Posted by psgels on 30 December 2008 with categories: Yearly Summaries

Well, it’s the time of the year again for the obligatory posts that look back at the highlights (and some of the lowlights) of the past year. This time, I decided to split this entry in two halves, otherwise the list would simply become too huge. I’ll post the second half tomorrow, after Porfy no Nagai Tabi and Mouryou no Hako finish.

Overall, what has struck me the most about 2008 is the surprising amount of series that just took up 13 episodes. When compared to previous years, there was a much bigger share of series that just went on for one single season, or that divided its airtime up in multiple of those short seasons. It’s perhaps because of this that there weren’t as much top-tier series as in previous years, and yet at the same time the average quality of the series that aired did rise, and this year had a fine selection of outstanding series.

Biggest Disappointment

Nijuu Mensou no Musume

Disappointments are the worst if created from high expectations, and that’s exactly what happened for me with this series. It went so well during the first half, the premise was intriguing, the plot twists kept you guessing, and then it all went down the drain because of that lacklustre final arc. Such a shame. Also disappointing were Hatenkou Yuugi (promising manga ruined by downright lazy staff members) and Zoku Sayonara Zetsubou-Sensei (went from absolutely hilarious to incredibly dull in just one season, but then again it had it coming).

Worst First Episode

Akikan

At the start of December, I was certain that I would be handing out this award to Bihada Ichizoku, the cheesy shoujo series that was advertising make-up products to young kids. Then KissXSis and Akikan aired, surpassing even that one in terms of badness with their ridiculous premises. In the end, Akikan gets the award because of the most pathetic excuse to get a guy and a girl to kiss each other.

Worst Series

Chocolate Underground

Of course, this only goes for series that I managed to finish. Who knows, perhaps Bihada Ichizoku became the best thing since sliced bread after its first episode? In any case, this one pretty much goes to Chocolate Underground. I kept watching it because I had faith in Production IG, and I’d like to thank this series for destroying that faith…

Best Cheese

Suteki Tantei Labyrinth

Um, yeah. I just had to include this series somehow. ^^; There’s good cheese and bad cheese. I’m not going to deny that Suteki Tantei Labyrinth was bad at times; it really had some horrible parts, and yet it never ceased to be amusing, especially the second half was just full of weirdness and delicious cheese.

Most Promising Studio

P.A. Works

In 2008, these guys for the first time went and produced a series of their own, rather than simply assisting random projects. The result was True Tears, a very solid romance series with equally excellent animation. If their future projects are as solid as that one, then these guys are something to watch out for.

Best ED

“Candy Line” by Hitomi Takahashi – Gintama

There were not many EDs that stood out for me this year. The ones that did the most were Mission E (way too much sweetness and yet somehow it worked), Shikabane Hime (Excellent vocals and nice imagery) and Gintama’s fifth ED: an excellent song, that also succeeds in putting its cast into a completely different setting and making it actually seem plausible. No really, Gintama: The High School Days would actually have lots of potential.

Best Movie 2006/2007

Kara no Kyoukai – Remaining Sense of Pain

I didn’t watch that many movies this year, so I don’t have many choices for this one. I’ve yet to see Ponyo and the Sky Crawlers, which I suspect would have gotten this award if I did. Still, the third Kara no Kyoukai movie was a good movie, with excellent visuals and a nice story to keep the viewer busy for an hour.

Best Suspense Series

Himitsu ~The Revelation

In terms of Suspense, Himitsu really was the best this year. A number of episodes was simply mind-boggling. The creators knew exactly how to keep the viewer’s interests, revealing just enough information at a time while keeping the viewer hungry for more. Also excellent in this depart are Kurozuka and the third season of Jigoku Shoujo.

Best OP

Mononoke Dance – Hakaba Kitarou

Lots of great OPs this year, but the best of them definitely was the one from Hakaba Kitarou. It’s a funky song, and the comic-book effect that pays homage to the original Gegege no Kitarou manga really works. Other series with great OPs this year include Zoku Sayonara Zetsubou-Sensei (so the show went pretty downhill, but at least the opening rocked), Ultraviolet (surprisingly good Engrish), Mokke (just cute), Shikabane Hime (great vocalist) and Kaiba (haunting). I was also going to list Kurozuka, but then again, that’s basically a song you get when you drink too much and happen to be near a recording studio…

Best Romance

Mahou Tsukai ni Taisetsu na Koto: Natsu no Sora

This was a tough award to decide, since I’m usually not that much into romance, although there were a few series that really stood out. Porfy no Nagai Tabi had a very strong episode dedicated to it, and Saiunkoku Monogatari and True Tears also were really good in this aspect. Still, in the end the best has to be Natsu no Sora, with its incredibly subtle storytelling that really shows the best and most natural form of romance, rather than the overblown and overly cheesy one.

The This-Needs-A-Sequel-So-Badly Award

Amatsuki

Gunslinger Girl, Blade of the Immortal and Amatsuki: three excellent series that have so much potential left if they receive another season. The most annoying is Amatsuki, though. It really ended just as things were getting good, and it’s a Studio Deen-series: it usually makes sequels for every one of its series that needs one, APART FROM THIS ONE.

Best Background Art

Porfy no Nagai Tabi

Sorry Macross Frontier, you may have a very amazing backgrounds here and there, but in no way did it match up to Porfy no Nagai Tabi: every single episode treated us with the most amazing and detailed backgrounds, perfectly representing the area that Porfy was in at the time, and it did so for fifty-two consecutive episodes.

Best Music

Blade of the Immortal

And for the third year in a row a Bee-Train series walks away with this award. It’s not as much overkill as in last year with El Cazador, though. The soundtrack from Himitsu, Gunslinger Girl – Il Teatrino, Kaiba and Bonen no Xamdou were also simply awesome, but Blade of the Immortal’s soundtrack really delves in the surreal at times. It’s completely unpredictable and will work on many people’s nerves, and yet for me it strangely really worked.

Best Animation Studio

MadHouse

No question possible here. Sure, they may have had a few screw-ups here and there, but some of the strongest series of the year came from their hands. In this year, they’ve proven to create a wide variety of different series with imaginative premises and excellent executions. Runners up for me were Studio Deen and Nippon Animation. I’d love to list Production IG with them, but for that to happen they really need to break their ties with Trans Arts…

Best Horror

Ghost Hound

With horror, I obviously mean the Japanese psychological kind, that tries to capture the viewer with intense storytelling, rather than lots of scary images (anime never was that scary anyway). The best horror this year came from Ghost Hound for me, since I absolutely loved the way it emphasized sound effects to create its creepy atmosphere. The other excellent horror shows this year were of course Kurozuka (combining horror with action) and Hakaba Kitarou (combining it with comedy).

Best-Looking Graphics

Casshern Sins

For this category, I’m not looking for animation quality, but simply a series that “looks good”. Madhouse was very good in this department this year: Himitsu ~The Revelation~ was a visual feast, despite the at first sight simple character-designs, and Kaiba too looked very original. Outside of the studio, Michiko e Hatchin also had lots of eye candy, but I’m going to give this award to Casshern Sins, the series with definitely the best character-designs of the year, and the architecture of some of the buildings also looks downright gorgeous.

Top 20 Anime of 2008: #20 – #11

#20: Saiunkoku Monogatari

This series isn’t as high on the list as usual, due to the constant hiatuses that the series kept taking and that it ended at the point where the juicy part was only about to begin. Still, despite that the series’ final episodes were great at building up, and making every character count despite the already huge cast of new and old characters.

#19: Blade of the Immortal

This turned out to be an experimental series, where Bee-Train was trying out a few new things here and there. The result was a series witha number of creative and interesting fights, surrounding a very enjoyable leading couple. The only shame is that there still isn’t some sort of second season announced.

#18: Hakaba Kitarou

Combine horror with comedy. You just have to think of it. Hakaba Kitarou stood out in the past winter season as a series with incredible amounts of imagination stuffed into it. The different goons that Kitarou would run into were all fun to watch, and it made this series nothing like its Gegege-counterparts.

#17: Natsume Yuujin-Chou

Brains Base have proven themselves yet again to be a high-quality animation studio. Natsume Yuujin-Chou is the perfect summer series, with a calm atmosphere, and yet very impressive episodic stories and characters. Not to mention the awesome Nyanko-sensei.

#16: Michiko e Hatchin

Anime that are set outside of Japan are already a minority, but setting a series in South America is nearly unheard of (I can only recall two other series that did the same, but both are more than twenty years old at this point). Michiko to Hatchin may have only just started, but it’s already an engaging and true to life series, with a staggering contrast between on one side the cute adventures of a ten year old, and on the other side the brutal and complex inner struggles of gang wars.

#15: Gintama

As usual, Gintama is the best comedy on this list. What makes this series so special, and a step above 95% of all other comedies is that it’s not just funny, but it’s been funny for NEARLY 100 EPISODES ALREADY, and the series is just getting better and better. Not to mention that the best moments of the series actually aren’t the comedy-ones, but the moments when the serious storylines pop up, filled with manly tears.

#14: Crystal Blaze

This year, I became a big fan of the kind of short series that don’t try to go extremely deep, and simply want to tell an interesting story or create a nice atmosphere. These shows were Ultraviolet, Kurozuka and Crystal Blaze, of which I enjoyed Crystal Blaze the most. From the outside it doesn’t look like anything special, and yet it succeeded in making optimal use of its short length by providing a thriller. It was a lot of fun to watch from beginning to end, and that’s why I’m including this series on this list.

#13: RD Sennou Chousashitsu

So it had a few balance issues, but nevertheless RD Sennou Chousashitsu or Real Drive did succeed in creating a very imaginative view of what the world would look like in sixty years time. The genre combination between slice of life and science fiction really worked and it was overall a very interesting series.

#12: Casshern Sins

If this series would already have been finished, I just know that it would have ranked even higher on this list. Casshern Sins has already proven to have an excellent sense of storytelling. The individual episodes may be episodic, but they’re masterful in fleshing out the characters that appear in them. It’s a very emotionally powerful series, which you wouldn’t suspect from a series that is about robots.

#11: Mokke

Yeah, this series completely sold me with its heart warming and sappy atmosphere. It’s not the first time where we have a series where the lead characters interact with youkai, but Mokke did it with personality. Mizuki and Shizuru were just too cute to not watch.

Well, so that’s the first half of the list, the rest follows tomorrow. In the meantime: what were your favourites of 2008?

20 Responses

  1. I agree with the worst first episode. It was worst in some way because of the weird fanservice and with those wtf scenes.

    The worst series was yes, really bad. But I watched that anime for the lulz. XD A place where chocolate is banned? Oh shhhss that will never happen.

  2. Westlo says:

    I have to agree that Madhouse was the studio of the year and I think they will be the studio of Winter 2009 for sure. Rideback looks to be the Casshern of that season (best title noone is watching!) and Hajime no Ippo will continue to be awesome.

    Also you need to mention the fluidness of Casshern, they really went all out there Madhouse.

  3. Windspirit says:

    No Code Geass ?
    I thought it was the most entertaining series of 2008. Not exactly for the same reasons as everyone finds this entertaining, actually…

  4. Vangui says:

    Bihada Ichizoku actually improves later. I mean, it becomes more hilarious.
    That was the problem with this series. A lot of people were expecting an anime about girls participating in beautiful contest using cosmetics and a lot of other things that really aren’t appealing.
    But this is actually a parody of old shoujo animes. It is supposed to be a comedy, with over exaggerated dramatic moments.
    If you think doing acrobatics to put sliced cucumbers in your face to make you beautiful or using a pink bazooka to kill your sister aren’t stupid and ridiculous, then people are taking anime really seriously…

  5. Kim says:

    I would have put Natsume Yuujinchou and Casshern Sins higher but I am glad they made your list.

  6. senerikfred says:

    Yes, Gintama has great EDs, but. . .Candy Line. . .? That was one of the lesser ones, IMO, even if the pictures in the background were cool. The current one is better, but that wouldn’t qualify as ‘ED of the year’ for me either.
    I’d watch Amatsuki if it got a sequel, and more of Saiunkoku would be great, so let’s keep hoping.

  7. Marmoset says:

    An unusual and interesting list as always though I’m not sure about the inclusion of unfinished series in the list. Nijuu Mensou no Musume was alright for a time before completely falling apart and I don’t think you should assume second halves will live up to firsts.

  8. Katapan says:

    I have to strongly back up Vangui’s comment – actually, I was really surprised to find out people were expecting Bihada Ichizoku to be a series that took itself seriously. I thought the very first promo picture showed it would be a parody, and the first episode only confirmed this… then the series just kept on seriously delivering in that department.

    I know I had never laughed that hard in front of anime. You just never could tell where this was going, and the completely weird characters didn’t help (SMK and his cat? Kamatama-san?). The voice acting was also definitely praiseworthy (Kitamura Eri’s 80’s shoujo laugh is nothing short of awesome). Of course, I guess you’d have to have a very odd sense of humor to enjoy this as much as I did, in a “so bad it’s great” way.

    I’d really love to get a sequel for Amatsuki, but I just don’t think the DVD sales were good enough to drive the producers into allocating the right budget for a second series (apart from the first two episodes on volume 1, none of the DVDs ever made it to the Oricon charts on their first week… meaning the sales were most likely under 1k copies sold, quite far from a commercial success). A real shame, since I thought it was definitely one of the most interesting series of the year.

  9. Archer says:

    i most definitely agree with Madhouse – studio of the year and next year seems to be another good year for them,while Production IG disappointed me quite a bit this year especially with RD,to have such a good premise and such superb,high quality animation but ruin it with some stupid plot ideas afterwards,such a waste of budget
    also i agree with Ghost Hound,it was a very good horror and probably one of my favorite anime of the year,Gintama also as funny as ever,Kurozuka and Gundam had the best action imo and now i look forward to part2

  10. Denizen says:

    My Top Ten would be:

    1. Xam’d: Lost Memories
    2. Casshern Sins
    3. Kurenai
    4. Ghost Hound
    5. Shikabane Hime
    6. Michiko to Hatchin
    7. Birdy the Mighty: Decode
    8. Macross Frontier
    9. Kaiba
    10. Soul Eater

    I swear Ghost Hound is a 2007 anime but everyone seems to include it, so why not? Fall/Winter shows tend to drop off the scale due to confusion of what year they are from. I guess it would make more sense to judge an anime on what year it ended.

  11. PhuzyBuny says:

    I’d actually thought RD would be in the top ten but that’s just my opinion.

  12. Windspirit says:

    @Denizen : This is how it’s done on AnimeReactor and it makes a lot of sense, yes.

  13. midenz says:

    great list ^_^! enjoyed reading it ^.^ This year was pretty rockin good !

  14. Mu says:

    My personal top 10 would be:

    1. Xam’d Lost Memories;
    2. Mouryo no Hako;
    3. Shion no Ou (yeah, I know it started in 2007 but ended this March so I would place it in this list);
    4. Real Drive;
    5. Mokke;
    6. XXX Holic: Kei;
    7. Ghost Hound;
    8. Natsume Yuujin-chou;
    9. Mugen no Juunin;
    10. Amatsuki;

  15. Machi says:

    Surprised you added unfinished series. But I wholeheartedly agree on madhouse being the best studio this year, they created Kaiba and thats more than enough reason just for the risk they took on that series.

  16. BlueYoshi says:

    Also agreeing with Madhouse being the best studio, and that’s probably just because of Kaiba, and the small amount of Kurozuka and Himitsu I have watched. I still need to start Casshern too. Kinda wished I didn’t download Chaos Head, hearing that it’s quite disappointing.

    While I never really got the time to finish Hakaba Kitarou, I loved it’s OP, and it’s good to see it as your fav of the year.

  17. Cody says:

    Amatsuki needs a sequel so bad it’s scary.

    The final episode sucks/is completely awesome at the same time.

    I would have ranked RD higher as well but that’s me. I NEVER have trouble with pacing issues as long as the stories are interesting, and to me RD gave a very interesting story. Seriously, all the characters were awesome and I loved the idea of the series combined with slice of life.

  18. mulligan says:

    Must have been quite an effort to put together such an extensive and thorough review for the year’s worth of anime output. Well done! always looking forward to your reviews :)

  19. F0r7y_2 says:

    X’amd: Lost Memories is easily my favorites for best of ’08. I also really liked Soul Eater and Toradora but neither of those really stand out as anything particularly special outside of this year the way that X’amd does.

  20. PROOV22 says:

    what episode is that Mokke( with judo clothes) what EPISODE ?

Leave a Reply

CHANGE USERNAME
KTravlos
That said the last two AMB episodes were quite fun.
Amagi
I would have prefered it if the magical beings were weird looking instead of all of them being beautiful sameface humans. Also the special role of Chise and how everyone gets alured by her give me strong otome vibes and I am really not a fan of this gerne
Amagi
@Lenlo/KT same here. It's just that AMB can't come even close to Inu, Shuumatsu or Houseki. I am no a fan of the pacing and the rest is basically just fantasy.
Kaiser-Eoghan
Was worried there for a moment thinking sangatsu no lion was ending next week, turns out season 2 is 22 episodes afterall.
Lenlo
Yeah KT, watching the two together has not come out favorably for AMB for me.
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
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Featured Posts

Inuyashiki – 10 [People of Tokyo]

This was a momentous week for Inuyashiki, with lots of highs and single glaring low. We had terrible CGI, an emotional confrontation between our leads and a fantastic payoff for Inuyashiki. Lets jump in! To start, lets get the big issue out of the way immediately, the PS2 era CGI. To quote reddit, the budget […]

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

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Girls’ Last Tour – 10 [Train – Wavelength – Capture]

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that […]

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Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

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The Reflection Review – 45/100

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Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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