Posted on 29 January 2009 with categories: Shikabane Hime



Short Synopsis: Sougi takes care of his old friend, while the Seven Stars pull a particularly nasty trick on Makina.
Episode Rating: 8/10 (8,5/10 for the first half)
Ah, who cares about the stupid fanservice! The second season rocks!

I’m really surprised. When the fanservice started coming with buckets at the time, I really thought that the series had hit its height in the first season, and the second season was just meant to cash in a bit more on the DVD sales. Still, Sougi and Itsuki’s past was rock-solid, and the definite proof that the creators haven’t lost their touch yet. Especially the conclusion to their story was fantastic. It’s impressive how easily Sougi was able to kill his once best friend. The guy has really grown from the teenager he once was.

Their arc really signified the message in this show, that Shikabane aren’t the same as people. Even though they’re a bunch of cute girls, they remain a bunch of non-rotting corpses. At the end, where Itsuki also started looking more like a zombie, and asked Sougi how she did her job, Sougi was able to face her with a straight face and told her that she did well, and he was able to do this because he didn’t see her as an ordinary cute girl.

In the second half of this episode, Makina and Ouri finally have the chance to talk and sort out their differences. It turns out that Makina killed Keisei in the end, to prevent his body from turning into a Shikabane, and that’s why she refused to take Ouri as his replacement. The next episode with the fight against the army of Keisei’s should also prove to be interesting, as it’ll finally show Ouri and Makina fighting together.

The question now remains where this show will go from now. will it, despite my praises turn into standard shounen fare now that Ouri and Makina have settled their differences, or will the creators be able to keep this level of character-development up. I’m just a bit worried about “boob”-san, who has just arrived at the mountains. She was one of the more annoying characters in the first season, without any real point to her, so I guess that the creators were saving her for the second season. But what could she possibly add?

2 Responses

  1. Yoo says:

    I suspect Nozomi, the “boob”-san, is going to be Ouri’s link to the ordinary world. I’m waiting for more appearances from the cat myself, as it only seems to have appeared once so far during the second season.

  2. aegd says:

    In the second half of this episode, Makina and Ouri finally have the chance to talk and sort out their differences. It turns out that Makina killed Keisei in the end, to prevent his body from turning into a Shikabane, and that’s why she refused to take Ouri as his replacement.

    No she didn’t. She’s talking in a metaphorical sense. Because she could show Keisei a smile as he drew his last breath he could pass away without becoming a shikabane, in her mind it was the same as killing him, because he would still “live” even if was as a shikabane.

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  • gedata
    (Sunday, Apr 20. 2014 10:14 AM)
    @Juno, you aren’t alone.
  • Juno
    (Sunday, Apr 20. 2014 05:37 AM)
    Because as of this moment, my childhood could NOT be happier…
  • Juno
    (Sunday, Apr 20. 2014 05:37 AM)
    I can’t be the only one FREAKING OUT OVER THE NEW JOJO ENDING THEME, right?
  • K-Off
    (Sunday, Apr 20. 2014 05:32 AM)
    And although everyone said already, the launch scene is gorgeous.
  • K-Off
    (Sunday, Apr 20. 2014 05:30 AM)
    @Friend Man, you are something else. The chapter reeled me into the story. I didnt see any faults with it, except for one typo. The scenes are well composited, and like nyan said, the only “faults” are nitpicky things :)
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 04:21 AM)
    Yeah, I think this falls more into the category of typesetting than anything else and there’s plenty of different ways that can go depending on preference. If the readers don’t have an issue, then it’s fine.
  • Friend
    (Sunday, Apr 20. 2014 04:11 AM)
    A problem ve faced with american comics is that they usually dont contrast the speech bubble with the surroundings too well. That might be a factor, as large bubbles mean more visibility of the text itself.
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 04:05 AM)
    ah well, I don’t really mean the amount of content, but a negative space thing. it’s easier on the eyes when there’s a bit of space around the bubble for me.
  • Friend
    (Sunday, Apr 20. 2014 04:03 AM)
    Sure, I was tempted to pack in my bubbles, moreso with my weekly form of several pages. But I figured I should take time to develop each moment.
  • Nyangoro
    (Sunday, Apr 20. 2014 04:01 AM)
    It’s a matter of compressed vs decompressed storytelling. Just a result of how the two evolved, I suppose. It makes more sense when you consider the multiversal approach to mainstream American comics in relation to the isolated worlds found in Japanese manga.

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