Posted on 31 March 2009 with categories: Some Quick First Impressions

La Corda d’Oro ~Secondo Passo~

Short Synopsis: Our lead character seems to have abandoned her magical violin.
Chance of me Blogging: 0% (It just feels too much like an inferior shoujo Nodame Cantabile)
I remember how the first season was pretty much an insult to classical music, in which a ditz without any musical background acquires a magical violin and cheats herself into a competition among the top students of the school she’s in. Thankfully, the second season seems to have improved a lot on it, and the lead characters seems to have realized that it’s much more fun to be playing by herself. There’s quite a bit of potential in her growth. She now seems to be incredibly talented because she can play with lots of emotions in her violin, but I guess that that’s much better than the magical violin. I’m still not sold on the ridiculously looking bishies, though. Especially that blonde guy was horrible. He reminds me of Fuwa Shou from Skip Beat! In fact, I could swear that the two of them share the same voice actor, and I can’t believe that he’s being forced to play his character straight this time. Talk about overacting here…

Chi’s New Address

Short Synopsis: Our lead character wants to go outside.
Chance of me Blogging: 0% (It’s a fun show and all, but I’d go crazy trying to blog it)
Awesome to see this series back. Chi is just as fun to watch as ever, and I’m surprised that the creators are actually continuing with the whole plotline of trying to find a new home for Chi. This is going to mean that dad, mom and Youhei are going to make way for a new family, and I wonder whether this new family has the charms of the original. Ah well, at least Chi will be the same. ^^;

Marie & Gali

Short Synopsis: Our lead character finds herself into some weird Italian-ish island.
Chance of me Blogging: 10% (Italy suddenly became a popular country to make fun of, hasn’t it?)
So… yeah. If you’re wondering what the “Gali”-part of the title means: it’s short for Galileo Galilei. What we have here is a bizarre fantasy setting in which a teenaged girl meets a very weird version of Galileo inside the tower of Pisa. I’m really not sure who thought of it, but for some reason it was kind of charming. It makes excellent use of its time of only 5 minutes to be either slapstick, make random historical references and be cute, and the combination works surprisingly well. It’s obviously never going to be amazing, but I have to admit that it was pretty amusing. Not to mention that Marie’s character-designs look very stylish.

Posted on with categories: Monthly Summaries

An interesting month this time. It featured a lot of very awesome finales, but also quite a few disappointing or lacking endings, unfortunately. What surprised me is that most of the shows whose endings went right are the ones who still have some sort of second season or OVA waiting, or at least whose storylines aren’t finished yet. In any case, though, the past half year has been a very strong half year for anime, which aired quite a few classics and great shows. I have no idea what the spring-season looks like, since I again tried to avoid all previews about it, but the standard it has to live up to has been set really high with the past Winter-season.

#24 (12) – Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai – (7,25/10) – The ending was disappointing, to say the least. If only the creators went with a solid ending, I would have been at least content, but for some strange reason Yumemi and Munto started acting completely out of character in that final episode. What happened there?
#23 (20) – Gintama – (7,25/10) – I really wish I can just label episode 106 as a lesser episode in which the creators had a bad day or something, but the timing is just too coincidental with the arrival of the new director: characters suddenly act out of character, the jokes feel flat, the amount of penis-jokes increased fivefold and most importantly: the dialogue suddenly feels nowhere as creative as it once did in the first 100 episodes. Perhaps the new director needed some time to get used to this series, but please let him get in his element soon!
#22 (9) – White Album – (7,5/10) – The ending didn’t resolve anything at all, unfortunately. And yeah, I know that a second season is coming, but the creators should have at least brought in some kind of closure. This month of White Album was decent, I guess, but it’s just a shame that I completely lost my suspense of disbelief for this show.
#21 (21) – Mobile Suit Gundam 00 – (7,75/10) – The ending was too idealistic: bad guy dies and everyone is suddenly happy. Still, it sufficed in the action-department.Gundam 00 has been formulaic to say the least, but at least the action was solid.
#20 (11) – Druaga no Tou – (7,75/10) – The ending was cheesy and formulaic. It’s a shame, since the ending of the first season was so fresh and original, but this time… I think we could see what would happen from miles away.
#19 (23) – Kurokami the Animation – (7,75/10) – The show still is nothing special, but interestingly enough there is still potential for its second half, so I’m going to stick with this show for a little while longer. However, I really hope that the combat system stops being so arbitrary in this show’s second half.
#18 (new) – Chi’s New Address – (7,75/10) – Fun, fun, fun. There have only been two episodes released so far, so there’s not much that this series could have shown yet, but it’s nevertheless going to be interesting to see what a completely different setting can do for this series.
#17 (18) – Koukaku no Regios – (8/10) – With the first half over by now, the show’s really going to have to deliver at this point. While solid and decent, nothing has stood out yet, and I hope that I was right in sticking with this series.
#16 (15) – Tales of the Abyss – (8/10) – The ending was a bit underwhelming, especially with Luke rising from the dead again in the last minute (but hey, this is Sunrise after all), and the finale of this show felt a bit rushed. It would have benefited from one or two more episodes.
#15 (19) – Minami-Ke – (8/10) – The ending was perhaps a bit cheesy with the drama and all, but it was fun to watch just like the rest of this series. March again was a nice month for Minami-Ke to just sit back and watch, and that’s what the show has become good at.
#14 (22) – Hetalia: Axis Powers – (8,25/10) – The thing that stood out most this month was that very strange F-box. It’s so hilarious that nobody seemed to find it strange that it was there. Overall it’s still been an enjoyable little series and interestingly: it seems to be getting better.
#13 (16) – One outs – (8,25/10) – And this month was much of the same again, which is a good thing for this series. One Outs isn’t exactly going to become something memorable, but it’s definitely enjoyable.
#12 (13) – Natsume Yuujin-Chou – (8,25/10) – The ending was pretty good; it really brought together everything that the second season had been building up for, but it’s going to be a waste if there isn’t going to be some sort of third season in a few years.
#11 (10) – Tytania – (8,25/10) – The ending was surprisingly good, fun and solid, even though it only remains a question whether we’re going to get that second season. The finale took a looooong time to build up, but the end result was definitely rewarding.
#10 (2) – Clannad – (8,5/10)

The ending was a deus ex machina. While it makes sense when put in context with the game, it was badly introduced and came from nowhere. Apart from that, this month has been solid, though last month was much, much better.

#9 (14) – Skip Beat – (8,5/10)

The ending was really solid, but left the series with a HUGE cliff-hanger. It’s been a very fun month for Skip Beat, and the past few episodes really convinced me that this is an awesome series, rather than yet another average shoujo as Itazura na Kiss or Ouran High School Host Club.

#8 (8) – Genji Monogatari Sennenki – (8,5/10)

The ending was solid and one of the better ones I’ve seen this season. Again, Genji Monogatari has been a very consistent emotional journey, and I’m looking forward to whatever series Noitamina has to offer next.

#7 (6) – Hajime no Ippo – (8,75/10)

Hammer’s arc was yet again incredibly addictive. While not as good as the previous one, it still is an amazing series.

#6 (3) – Casshern Sins – (8,75/10)

The ending was rushed. It’s a shame that the creators couldn’t get themselves two or three more episodes, because if they did the ending would have absolutely rocked.

#5 (17) – Ride Back – (8,75/10)

The ending was very solid. The past month was definitely the best month of Ride Back for me, and it was awesome to see that everything did come together in the end.

#4 (5) – Shikabane Hime – (8,75/10)

The ending was a bit of a disappointment, considering the action-packed climax you’d be expecting. Nevertheless, apart from that it was a very exciting finale, and the height of the second season.

#3 (4) – Michiko e Hatchin – (9,25/10)

The ending was very realistic and I liked it, though it could have been better. The rest of the finale of this series, however, was an awesome one. Hatchin vs Satoshi rocked.

#2 (7) – Jigoku Shoujo – (9,25/10)

Seriously, what a fantastic month for Jigoku Shoujo! The finales of the different seasons always manage to push the series to new heights and the third season is no exception. The show might have had its issues in the beginning, but the finale really makes up for it!

#1 (1) – Birdy the Mighty Decode – (9,5/10)

The ending was without a doubt the best ending of the season. Birdy the Mighty has been really dominating the past Winter Season, and this month was no different. An utterly incredible finale that still manages to pay attention to those small details as the world that the characters live in, and the animation during the big action-scenes was simply fantastic.

Posted on with categories: Anime Reviews, Natsume Yuujin-Chou



The first season of Natsume Yuujin-chou was basically a string of random stories about the lead character, Natsume, meeting a bunch of Youkai. The second season forms much more of a unity as Natsume’s development starts kicking in. The random stories are more connected to each other, and instead of an episodic series, we’re suddenly treated to a character-study of a boy who grew up with being able to see youkai.

The production-values are as solid as ever: backgrounds are rich and detailed, the animation is crisp and the different designs for the youkai are very solid. The music is also very enjoyable again, with especially the ending theme standing out as a great song.

Unfortunately, despite this it did lose some of the charms of the first season this way. For me, the show has lost its novelty by now, and I don’t think that it’s really succeeded in making up for it, even though many people seem to disagree with this. For me, the height of Natsume Yuujin-chou still is the Hotaru-episode, and the second season did nothing to change that.

I think that one of the reasons for why the second season has made less impact is that it ends at a point where it’s simply still building up. There’s a huge part of the manga left to be animated, and the second season was mostly just setting the pieces correctly for those arcs. I that way, it served its purpose very well if there’s going to be a third season, but it doesn’t suffice as a finale here.

And don’t get me wrong here: Zoku Natsume Yuujin-chou is still a very enjoyable and relaxing slice of life series without any major flaws, but it just lacks the impact that the first season had, but there is still enough worth watching if you were also charmed by the first number of episodes like I was. Especially don’t miss the Tama-chapter.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Natsume Yuujin-Chou



Short Synopsis: Natsume finds himself having to choose between Kai and Natori.
Episode Rating: 7,5/10 (Good)
Well, the creators did it, even though they had to stuff two chapters into only one episode. It makes a lot of sense to save this story for last, because it really forms a conclusion to the development of Natsume throughout the second season: for once, he’s being forced to choose between humans and youkai.

I also liked that little scene at the end, which symbolizes how much closer Natsume has gotten to his classmates now. It’s time for the guy to grow up and stop only interacting with youkai. It was a very nice idea for an ending, and while not the best ending I’ve seen this season, it was definitely a good one; something that most other shows this season can’t boast.

Overall, the second season wasn’t exactly among my favourites, but it was nevertheless enjoyable to watch and the character-development on Natsume was very nicely done. Let’s hope that there’s going to be a third season some day.

Posted on 30 March 2009 with categories: Anime Reviews



Skip Beat has been an incredibly frustrating series for me; and not because it was incredibly bad: instead it’s been incredibly good. It’s a true breath of fresh air in the Shoujo genre, I became a fan of it instantly… and yet every single tiny flaw tends to stick out like a needle here. Ack.

While from the outside this series doesn’t look anything special: shoujo series about a girl who enters the idol business have been done before, but never in the way that this series has done. By a lack of a better description: this show has BALLS. The amount of guts it has continues to surprise, and to be honest, I can’t think of any other shoujo series that has a better sense of comedic timing than this series has. It’s amazing how careful and yet how witty this show is when delivering the jokes. It knows exactly how to deliver its jokes. The show is definitely on its best when two people with incredibly clashing personality are in bitch-fights against each other. It’s guaranteed hilarity!

And that’s the thing: if there’s any series that deserves to progress flawlessly, then it’s this one, but it’s such a bloody shame that the drama-bit of this series is shaky. While better than your average romantic comedy, the drama especially in the middle suffers from being WAY TOO RIDICULOUSLY CHEESY for its own good. The incredibly soppy drama unfortunately takes itself seriously, and doesn’t seem to realize that it’s incredibly formulaic.

The problem with this series is its trademark bitch-fights: while hilarious to watch, it becomes horribly dull when characters aren’t either trying to scratch each other’s eyes out or teasing the hell out of each other. The biggest offenders are the two middle arcs, about the chief’s daughter and the commercial filming. In such a hilarious series, these arcs break the flow terribly and are a pain to get through.

The romance also starts out incredibly shaky. Kyoko, the female lead, doesn’t just happen to run into one of the most respected actors in the business, she also grew up with the friggin guy when she was just a child. Especially the latter is jarring, since it wasn’t needed (or used, for that matter) at all in order to spark up the romance between him and the lead female.

THANKFULLY, though, this series does pick itself up as it goes along, resulting into a bunch of episodes of awesomeness in the final third, and it closes off with a strong arc. Unfortunately, it then proceeds to end the series with one helluva cliff-hanger. Kyoko herself is a really diverse character that has a huge amount of different sides to her character. Unfortunately, some of these sides feel forced. And that’s the bloody thing with this show: for every great point it seems to have one flaw or so to bring it down.

Nevertheless, I recommend this show for those looking for a great shoujo-series. Great shoujo-series like this one are very rare, especially since most shows of the genre feel like a simple rehash of an existing formula without much of an own identity. Skip Beat, while too soppy for its own good at time is a genuinely funny series, and we can only hope that a second season will be made some day.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on with categories: Anime Reviews



The reason why there aren’t many reviews of pure slice-of-life series on this site isn’t because I dislike the genre, or anything. Instead, when I need to drop series to prevent myself from watching too much at once, these shows also seem to be the ones to go down first. This season I felt in a bit of an experimental mood, though, and I decided to stick with the third season of Minami-Ke, even though I never watched more than one or two episodes from the first two seasons. What I got was a pretty enjoyable series about the lives of a bunch of sisters, living together and their classmates.

While I could go all anal and be like “zomg, it’s nothing but fillers so it sux0rz”, but even though there’s hardly any continuity, and all of the different stories are just random strings of five minutes packed together, it’s in this case perfectly enjoyable to watch the antics of all of the different characters in this series. While it’s not as gut-achingly funny as other comedies, I found that Minami-Ke Okaeri was often able to put a smile on my face.

This is a typical show that never really hits any highs or lows, and instead is just enjoyable to watch and perfect if you’re feeling lazy and have half an hours or so to burn. The Minami-sisters are quite likable, and they’re funny while not trying to be. This review is short because there’s not much else to say about it, but I’m definitely going to check out the first season, which is rumoured to be even better.

Storytelling: 8/10
Characters: 8/10
Production-Values: 8/10
Setting: 8/10
Posted on with categories: Anime Reviews



When it started, Ride Back was a strange beast. With its concept of uniting strange motorbikes with arms with military totalitarianism, I was on one hand charmed by the characters, on the other hand it just kept testing my suspense of disbelief with overly coincidental plot twists that were only introduced for the sake of the story. Nevertheless, now that I’ve finished this series, I don’t feel like whining anymore. Ride Back rocks, despite some of the sacrifices it had to make.

In the end, Ride Back is a character-study of the female lead: Rin Ogata. It’s about many small things: criticism against military entering politics, simple motorbike racing, and terrorism; it’s about how a seemingly innocent action can have disastrous consequences and trying to find one’s true potential. and the beauty of Ride Back is that somehow, it all makes these widely diverse themes into a whole in only 12 episodes. The show very subtly evolves from light college adventures to a dark story about terrorism, but the whole thread of Rin’s development keeps it on one track and it prevents the series from dragging on, and while it may seem like a bit questionable as it goes on, the series comes together wonderfully in the end.

I also really must praise Madhouse’s visuals yet again. They went with another different art style this time, and especially the character-designs look really good and down to earth. There’s a slight issue that the CG doesn’t mesh in with the rest of the visuals, but even that could have been done much, much worse. And the series’ soundtrack also is a very powerful one.

So overall, I ended up liking this series much more than I thought. It’s got a questionable start, and does tend to pull some random coincidences simply for the sake of its story, but Rin’s development is rock-solid, which is especially rare for such a small 12-episode series. It’s no instant classic, but it’s yet again a worthy addition to Madhouse’s excellent repertoire.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Anime Reviews, Mobile Suit Gundam 00



Gundam 00 was the first long Gundam series that was split into two halves of about 25 episodes, rather than continuing for a full run of 50. In te end, it turned out into a decent series: it does the job it’s supposed to do, but it wasn’t anything really outstanding. The second season unfortunately was a bit weaker than the first.

While the first series had some interesting politics in the beginning, the second season drops the politics aspect completely and instead focuses much more on delivering solid action and the story becomes much more character-focused. Central to the story are various different conflicts between opposing sides, and these really range from utterly abysmal (Saji and Louise whine way too much throughout the series) to engaging and pretty good (Allelujahh and Marie). Especially Setsuna deserves credit, as he grows into a solid and capable male lead.

This approach has its good and bad sides. As I said: whenever the good characters take up the spotlight, the series becomes pretty enjoyable, but in the end the second season is just too formulaic. There are too many random battles that don’t stand apart from each other; they hardly ever resolve something and usually end up with both parties simply retreating. Most of the major villains lack development (especially the innovators, who apart from Regetta have as much personality as a paper bag), and all in all, this second season could have also been done in 13 episodes without losing much of the content or impact.

So in the end, this really is a series for those who want lots of solid action. If you’re not into that, then there really isn’t a lot left to watch in this series. The animation pretty good overall, but for me it was hardly ever really aestetically pleasing; the soundtrack is excellent, though. It’s not a bad series by far, and it has some pretty enjoyable parts (my personal favourite being the fall of the elevator), but there are lots of better mecha-series out there.

Storytelling: 8/10
Characters: 8/10
Production-Values: 8/10
Setting: 7/10
Posted on with categories: Mobile Suit Gundam 00



Short Synopsis: Ribbons and Setsuna finally face off against each other.
Episode Rating: 7/10 (Enjoyable)
Not the most impressive finale, but I’ve seen a lot worse endings this season. Obviously it was going to be overly cheesy, Setsuna and Ribbons were bound to fight to the death, and in the end Ribbons predictably dies and Setsuna somehow survives in true Disney fashion. Everyone lives happily ever after, blah blah blah, but there were some nice touches in this episode, like how the creators really wanted the show to end in a fight with Exia, rather than 00-Raiser.

I wasn’t too happy with how easily all of the conflicts in the middle east were solved. I mean, it’s not like Ribbons caused those, and the whole reunion of the middle east came really from nowhere. Also, what was that clone doing among the Azadistans? Also, what the heck was the purpose of Mister Bushido in this series? He was pretty much useless for the largest part of he series. One thing that I did like was Patrick’s wedding. That was sort-of cute.

Overall, I can’t really say that I’ve become a Gumdan-fan over the past year and a half, even though I tried. The original Mobile Suit Gundam was Excellent, but the others I’ve seen (Zeta, Wing and 00) all left things to be desired and were just too formulaic. It’s a shame, because all started out in their own way, and had an excellent and promising first half, but in their second halves they just all degrade into a string of random fights that aren’t really that much different from each other. I originally planned to patiently watch all of the gundam series out there, but in the end I’m only going to check out the rumoured really good ones: War in the Pocket, 08th MS Team and Turn A Gundam.

Posted on 29 March 2009 with categories: Anime Reviews, White Album



I really wanted to like White Album. It had so many good ideas and concepts for a romance show. It had such a wonderful style and execution, it had the potential to be an incredible series. And yet… I just can’t. Beware: this series is very, very easy to dislike.

White Album is a harem series, but it immediately sets itself apart from the rest of its genre by its execution. The pacing is slow, and instead of focusing on silly comedy, this show is driven by the characters’ emotions, portrayed with a wonderful sense of subtlety. Often, we get small glimpses of what characters are thinking, either through short flashbacks, or their thoughts written on the screen. For a fan of subtlety as myself, this series really started out incredibly promising.

The cast of the series is very daring: Touya himself is far away from your typical paper-bag male lead, and instead he is an incredibly flawed character. Throughout the entire series, you’ll be screaming at him for the things he does. In fact, the rest of the cast is also pretty flawed, and it’s one of the driving forces of the series. Kabitzin wrote an excellent article on that matter, and even though it caused many people to hate this series, I consider it at one of the show’s strengths.

But in the end I just can’t recommend this show. I hate to say it, but it’s just too ambitious for its own good. It wants to do too many things and sacrifices the time it needs to build these up. Characters start crying and weeping way too easily in this show, and in most of the times it just feels too forced and directed. The show also has its share of plotholes here and there that only serve to increase the huge drama, but it never really seems to take control of where the drama goes to.

So in the end, the best parts of the show are the quiet bits, in which the drama subtly unfold without any forced crying or yelling. It’s a bloody shame; this show could have been amazing, but in the end it failed to live up to the expectations. I really appreciate the effort, but not every experiment goes exactly according to plans. I’d love to see a series that takes this series’ formula and does pace it properly, though.

Storytelling: 9/10
Characters: 7/10
Production-Values: 8/10
Setting: 6/10
CHANGE USERNAME
Vonter
Or are the 50s the new late 30s or early 40s?
Vonter
Are japanese people vampires? https://ultra.fandom.com/wiki/Toru_Furuya
Kaiser-Eoghan
@Vonter: If you look at the voice list, that Japanese voice actor for Mario in that anime movie is the same voice actor for Amuro Ray from the original Gundam.
Vonter
Also considering Baby Bowser was raised by Kamek. I suppose those beings could be made by magic.
Vonter
@Kaiser-Eoghan - My head canon is that Bowser made them himself. Kinda Lord Zedd or Rita from Power Rangers.
Kaiser-Eoghan
I still subscribe to the headcanon that Peach is the mother of Bowsers children.
Kaiser-Eoghan
I remember growing up with the relatively poor American cartoons, none of them featured Wario.
Kaiser-Eoghan
I have committed videogame genocide apparently.
Kaiser-Eoghan
Everytime I broke or hit a brick in the Mario games I was probably murdering a toad.
Vonter
The ending it's "interesting" considering the relationship Mario and Peach have isn't something as close, as Link and Zelda.
Vonter
@Kaiser-Eoghan - It's weird but at the same time it does use elements from the game. Like the music, and story bits from the manual from the original Super Mario Bros. (Where it mentioned Bowser uses magic to turn Toads into the bricks, clouds and other objects of the game).
Kaiser-Eoghan
I never did end up watching the Mario anime movie that came out in the 80s.
Vonter
Also someone is putting the effort of making a Bowsette adventure doujin. This is the type of stuff that could be it's own original thing since it strays far from what's Mario. Despite the occasional mild nudity it's quite fun so far, despite also how weird it is.
Vonter
@Kaiser-Eoghan - At the very least it'll be interesting to see where it goes. It happens also every time something comes back. Times change and so the way we make stories. Also the original run had a curtain call chapter, so this is more a new story.
Kaiser-Eoghan
Which is often what happens with episodic stuff for me.
Kaiser-Eoghan
I essentially read Fraken Fran until I got my fill of it.
AidanAK47
@Vonter, I feel that Franken Fran pretty much ran it's course though. Not sure what a new series could bring.
Vonter
Latest news: Franken Fran will get a new manga series. After it was cut short, it seems this little horror manga will get another chance: https://imgur.com/a/ypjtI4c
Vonter
I also read a bit ahead on Shield Hero. And I like it is character driven, but the cast isn't as big as other Isekai, like in Overlord where there are too many characters to easily keep track of what's happening (ever since it started Overlord feels like the most attached to its light novel origins).
Vonter
The monster town growing and expanding into it's own country reminded me of Digimon World. A game which you allied with Digimon to expand your town, add shops and other services. I've heard Xenoblade X was also like that.
Vonter
I watched during the weekend, the Slime Isekai. It's fine, though it lacked more conflict, the MC feels like its too powerful. Maybe this would have been great as a videogame since the concept of how this Slime evolves reminds me of the SNES game: E.V.O. The Search of Eden. It was about your character evolving through the ages and the player choosing how it adapts to it's environment.
Animosh
Also nice to see some love for LOGH in your personal lists (especially Aidan's). I guess it's too much of a niche series (a political epic in space) to score highly in the overall list, but I loved it. It retained much of what made the OVA so great while providing a much-needed update to its visuals and arguably better pacing.
Animosh
I also hadn't heard of the Kase-san OVA. Not sure whether enough can really happen in a one-hour OVA to make it worthwhile (it gives the impression of being promotional material more than a full-fledged adaptation), but I've been looking for another good yuri series after Bloom into You, so it can't hurt to give it a try.
Animosh
Nice to see Kaze ga made it on the list, even with just one cour out. I've seen most of the stuff that's won positive awards, but I've always avoided Pop Team Epic because of how silly it seemed to me. But given all the positive reviews (here and elsewhere) maybe I should give it a chance after all.
Kaiser-Eoghan
Yu-no can go fuck itself.
Kaiser-Eoghan
There's also Yuasa's new thing.
Kaiser-Eoghan
Maybe the thriller shows will be worthwhile but I'm not really as interested.
Kaiser-Eoghan
Yeah spring looks packed for me, there's also that throwback ova to riding Bean and some creature horror ova.
Kaiser-Eoghan
I notice that Index gets an annoying amount of episodes/adaptations, one of those shows that keeps going away for a while then keeps coming back.
Kaiser-Eoghan
We might get dororohedero and Vinliand saga at years end. I would like for pluto to air this year.
Kaiser-Eoghan
Definately looking forward to the josei and shoujo stuff in Spring 2019, nothing of interest for me thats on the summer 2019 list yet.
Vonter
Like you wrote, seems like it's the start for new ways to stream anime. With Crunchyroll making simulcasts and Netflix putting some anime in the spotlight considering the audience it has (and it also helps it has better dubs, at least in spanish). Finally I felt last year the criticism of fanservice got more loud, also summed with how tumblr and facebook politics are putting restrain on sex conten
SuperWooper
@Anon, Netflix is getting Watanabe's new series, Carole & Tuesday, next season. It might not have the mass appeal of Crybaby (violence and sex) or Aggretsuko (cute animals), but it ought to do well for them if they slap "FROM THE DIRECTOR OF COWBOY BEBOP" all over the Internet.
Vonter
Last year I also didn't watched a lot of drama or slice of life, which is a shame since a lot of what's listed reads like it fits those genres.
Vonter
Kind of a lukewarm year 2018 was in terms of anime series. Although I admit I watched a lot of trash as well. Most of the good stuff I watched last year was on Netflix. In terms of bad I already an issue on the list because disappointing, bad and trash are different degrees of badness.
Kaiser-Eoghan
Sorry for being so long and overdramatic, I'd normally stay quiet but I had to get my feelings out.
Kaiser-Eoghan
I don't want to say anymore about this show anymore, I know those who did watch it generally emotionally connected with it or thought it was some kind of epic, if anything I felt it was an epic ruined by being chopped down. I hated it.
Kaiser-Eoghan
Nothing seems settled on long enough and nothing registers.
Kaiser-Eoghan
As Hateable as Jomy is in the beginning, I would at least liked to have seen proper flow of plot structure allowing for some natural progression of character.
Kaiser-Eoghan
As an idea and I think if explored with more episodes/more it could be something, this also includes Keith.
Kaiser-Eoghan
The timeskip and general pacing annihilate anything that could be anything approaching reaching close to working with this series, resulting in an un-compelling cast I feel nothing for that ruins and undersells any drama which is far too overdone when it occurs.
Kaiser-Eoghan
I can't complete this, don't care if I've watched the first half.
Kaiser-Eoghan
I didn't like the couple of episodes of Terra e I watched a some years ago, unfortunately this second attempt, over halfway through the show only illustrates further just how much I utterly despise this show.
Kaiser-Eoghan
As I've said before, I do think re-watches are important, especially years later after watching a show you disliked, if only to see if you'll enjoy it on the second run, lately thats been mostly successful for me, however....
Anonymous3325300
Meanwhile, I do expect that this year will be much stronger in terms of quality. Of course, I had the same assumptions last year based on the winter shows, but I do feel like this could be a stronger year full of great shows, instead of a lot of merely "good" ones.
Anonymous3325300
I predict that Netflix this year probably won't have a Devilman/Aggretsuko-level hit in terms of new anime. Evangelion is probably all they need, even though it's an old series.
Lenlo
If anyone thought that wasn't getting on this list, they either didnt watch it or have really low standards
Kaiser-Eoghan
@Lenlo: Its so catharctic that you listed steins;gate 0 I remember how we essentially lived and watched it together.
Lenlo
I think thats what the most pleasant surprise category is supposed to be. Didnt wanna double up on to many cats
Kaiser-Eoghan
No biggest surprise category?
Kaiser-Eoghan
I can understand including bunny-senpai as a runner up, I'd have trouble picking between it and sorayori.
Lenlo
Episode 7 is so damn good, I don't care that its American.
Kaiser-Eoghan
@Aidan: How do you think I feel, I'm not far off 35.
Kaiser-Eoghan
Glad you actually made room for a movie category aswell.
Kaiser-Eoghan
Based Lenlo, cheating with American anime cartoon.
Lenlo
Im just happy I got Castlevania on this list at all
Kaiser-Eoghan
Dropped planet with, hinamatsuri and violent evergarden though, didn't see Hisone.
Kaiser-Eoghan
I probably would have replaced planet with with happy sugar life or banana fish though or yagate ga kimi.
Kaiser-Eoghan
In any case, I am glad my wife Kanna Hanazawa won an award on your list and that Devilman got featured more than once.
Kaiser-Eoghan
Ah, I though you would be splitting the voice actor category into voice actor and voice actress, though I suppose that's probably cheating a bit.
SuperWooper
You're not alone - of the four of us, I was the only one who watched it.
Kaiser-Eoghan
I must have missed ASAGAO TO KASE-SAN. Hadn't heard of it until now, I should have paid more attention.
Anonymous3324478
Oh and the music was pretty good too I guess. Another episode is airing in March.
Anonymous3324478
Masa also recovered from his car accident from a few episodes ago. It was totally unneeded in my opinion.
Anonymous3324478
The last episode of Tsurune was a decent ending to an otherwise formulaic sports show with some great animation on par for the course with KyoAni. Minato overcame his target panic and won it for the team. Twins got owned big time.
Animosh
There's a new episode out of the Gridman voice drama: https://barnnn.blogspot.com/2019/01/ssssgridman-voice-drama-episode-6n.html. It's a pretty good one too.
Animosh
My only worry is if the series will be able to get to its logical stopping point (the end of the Claw arc) in 12 episodes. But I suppose I should trust Bones over my vague memories of how much content there is left to cover.
Animosh
Yeah, I agree a split cour could be good. It would allow the series to maintain its high levels of animation, and given how stacked next season looks to be (anime aside, there's also American Gods and the Game of Thrones madness to keep up with), and with another ONE show airing, a break wouldn't be so bad.
SuperMario
Split cour of Mob Psycho would be awesome. I don't want to watch 2 ONE's adaptation in one season
Lenlo
Not for bloggin
Lenlo
While I love Mob, I am a bit happy its only 1 cour. I couldnt do 3 2 cour series
Animosh
Assuming we do get 12 episodes, a split cour would still make sense ... but I guess we'll just have to wait for the official confirmations
Animosh
As far as I can tell the only source is some guy in Twitter, so not sure how reliable it is
Vonter
@Kaiser-Eoghan - Devilman Lady is what comes to mind on how to do this type of show better. That one had also a special agency for supernatural incidents, has a simple but compelling main character, uses it's time to build atmosphere and mood and even the action while a bit stilted had better monster design and the violence it's graphic but entertaining like Robocop.
Vonter
@Kaiser-Eoghan - Ok I will check. I'm also curious where it goes in terms of tone. Because it's all over the place.
Vonter
Ok. Last time I tried the login in feature didn't respond. This time it worked.
Kaiser-Eoghan
@Anon: Keep me posted of magical girl spec ops in case it does turn into the kind of guilty pleasure shlock it should.
Kaiser-Eoghan
@Anon: Is this vonter? If you register an account you can keep the name.
Anonymous3321080
But I think what gets me the most its how it beats the dead horse of the 80s action hero arc. Van Damme, Arnold and Stallone had more or less these type of lines. Its kind of funny this anime pretends these aren't tropes we don't use anymore because of how corny they come off. It'll definitely work better as an abridged series since it can be very boring when it tries to add the school life moment
Anonymous3321080
Also Mahou Spec Ops... Is interestingly bad. It tries to be exploitative and shocking but feels very sloppy, kinda like that meme of *slow heavy metal music plays* It also wants to play it like a dark shoujo anime, but the cute monsters are just distracting.
Anonymous3321080
Reading your conversations about idols, despite being mediocre Gokudolls and Ore Mahou Shoujo made jabs at that culture. At least painting some aspects that may be true of how exploitative it is. I suppose because those are subpar, over the top and cheap is what they can do that. Can't remember one aside from Perfect Blue which criticizes that industry.
Kaiser-Eoghan
But only if there was more anime noirs.
Amagi
Reminds me of that stalin vs hitler comic. Think it was russian. They're attacking each other with magical super powers there. And yeah, I love noir now that you mention it.
Kaiser-Eoghan
@Amagi: That'd make for a great noir story.
Kaiser-Eoghan
@Amagi: Imagine Stalin and Hitler trolling each other on twitter.
Amagi
It's easy to construct superiority when you never have to show your private face and never participate in mundane chat talks or so.
Amagi
I bet a lot of people who had some aura of authority back then due to only ever appearing in books or for very rare (scripted) speeches would probably laughing stocks now if we'd see them commenting on daily stuff and news on twitter or reddit.
Amagi
I personally have given up upon having heroes. I still find a lot of historical people interesting but let's be real the few of them that weren't blatanly bad in some way were different then we imagine them to be (even if they're good). Just look how different people feel now that you see them tweeting on twitter VS policians etc decades ago.
Amagi
I like the idea of a main character longing for a dead friend and role model he had and still idolizes. Then at some point he starts reconstructing his friend's past to cherish his memories about him even more but finds out that the friends wasn't the hero he believed him to be and maybe even the own memories of him were idealized a lot over the years after his death without him even noticing.
Amagi
Yeah we are always searching for some sort of über-ich or perfect being that symbolizes the goal of some personality growth we're trying to achieve.
Kaiser-Eoghan
Or the reason why some people need to have so many things or idols they probably don't need.
Kaiser-Eoghan
I think there is a genetic/mental inadequacy in humanity that makes us susceptible to following "higher people who we forget are actually human" because of our own desire for an avatar or general inadequacy as human beings.
Amagi
Yeah this. It's probably also why they defend them so eagerly. Because it's actually true that "their" version of that person would never do that.
Kaiser-Eoghan
@Amagi: And that probably creates a much stronger blow to them when the actor is found guilty of a crime.
Kaiser-Eoghan
@Amagi: Very good response.
Amagi
It's kinda weird how almost everything we know about others is actually just interpretation to some degree.
Amagi
The weird thing is that I think that many fans of acrots/celebrities rather create their own versions of them they fall in love with rather than loving the actual person, whom they barely even know. It's fun because the concept of a waifu sounds extremely weird to normal people, but many normal people kinda do this too but with real persons (but imaginary personality).
Kaiser-Eoghan
I think thats where it starts getting obsessive or where it gets too close to the next level, such as what the anon mentioned.
Kaiser-Eoghan
I also can't bring myself to get too attached to a celebrity or to a character. I do look at hentai doujins yes but, I've probably had thoughts about certain actors or what not, but I never actually want to sleep with them, again I think that's taking fantasy too far.
Amagi
I never know if these are serious celebrations or rather some fun memes they do to post, I always assumed the latter. Kinda.
Kaiser-Eoghan
I think the fans celebrating the idol's birthday thing is taking it to far too, especially if its an anime character.
Amagi
Yeah I was never an idol fan either, and I don't just mean the idol genre in anime but anything similar to idol stuff in general, like being a fanboy/girl of some celebrity or something. Was never able to get into that.
Kaiser-Eoghan
Its all too superficial.
Kaiser-Eoghan
Don't like the ideas it gives teenage girls either .
Kaiser-Eoghan
Certain topics just set me off =<
Amagi
The third episode of Wake Up girls was pretty good in that regard. I think it was the third one.
Kaiser-Eoghan
But yes, thats a pretty bad story what happened to the woman you mentioned.
Kaiser-Eoghan
@Anon: Might be a good idea to catch some documentaries on that topic .
Kaiser-Eoghan
But that was just a sentence from some guy on a podcast though.
Kaiser-Eoghan
Now though I didn't see it, I do recall someone saying some of that Wake up girls idol anime slightly brought up seedier parts of the industry if not much.
Kaiser-Eoghan
The hallow shallowness of the idol industry I mean.
Kaiser-Eoghan
I also dislike the shallowness of it.
Kaiser-Eoghan
I love how Perfect blue takes influences from those gialli/giallo style films from the 60s/70s to an extent, while also spitting on the industry.
Kaiser-Eoghan
But you know what sucks? A part of me, both in regards to those women (and probably some of the male idols) whether it be in reality or animation, I can't actually deny finding some of these men/women actually physically attractive.
Kaiser-Eoghan
Music industry has its seediness just about everywhere and of course victim blaming going to appear everywhere, not just Japan.
Kaiser-Eoghan
*commodification-consumerist
Kaiser-Eoghan
@Anon: I hate capitalism, I hate the idol communication-commercialist industry and the willing self-aware slaves and their masters who perpetuate it, the music is largely awful aswell. I don't watch most of the idol anime, I think the idea of 30 something men throwing cash it is awful.
Anonymous3319279
Wonder if there will be some modern equivalent of Perfect Blue? That was a scathing critique of the idol industry back in the late 90s. Although given how shows that are flat out glorifying the industry are the best-selling shows on BD every year, I doubt it.
Anonymous3319279
In short, she was assaulted by two men at her home who were then arrested. Then she was pressured by her managers into claiming that she was to blame for this, not the men and apologizing to an audience.
Anonymous3319279
Hearing about what happened to some idol named Mahohon seriously makes me wonder if idol culture in Japan seriously needs an overhaul and if media needs to stop glorifying the industry so much.
Anonymous3319260
Ok. No pressure, just asking.
AidanAK47
@Anon, we are working on it. It's nearing completion and should be posted soon.
Anonymous3318799
I don't know if I missed it. But have you put the overview of 2018? Of best show, best character, etc. Did 2018 had a good anime villain?
Masky
Anyhoo, surprisingly Lovecraft's books have some really faithful manga adaptions
Masky
A story set in world post "Cthulhu"(or whatever is setting equivalent) awakening and transcending humans into "savage" inhuman world that he is supposed to bring forth
Masky
Ya know, speaking of lovecraft here is what I really want to see:
Kaiser-Eoghan
Well I guess Die Farbe and whisperer in the darkness count and the cthulu one, the latter two were done by the Lovecraft society.
Kaiser-Eoghan
The closest we got with an actual adaptation was Dreams of the witchhouse , but they left out Nyarlathotep.
Kaiser-Eoghan
Those films were fun, but none of them dated well either.
Kaiser-Eoghan
I have to seperate my knowledge of the books from Stuart Gordon and Brian yuznas films that borrow elements and titles from Lovecrafts works, once I accept their takes on him are just body horror a black comedies I can kind of accept it more.
Lenlo
I think Junji Ito's manga works have come the closest to Lovecrafts brand of horror, and we all saw how that adaptation went.
Lenlo
Yeah, Lovecraft is a hard one. Even his own books are hit or miss, because it is a very fine line for his brand of psychological horror. Would make for an interesting and unique anime if done well though
Kaiser-Eoghan
A lovecraft themed world would find some difficulty in getting the atmosphere right as he has proved difficult to adapt.
Lenlo
Ah. Yeah, a non-traditional setting like that would be good. I think Isekai, to really change it up, should start going for non-traditional settings. Sci-Fi, Lovecraft, etc. I think this was mentioned before yeah?
Kaiser-Eoghan
@Lenlo: I believe the anon was saying it in relation to making a good setting for an isekai show.
Lenlo
Its why I standby Sakaki in this that, even if he was a dick about it, he is right to be angry at how it all placed out. Just not at Kurahara.

Also @Anon, I loved Bloodborne! No idea what the convo is about, but saw it mentioned
Lenlo
They should Kaiser, I agree. Just look at American college football right now. ITs coming out all over the place, and people wonder why teams dont speak out against it. Its because they are kids, they think "This is how its SUPPOSED to be. Only the best make it. Its not the coaches fault, he makes us win". etc etc.
Kaiser-Eoghan
There is a spinoff anthology for bloom into you's manga.
Kaiser-Eoghan
Or other big issues relating to sports such as performance enhancing drugs.
Kaiser-Eoghan
Lenlo, a thought popped into my head there, more sports shows should focus on abuse.
Kaiser-Eoghan
I think flipflappers is one of my favourites in years, but it was definately at its best when it wasn't really about wrapping up its story.
Amagi
Space Dandy and Kaiba had this to some degree too. Liked both series.
Amagi
@Kaiser: Kinda sad that the latter half of Flip Flappers was rather weak because it started with this different worlds idea.
Amagi
I think Matsumoto stuff might actually be the very first anime I have seen in my life, not regularly though and usually when I was in Italy.
Kaiser-Eoghan
The noir world could be in black and white.
Kaiser-Eoghan
How about another world that has different sections that follow different genres?
Kaiser-Eoghan
@Anon: Helped greatly by his use of artistic cinematography and use of dramatic stills.
Anonymous3316528
Old anime has very bitter stories. Despite the old drawings, several had harsh live lessons. Osamu Dezaki had such a talent to direct drama.
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Winter 2019 Summary – Week 2

Welcome to the new weekly section where I will cover current season’s shows that I’m still following that haven’t been blogged by us, the leftovers so to speak. That way readers who watch these shows below can keep tabs on how we feel about them. At the moments aside from the top tiers shows we […]

Kouya no Kotobuki Hikoutai – 02 [The Wandering Six]

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Kaguya-sama wa Kokurasetai – 02

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Yakusoku no Neverland – 02[131045]

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Kaze ga Tsuyoku Fuiteiru – 13 [And Then Start Running]

Kaze Fui returns, contending with and maybe even beating Mob Psycho for best episode of the week! We have introspection, backstory, and the team coming together to protect their emotionally stunted friend! Lets charge in! Everything about Kaze Fui this week was fantastic. From the narrative to the VA’s. But one I want to hit […]

Dororo – 2 [The Story of Bandai]

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