Posted by psgels on 2 March 2009 with categories: Jigoku Shoujo



Short Synopsis: A boy whose mother is pregnant calls Jigoku Tsuushin.
Episode Rating: 9/10 (Fantastic)
Easily the best episode of the third season. Oh, it’s awesome to see how good the final third of this series has become, compared to the huge trainwrecks of the first two thirds. They definitely served their purpose, and it’s really episodes like this one that remind me why I’m such a big fan of this series. Originally when it started out, it was the second-biggest reason after Mahou Shoujotai for me to start blogging, and now more than three years later it’s still going really strong.

First of all: Muahaha! Kikuri is also planning to become the next Jigoku Shoujo (I loved the “Ai no Baka!”, by the way). This just begs the question why she didn’t just take over Ai’s role when she died for the first time, and why she was the one who reunited the dolls again after Ai came back. She may prove to become an unexpected ally of Mizuki, though. That’s going to be interesting. :P

As for the story this episode, it really was a sad yet typical case of domestic violence: one parent is abusing her child (who isn’t even hers), and the other parent knows about it but turns a blind eye to it. The ironic thing is that the stepmother used to be very nice, until she got pregnant. She really wanted to have a happy family at all costs, and when the boy didn’t turn into the only one who could provide her with this she started seeing him just as second fodder (plus, pregnant women can be scary).

The perspective of the boy was also awesome, and the exact reason why any sort of domestic violence is BAD. Even though he’s constantly abused by his step mother, all he thinks about is the fun times they had, and the one responsible in his eyes isn’t his mother, but the about-to-be-born baby, so he ends up sending his future little sister to hell. Since he’s just a small boy who just happens to be a bit more mature for his age and so able to find Jigoku Tsuushin on his own, as he grows up he’s steadily going to be able to see the huge mistake he made in his childhood.

I also loved the effects that the previous episode had on this one: the dolls now start involving themselves more and more with the cases, and they now talk to Yuzuki on a much more personal level, instead of having to remain in the shadows all of the time.

And you also HAVE to love the final scene of this episode. That explains exactly why the creators waited so long with letting Yuzuki getting close to the different people who accessed Jigoku Tsuushin. Even though in this episode she did a lot of work to prevent the boy from using Jigoku Shoujo, when she looked at the end result and how he was happy, she couldn’t help but smile, and we immediately see Ai spying on her. Bring on the character-development!

3 Responses

  1. Shounen A says:

    I would say that Ai is not so much spying on Yuzuki but rather watching along with her: Ai is the one presumably allowing Yuzuki to spy on the family …

  2. ItAintEazy says:

    I wonder how the Tsuushin tortured this victim.

  3. Shounen A says:

    I think that this would be one of the cases where Ai would just take a person to hell without the intervening theatrics.

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  • Bam
    (Friday, May 22. 2015 04:42 AM)
    Even Anno admitted that Evangelion’s success was heavily reliant on Yoshiyuki Sadamoto’s unique and attractive character design. It was familiar but still original. Rei and Asuka’s designs as well as the plug suits and the look of ye Evas had a huge impact in the industry and inspired a whole slew of future animators. You could’ve done the same exact series with a cruder art style and it wouldn’t have been nearly as good.
  • Bam
    (Friday, May 22. 2015 04:19 AM)
    @Aidan: art-style is integral to the overall quality of a product, that’s why it irks me so much when Type-Moonies endlessly praise Nasu and underappreciate Takeuchi as if he didn’t contribute all that much to Fate’s success.
  • AidanAK47
    (Friday, May 22. 2015 02:38 AM)
    @Bam, it’s a rough style admittedly. But mate I played Umineko with the original artwork. It’s hard to find anything worse than that…expect Higurashi’s artwork…(shivers)
    Ryukishi, great writer but not an artist.
  • Bam
    (Friday, May 22. 2015 12:24 AM)
    You guys made me want to go see Fury Road in IMAX now.
  • Bam
    (Thursday, May 21. 2015 10:13 PM)
    @Aidan: you know I tried looking into Muv Luv since it’s supposedly a seminal LN, but that character design is horrendous. The story sounds interesting but there’s such a divide between that and the art style that there’s no way I can get into it.
  • AidanAK47
    (Thursday, May 21. 2015 02:04 PM)
    Another Muv luv spinoff gets an anime adaption. Sure, lets adapt everything except the work that made it famous in the first place.
  • Emma
    (Thursday, May 21. 2015 04:10 AM)
    Muthafuckas cancelled the Constantine tv adapatation…
  • Emma
    (Thursday, May 21. 2015 03:45 AM)
    Come to think of it, Tsugumi’s personality at odds with her monster design. I’m getting reminded of that mech from zone of the enders dolores that had the personality of a young girl .
  • Emma
    (Thursday, May 21. 2015 03:43 AM)
    @Aidan: The bear will be explained as it was done so recently enough in the manga, Ochiai remains however a very dull villain.
  • AidanAK47
    (Thursday, May 21. 2015 03:27 AM)
    You know when grabbing screenshots Sidonia really does look better when you look at it in still images. I really do think that if they just gave the models more natural movement then it would look metric tons better.

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