhouse.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: Mouryou no Hako





Short Synopsis: It’s finally time to reveal who is the real culprit behind this series.
Overall Enjoyment Value: 9/10 (Fantastic)
What an awesome way to close off 2008! I must say, this episode was absolutely incredible. It was the best episode of Mouryou no Hako yet, it had some of the best visuals of all the series I watched in 2008, it’s the second-most disturbing episode of 2008 and it has without a doubt the best ending of 2008, and in fact one of the best endings I’ve ever seen. Oh my god, how everything came together in the end!

So in the end, the culprit was Amemiya. I’m pretty surprised that I forgot this myself, but amongst all the clues that were thrown around, two of them pointed at the real culprit really clearly: the time when Kiba saw him outside of the research institute: he was trying to get Kanako’s limbs back, though didn’t take into account that Kiba would be there. Then, later as we saw Kanako lying in bed, it was indeed he who was watching her from the peek in the door. He then met Suzaki, who just smuggled Kanako’s head outside and killed him, taking away her head. It then seems that he met Kubo in the train, and showed him Kanako’s head, JUST LIKE IN THE STORY. It turns out that the story from Sekiguchi was from Kubo! Kubo then became jealous and wanted to create something like that too, not realizing that it took some advanced science to keep her alive in that state and… ah, forget the bloody summary, Hayase does a much better job at it.
And I must say that this is one disturbing story! Mimasaka slept with his actress daughter and got her freaking pregnant! People chopping up girls’ bodies, keeping them alive and distributing their limbs all over the country.

I must say, that of the past fall season, Mouryou no Hako has definitely been the best series of all airing shows. I already was convinced of that after the previous episode, and then it came with this episode. Even though Casshern Sins, Michiko to Hatchin and Bonen no Xamdou are already amazing, they’re going to have to be really good in order to be able to top this one. I realize how much of a hassle this series is to translate, but it would be such a shame if this gem would remain unsubbed.

My only question left is: what happened to Amemiya and Kanako’s body? Were they found? Did they disappear?

Posted on with categories: Anime Reviews


Well, time for a quick review about another very obscure OVA from a few years ago. It’s basically about fifteen minutes ling, and what you’d call a minimalist anime: there’s no real animation, but instead the story is told by showing a number of drawings in quick succession, combined with sound effects, a bit of music here and there and two voice-actors. The result is a nice way to spend 15 minutes.

What’s especially nice is that the short starts with one big question-mark, and as it goes on it gradually starts explaining itself, until everything makes sense at the end. There’s a continuous haunting atmosphere, and especially the few fights simply delve into the surreal. The characters aren’t anything special, but so what? Who cares, it’s only fifteen minutes.

I like these kinds of short movies that only take up such a relatively short time. They’re able to experiment a lot with different animation techniques and concepts, which would be too risky for full fledged movies or even TV-series. Things as Genius Party, Robot Carnival or individual shots as Atama Yama, She and her Cat and Comedy. They lack the time to fully flesh out their storyline and characters, but nevertheless, they’re all interesting to watch. G-9 seems to be part of the GA-Nime franchise, and I hope to see the rest of it subbed some day.

Storytelling: 9/10
Characters: 6/10
Production-Values: 8/10
Setting: 7/10
Posted on 30 December 2008 with categories: Anime Reviews


A modern Japanese cruiser that somehow through some strange cosmic reason travels back in time to 1942. Of course, for these sorts of premises it’s easy to simply fall into a “let’s use this chance to show those American pigs how superior we are”-formula, though it’s one that Zipang does pretty well at avoiding these clichés. Instead, it becomes an intense and thought-provoking war-drama.

The interesting thing is that despite this being a series about the Second World War, there’s hardly anyone that’s really portrayed as a bad guy, apart from a number of high Japanese officials who hardly ever get any screen-time. This series isn’t looking to provide excuses for what happened back then, but instead focuses on completely different issues: if you had the power to prevent the loss of thousands of lives, yet this involved a radical change of history in who knows what kind of direction, would you do it? And what do we people who have lived in these times of peace, know about what being in a real war is like?

It’s a surprisingly intense series, and what makes it so interesting is that every single character has a different view on the events that happen through the series. Everyone has different ideals and priorities, which quite often clash with each other. Characters like Kusaka, Yonai and Kikuchi and their ideals are a delight to watch.

As for downsides, this series showed me why Studio Deen’s series hardly ever feature any major use of CG: they’re just not good at it. They were unable to evade it with this series, and the CG-warships look pretty fake. It’s a shame, because the characters look excellent and down to earth, not to mention the terrific soundtrack. Then there’s also that final episode: it’s rushed, doesn’t really solve anything, and simply stops at a point where the manga went further. Sure, I can understand that the series was planned for 26 episodes, and that the manga’s storyline simply doesn’t fit in such a length, but at least some kind of closure would have been preferred.

Overall, Zipang is for those who are looking for series about realistic warfare, which lacks humanoid mecha and instead focuses on traditional military weaponry. In fact, most of the action here is psychological warfare, rather than fast-paced and flashy dogfights. Thumbs up to Kazuhiro Furuhashi, the director of Chevalier, Amatsuki and Rurouni Kenshin Tsuiokuhen.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 9/10
Posted on with categories: Yearly Summaries

Well, it’s the time of the year again for the obligatory posts that look back at the highlights (and some of the lowlights) of the past year. This time, I decided to split this entry in two halves, otherwise the list would simply become too huge. I’ll post the second half tomorrow, after Porfy no Nagai Tabi and Mouryou no Hako finish.

Overall, what has struck me the most about 2008 is the surprising amount of series that just took up 13 episodes. When compared to previous years, there was a much bigger share of series that just went on for one single season, or that divided its airtime up in multiple of those short seasons. It’s perhaps because of this that there weren’t as much top-tier series as in previous years, and yet at the same time the average quality of the series that aired did rise, and this year had a fine selection of outstanding series.

Biggest Disappointment

Nijuu Mensou no Musume

Disappointments are the worst if created from high expectations, and that’s exactly what happened for me with this series. It went so well during the first half, the premise was intriguing, the plot twists kept you guessing, and then it all went down the drain because of that lacklustre final arc. Such a shame. Also disappointing were Hatenkou Yuugi (promising manga ruined by downright lazy staff members) and Zoku Sayonara Zetsubou-Sensei (went from absolutely hilarious to incredibly dull in just one season, but then again it had it coming).

Worst First Episode

Akikan

At the start of December, I was certain that I would be handing out this award to Bihada Ichizoku, the cheesy shoujo series that was advertising make-up products to young kids. Then KissXSis and Akikan aired, surpassing even that one in terms of badness with their ridiculous premises. In the end, Akikan gets the award because of the most pathetic excuse to get a guy and a girl to kiss each other.

Worst Series

Chocolate Underground

Of course, this only goes for series that I managed to finish. Who knows, perhaps Bihada Ichizoku became the best thing since sliced bread after its first episode? In any case, this one pretty much goes to Chocolate Underground. I kept watching it because I had faith in Production IG, and I’d like to thank this series for destroying that faith…

Best Cheese

Suteki Tantei Labyrinth

Um, yeah. I just had to include this series somehow. ^^; There’s good cheese and bad cheese. I’m not going to deny that Suteki Tantei Labyrinth was bad at times; it really had some horrible parts, and yet it never ceased to be amusing, especially the second half was just full of weirdness and delicious cheese.

Most Promising Studio

P.A. Works

In 2008, these guys for the first time went and produced a series of their own, rather than simply assisting random projects. The result was True Tears, a very solid romance series with equally excellent animation. If their future projects are as solid as that one, then these guys are something to watch out for.

Best ED

“Candy Line” by Hitomi Takahashi – Gintama

There were not many EDs that stood out for me this year. The ones that did the most were Mission E (way too much sweetness and yet somehow it worked), Shikabane Hime (Excellent vocals and nice imagery) and Gintama’s fifth ED: an excellent song, that also succeeds in putting its cast into a completely different setting and making it actually seem plausible. No really, Gintama: The High School Days would actually have lots of potential.

Best Movie 2006/2007

Kara no Kyoukai – Remaining Sense of Pain

I didn’t watch that many movies this year, so I don’t have many choices for this one. I’ve yet to see Ponyo and the Sky Crawlers, which I suspect would have gotten this award if I did. Still, the third Kara no Kyoukai movie was a good movie, with excellent visuals and a nice story to keep the viewer busy for an hour.

Best Suspense Series

Himitsu ~The Revelation

In terms of Suspense, Himitsu really was the best this year. A number of episodes was simply mind-boggling. The creators knew exactly how to keep the viewer’s interests, revealing just enough information at a time while keeping the viewer hungry for more. Also excellent in this depart are Kurozuka and the third season of Jigoku Shoujo.

Best OP

Mononoke Dance – Hakaba Kitarou

Lots of great OPs this year, but the best of them definitely was the one from Hakaba Kitarou. It’s a funky song, and the comic-book effect that pays homage to the original Gegege no Kitarou manga really works. Other series with great OPs this year include Zoku Sayonara Zetsubou-Sensei (so the show went pretty downhill, but at least the opening rocked), Ultraviolet (surprisingly good Engrish), Mokke (just cute), Shikabane Hime (great vocalist) and Kaiba (haunting). I was also going to list Kurozuka, but then again, that’s basically a song you get when you drink too much and happen to be near a recording studio…

Best Romance

Mahou Tsukai ni Taisetsu na Koto: Natsu no Sora

This was a tough award to decide, since I’m usually not that much into romance, although there were a few series that really stood out. Porfy no Nagai Tabi had a very strong episode dedicated to it, and Saiunkoku Monogatari and True Tears also were really good in this aspect. Still, in the end the best has to be Natsu no Sora, with its incredibly subtle storytelling that really shows the best and most natural form of romance, rather than the overblown and overly cheesy one.

The This-Needs-A-Sequel-So-Badly Award

Amatsuki

Gunslinger Girl, Blade of the Immortal and Amatsuki: three excellent series that have so much potential left if they receive another season. The most annoying is Amatsuki, though. It really ended just as things were getting good, and it’s a Studio Deen-series: it usually makes sequels for every one of its series that needs one, APART FROM THIS ONE.

Best Background Art

Porfy no Nagai Tabi

Sorry Macross Frontier, you may have a very amazing backgrounds here and there, but in no way did it match up to Porfy no Nagai Tabi: every single episode treated us with the most amazing and detailed backgrounds, perfectly representing the area that Porfy was in at the time, and it did so for fifty-two consecutive episodes.

Best Music

Blade of the Immortal

And for the third year in a row a Bee-Train series walks away with this award. It’s not as much overkill as in last year with El Cazador, though. The soundtrack from Himitsu, Gunslinger Girl – Il Teatrino, Kaiba and Bonen no Xamdou were also simply awesome, but Blade of the Immortal’s soundtrack really delves in the surreal at times. It’s completely unpredictable and will work on many people’s nerves, and yet for me it strangely really worked.

Best Animation Studio

MadHouse

No question possible here. Sure, they may have had a few screw-ups here and there, but some of the strongest series of the year came from their hands. In this year, they’ve proven to create a wide variety of different series with imaginative premises and excellent executions. Runners up for me were Studio Deen and Nippon Animation. I’d love to list Production IG with them, but for that to happen they really need to break their ties with Trans Arts…

Best Horror

Ghost Hound

With horror, I obviously mean the Japanese psychological kind, that tries to capture the viewer with intense storytelling, rather than lots of scary images (anime never was that scary anyway). The best horror this year came from Ghost Hound for me, since I absolutely loved the way it emphasized sound effects to create its creepy atmosphere. The other excellent horror shows this year were of course Kurozuka (combining horror with action) and Hakaba Kitarou (combining it with comedy).

Best-Looking Graphics

Casshern Sins

For this category, I’m not looking for animation quality, but simply a series that “looks good”. Madhouse was very good in this department this year: Himitsu ~The Revelation~ was a visual feast, despite the at first sight simple character-designs, and Kaiba too looked very original. Outside of the studio, Michiko e Hatchin also had lots of eye candy, but I’m going to give this award to Casshern Sins, the series with definitely the best character-designs of the year, and the architecture of some of the buildings also looks downright gorgeous.

Top 20 Anime of 2008: #20 – #11

#20: Saiunkoku Monogatari

This series isn’t as high on the list as usual, due to the constant hiatuses that the series kept taking and that it ended at the point where the juicy part was only about to begin. Still, despite that the series’ final episodes were great at building up, and making every character count despite the already huge cast of new and old characters.

#19: Blade of the Immortal

This turned out to be an experimental series, where Bee-Train was trying out a few new things here and there. The result was a series witha number of creative and interesting fights, surrounding a very enjoyable leading couple. The only shame is that there still isn’t some sort of second season announced.

#18: Hakaba Kitarou

Combine horror with comedy. You just have to think of it. Hakaba Kitarou stood out in the past winter season as a series with incredible amounts of imagination stuffed into it. The different goons that Kitarou would run into were all fun to watch, and it made this series nothing like its Gegege-counterparts.

#17: Natsume Yuujin-Chou

Brains Base have proven themselves yet again to be a high-quality animation studio. Natsume Yuujin-Chou is the perfect summer series, with a calm atmosphere, and yet very impressive episodic stories and characters. Not to mention the awesome Nyanko-sensei.

#16: Michiko e Hatchin

Anime that are set outside of Japan are already a minority, but setting a series in South America is nearly unheard of (I can only recall two other series that did the same, but both are more than twenty years old at this point). Michiko to Hatchin may have only just started, but it’s already an engaging and true to life series, with a staggering contrast between on one side the cute adventures of a ten year old, and on the other side the brutal and complex inner struggles of gang wars.

#15: Gintama

As usual, Gintama is the best comedy on this list. What makes this series so special, and a step above 95% of all other comedies is that it’s not just funny, but it’s been funny for NEARLY 100 EPISODES ALREADY, and the series is just getting better and better. Not to mention that the best moments of the series actually aren’t the comedy-ones, but the moments when the serious storylines pop up, filled with manly tears.

#14: Crystal Blaze

This year, I became a big fan of the kind of short series that don’t try to go extremely deep, and simply want to tell an interesting story or create a nice atmosphere. These shows were Ultraviolet, Kurozuka and Crystal Blaze, of which I enjoyed Crystal Blaze the most. From the outside it doesn’t look like anything special, and yet it succeeded in making optimal use of its short length by providing a thriller. It was a lot of fun to watch from beginning to end, and that’s why I’m including this series on this list.

#13: RD Sennou Chousashitsu

So it had a few balance issues, but nevertheless RD Sennou Chousashitsu or Real Drive did succeed in creating a very imaginative view of what the world would look like in sixty years time. The genre combination between slice of life and science fiction really worked and it was overall a very interesting series.

#12: Casshern Sins

If this series would already have been finished, I just know that it would have ranked even higher on this list. Casshern Sins has already proven to have an excellent sense of storytelling. The individual episodes may be episodic, but they’re masterful in fleshing out the characters that appear in them. It’s a very emotionally powerful series, which you wouldn’t suspect from a series that is about robots.

#11: Mokke

Yeah, this series completely sold me with its heart warming and sappy atmosphere. It’s not the first time where we have a series where the lead characters interact with youkai, but Mokke did it with personality. Mizuki and Shizuru were just too cute to not watch.

Well, so that’s the first half of the list, the rest follows tomorrow. In the meantime: what were your favourites of 2008?

Posted on with categories: Anime Reviews


I remember how I one had a very strange bias against sports anime. I’m still not sure exactly why it was, but after watching shows as One Outs and Princess Nine, this bias is completely gone. Princess Nine makes baseball look fun.

You shouldn’t go into this series as a baseball-fan, however. At heart, this is a typical shoujo series about a bunch of characters who simply happen to play baseball. If you want baseball action, you should go and watch One Outs. Princess Nine is really about its characters. To give you an indication: episodes 1 to 20 only feature two official baseball matches. The rest of the time is really used to flesh out the cast, and give them depth. It’s a formula that works surprisingly well, although it’s not the most perfect execution.

Nevertheless, the creators succeeded in bringing an entire baseball team alive, including coach and manager. What especially shines is the series’ team spirit, as a baseball team that’s made up of girls tries to break through in a male dominated sport. It’s very well explained: while overblown a bit, but if you take talent from the entire country and gather it in one team, then you’ve got a pretty strong team that’s able to compete with males in a professional level.

The problem with this series come from its shoujo roots. The creators just love to let things play out like a soap opera, by throwing in lots of dramatic plot twists whenever they can. Think of random punks that arrive, just before a male and female character are about to meet each other, and especially the love triangle between the main characters gets a bit too melodramatic as the series goes on.

The series’ finale is without a doubt the weakest point of this series: not only does the love triangle really get in the way of everything that makes the series good, but the creators also tried to stuff an entire tournament in only four episodes. There’s no way to make these short matches have any impact, and so every unnamed player becomes a total noob, rather than the formidable opponents that they were portrayed as in the earlier parts of the series. I also think that the creators made the powers of their female lead a bit too powerful, up to the point that she only throws weak balls when she’s feeling lovesick, rather than standing against powerful opponents.

Nevertheless, I really liked this series, if only because of the downright awesome soundtrack. The creators managed to get the Warshaw Philharmonic Orchestra to perform for this series, and it shows: the soundtrack is rich, varied and epic. The series is most definitely overblown, but the characters nevertheless remain lovable, and of the kind that you can’t help but root for, despite that the matches themselves are perhaps a bit predictable.

Storytelling: 7/10
Characters: 9/10
Production-Values: 9/10
Setting: 7/10
Posted on 29 December 2008 with categories: Anime Reviews, Blade of the Immortal


Blade of the Immortal is Bee-Train’s latest series, based on the rumoured excellent manga of the same name. It’s a series that’s definitely not for everyone, especially fans of the manga who are hoping to see a faithful adaptation, neither is it for those who have a very slim taste in music. However, if you’re looking for a number of well-coordinated fights and engaging characters, then you’re at the right address.

The series basically follows an immortal samurai (Manji), helping a weak but determined young girl (Rin) in exacting revenge on the death of her parents. What makes this series especially worth watching is the growth of Rin, as she questions what it means to take revenge, and whether it’s going to be worth it, and what her purpose is if she just keeps going to be rescued by Manji. In only 13 episodes, she grows into a strong character, despite her weak physique. Manji himself doesn’t exactly grow too much, but instead the creators manage to flesh him out really well in a relatively short amount of time, and he becomes a fun and interesting character to watch.

Fights also form a large part in this series, and for those who were afraid that Bee-Train has lost the ability to create good action-scenes, this series is there to prove them wrong. It’s daring, but the creators decided to go for an experimental animation style for the battles. The characters look fairly normal, and the animation budget isn’t particularly high either, but the series is full of interesting and creative camera-angles and poses. Overall, it’s a really nicely choreographed series.

But the biggest experimental feature of this series is the music. Bee-Train was already know as the studio with awesome music, but they carry that even further with this series: the soundtrack is unlike anything ever heard in an anime series. Kou Otani managed to produce an incredibly varied piece of work that feels incredibly random, yet somehow works. It’s a soundtrack you’ll either love or hate.

The biggest weakness of this series? It’s too damn short! The series ends just at the point where the series is done warming up, and there’s so much potential left in it that it would be a huge shame not to have some sort of second season. Blade of the Immortal is an excellent horror-series that may not be really faithful to the original manga, but nevertheless managed to create an excellent atmosphere.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Blade of the Immortal



Short Synopsis: Rin tells Manji about who she met last episode.
Overall Enjoyment Value: 8/10 (Excellent)
Okay, so this felt absolutely nothing like an ending. The final battle? A sparring match between Rin and Manji. This episode was much more about the side-characters, and actually introduced much more than that it wrapped up. Is this really the end of the Blade of the Immortal anime? I most definitely hope not!

The most important event of this episode was the death of Taito’s sister, through the hands of Shira. It seems that he is indeed working together with Hyakurin and Giichi to get rid of the Ittou-Ryuu. The question now remains whether we’re ever going to see that one animated. This episode also shows how Rin comes to accept that she’s weak, and that she wishes to improve (hence the sparring match between her and Manji at the end).

But what I loved most about this episode is that the music really went all out on this episode. The soundtrack of this series is truly original, even though many people will dislike it. The wide variety of instruments and mood changes felt awesome.

Posted on with categories: Some Quick First Impressions

Akikan

Short Synopsis: Our lead character turns a can in a cute girl (no, really).
Chance of me Blogging: 0% (No way in Hell)
So, this is an early start to the upcoming Winter-season, and I hope that this isn’t some sort of premonition, because oh my god. The creators of harem anime are getting desperate here. To what kinds of depths do you have to sink to create an anime about cans that turn into girls, for goodness’ sake?! Out of all the uninspired premises I have seen this year, this has got to be one of the worst ones. On top of that, the dialogues are very poorly pasted together. Still, I admit that it made me chuckle one or twice. Still, the comedy is one thing, but the drama in this episode was downright abysmal. It was forced, non-sensical and way too cheesy for its own good. I can really see that lesbian in love with the lead character by the end of the series…

Maria Holic

Short Synopsis: Our lead character enters a prestigious high school.
Chance of me Blogging: 10% (Very slim)
If you’re wondering about the “Chance of Blogging”-bits, it was requested, and I personally think it as appropriate as well, rather than those ambiguous episode ratings that were quite inaccurate the last time I used them. In any case, Maria Holic started out incredibly dull: the character-designs are bland and uninspired, the maid feels out of place, and the concept of a girl entering a prestigious high school has been done many times before. Then, however a nice twist in the second half made the show a bit more interesting, and at least the second half enjoyable. My fear is just that I’m not sure whether the premise is large enough to fill 12 episodes. The cast still feels most like stereotypes. Also, even though this seems to be a Shinbo-series, it feels like the blandest thing that he’s managed to produce since Tsukuyomi Moon Phase. What this series needs to do is develop the characters beyond their stereotypes, but we already know that Shinbo is simply not good at that.

Kurokami The Animation

Short Synopsis: Our lead character lives in a city where trucks like to hit people.
Chance of me Blogging: 20% (Only if the rest of the season is baaad)
With a title as “Kurokami”, I pretty much guessed that it would involve somehow around a female character with black hair, and indeed: that was spot-on. What we have here is again a seemingly random guy who meets a mysterious girl and gets involved with a huge plot. What’s interesting about it is the concepts of doppelgangers. I’m not sure about everyone with a doppelganger being hit by a truck, but there’s nevertheless a lot of potential with such a concept. The show also featured a number of pretty and varied background arts, so that’s all good. What wasn’t so interesting was that female lead… The male lead is actually pretty decent: he has a lot on his mind with the death of his mother, but he doesn’t seem like an idiot and instead is curious. The female lead was very annoying, however. The main villain also seemed too much like a “Muahaha, look at me: I’m evil because I’m evil!”-villain, which also could cause lots of problems for this series in the future.

CHANGE USERNAME
SuperMario
about LWA again, unlike Aidan I actually enjoy this version of Diana. I know she's one note, too perfect but she's charming. Too charming haha which serves well as a contrast to Akko
SuperMario
...just pop one random film from him. His films are not without its bad side thou, in particular I find the dialogues shapeless and dragging. But well it does add to the naturalness of his films
KTravlos
on LWA I would also recommended it. It is a fluffy show, with a sense of wonder. Some episodes are better, some are more flat, and the over-arching storyline leaves me bored. But it does have that sense of childlike wonder, which I had missed among all the "grim" shows.
SuperMario
@Kaiser: I have a bit of problems with Korean movies lately as now they're heavily thriller style-over-substance films, so films that have very simple style like Hong-Sang-Soo's joints are the welcome change of air. One thing about his films thou, If you watched one of his film, you've watched them all. They're so similar in tones and concepts that I reckon if you feel like watching his films...
SuperMario
So I say it's still worth finishing. It's good but I don't feel the sparks that made it so great from the OVAs anymore
SuperMario
@Lenlo: about LWA. Plus side: Those hijinks. I mean the show is fun and magical. Negative side: I wish the show's storytelling is a bit tighter, each episode feels so loose it doesn't add up much and more like different variations of Akko + one member of the cast's hijink. Doesn't help either that the other casts just disappeared until they have an episode for 2 for themselves
SuperMario
@Anon1113829: I "enjoyed" Beyond the Boundary, but that show was a mess. The episode 10 was stand out for me, and the ending was kinda... a wreck. Certainly interesting but quality-wise I wouldn't reccommend it
Anonymous1113829
@SuperMario KyoAni fan? What did you think of Kyoukai no Kanata? I really wanted to like it, I thought it had some potential, but IMO nothing worked right.
AidanAK47
@Lenlo, It's good. Fun to watch certainly. Though sadly it falls short of being great.
Lenlo
So question: Is Little Witch Academia worth finishing atm? I started it last season, but for some reason it just fell off my radar
Kaiser-Eoghan
@Mario: Thankfully, while not entirely satisfying, day he arrives is just the Korean film I've been looking for, refreshingly more low key, quieter and I enjoyed the new wavy combined with raw style, making it all feel very natural.
Kaiser-Eoghan
@Mario: Well then, thanks for the rec on Hong-sang-so, I looked at The day he arrives. Y'know the reason I sometimes dread going into films featuring romance is because I'm conditioned from seeing the bad ones.
Kaiser-Eoghan
....I may actually read this, the last time I read a manga steeped in politics was Sanctuary: https://en.wikipedia.org/wiki/Eagle:_The_Making_of_an_Asian-American_President
Kaiser-Eoghan
@Aidan: I actually have very limited experience with Ellis as a comic book writer, only read Transmetropolitan, I know he's writing the Castlevania adaptation.
SuperMario
@Aidan: I heard the same thing; can't help being a completist though so I'll eventually get to them
AidanAK47
@Mario, From what I heard, it doesn't get better.
SuperMario
@Kaiser: that scene from the 1st episode of Phantom world lost me... but even then I'm willing to give the show another chance. That's how far I would go ^^ https://mobile.twitter.com/aaapodcast/status/687148875052892160/photo/2
AidanAK47
@Kaiser, Looks like they are putting some real effort into it. May actually turn out pretty good after all.
@K-Off, Under the Red hood is a damn fine movie. Likely one of the best of the DC animated universe. Though try Superman vs the elite out. It's pretty good.
Kaiser-Eoghan
Even phantom world Mario...even phantom world ? =)
Kaiser-Eoghan
Just the teaser trailer, not much to go on, but heres a short preview of that netflix castlevania thing that got mentioned on here a while back, up the quality to 360p:
SuperMario
At this stage, I'm pretty much KyoAni fanboy now so with every new material, I'll hype it up to the sky ^^
Kaiser-Eoghan
@Mario: I did follow it up with The spy who loved me though to cheer myself up =P Given that Rodger Moore just died =)
SuperMario
@Kaiser: just looked through what Short Men Behind the Sun is about: "human experiments carried out by Japanese army during WW2?" Already sound grim and too real. Then "a graphic depiction of the human experiments" haha no wonder you felt unsettled Kaiser
VyseLegendaire
My favorite Exploitation Flick is An Inconvenient Truth 2.0
Kaiser-Eoghan
@Mario: Long story short men behind the sun is finally the exploitation flick that defeated me and actually made me unsettled.
Kaiser-Eoghan
@Mario: I remember you talking about how Salo really affected you as an exploitation film, generally exploitation films don't shock or disturb me, but I just watched the cantonese dubbed version of Men behind the sun.
Kaiser-Eoghan
And the worst thing about beyond the boundry and phantom world, it discolours my opinion of kyoani as a whole, making me negatively reflect on older work they did .
AidanAK47
Yep, that's the new KyoAni one. Like Puran I don't have any expectations of it. The premise certainly seems like the closest they have come to breaking out of there usual format but I am sure they will find a way to shove in Moe antics. Though based on what is seen so far it looks like they are trying to emulate Key.
Puran
Is that a new KyoAni anime?.. I have lost faith in them a long time ago. Last Anime from them that I cared about was probably Hyouka
SuperMario
Bring you some news, Violet Evergarden will be aired as an anime TV. Though many sources saying it gonna air this year, it has a better possibility to air next year
SuperMario
Well, aesthetically, he's pretty much on par with Yang and Wong. It's just that his films are often emotionally distant, feel more like watching the paint dry hahaa
Kaiser-Eoghan
@Mario: I connect more emotionally with Yang and Wong.
Kaiser-Eoghan
@Mario: I went in expecting Edward Yang and Kar-wong-wai levels of quality, which may have been quite unfair standards to put him up against.
SuperMario
I myself find his films difficult to watch, but when the films end they usually hold up very very well. Both The Assassin and 3 Times in particular are my favorite of the year
SuperMario
@Kaiser: I completely understand your reaction because his films are demanding as hell. I remembered watching The Assassin in big screen, 3 people next to me fall asleep, one of them snoring and the other one fall asleep within the first 10 mins. That Hou Hsiao's movies for you
Kaiser-Eoghan
@Mario: Its such a shame because he makes gorgeous cinema and City of sadness is actually pretty informative account of the times....I just can't jive with him and I actually like "slow cinema" but watching his work is insanity inducingly boring for me.
Kaiser-Eoghan
@Mario: ....I'm really sorry, I don't mind long slow even spiritual, talky, non-narrative, old, complex,meditative , art films but I'm really really finding it hard to watch Hou Hsiao's work, I've tried time to live and the Assassin and I just bailed after 2 out of 3 hours on city of sadness.
KTravlos
I have to say Akko is developing nicely as a character in LWA. Also Magane in Re:Creators reminds me of Hannibal as palyed by Mads Mikkelsen. There is that same est for life married to sociopath that is a bit charming :) Mamika's character is also just cool. Beyond that AofT and Bahamut both delivered competent episodes, with Bahamut a good mix between comedy and tragedy.
K-Off
@Aidan Assault on Arkham was fantastic. Between that and Under the Red Hood, a classic.
SuperMario
@Kaiser: I have a lot to say in this week's Eccentric Family. Review will come up later tonight when I get back home from work.
AidanAK47
Seen Assault on Arkham or what it should be called, The animated Suicide Squad movie. Thinking of checking out Dark.
Kaiser-Eoghan
@Aidan: Have you seen assault on Arkham or the justice league dark film?
Kaiser-Eoghan
@Aidan: It isn't so much because its Talia x Batman, moreso that it feels odd shipping Batman with anyone.
Kaiser-Eoghan
While kind of amusing, initially I wasn't too into Uchouten this week, the hot spring part got me groaning, but then someway through dramatically it really picked up.
Kaiser-Eoghan
From reading comics a few years back, I still feel that they adapt better to animation.
Kaiser-Eoghan
@Vonter: And I say this as someone who was able to defend Alien 3 and Ressurection.
Kaiser-Eoghan
Covenent felt like an Infantilized version of Alien.
Kaiser-Eoghan
I wouldn't call either John Wick film or free fire amazing or anything but they had great fight scenes that were actually visually coherent , of course they weren't given a proper release.
Kaiser-Eoghan
I'm not watching/paying for anymore of these reboots/remakes/shakey cam pg rated action films anymore. I'll stick with my balls to the wall Hong-Kong/Chinese ones.
Kaiser-Eoghan
@Vonter: It also had really uneven pacing aswell.
Kaiser-Eoghan
@Vonter: ....The dialogue is so embarassing, they don't do enough with this backstory, they just keep teasing, none of the new characters have the same charisma , the editting in the action scenes shakes all overtheplace.
Kaiser-Eoghan
@Vonter: I gave Covenent a fair chance, I thought it would be an exception to the reboot thing. I'll admit theres the sets, the atmosphere, Fassbenders performance , the idea to expand on the franchises mythos is cool but....
Kaiser-Eoghan
It really really hurts as a film fan, trying to find older, genuinely quality foreign films , finding that no-one is seeding them and theres no proper/in print dvd release anymore. Then finding some awful shakey cam modern American superhero film with billions of seeds and a bluray release.
AidanAK47
@K-Off, I don't know. Todd was more the imperfect son always aiming for batmans approval. Damian is more an assasin wondering why the hell he can't just kill his enemies. I hear that Comic Damian works better than Animated Damian. I do think that if given a personality he could work but as he is currently you are right that he's essentially a mishmash of past robins.
Vonter
I watched Alien Covenant and I don't know if it improves by being more dumb and less pretentious or if it os the final nail in the Alien franchise coffin. Not since the StarWats prequels there has been a retcon that changes your view of the original movies.
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
SuperMario
@lenlo: in a sense you have to suffer it all alone. No worries thou as I intend to binge watch it when this season's over
Spike
Kado team crumbled under the pressure. Recap this week.
Lenlo
@SuperMario, im happy I dont have to compete with anyone to cover Berserk :P Got it all to myself to whine about, though its been ever so slowly improving.
Anonymous1100725
Ranka is ranka in any verse.
Anonymous1100725
Bahmut no spoilers. Ranka Lee. She just doesn't get it so everyone dies. As she stands around wondering.
SuperMario
In fact, Okja will play in the Sydney film festival next month, but seeing that it will stream in Netflix at the end of June I think it's best to wait until then
SuperMario
@Kaiser: great, I'm super hyped to watch Okja. Always enjoy Boon's movies. The critic's reviews from Cannes on Okja should come up soon I believe.
SuperMario
@Kaiser: I watched Lain many times over as well but I'm sure that I didn't pick up everything. That show required multiple-viewing anyways.
Kaiser-Eoghan
@Mario: Good news, netflix will stream Okja at the end of this June.
Kaiser-Eoghan
@Mario: Its not often that I rewatch things, but years ago I've seen Lain at least three times, its also one of those few anime series where I felt to look up deeper analysis into it. It had a tremendous atmosphere and was ahead of its time.
SuperMario
@Kaiser: watching Ghost Hound made me want to revisit Serial Experiment Lain and give my episodic thoughts on that. Not gonna happen soon as I have my hand full right now but I swear I'll get to that one day.
Kaiser-Eoghan
@Mario: I actually am planning to rewatch ghost hound soon, so I'll give you my new thoughts on it then.
Kaiser-Eoghan
I always avoided Altair mostly based on it being a shounen action series. Kakeguruis premise involves gambling games, which I don't find interesting.
KTravlos
Kakegurui is on my list. I thought it would be crap (terrible setting etc), but the manga won me over. Princess Principal will be given a chance, so will Shoukouko no Altair.and perhaps Reflection. We shall see. Also Twilight Axis Gundam, as I love the manga team.
AidanAK47
@Anon, Recap episodes exist because of production troubles. Sometimes shit happens when you make an anime.
You are being a bit overally argressive but I do agree with the statement that Ntr is pathetic power fantasy. It really is.
Anonymous1099236
Ntr is a pathetic power fantasy for pathetic people
Anonymous1099236
Why the hell do recap episodes exist. Do they think we're that autistic
SuperMario
I honestly don't even what NTR is so I had to look it up. Interesting
SuperMario
Just a quick remaider that Tsuki ga Kirei has a recap episode this week. And yep, after watching this week's Sakura Quest I think I'm gonna stick with it
SuperMario
Flipping through the list, I'm also pretty know what I'm interested in, most of them are original anime, which is a plus
SuperMario
@Aidan: I'm still amazed that us never have to fight over covering shows, except for that one time with Flip Flappers. Always thought that crappy tastes are the same
Kaiser-Eoghan
*Those two comments were refering to NTR trap
Kaiser-Eoghan
I would really genuinely like to see some of these smut manga actually functionally use fanservice and romantic sex scenes rather than just cheap titilattion
Kaiser-Eoghan
@Aidan: Poorly done ragey drama with bad comedy bits , I've reached a point with it where I no longer want my time wasted by it.
AidanAK47
@Mario, I admit to having passing interest in Princess Principal but not enough to fight you over it.
And Tsurezure Children is actually really really good. Really fluffy love stories with great comedy.
SuperMario
haha, even me who love slice-of-life won't fall for Tsurezure Children
SuperMario
@Aidan: Princess Principal
SuperMario
@Kaiser: The character designs on Centaur kind of weirds me out though
AidanAK47
@Kaiser, Ugh...that one. Imagine a discount scums wish and you get the general idea.
AidanAK47
Mate if you are talking about Fate then let me say there is no way in hell I am not covering that.
Kaiser-Eoghan
NTR as the title of an anime? How shameless.
AidanAK47
@Mario,....Tsurezure Children?
Kaiser-Eoghan
I was surprised by centaur no nanami's manga. Actually cares about its setting and genuinely charming characters.
SuperMario
@Aidan: and this time there is 1 show we might both want to cover ^^
AidanAK47
I will have to start writing up that preview for this. I think it's pretty obvious what I am looking forward the most to watching.
AidanAK47
Links generally work with text if you place them at the end of it. Like so:
http://anichart.net/Summer-2017
Kaiser-Eoghan
[link src="http://anichart.net/Summer-2017
I....I"] might at least try the Vatican kiseki one and centaur no nanami...
AidanAK47
@Anon, Don't believe Clickbait. This is all based on a quote from the author thanking the animation studio and hoping for an opportunity to work with them in the future. What this confirms is that there is no plans for a season 3...yet. Could very well happen in the future. What this confirms is that it ain't happening any time soon.
Puran
Natsume is killing it this season.
Anonymous1094513
RIP Konosuba. Season 3 confirmed to not happen https://www.youtube.com/watch?v=7PvOmsKjcJU.
Lenlo
Im not sure what they are even saying.
Anonymous1092432
lmao Anon 250 got rekt
AidanAK47
Normally I would delete openly offensive posts but seeing as these don't make enough sense to be offensive I will give them a free pass.
AidanAK47
No idea who this Adnan guy is but if he watches gay porn then so what?
Anonymous1092250
adnan watches gay porn
Anonymous1092250
people who watch one piece are just watching gay porn
Anonymous1092250
one piece of shit
SuperMario
Hey, do you guys know about wanna cry ransomware? how's the heck that I just aware of its existence today? Scary@@
Lenlo
Haha will do, but im not gonna compete outside a local, maybe regional level, not anymore. I mostly want to get back into my old shape after 2 years of letting it lapse.
SuperMario
Oh, congrats. Used to play sport in competitive level myself (tennis), but now I feel like an old big fat geezer now haha. Keep me updated on your Fencing as it might motivate me to join sooner ^^
Total users: 21

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