Posted on 28 February 2009 with categories: Birdy the Mighty Decode



Short Synopsis: Shouko goes on a big adventure.
Episode Rating: 8/10 (Excellent)
Another quiet episode with the goal of building up, but it’s an episode well spent, as it develops the character of Shouko a bit more. It was a bit silly of her to mistake Nataru and Shion to have a relationship, but the episode did its job really well, and especially the many other things that happened during this episode made it more than worth watching. And after all, she was about to be taken away from Nataru, so she needed something to vent off her frustrations with. Bullying Shion was the obvious thing to do. ^^;

But damn, I hate it when the creators pull that ‘character X is about to be killed off’-cliffhanger, especially since this show has already seen so many deaths. Now I really want to see that next episode, even though it’s going to take another week for it to air. My guess would be that the creators are going to let Nataru struggle for a bit more, make him escape with that power of his while heavily wounded.

Then, I wonder what Muroto’s purpose in this series is going to be. It’s been pretty small throughout the series, but now that he caught himself a ‘scandal’ of Shion, then I really wonder what kind of repercussions it’s going to have. Shouko is probably going to find out, meaning that her role isn’t over yet, and this episode was probably spent in order to develop her character not just to have a complete cast and for the heck of filling an episode, but it’s actually going to be used somewhere later in the series. Nice.

Posted on with categories: Monthly Summaries

A bit of a boring list this time perhaps, since it looks mostly the same as last month’s with perhaps a few small differences. Nevertheless, this was a very good month. The winter season has proven to be an excellent one, and quite a few series spent this month getting even better than they already were. Oh, and I dropped Kemono no Souja Erin for those who were wondering. Wake me up if it turns out to be more than just a World Masterpiece Wannabe.

#24 (new) – Fresh! Precure – (7,5/10) – … why am I still watching this thing!?
#23 (24) – Kurokami The Animation – (7,75/10) – I still can’t quite grasp where this series is going, but it’s still mostly building up and fleshing out the Mototsumita-setting. So far, it’s solid, though it hasn’t hit any heights yet. My highlight this month was the episode with the other Mototsumita who made a contract with a substitute.
#22 (33) – Hetalia: Axis Powers – (7,75/10) – Okay, so my attempt at blogging this series failed, but it’s still a pretty fun and random series with interesting historical references. I’m looking forward to see the other countries show up.
#21 (20) – Mobile Suit Gundam 00 – (8/10) – Oh, I just hope that the finale is going to be all right for this series. Some parts of the past months have been really good, but at the same time the action has been repetitive apart from the two episodes about the coup d’etat, and the Saji vs Louise storyline STILL hasn’t become better, even after nearly fifty episodes.
#20 (10) – Gintama – (8/10) – Ouch… This episode saw the subbed versions of the episodes that were jointly directed by the old and new directors of the series, and there’s one thing that immediately becomes clear: the jokes start feeling flat. It may just be me getting used to the new style, but the timing just felt off and most of the jokes missed their mark. Thank goodness the serious parts were still as awesome as ever, but I’m worried here. Let’s see what the new director can do when he’s alone in the director’s seat.
#19 (19) – Minami-Ke – (8/10) – I’m a bit behind on this series, but overall while it’s not proven to be something awesome it remains pretty enjoyable to see the different antics of the Minami sisters. There’s hardly anything annoying or flawed, so I’m glad to have picked up this series.
#18 (23) – Koukaku no Regios – (8/10) – This turned into a pretty sold series, and the stereotypes are getting less and less apparent and annoying. My only gripe is that horrible, horrible Engrish, but I’m interested to see where this series can go.
#17 (22) – Ride Back – (8/10) – I really have a hate/love relationship with this series. On one hand, it continues to tug on my suspense of disbelief (why out of all people did the younger brother get involved, and why was everyone shot down and brutally killed, while he managed to survive long enough or Rin to arrive), but on the other hand, the characters do remain excellent.
#16 (13) – One Outs – (8,25/10) – So in the end, this series didn’t turn out into a very deep or thought-provoking one, but instead one that’s just a lot of fun to watch. I’m getting more and more warmed up to the cast of characters.
#15 (7) – Tales of the Abyss – (8,25/10) – This month was mostly build-up for the big finale of this series, but it’s nevertheless been very solid. The development on the two characters who originally made me question where this series was going (the two little girls who rather felt out of place in a war between countries) was quite good and appreciated.
#14 (21) – Skip Beat – (8,25/10) – I have so many issues with this series that it’s going to have to need an entire review in order for me to be able to list them all. For now, let me just say that I may have chosen the wrong time to watch Glass Mask: the parts about acting in Skip Beat feel downright shallow and oversimplified when compared to that series. Still, I’m surprised that the different characters’ antics still remain hilarious.
#13 (8) – Natsume Yuujinchou – (8,25/10) – I’m still not exactly sure what I’m missing that the rest of the people do see with the second season. I still like this series a lot, but when compared to the stellar first season, there seems something missing, and my guess would be that the novelty of the premise is wearing out for me. Still, the soothing atmosphere is still there.
#12 (16) – Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai – (8,5/10) – So, the glorified recap is finally over and this series can finally start filling in the huge holes that the original OVAs left behind. The pacing is still really fast, but I so hope that this series is going to last for 24 episodes.
#11 (17) – Druaga no Tou – (8,5/10) – This is really typical of Druaga no Tou. First you have episodes like the one with the shadows, which really were quite terrible and full of holes, and then when you’re about to give up on the series, it hits you with some really good and solid episodes that completely make up for the past screw-ups and silliness,and they fully explained what Neeba and Kaaya had been doing for the past six months.

#10 (14) – Tytania – (8,5/10)

A bit of a quiet month for Tytania with only two episodes aired, but there was some good stuff in it. This series sure took a long time to get fired up, but the end results are worth it.

#9 (12) – White Album – (8,75/10)

Ah, I’m so in love with the subtle execution of this series. It’s also proven to be quite a thought-provoking series: what does it mean to cheat on your girlfriend, and in what cases is it justified. There are lots of different opinions and ways to interpret this series, which I feel is yet another one of its strengths.

#8 (9) – Genji Monogatari Sennenki – (8,75/10)

Now this is what Noitamina should be. After seven episode,s this series is still going solid, with some beautiful eye candy along the way. Now let’s see if the creators can give this one a solid conclusion.

#7 (15) – Jigoku Shoujo – (8,75/10)

Muaha! It’s time for the real meat of the series to show up at last. I’m very excited to see what the creators have in store for the climax this time.

#6 (6) – Hajime no Ippo – (8,75/10)

Episode eight was pure slaughter, and yet this series is just getting better and better. If the original series was just as good as this, then I can understand why it became so popular.

#5 (11) – Shikabane Hime – (8,75/10)

Screw the shounen cliches, this series rocks! Especially the characters are excellent, thanks to all the build-up that the first season put into them, and there seems to be no end in sight for the character development of the second season.

#4 (3) – Michiko e Hatchin – (9/10)

As solid and fun as ever.Michiko to Hatchin continues its perfect balance between intelligence, action, fun, drama, romance, and a whole lot more things. Every episode this month has been a delight to watch.

#3 (2) – Casshern Sins – (9/10)

Everything is finally coming together for this series, and the results are awesome so far. The series is evolving, and yet the creators aren’t forgetting what made it so awesome in the first place.

#2 (4) – Clannad – (9,25/10)

Well, there you have it. The past few episodes have been nothing short of incredible. Ushio has pushed this series into a unique direction, going even further than Itazura na Kiss went.

#1 (1) – Birdy the Mighty Decode – (9,5/10)

I’m still amazed at how incredibly good and awesome this series has become. Nearly every episode so far has been utterly amazing, and I just have to love the animation style.

Posted on 27 February 2009 with categories: Genji Monogatari Sennenki



Short Synopsis: Genji’s second child is about to be born.
Episode Rating: 8/10 (Excellent)
I think that one of the hardest parts in trying to understand this series is keeping track of all the different characters, combined with how all the characters like to talk in old Japanese, though this surprisingly isn’t the most difficult series to understand in the end (out of the currently airing series, that honor goes to Munto). while watching, there were a lot of question marks that popped up, and scenes, I couldn’t quite grasp, but at the end of the episode everything came together wonderfully and suddenly made sense.

So in this episode, Genji’s wife gets pregnant, and it takes place during the nine months of her pregnancy. This rumour reaches the ghost woman, who becomes even more struck with grief, and so she attempts to kill Genji’s wife as well. After the second attempt (after the baby is already born), she succeeds. With four episodes left, I believe that the creators are saving her as the main villain of the series, but the little girl still has yet to be important, even though she’s supposed to have a huge role in Genji’s life.

And I also loved how this episode had more visual effects than ever, and as usual, they looked GREAT. Especially during the climaxes, the creators were throwing these effects and filters everywhere.

And here’s something interesting: Genji has currently gotten two women pregnant, and has been flirting with quite a few more. Now compare this to Touya from White Album, who also is surrounded by a lot of females, though less extreme. I’m still surprised at how much hate Touya gets for being unrealistic and a bastard to women, and how Genji doesn’t get any hate at all, while his actions have been much worse. Sure, it’s probably due to the lack of subs for this series, but it’s interesting to see that some series are easier to hate than others.

Posted on with categories: Higurashi no Naku Koro ni, Higurashi no Naku Koro ni Rei



Short Synopsis: Keiichi and the others go to the pool
Episode Rating: 7,5/10 (There are going to be five episodes of this!?)
Uh… yeah. Here I was expecting Higurashi no Naku Koro ni Rei to deliver some more background information about the series, flesh some more characters out and all… yeah.

In the end, this turns out to be more Arusu The Adventure: random stories involving the lead characters. This one had everyone and his dog chase after Keiichi’s swimming trunks because it was supposedly cursed. In the end, the only clue that we have that it was indeed cursed was the word of the one who sold it to him.

In any case, the episode was as hilarious as it was disturbing (try to imagine Tomitake and Oshii in the pool….), and the thing turned into a huge self-parody. Interestingly, the original director didn’t return to the director seat, but instead the one who did the series composition created this… thing. And to think that there are four more episodes left!

On a completely different note, though: that OP rocked. It doesn’t quite beat the original OP of the first season, but I’m glad to see that it’s still experimenting with different exotic instruments and sounds. It works really well in this case.

Posted on with categories: Anime Reviews



I remember when Zegapain first started, I was really turned off by its first episode, so I dropped it without giving it much of a second chance. In the end, though, this series turned out to be pretty capable. While it starts out like any other series does, with a typical teenager who just lives a normal life and gets to meet a cute girl and pilot a big mecha (like an expert as well), it gradually evolves into a fascinating post-apocalyptic series, successfully degrading human beings in a bunch of computer bits.

This definitely is one of those series that doesn’t play all of its trumps right in the first turn. The whole mecha-fighting indeed does feel like a mere game to the lead character in the beginning, but gradually more and more about the setting of this series gets revealed. It’s basically the Matrix meets anime, though with differences I’m not going to spoil here.

The cast is likable, no character really feels wasted in the end, and overall it’s a pretty solid series, although it doesn’t hit any heights. My only gripe with the series is that the final bad guy hardly has any attention or development at all, and feels a bit shallow because of it. The action-scenes are also very prevalent throughout the series, but they hardly ever form any highlight. This is going to be a short review, because there’s not a lot that you can say about this series. Basically, there are some very nice ideas put into this series, and that’s the biggest reason why you should watch this.

Storytelling: 8/10
Characters: 8/10
Production-Values: 8/10
Setting: 9/10
Posted on 26 February 2009 with categories: Shikabane Hime



Short Synopsis: The seven stars put Makina and Hokuto in one room. Fighting ensues.
Episode Rating: 8/10 (Excellent)
I’m still amazed at this series. I keep having these fears, for the huge amount of pitfalls that this series can fill into. And here it comes, and proves me wrong time and time again. The characters just keep saving this series whenever it’s about to fall apart. When boob-sama first appeared, I feared that she was just going to prove to be a source of annoyance, in the same veins of Saji and Louise in Gundam 00, and how she’d come back as a Shikabane Hime in order to form Ouri’s harem when she ‘died’. And here it turns out that she couldn’t be saved, and actually died for real with a pretty impressive finish. In the last episode, I remember noting how the rest of the seven stars looked like they were going to simply fight Makina in standard shounen fare, and this episode comes and it continues to provide very interesting back-stories for these guys. Heck, even the simple bash-fest between Makina and Hokuto turned out to be awesome somehow. I really didn’t see this coming when the second season started, but at this point, this series can hardly do anything wrong for me anymore. That’s how much I’m already caught up in this series’ pace.

So as it turns out, there’s a whole lot more to that simple flashback scene of Keisei and his former comrades than just them being at the same spot at the same time. It turns out to be a very important scene, having to do with Ouri’s origins. I didn’t understand it completely, but there seems to have been a shikabane that collected children, presumably this was Ouri’s mother. In their attempts to rescue them, Keisei and the others failed, and every child except for Ouri got killed off, and Ouri was brought to the orphanage. Also, did I understand this correctly and did Ouri’s mother turn into the cat? In any case, the biggest revelation in this episode was that one of these dead children was Hizuchi.

What I now want to know is why it’s so important for the Seven Stars to have Hokuto fight Makina, though this will probably get clearer once the creators start on her background.

It’s only a pity that the animation doesn’t feel as rich as in the first season. While it’s still much more than a bunch of still frames, and I can’t exactly put my finger to the big difference. I guess that the animation in the second season feels more standard and less inspired than what we saw in the first, if that makes any sense.

Posted on with categories: Casshern Sins



Short Synopsis: Ouji returns.
Episode Rating: 8/10 (Excellent)
I’m not getting my hopes up. I’m NOT going to get my hopes up this time. There is no way that this cliff-hanger is going to be real. This series is going to be one of the best things since sliced bread if Casshern DOES end up dead, but I’ve seen too many cliffhangers like this one in which the main character supposedly gets killed off before the final episode. The next episode is probably going to feature some kind of plot twist that is going to keep Casshern alive. It’s going to be an awesome one, that’s for sure, but as much as I’d like to hope for a series to kill off its main character before its final episode, it ain’t gonna happen.

But that’s enough ranting, because this still remains such an excellent series. In this episode, it becomes clear that Luna indeed is very different from your guardian angel. In the time before her supposed death, it was so bad that anyone who met her met with death. When Braiking Boss ordered to kill her, he basically ended up killing his own subordinates, it seems. Still, since Luna was seen as the sun, nobody seemed to either bother or notice. Still, Casshern for some reason wasn’t affected by her death-rays, he stabbed her, and got in touch with her blood, and that’s why he became immortal. Nothing to do with love, like I originally suspected. This however, still leaves a truckload of questions yet to be answered:
– Why didn’t Casshern get himself killed?
– Why did Luna’s powers change all of a sudden?
– Where did the ruin come from?
– How come Casshern got pulverized at the end of this episode, without regenerating?
– Did Dune get his nickname really from his own actions, or were all the rumours of the people the original Luna killed delegated to him?

And here’s one thing I’ve been wondering:: every single recurring character has his or her own purpose in the series, except for Friender. Seriously, what was the last thing that it ever did? Try to dig out Casshern from a bunch of rocks. Apart from that, it’s just… there. Is Friender going to be more than just a simple cameo fro the original Casshan series, or will it have an important role in the end?

Posted on with categories: Hetalia: Axis Powers



Short Synopsis: For whatever reason, Japan, Germany and Italy end up stranded on a desert island.
Episode Rating: 7,5/10 (Good)
Easily one of the most nonsensical episodes of this series yet. Again, it emphasized on how Italy only thinks about food. In this episode, he offers Germany some of his local dishes in order to seal the alliance between him and Germany, and builds a castle of Spaghetti (as a reference to the tower of Pisa, of course ^^;). Next episode, the rest of the countries should arrive, so that should prove to be fun.

Still, with this entry I’m going to stop blogging this series. It’s not because of the political incorrectness of the series, the stereotypes or the negative comments I’ve gotten about it. I still like this series a lot, but I hardly have any inspiration to write about it for every single episode, so I thought that I’d better quit while I’m ahead, before I burn out completely. It was a nice experiment definitely, and when I started blogging this series, I hoped that it’d be like Master of Epic (which was a lot of fun to blog for me when it aired), but the episodes are just too short for that. Perhaps I’m going to do some compilation posts along the way, but I’m not going to promise this.

Posted on 25 February 2009 with categories: Anime Reviews


One of the things I like about Gonzo: they take risks. That’s really where the best ideas come from. Sure, they definitely have their screw-ups; but then again: who doesn’t? In any case, another product of Good Gonzo is Saishuu Heiki Kanojo, or Saikano or She: The Ultimate Weapon as it’s known as as well. However, this isn’t just going to be the case where I simply list everything that it does right and just get things over with: like a lot of Gonzo’s series, it has a lot to like, but also a lot to hate about it.

Ultimately, whether or not you’re going to be able to enjoy this series is how much you can stomach teenaged angst, because BOY, do these characters WHINE in this series. On top of that, it loves to pull those plot twists that add extra drama: death, destruction, extravagant love triangles, for this series it can’t get sad enough for the lead couple, and the result is that the characters hardly every stop crying an whining.

I really was expecting a huge tear-jerker when I started watching this series, and I believe that the creators also intended this series to squeeze as many tears out of the viewer as possible, and yet I didn’t cry once, nor felt the inclination to. As a tear-jerker this show lacks subtlety. There’s just too much angst and sadness. This series just keeps bouncing back and forth between love triangles here and war is bad there, and I guess that this format failed to impress me.

Instead, I was sold on this series through completely different things. The characters just feel incredibly genuine. No matter what kind of overly sad plot twists the creators pull, the characters act believable and charming. The dialogue is consistently of a very high quality, and especially the voice acting made a lot of impact on me.

In fact, this series would have worked for me even if the lead female character, who is an ultimate destructive weapon that can wipe out entire cities at once, had been completely removed. What this series excels at is portraying how a huge war affects ordinary people, and how their lives are majorly impacted by it. The quiet moments in this series are so much more memorable than the obvious sad tear-jerker moments when the umpth character kicks the bucket.

In the end though, I can’t call anything about this series truly bad or flawed. Sure, the romance had its annoying moments, but for each annoying point it also had more than enough charming ones. Sure, the setting is overly sad, but I’m not going to deny that it made impact. In the end, the creators managed to create a provocative and hard-hitting series, that may not be perfect, nor hits any heights, but has enough that makes it worth watching.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 7/10
Posted on with categories: Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Short Synopsis: Munto tells Yumemi about the past of his country.
Episode Rating: 8/10 (Excellent)
Ah, finally! It was a long wait, but finally we know a bit more about what the heck is going on in this series. Finally we see a bit of the elf country when it’s not fighting. While it’s certainly not enough yet, it’s definitely a good start, although again the dialogue was pretty complex, meaning a lot of trouble for me to understand it. ^^;

So if I understood correctly, the past of Munto’s world looked a lot like it in terms of technological advancement. Then from out of nowhere (or from somewhere that’s yet to be explained) and started wrecking things with their huge amounts of powers. They then discovered the parallel world that Munto lived in, and created a link to it. Eventually though, they destroyed this link again when they became obsessed with their own powers, resulting in lots of destruction. In order to prevent this from happening again, I suspect that the outsider was born. This went fine until the strange evil guy who appeared in the previous episode appeared, and Munto tried to use Yumemi’s help to get rid of him, while Gntarl and his allies didn’t support his decision. At least, that’s what I understood from it.

One thing that worries me though is that the pacing still is as fast as ever. Even though this episode was a quiet one, it still rushed the history of Munto’s world through in less than half an episode, which was an especially bad sign for my hopes of seeing this series continue for more than thirteen episodes. Things really can go anywhere at this point, but if the creators do plan to squeeze the entire story in only one season, then the second half of the series is going to have to be consistently solid and excellent if it doesn’t want to end up the same as the very unfinished OVAs. This episode thankfully met those requirements, but but for this series it’s going to be a matter whether the big picture can deliver or not in the end.

As for the animation, I’m glad to say that now that the series has started its original material, the quality hasn’t gone down too badly. While things obviously look less detailed and impressive when compared to the first six episode, the creators thankfully still have lots of movement. Some details were lost in the process, but it’s better than just resorting to safe drawings with mostly still frames.

CHANGE USERNAME
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

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Dies Irae – 09[A Mother’s Sins]

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Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

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Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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