Posted on 30 April 2009 with categories: Monthly Summaries

I think that this is the first time that this ever happened ever since I started including ratings in these summaries: none of the shows I’m watching has a rating of 9/10 or above. But that’s logical since the only awesome show that continued from the past month was Hajime no Ippo, and that one had a lesser month this time. In any case, this is really typical of this season: there are no instant classics yet, but there sure are a hell of a lot with the potential to become one.

Oh, and another thing: I ended up experimenting with the rankings again. The result is that some shows with higher ratings may be ranked lower than you’d expect and vice versa. This time, I basically tried to generate the rankings for each show, compared to the others that are currently airing. Say, for example that Show A has a really good setting, and there are only a few other shows with a better setting, it’s going to rank higher than if there are many shows with excellent settings, and vice versa. Please don’t ask me in what kind of mindset I was when I thought of this system.

#41 (new) – Gokujou!! Mecha Motte Iinchou – (2/10) – The honour of ‘worst show of the season’ goes to this… thing. Congrats. I never imagined that something would end up beating Queen’s Blade in this category. Dropped.
#40 (new) – Queen’s Blade – (3,25/10) – One thing I don’t get about these series: why aren’t they just turned into a hentai-series? I mean, you get a lot more nudity that way and the show doesn’t have to pretend to have a plot or anything. In any case, this one’s obviously dropped.
#39 (new) – Cookin’ Idol Ai! Mai! Main! – (3,75/10) – In this series, the impossible happened: Hiroshi Watanabe surpassed himself. The cabbage song combined with the utterly bad acting were already bizarre, but when I looked at the staff list, everything suddenly made sense. When I thought that he couldn’t sink any lower than Shining Tears X Wind, this guy proves me wrong once again. Dropped.
#38 (new) – Metal Fight Beyblade – (6,5/10) – Stupid shounen stuff of which I don’t even remember what it was about. Dropped obviously.
#37 (new) – Hanasakeru Seishonen – (6,75/10) – The best way to describe this show is a teenaged soap gone anime. Seriously, the incredible stupidity of the bits that I saw before dropping this show are nearly unbelievable. Characters have really dull and overemotional personalities. Dropped.
#36 (new) – Jewel Pets – (7/10) – Ever since Otogi Juushi Akazukin and Power Puff Z I’ve been looking for those really charming and childish kiddie shows. The only problem is that the good ones are really hard to find! I was hoping that Jewel Pets would finally return some spark to a genre that virtually burnt out now, but alas; it showed its true colours soon enough: all of the characters lose their personality completely after their introduction episodes and become mere paper bags. Dropped.
#35 (new) – Tayutama ~Kiss on my Deity~ – (7/10) – That first episode had its enjoyable moments, but there is no way that I’m going to continue with this series. It just feels too much like your standard average harem. Dropped.
#34 (new) – Slap Up Party ~Arad Senki~ – (7/10) – While I appreciate the idea of an international production between Japan and Korea, there’s no denial that the writing in this show sucks. While usually Gonzo’s game adaptations have some surprise in them, Slap Up Party only consists out of a bunch of clichés struck together, and the humour really quickly gets dull. Dropped.
#33 (new) – Dragonball Kai – (7,5/10) – I sat through 270 episodes one time already, and I don’t want to do the same, even though everything’s shortened. This really is the series for those who are new to the franchise. Dropped.
#32 (new) – Hatsukoi Limited – (7,5/10) – In the end, I figured that the lead girls seemed a little too much like copy-pasted moeblobs and I don’t feel like sitting through this series to find out whether I was wrong when there are many other better comedies this season.
#31 (new) – Higepiyo – (7,5/10) – Ooh, this isn’t looking good. While it had the nice premise and the first two episodes were hilarious, it’s quickly getting dull because the creators keep overusing the food jokes. Bring in some novelty, please!
#30 (new) – Charady no Joke na Mainichi – (7,5/10) – I tried to follow this for a while, but in the end it’s just not worth the trouble of having to sit through the episode, not knowing when a joke falls flat or becomes hilarious. Out of the first fourteen episodes I watched, only two really made me laugh, and there are much better comedies this season. Dropped
#29 (30) – Shinkyoku Soukai Polyphonica – (7,5/10) – I pretty much agree with the general consensus of this remake: it’s definitely better than the original, but still not really worth it to watch all the way through the end. Dropped.
#28 (new) – Asura Cryin’ – (7,5/10) – There is potential, but the characters are too annoying for me to want to check whether the show can realize it. Dropped.
#27 (new) – Tears to Tiara – (7,5/10) – I’m not that interested in the next Utawarerumono. There’s much better stuff this season, so I ended up dropping this series.
#26 (36) – Hayate no Gotoku – (7,75/10) – It’s unfortunate that I can’t watch every show that airs. I know that I never really gave this series a proper chance, but at the same time there are too many other shows this season that I also want to watch. Dropped.
#25 (new) – Saki – (7,75/10) – The big problem with Saki is that I’m not yet convinced of Saki’s talent. Take Shion no Ou, for example: even though the rules of Shougi were unclear to many, you could see that Shion was pwn. Saki instead is a character who could perform a Russian Roulette eighteen times and still come out alive. Still: the characters are enjoyable to watch and because of that I haven’t dropped this series yet. But seriously, there need to be less episodes of the kind of episode four. A bit of moe is of course fine, but that was really stretching it.
#24 (new) – Souten Kouro – (7,5/10) – Madhouse’s only new show this season, and quite frankly it’s a disappointment. I’ve never been interested in the whole romance of the three kingdoms setting, and this show again doesn’t seem to convince me otherwise. Dropped
#23 (new) – K-On – (7,75/10) – Obviously, this isn’t my kind of series. I still don’t understand why the heck everyone’s drooling over Mio. For me, the characters were just way too annoying. Dropped.
#22 (23) – Gintama – (7,75/10) – Granted, it still in no way lives up to the first 100 episodes, but the new director at least is competent when he gets to the serious parts, and I have to agree that episode 108 was pretty good.
#21 (new) – Full Metal Alchemist – Brotherhood – (7,75/10) – The new Full Metal Alchemist isn’t perfect. Especially its idea of cropping two chapters in one episode leads to rushed episodes. But on the bright side, Ed and Al are a hell of a lot more likable than in the original series, and that has definitely potential for the future of this series.
#20 (17) – Koukaku no Regios – (8/10) – I can’t really say that Regios is getting better, but neither is it getting worse. It still has nice characters with a competent plot in an interesting setting, but as usual, nothing really stands out.
#19 (18) – Chi’s New Address – (8,25/10) – The first four episodes were a bit too serious for their own good, but after that Chi’s Sweet Home really became just as good as the first season, if not better. Especially the rate of dull episodes seems much smaller now.
#18 (new) – Valkyria Chronicles – (7,75/10) – While this show is nothing special yet, there looks to be potential for its second half. The lighter moments, especially those involving Alicia, are a bit annoying, but once the tank combat starts the show gets much better. Now let’s see whether the creators can pull this show off.
#17 (new) – Shangri-La – (8/10) – The character animation is incredibly inconsistent, yeah. Thankfully the rest of the series has enough potential to make up for it. Shangri-La at the moment is nothing special yet, but I’m intrigued by the setting, the cast is likable and you can see that it’s really using the beginning episodes to build up for something. This show can really go anywhere, but for now I’ll remain positive.
#16 (new) – Shin Mazinger Shougenki! Z-Hen – (8,25/10) – You can really count on the creator of Giant Robo to make a remake of the Mazinger series awesome. And oh, the irony: all of the giant robots of the good guys have proven to be absolutely useless so far, and instead the best action happens between the spectators. A very nice touch if I say so myself. I’m definitely going to enjoy this series.
#15 (7) – Hajime no Ippo – (8,25/10) – Just about my only complaint of Hajime no Ippo is that it suffers from the Dragonball Z syndrome. With that, I don’t mean that it has the ability to stretch five minutes into five days, but rather that once formidable side-characters become absolutely useless as soon as the lead character level up much faster than them. This month was relatively weak for this series: it was still fun (with some hilarious facial expressions), but nowhere up to the level of the first half.
#14 (new) – 07-Ghost – (8/10) – This one has been quite the solid series so far. So yeah, there are some shounen ai undertones here and there, but it’s nothing that should really distract you from viewing unless you’re a complete and utter homophobe. The characters are quite likable and it’s got lots of potential for the future.
#13 (new) – Sengoku Basara – (8,25/10) – I know I talked down on this series in my first impressions, but it looks like I’m going to have to take back those comments. Sengoku Basara is GAR, manly, exciting and has some amazing action scenes. Once you start to get the back-story a bit, the whole thing suddenly becomes much more interesting.
#12 (new) – Marie & Gali – (8,25/10) – Call me crazy, but I’m enjoying this little show. It’s fun to see especially Marie’s antics, but also all of the weird stuff and cameos that goes on, along with this show’s unique style and episodes of only five minutes proved to be quite entertaining.
#11 (19) – Kurokami the Animation – (8,25/10) – Woo! I’m glad that my prediction with this series was right: during the past month, Kurokami became significantly better when compared to the rather lacklustre first half. Now that the storyline’s evolving there are lots of nice and juicy plot twists that are actually pretty interesting to watch. Now let’s hope that the show can keep this up.

#10 (14) – Hetalia Axis Powers – (8,5/10)

Episode 14 was absolutely brilliant. It’s a really good thing to see that this series is just getting better and better. The inclusion of the rest of the cast has really been good for this show. Although I do have to say that Hetalia is at its best when it makes fun of country stereotypes, and at its worst when it’s overusing gay jokes.

#9 (new) – Konnichiwa Anne – (8,25/10)

I was a bit fearful that this series might end up a bit too dramatic, but so far there turns out to be no reason for those worries. Anne is shaping up to be an awesome character, and she especially shines when she dives off into that own world of her.

#8 (new) – Basquash! – (8,25/10)

Some of the jokes used are… immature to say the least, and yet I still find myself enjoying this series quite a lot. It’s got a great sense of fun and the chemistry of the characters is working out surprisingly well.

#7 (new) – Ristorante Paradiso – (8,25/10)

Rispara has definitely been an interesting series so far, and I especially like the detailed and fleshed out characters that stood apart right from the beginning. David Production made a good debut with this show.

#6 (new) – Natsu no Arashi – (8,5/10)

The most underrated show this season. I may have dropped this show from blogging, but that in no way means that I don’t like it. It’s good to see Shinbo finally handling a series with actually good characters. This show has some wonderful slice of life scenes, and yet at the same time there’s this theme of past versus present that keeps everything together. Also, am I the only one who likes the male lead? Sure, he takes some time getting used to, but I find him quite enjoyable.

#5 (new) – Guin Saga – (8,5/10)

Classic fantasy, and for once it’s done absolutely right. The pacing is really slow, but it’s the type of show that really easily draws you in. Just about everything in this series is big, ranging from the locations, characters, the soundtrack or the setting.

#4 (new) – Phantom – (8,75/10)

It may not be that different from Bee-Train’s usual series, but I’m biased so I don’t care. Besides, with such an excellent source material, this series is promising to be one of the top Bee-Train series. Already after four episodes we can see the awesome characterization that certainly proves lots of great stuff for the future.

#3 (new) – Pandora Hearts – (8,75/10)

I really like this series so far. The whole atmosphere that seems like a modern-day fairy tale gone really dark continuously has something interesting to offer. As a big fan of mystery-series, I really like how it just keeps bringing in new questions after answering a few. The storytelling has been really solid so far, and I actually quite like the very distinct look of the graphics. Definitely something to look out for.

#2 (new) – Cross Game – (8,75/10)

Do not get fooled by the simple character-designs, because this show really stands out as one of the best of the season so far. Already after four episodes, the show has a cast of characters in which nearly all of them (including the tiny side characters) have presence. It’s got a very subtle sense of humour, combined with great slice of life and just the right amount of drama. Definitely one of my top picks of the season.

#1 (new) – Eden of the East – (8,75/10)

Yeah, this series is really good stuff. The production values are really high and the episodes thus far have been incredibly intriguing. I can’t wait to see the rest of this thing!

Posted on 28 April 2009 with categories: 07-Ghost



Short Synopsis: The old guy goes after Teito as Mikage faces the decision between Teito and his family.
Episode Rating: 7,5/10 (Good)
So, this is where the shounen-ai elements pop up, with Mikage and Teito wanting to see each other that badly, up to the point where Mikage chooses protecting Teito over his family. But really, the relationship between the two of them isn’t that bad, and it doesn’t get in the way of what’s really important in this show at all.

It overall was still a pretty good episode, especially with all of the stuff surrounding the old guy, who turns out to be a ghoul. The fight against him was really well written: it had impact, and at the same time there were lots of things going on. I’m interested to see what role the Ghouls will have in the rest of the series: with such a considerable amount of time devoted to them, there has to be some link between them and Ayanami.

And that mermaid… I’m not exactly sure what to think of her since her introduction was pretty strange. All we know is that she has two different forms (probably one under water and one for out of water), she likes Teito but hates Frau. That probably is a subtle hint for at least something, but I can’t exactly put my finger onto what.

Posted on 27 April 2009 with categories: Konnichiwa Anne



Short Synopsis: Anne gets invited into the house of a rich family.
Episode Rating: 8,5/10 (Awesome)
Oh, how I loved this episode. Everything about and surrounding Anne in this episode was just pure pwnage. I really have to admit, I didn’t expect this episode to end the way it did. And to think that it wasn’t an important episode at all.

The episode starts with Anne trying to read a book that Elisa gave her. While “A lot of Flowers blooms on the hill” isn’t exactly perfect English, Anne gets fascinated with some of the words she already knows, like ‘Flowers’ (which seem to return quite a few times in the book), ‘princess’ and ‘magic’. When Anne asks to Elisa whether she can read in front of her that afternoon again, but then Elisa says that she needs to return the book that day. Johanna then barges in, yelling at Anne that she needs to continue with her chores.

A bit later, Elisa asks her mother whether it’d be okay to send Anne to school a bit, but Johanna obviously doesn’t allow this, since that way there’ll be nobody to take over all of the chores that Anne needs to do. When Elisa proposes to at least buy a book for her, Johanna really start yelling. Since they have barely enough money for bread and milk, it’s virtually impossible to buy books for Anne.

Johanna then asks Elisa a favor, since that day it’s her day off. Apparently, Johanna is running late with some payments to a store owned by a certain Richard, so she asks her daughter to asks for a bit more time. In exchange, she asks for permission to take Anne with her, even though she can’t buy anything. It turns out that Elisa is very scared of Richard, and especially his daughters, and decided to take Anne with her for moral support.

When they arrive at the store, it becomes clear that the situation is quite bad, since Richard is already waiting for his payment for three months. Anne meanwhile doesn’t seem to notice this at all and happily starts exploring the store, and she finds one particular book by Robert Browning that catches her attention, and starts imagining how wonderful the story inside it might have been for it to have such a ‘beautiful’ cover.

Richard then interrupts her and takes the book away, saying that it’s way too complicated of a book for someone like Anne to read, which fuels Anne’s imagination even more: after all, that book must be way too good to be read by a simple poor red-haired girl as herself. After that, a rich-looking boy and his mother arrive at the store, and they seem to be the Emerson-family. When the boy (Roger, apparently) talks to Anne, she immediately starts rambling on and on, especially when she learns that the whole reason Roger came to the store was to buy that wonderful book by Robert Browning. This catches the attention of Roger’s mother, and she suggests that it might be interesting for Anne to play a bit with her sick daughter Mary.

And so, Elisa returns home with the message that Anne is visiting a rich household, and this gets Johanna all worried of course: what if something were to happen? They’d be the target of gossip for weeks. It’s gotten her so stressed that she even prays to God, even though she usually says that God isn’t there for poor people (quite a contrast with the Cuthberts, who didn’t have any money problems and were so serious about their religion).

Inside the carriage to the house, Roger explains that Mary’s private tutor suggested to buy that book by Robert Browning to help her education. Anne gets a bit upset when he finds out that she doesn’t know what a private tutor is, so he explains, and asks whether Anne is going to school as well. She then says that since she’s an orphan, she’s not allowed to go to school, but Roger quickly tells her that that’s not really true.

When they arrive near the house, Anne gets really surprised at how huge it is. When they arrive at Mary’s room, she has hidden herself under her sheets. Roger introduces Anne, and then leaves, since he has other stuff to do. Anne quickly starts talking about all sorts of stuff, but it then turns out that Mary is a typical spoiled brat and had no interest in the book to begin with. When Anne tells her that she’d really love to have that book, she teases her by never allowing her to hand it over, despite her lack of interest in it, and she too makes a comment to Anne’s hairstyle.

But really, Mary is a typical brat. It turns out that her whole sickness has just been faked, and instead of studying she’d rather be doing stuff she shouldn’t. This time, she looks around in her mother’s room, puts on her jewelry, make-up and dresses while dragging Anne along. while looking really horrible, at the same time the two have a bit of fun playing together (and Anne ends up with lots of make-up scribblings on her face).

By surprise, Mary’s mother returns earlier than expected because she was worried about her daughter, and so Mary and Anne rush in order to get all of the jewelry and dresses back into place and get rid of their make-up. They forgot one necklace, though, and so Mary’s mother comes in to check up on what happened. Mary sets up a lie of being ill and all, though Anne finds it really hard to tell a lie, so Mary just tries to distract attention from her by mentioning how she was reading Anne from the book she got, and how Anne loved it.

Unfortunately for Mary, her mother buys the lie a bit too well, and now suggests offers the same book to Anne. Mary tries to say something back, only to discover that she forgot to put off a ring and so she has to keep quiet. When Anne gets back, Johanna is rather annoyed that Anne returned with a book, but Anne doesn’t care and drifts into her own world again.

Really, I love being proven wrong by a show this way. I admit, I might have been a bit too harsh on this series after the first few episodes, but this was mostly to not get my expectations up too high. What I feared was for this series to act out just like Kemono no Souja Erin: with a dramatic climax and predictable plot during every single episode, it was just way too dramatic. I was so expecting Anne to get found out and create a scandal for the family she’s in because of the second episode that seemed to suggest that this show would take up the same direction. That’s why it’s so great for episodes like this to balance things out a bit, where things don’t take the most dramatic turn possible.

But yeah, I might have been a bit unfair to this series, comparing it to Porfy no Nagai Tabi. I may have taken this a bit for granted while the show was airing, but Porfy really was an exceptionally well written series. No other series could have simply shown one character walking around for an entire episode while hardly meeting anyone, and yet it worked so well. With Porfy no Nagai Tabi (and a few other WMT-series as well) things usually didn’t take a turn for the worst, but when they did, you’d know that Porfy was screwed really badly and you hardly ever knew could see it coming. Konnichiwa Anne is not such a series, and instead the focus is much more on the characters, rather than the storytelling. In a way, much like Kaze no Shoujo Emily.

And really, the nostalgic value of this episode was immense. Hiding under the sheets when you’re feeling down; trying out stuff you’re not supposed to when your parents are out. Ah, how it brings back memories. ^^;

Posted on with categories: Shangri-La



Short Synopsis: Kuniko and Momoko head to Akihabara. Or what’s left of it.
Episode Rating: 7,5/10 (Good)
At first I thought that it would be best for me to simply follow the subs from this series, but after last week’s disaster with Tranquil Fansubs I’m just going to continue with the raws like I’m doing for most of the other shows I’m blogging. I’d rather miss a few details here and there than to sit through their “It’s so huge! It’s so huge!” It’s of course one thing to make slight translation errors, but it becomes a problem when a subtitle creates an extra flaw for a series. Shangri-la has its own problems, and it doesn’t need any more.

In any case, the animation of this series is a strange beast: during the first half of this episode, it actually looked quite capable… only to descend into the previous inconsistent quality in the second half. It’s the clear sign of a badly managed animation budget and outsourcing. I can’t seem to find anywhere who is supposed to be the chief animation director, but I think that this is the guy we need to blame for this.

Still, I’m not ready to give up on this show yet by far. While the show indeed isn’t anything amazing yet, it’s doing exactly what it should be doing right now: flesh out the setting and characters. This episode was a great way to show a bit more of the setting by showing how Akihabara has turned into some sort of black market paradise, and how these vastly different cities emerged when Tokyo got turned into a jungle. This series is in no way like Dragonaut, which even in its first episodes was one big heap of dullness, stock characters and predictability. I mean, who cares if it’s not amazing right now: there’s enough chance left for that. It’s clear that this isn’t a show that can be awesome right from the first minute, but there have been plenty of series with an average first half and an amazing second half. That’s what I’m hoping Shangri-la will turn into.

On a more negative side, there have been quite a few coincidences in this episode. The most unlikely ones:
– Kuniko’s mother is most likely confirmed to be Sayoko
– Miiko becomes instantly liked by Mikuni
– Momoko is Mikuni’s mother (?!?)
– Someone Kuniko knows lives in Akihabara. My guess would be either her father or brother.
– For some reason Karin can’t find any data about Kuniko.

Standalone those coincidences are obviously too much, but when you think about the causality between them, things start to get interesting. If Momoko indeed is Mikuni’s mother or father (depending on when exactly she got her sex change), it would make sense of Mikuni to like transvestites like Miiko. We now see that Kinuko is someone special, and perhaps the reason why Momoko left her ‘daughter’ had something to do with Kinuko, and somewhere along the way Miiko got involved. Now the question remains who that guy at the end of the episode was. There are still a few too coincidences, but provided that they’re well handled they shouldn’t prove to be that much of an annoyance. And besides, it’s good that these revelations come this early in the series. It’s much better than the alternative: a “LUKE I AM YOUR FATHER”-moment near the end.

Posted on with categories: Guin Saga



Short Synopsis: Guin and the others descend a rather dangerous river in order to escape no man’s land.
Episode Rating: 8/10 (Excellent)
While most EDs aren’t anything special, I do have to say that Guin Saga’s ending theme is really good. Probably the best of the season along with Basquash’s (interestingly, both come from Satelight). It fits the series exactly with its epic sound, and the vocals are clean and haunting. It’s a very varied song, considering it’s only ninety seconds.

In any case, this episode again brought a whole new dimension to this series, as it introduces Amnelis, who turns out to be a princess of the Mongol (or however that’s spelled) country. At the same time, this episode was also used to get to know the cast better: everyone has a different goal, but for now they still need to work together to get back to civilization. I was quite surprised by all of the disturbing things that live inside that river. Those oversized piranhas and big-mouthed fish were bad enough already, but to think that some sort of everything-eating plant lived somewhere underwater…

We also learn that there’s some sort of deep storyline involved with Istvan. If I understood correctly, he was supposed to have died at one time. How does that relate to him getting captured by that demon of the previous episode? And Linda also turns out to either have some ability of telepathy, or she occasionally gets possessed by something that wants to talk through her. The meaning of the occult in this series is still a big mystery, though. We also see some henchman of Amnelis who is into foresight.

It seems that next up is the village of Suni’s people, from which either everyone will go separate ways, or something (probably involving Amnelis) will happen that will keep the five of them together for a while longer.

Oh, and on a side-note, while the character-animation this episode didn’t look as good as in the previous episode with quite a few inconsistencies that even I could notice, the architecture in this series really is amazing. All of the different buildings are distinct and look like a lot of creativity had gone into designing them. And it’s not just for one building, but every single structure in this series looks amazing. I bet that the creators could even make a wooden shack look awesome if they wanted to.

Posted on 26 April 2009 with categories: Full Metal Alchemist - Brotherhood



Short Synopsis: The Shou Tucker arc, compressed into one episode.
Episode Rating: 7/10 (Enjoyable)
I’m amused at the people who are already disappointed by the new FMA series. I mean, it’s only been three episodes; what did you expect? The new series lacks the novelty of the original, and the series has mostly been simply building up. At the start of the season, did people expect the new Evangelion in only three episodes, or something?

Not that the new series is perfect and all, of course. The producers right now are trying to rush through the first few episodes a bit too badly, and hardly allow for any quiet moments right now, but at least these beginning episodes are a lot more easy to go through than the original series was. There were a few differences here and there, mostly involving Scar: this episode sees him kill off Basque Gran, right after he was introduced, and he kills off both Shou Tucker and his daughter. It’s good, since I never liked that guy anyway.

As for Basque Gran’s death, it was a shame he died so early. I remember his death in the original series as being one of the first memorable scenes, because it was so ironic: here the show was building him up as one of the major bad guys… and then he gets killed off so easily. But I do guess that it makes more sense this way: after all, Scar was a smart guy. Why the heck would he show his face in front of half a dozen officers. It’d be much harder for him to move around that way. Looking back, it was just another cheap trick to get Ed involved with the main storyline.

Strangely enough, this episode also showed that Scar has some sort of inside-knowledge of what’s going on inside the military. Otherwise he would never have known where Basque Gran would be, or where he could find Shou Tucker, right after he created his next chimera. At this point, I can’t remember whether or not the original series answered that question, though.

Normally I don’t mind when the creators of an anime insert their own stuff, insert fillers or go with a different storyline, but in the end it’s all going to depend on their ability to write a good storyline, which for the original FMA unfortunately didn’t go too well at certain times. The first thirteen episodes had their charms, definitely. The small scenes in which we see Scar, right before Ed arrives for the first time in Central City for example were a nice touch, as they showed how Scar was when he just received his arm (either that or my memory is deceiving me again and Brotherhood also had that scene… something must be wrong with either me or the series if I can’t remember a simple fact that happened two episodes ago…).

Anyway… it’s a shame that the fillers of Full Metal Alchemist were all just too formulaic, with dull characters and a predictable role for the two lead characters, with the only exception being the one with the dog and Armstrong’s family; that one was fun, granted. In the second half, the original material improved a lot, and the storyline was really competent, but at the same time it screwed up by trying too hard to make characters from the earlier episodes return, combined with a set of certain other characters that just got on my nerves. But I think that my biggest problem with the original series is that I could never really buy Ed and Al as the two lead characters. That’s why I appreciate Brotherhood’s attempts to make the two of them more likable.

Posted on with categories: Cross Game



Short Synopsis: Kou and Aoba find a creative way to catch a burglar.
Episode Rating: 7,5/10 (Good)
It’s interesting that, even though Adachi’s series are all about the same thing (talented guy playing baseball), the anime adaptations of his works all have these subtle differences that make them totally different series (or at least the ones that I’ve seen so far, being this one and Touch). It’s going to be a bit hard to talk about these differences due to my fear of Touch spoilers, but even though Touch and Cross Game look a lot like each other, I just don’t see them as rip-offs of each other, and they both have their own unique parts.

The big difference between the two lead males is that Kou of Cross Game has nobody to look up to: he’s already the most talented at baseball, and instead we see him in this episode pull everyone along, even though he isn’t actively playing baseball, whereas Tatsuya had Kazuya and was only able to come as far as he did because of his brother’s influence. I’m interested to see what’s going to happen when Kou enters high-school, as it seems that he’s going to be joining the same team as that arrogant baseball-guy whose name I can’t find, which seems to suggest that the baseball in Cross Game is going to be much more about rivalry, rather than commitments to the past like in Touch.

And while I can’t say this for sure, since Touch also took around ten episodes for the first real baseball match to occur, but according to the things I’ve heard about the manga Cross Game seems to focus a bit more on slice of life than Touch did, and you can hear that through the music as well: the soundtrack of Touch was very typical for a sports game: fast-paced, up-beat and overall cheerful, while you wouldn’t be able to guess that Cross Game was a show about baseball by solely hearing its soundtrack: the background tunes here more sound like that of a heart-warming slice of life series.

The sense of humour also feels more tongue-in-cheek than its predecessor: in Touch, you knew when to laugh and when to take the show seriously. In Cross Game, you only realize something funny has happened, two second after it’s already over, and it’s another example of the unpredictability of Adachi: while in Cross Game the overall plot might be easier to predict, this time it’s the humour that you can’t see coming.

In any case, this episode was a bit strange; I mean, how often do you see a burglar through a window in a house inside a metro in broad daylight? That thug must have been really stupid in order to allow for such a miss. And yet it had its purposes: we now know that Kou isn’t a complete lazy bum, and for some reason he also always carries a baseball ball with him. Something tells me that he doesn’t exactly know what he wants to do later, which in a way is typical of a teenager his age, especially after he had been scared out of the baseball club like the way he was three years ago.

Posted on with categories: Valkyria Chronicles



Short Synopsis: It’s time for some cleaning duties for Squad 7 as another commander gets his ass kicked in battle.
Episode Rating: 7/10 (Enjoyable)
Okay, so obviously this episode was meant to build up. It wasn’t anything special at all, but it did flesh out the characters pretty nicely. It’s good to see that a show really takes its time before it really starts up, but of course the bad thing with such an approach is that it’s virtually impossible to tell early on in the series whether it’ll succeed or fall apart in the end.

My biggest problem with this episode was the newly introduced arrogant fat guy. He was obviously meant to show that there are no other competent commanders in Gallia aside from Welkim (and Faldio perhaps, but I first have to see him in action before I’ll believe that). It’s an often used trope in which an arrogant bastard with a bit of power for himself gets his ass kicked really badly, and it just fails to make any impact whatsoever. And on a side-note, the levels of Engrish in this show are also… ‘inaccurate’, to say the least…

On a more positive note, I liked that old commander of the Empire. In this episode you could see why this guy made it big, and the next episode is going to be interesting when Welkim has to take him on, so I hope that the creators can pull it off right. It’s also amusing that Maximilian (the guy who is leading the Empire’s troops into Gallia) dresses himself like Julius Caesar. In a way it’s quite typical. ^^;

So yeah, Fanservice + Alicia = Annoying, but this shouldn’t become that big of a problem. The thing with Alicia is that she definitely gets on your nerves when nothing is happening, but she becomes an interesting character once the action and strategy start and she’s too busy with her own duties to whine about having seen Faldio naked.

Posted on 24 April 2009 with categories: Eden of the East



Short Synopsis: Akira and Saki arrive at Akira’s… “home”.
Episode Rating: 8/10 (Excellent)
For me, the great thing of Eden of the East is that it only gets awesome after an episode finishes. At least, I had that with this episode: most of the episode was just a collection of strange events with very pretty production values, but as I started putting all of the pieces of the puzzle together and things started to make more sense, the setting only became more and more intriguing.

So, we now know that all of the Selecao get a starting budget of 10 billion yen, or 77,7 million Euros. Akira used 13,9 million Euros of that in order to buy his own shopping mall and gather 20.000 NEET and had them killed. Since having 3 people killed costs around 11653 euros (as shown in the previous episode), the murder of the 20.000 NEET would have cost him nearly exactly 77,7 million Euros. Now that’s a nice coincidence there that I didn’t expect.

Now, my guess would be that Akira killed those NEET in person, instead of using Juiz, since otherwise he’d be broke right now. The question now remains what he did to all the bodies of those people, since it doesn’t seem like Juiz cleaned up for him.

My image of the pre-mind-wipe Akira at the moment is one of a deranged madman: somehow he got the complete wrong idea of carrying out his mission of improving the world, thought that it’d be a good idea to simply get rid of all of the NEET in Tokyo, rather than all of the bank-robbers, rapists or terrorists. He threw around with money for a while, bought his own shopping mall, killed 20000 people by hand and was happy about it. Then he started to probably regret his choice; he went crazy, did nothing but watch every possible movie in existence, made some fake passports, fled around the world and in the end he simply erased his own memory to end himself from constantly being haunted.

It’s interesting how for once, we have a show that doesn’t criticize bad society, but those naive minds who think that with the right amount of money and power this world can simply be turned into a better place. I do want to see more of the other Selecao though. Akira in this episode was labeled as a very notorious member, which means that the other members of the Celecao didn’t run off with their money in the way he did. It’s going to be interesting to see how the other ones ended up using their money: are Akira and Yuusei the two worst examples, or are the others the same and also waste the money of the Selecao?

Posted on with categories: Phantom



Short Synopsis: Ein and Zwei disguise themselves as a teenaged couple in order to get close to their next target.
Episode Rating: 8,5/10 (Awesome)
Whoa! I must say, that while Phantom may be a blatant Noir rip-off, it’s promising to surpass Noir very quickly if this keeps up. From the outside this episode looks like your average random episode, but the cast got so much depth through it. It’s in episodes like this in which Bee-Train’s real strength lies: not the awesome music (though that does help), but the excellent characterization.

It was very strange to see Ein acting so convincingly like your average teenaged girl on a holiday with her first boyfriend. Especially considering how goofy Zwei looked right next to her with his bad acting as her boyfriend. I like how she even commented to Zwei how he still needs to work on his acting a lot. There was quite a bit of subtle fanservice in this episode, but even that had its purpose: to show the sexual tension between Ein and Zwei.

And that’s another point at which this series rocks: Ein and Zwei are really characters who don’t speak what’s on their mind: they leave their feelings and thoughts exactly out of their jobs, but the thing is that we hardly ever get to hear their thoughts. During those above-mentioned fanservice moments, for example: we can only guess what goes on their head at those points, and this gets especially confusing when the two start acting like their complete opposites and at times it gets really hard to point out which a subtle action of the belongs to: their acted personas, or their own intuitions.

And I’m personally a huge fan of series that manage to leave certain things up to the viewer’s imagination. Phantom knows exactly the difference between simply leaving out an important plot point, and just subtly refraining to say things that most people can figure out on their own. And when we finally get a confirmation (or denial in this case) of Ein’s feelings at the end of this episode, it does make impact. Especially considering how this series has only gone on for four episodes, I’m surprised at how far it has already come.

CHANGE USERNAME
SuperMario
@Amagi: they better have a second season. The way it ends now I don't even have any motivation to write a full review. I'm not really optimistic over it having a second cour because if the producers were confident about its chance, they would've greenlit it already.
Amagi
@SuperMario: Seems like the official radio confirmed PriPri might get a second season if the BD and/or game sales are good enough. - BD sales seem to be around 7k at the moment, but it looks like many only ordered them now, after the last episode, so it might be more.
KTravlos
@Aidan. Oh I did. Thank you for reminding me. I will write the review.
AidanAK47
@Travlos, Just in case you missed it, there is a reply to you earlier in the chatbox.
KTravlos
Kakeguiri also ended. In the end the anime original ending was not really an ending, but just a fan pleasing excursion. The integrity of the manga story remains. It was a good adaption, and I liked it as it brought to life the parts of the manga that make it interesting to me. Also a great Opening and Ending. Good show.
KTravlos
And to sum it up. I think this was a great series. All its episodes were good.
KTravlos
I actually am ok with the PP ending. The 12 episode series is self contained. Sure there are many future potential stories to pursue, but I felt there was enough closure to make the series a good series. This is because the next step of the narrative is really so long term as being more LOGH material than PP (the story of the ascension of Princesss to the throne, and then the story of her reforms)
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
Total users: 21

Featured Posts

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So…what am i supposed to say here? Yumeko wins, the treasurer loses and now the show looks to be teasing a matchup between the Student council President and Yumeko. I would say it’s a good thing this shows end looms near as my interest in it has just about petered out. I love seeing smug […]

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