Posted on 30 April 2009 with categories: Monthly Summaries

I think that this is the first time that this ever happened ever since I started including ratings in these summaries: none of the shows I’m watching has a rating of 9/10 or above. But that’s logical since the only awesome show that continued from the past month was Hajime no Ippo, and that one had a lesser month this time. In any case, this is really typical of this season: there are no instant classics yet, but there sure are a hell of a lot with the potential to become one.

Oh, and another thing: I ended up experimenting with the rankings again. The result is that some shows with higher ratings may be ranked lower than you’d expect and vice versa. This time, I basically tried to generate the rankings for each show, compared to the others that are currently airing. Say, for example that Show A has a really good setting, and there are only a few other shows with a better setting, it’s going to rank higher than if there are many shows with excellent settings, and vice versa. Please don’t ask me in what kind of mindset I was when I thought of this system.

#41 (new) – Gokujou!! Mecha Motte Iinchou – (2/10) – The honour of ‘worst show of the season’ goes to this… thing. Congrats. I never imagined that something would end up beating Queen’s Blade in this category. Dropped.
#40 (new) – Queen’s Blade – (3,25/10) – One thing I don’t get about these series: why aren’t they just turned into a hentai-series? I mean, you get a lot more nudity that way and the show doesn’t have to pretend to have a plot or anything. In any case, this one’s obviously dropped.
#39 (new) – Cookin’ Idol Ai! Mai! Main! – (3,75/10) – In this series, the impossible happened: Hiroshi Watanabe surpassed himself. The cabbage song combined with the utterly bad acting were already bizarre, but when I looked at the staff list, everything suddenly made sense. When I thought that he couldn’t sink any lower than Shining Tears X Wind, this guy proves me wrong once again. Dropped.
#38 (new) – Metal Fight Beyblade – (6,5/10) – Stupid shounen stuff of which I don’t even remember what it was about. Dropped obviously.
#37 (new) – Hanasakeru Seishonen – (6,75/10) – The best way to describe this show is a teenaged soap gone anime. Seriously, the incredible stupidity of the bits that I saw before dropping this show are nearly unbelievable. Characters have really dull and overemotional personalities. Dropped.
#36 (new) – Jewel Pets – (7/10) – Ever since Otogi Juushi Akazukin and Power Puff Z I’ve been looking for those really charming and childish kiddie shows. The only problem is that the good ones are really hard to find! I was hoping that Jewel Pets would finally return some spark to a genre that virtually burnt out now, but alas; it showed its true colours soon enough: all of the characters lose their personality completely after their introduction episodes and become mere paper bags. Dropped.
#35 (new) – Tayutama ~Kiss on my Deity~ – (7/10) – That first episode had its enjoyable moments, but there is no way that I’m going to continue with this series. It just feels too much like your standard average harem. Dropped.
#34 (new) – Slap Up Party ~Arad Senki~ – (7/10) – While I appreciate the idea of an international production between Japan and Korea, there’s no denial that the writing in this show sucks. While usually Gonzo’s game adaptations have some surprise in them, Slap Up Party only consists out of a bunch of clichés struck together, and the humour really quickly gets dull. Dropped.
#33 (new) – Dragonball Kai – (7,5/10) – I sat through 270 episodes one time already, and I don’t want to do the same, even though everything’s shortened. This really is the series for those who are new to the franchise. Dropped.
#32 (new) – Hatsukoi Limited – (7,5/10) – In the end, I figured that the lead girls seemed a little too much like copy-pasted moeblobs and I don’t feel like sitting through this series to find out whether I was wrong when there are many other better comedies this season.
#31 (new) – Higepiyo – (7,5/10) – Ooh, this isn’t looking good. While it had the nice premise and the first two episodes were hilarious, it’s quickly getting dull because the creators keep overusing the food jokes. Bring in some novelty, please!
#30 (new) – Charady no Joke na Mainichi – (7,5/10) – I tried to follow this for a while, but in the end it’s just not worth the trouble of having to sit through the episode, not knowing when a joke falls flat or becomes hilarious. Out of the first fourteen episodes I watched, only two really made me laugh, and there are much better comedies this season. Dropped
#29 (30) – Shinkyoku Soukai Polyphonica – (7,5/10) – I pretty much agree with the general consensus of this remake: it’s definitely better than the original, but still not really worth it to watch all the way through the end. Dropped.
#28 (new) – Asura Cryin’ – (7,5/10) – There is potential, but the characters are too annoying for me to want to check whether the show can realize it. Dropped.
#27 (new) – Tears to Tiara – (7,5/10) – I’m not that interested in the next Utawarerumono. There’s much better stuff this season, so I ended up dropping this series.
#26 (36) – Hayate no Gotoku – (7,75/10) – It’s unfortunate that I can’t watch every show that airs. I know that I never really gave this series a proper chance, but at the same time there are too many other shows this season that I also want to watch. Dropped.
#25 (new) – Saki – (7,75/10) – The big problem with Saki is that I’m not yet convinced of Saki’s talent. Take Shion no Ou, for example: even though the rules of Shougi were unclear to many, you could see that Shion was pwn. Saki instead is a character who could perform a Russian Roulette eighteen times and still come out alive. Still: the characters are enjoyable to watch and because of that I haven’t dropped this series yet. But seriously, there need to be less episodes of the kind of episode four. A bit of moe is of course fine, but that was really stretching it.
#24 (new) – Souten Kouro – (7,5/10) – Madhouse’s only new show this season, and quite frankly it’s a disappointment. I’ve never been interested in the whole romance of the three kingdoms setting, and this show again doesn’t seem to convince me otherwise. Dropped
#23 (new) – K-On – (7,75/10) – Obviously, this isn’t my kind of series. I still don’t understand why the heck everyone’s drooling over Mio. For me, the characters were just way too annoying. Dropped.
#22 (23) – Gintama – (7,75/10) – Granted, it still in no way lives up to the first 100 episodes, but the new director at least is competent when he gets to the serious parts, and I have to agree that episode 108 was pretty good.
#21 (new) – Full Metal Alchemist – Brotherhood – (7,75/10) – The new Full Metal Alchemist isn’t perfect. Especially its idea of cropping two chapters in one episode leads to rushed episodes. But on the bright side, Ed and Al are a hell of a lot more likable than in the original series, and that has definitely potential for the future of this series.
#20 (17) – Koukaku no Regios – (8/10) – I can’t really say that Regios is getting better, but neither is it getting worse. It still has nice characters with a competent plot in an interesting setting, but as usual, nothing really stands out.
#19 (18) – Chi’s New Address – (8,25/10) – The first four episodes were a bit too serious for their own good, but after that Chi’s Sweet Home really became just as good as the first season, if not better. Especially the rate of dull episodes seems much smaller now.
#18 (new) – Valkyria Chronicles – (7,75/10) – While this show is nothing special yet, there looks to be potential for its second half. The lighter moments, especially those involving Alicia, are a bit annoying, but once the tank combat starts the show gets much better. Now let’s see whether the creators can pull this show off.
#17 (new) – Shangri-La – (8/10) – The character animation is incredibly inconsistent, yeah. Thankfully the rest of the series has enough potential to make up for it. Shangri-La at the moment is nothing special yet, but I’m intrigued by the setting, the cast is likable and you can see that it’s really using the beginning episodes to build up for something. This show can really go anywhere, but for now I’ll remain positive.
#16 (new) – Shin Mazinger Shougenki! Z-Hen – (8,25/10) – You can really count on the creator of Giant Robo to make a remake of the Mazinger series awesome. And oh, the irony: all of the giant robots of the good guys have proven to be absolutely useless so far, and instead the best action happens between the spectators. A very nice touch if I say so myself. I’m definitely going to enjoy this series.
#15 (7) – Hajime no Ippo – (8,25/10) – Just about my only complaint of Hajime no Ippo is that it suffers from the Dragonball Z syndrome. With that, I don’t mean that it has the ability to stretch five minutes into five days, but rather that once formidable side-characters become absolutely useless as soon as the lead character level up much faster than them. This month was relatively weak for this series: it was still fun (with some hilarious facial expressions), but nowhere up to the level of the first half.
#14 (new) – 07-Ghost – (8/10) – This one has been quite the solid series so far. So yeah, there are some shounen ai undertones here and there, but it’s nothing that should really distract you from viewing unless you’re a complete and utter homophobe. The characters are quite likable and it’s got lots of potential for the future.
#13 (new) – Sengoku Basara – (8,25/10) – I know I talked down on this series in my first impressions, but it looks like I’m going to have to take back those comments. Sengoku Basara is GAR, manly, exciting and has some amazing action scenes. Once you start to get the back-story a bit, the whole thing suddenly becomes much more interesting.
#12 (new) – Marie & Gali – (8,25/10) – Call me crazy, but I’m enjoying this little show. It’s fun to see especially Marie’s antics, but also all of the weird stuff and cameos that goes on, along with this show’s unique style and episodes of only five minutes proved to be quite entertaining.
#11 (19) – Kurokami the Animation – (8,25/10) – Woo! I’m glad that my prediction with this series was right: during the past month, Kurokami became significantly better when compared to the rather lacklustre first half. Now that the storyline’s evolving there are lots of nice and juicy plot twists that are actually pretty interesting to watch. Now let’s hope that the show can keep this up.

#10 (14) – Hetalia Axis Powers – (8,5/10)

Episode 14 was absolutely brilliant. It’s a really good thing to see that this series is just getting better and better. The inclusion of the rest of the cast has really been good for this show. Although I do have to say that Hetalia is at its best when it makes fun of country stereotypes, and at its worst when it’s overusing gay jokes.

#9 (new) – Konnichiwa Anne – (8,25/10)

I was a bit fearful that this series might end up a bit too dramatic, but so far there turns out to be no reason for those worries. Anne is shaping up to be an awesome character, and she especially shines when she dives off into that own world of her.

#8 (new) – Basquash! – (8,25/10)

Some of the jokes used are… immature to say the least, and yet I still find myself enjoying this series quite a lot. It’s got a great sense of fun and the chemistry of the characters is working out surprisingly well.

#7 (new) – Ristorante Paradiso – (8,25/10)

Rispara has definitely been an interesting series so far, and I especially like the detailed and fleshed out characters that stood apart right from the beginning. David Production made a good debut with this show.

#6 (new) – Natsu no Arashi – (8,5/10)

The most underrated show this season. I may have dropped this show from blogging, but that in no way means that I don’t like it. It’s good to see Shinbo finally handling a series with actually good characters. This show has some wonderful slice of life scenes, and yet at the same time there’s this theme of past versus present that keeps everything together. Also, am I the only one who likes the male lead? Sure, he takes some time getting used to, but I find him quite enjoyable.

#5 (new) – Guin Saga – (8,5/10)

Classic fantasy, and for once it’s done absolutely right. The pacing is really slow, but it’s the type of show that really easily draws you in. Just about everything in this series is big, ranging from the locations, characters, the soundtrack or the setting.

#4 (new) – Phantom – (8,75/10)

It may not be that different from Bee-Train’s usual series, but I’m biased so I don’t care. Besides, with such an excellent source material, this series is promising to be one of the top Bee-Train series. Already after four episodes we can see the awesome characterization that certainly proves lots of great stuff for the future.

#3 (new) – Pandora Hearts – (8,75/10)

I really like this series so far. The whole atmosphere that seems like a modern-day fairy tale gone really dark continuously has something interesting to offer. As a big fan of mystery-series, I really like how it just keeps bringing in new questions after answering a few. The storytelling has been really solid so far, and I actually quite like the very distinct look of the graphics. Definitely something to look out for.

#2 (new) – Cross Game – (8,75/10)

Do not get fooled by the simple character-designs, because this show really stands out as one of the best of the season so far. Already after four episodes, the show has a cast of characters in which nearly all of them (including the tiny side characters) have presence. It’s got a very subtle sense of humour, combined with great slice of life and just the right amount of drama. Definitely one of my top picks of the season.

#1 (new) – Eden of the East – (8,75/10)

Yeah, this series is really good stuff. The production values are really high and the episodes thus far have been incredibly intriguing. I can’t wait to see the rest of this thing!

Posted on 28 April 2009 with categories: 07-Ghost



Short Synopsis: The old guy goes after Teito as Mikage faces the decision between Teito and his family.
Episode Rating: 7,5/10 (Good)
So, this is where the shounen-ai elements pop up, with Mikage and Teito wanting to see each other that badly, up to the point where Mikage chooses protecting Teito over his family. But really, the relationship between the two of them isn’t that bad, and it doesn’t get in the way of what’s really important in this show at all.

It overall was still a pretty good episode, especially with all of the stuff surrounding the old guy, who turns out to be a ghoul. The fight against him was really well written: it had impact, and at the same time there were lots of things going on. I’m interested to see what role the Ghouls will have in the rest of the series: with such a considerable amount of time devoted to them, there has to be some link between them and Ayanami.

And that mermaid… I’m not exactly sure what to think of her since her introduction was pretty strange. All we know is that she has two different forms (probably one under water and one for out of water), she likes Teito but hates Frau. That probably is a subtle hint for at least something, but I can’t exactly put my finger onto what.

Posted on 27 April 2009 with categories: Konnichiwa Anne



Short Synopsis: Anne gets invited into the house of a rich family.
Episode Rating: 8,5/10 (Awesome)
Oh, how I loved this episode. Everything about and surrounding Anne in this episode was just pure pwnage. I really have to admit, I didn’t expect this episode to end the way it did. And to think that it wasn’t an important episode at all.

The episode starts with Anne trying to read a book that Elisa gave her. While “A lot of Flowers blooms on the hill” isn’t exactly perfect English, Anne gets fascinated with some of the words she already knows, like ‘Flowers’ (which seem to return quite a few times in the book), ‘princess’ and ‘magic’. When Anne asks to Elisa whether she can read in front of her that afternoon again, but then Elisa says that she needs to return the book that day. Johanna then barges in, yelling at Anne that she needs to continue with her chores.

A bit later, Elisa asks her mother whether it’d be okay to send Anne to school a bit, but Johanna obviously doesn’t allow this, since that way there’ll be nobody to take over all of the chores that Anne needs to do. When Elisa proposes to at least buy a book for her, Johanna really start yelling. Since they have barely enough money for bread and milk, it’s virtually impossible to buy books for Anne.

Johanna then asks Elisa a favor, since that day it’s her day off. Apparently, Johanna is running late with some payments to a store owned by a certain Richard, so she asks her daughter to asks for a bit more time. In exchange, she asks for permission to take Anne with her, even though she can’t buy anything. It turns out that Elisa is very scared of Richard, and especially his daughters, and decided to take Anne with her for moral support.

When they arrive at the store, it becomes clear that the situation is quite bad, since Richard is already waiting for his payment for three months. Anne meanwhile doesn’t seem to notice this at all and happily starts exploring the store, and she finds one particular book by Robert Browning that catches her attention, and starts imagining how wonderful the story inside it might have been for it to have such a ‘beautiful’ cover.

Richard then interrupts her and takes the book away, saying that it’s way too complicated of a book for someone like Anne to read, which fuels Anne’s imagination even more: after all, that book must be way too good to be read by a simple poor red-haired girl as herself. After that, a rich-looking boy and his mother arrive at the store, and they seem to be the Emerson-family. When the boy (Roger, apparently) talks to Anne, she immediately starts rambling on and on, especially when she learns that the whole reason Roger came to the store was to buy that wonderful book by Robert Browning. This catches the attention of Roger’s mother, and she suggests that it might be interesting for Anne to play a bit with her sick daughter Mary.

And so, Elisa returns home with the message that Anne is visiting a rich household, and this gets Johanna all worried of course: what if something were to happen? They’d be the target of gossip for weeks. It’s gotten her so stressed that she even prays to God, even though she usually says that God isn’t there for poor people (quite a contrast with the Cuthberts, who didn’t have any money problems and were so serious about their religion).

Inside the carriage to the house, Roger explains that Mary’s private tutor suggested to buy that book by Robert Browning to help her education. Anne gets a bit upset when he finds out that she doesn’t know what a private tutor is, so he explains, and asks whether Anne is going to school as well. She then says that since she’s an orphan, she’s not allowed to go to school, but Roger quickly tells her that that’s not really true.

When they arrive near the house, Anne gets really surprised at how huge it is. When they arrive at Mary’s room, she has hidden herself under her sheets. Roger introduces Anne, and then leaves, since he has other stuff to do. Anne quickly starts talking about all sorts of stuff, but it then turns out that Mary is a typical spoiled brat and had no interest in the book to begin with. When Anne tells her that she’d really love to have that book, she teases her by never allowing her to hand it over, despite her lack of interest in it, and she too makes a comment to Anne’s hairstyle.

But really, Mary is a typical brat. It turns out that her whole sickness has just been faked, and instead of studying she’d rather be doing stuff she shouldn’t. This time, she looks around in her mother’s room, puts on her jewelry, make-up and dresses while dragging Anne along. while looking really horrible, at the same time the two have a bit of fun playing together (and Anne ends up with lots of make-up scribblings on her face).

By surprise, Mary’s mother returns earlier than expected because she was worried about her daughter, and so Mary and Anne rush in order to get all of the jewelry and dresses back into place and get rid of their make-up. They forgot one necklace, though, and so Mary’s mother comes in to check up on what happened. Mary sets up a lie of being ill and all, though Anne finds it really hard to tell a lie, so Mary just tries to distract attention from her by mentioning how she was reading Anne from the book she got, and how Anne loved it.

Unfortunately for Mary, her mother buys the lie a bit too well, and now suggests offers the same book to Anne. Mary tries to say something back, only to discover that she forgot to put off a ring and so she has to keep quiet. When Anne gets back, Johanna is rather annoyed that Anne returned with a book, but Anne doesn’t care and drifts into her own world again.

Really, I love being proven wrong by a show this way. I admit, I might have been a bit too harsh on this series after the first few episodes, but this was mostly to not get my expectations up too high. What I feared was for this series to act out just like Kemono no Souja Erin: with a dramatic climax and predictable plot during every single episode, it was just way too dramatic. I was so expecting Anne to get found out and create a scandal for the family she’s in because of the second episode that seemed to suggest that this show would take up the same direction. That’s why it’s so great for episodes like this to balance things out a bit, where things don’t take the most dramatic turn possible.

But yeah, I might have been a bit unfair to this series, comparing it to Porfy no Nagai Tabi. I may have taken this a bit for granted while the show was airing, but Porfy really was an exceptionally well written series. No other series could have simply shown one character walking around for an entire episode while hardly meeting anyone, and yet it worked so well. With Porfy no Nagai Tabi (and a few other WMT-series as well) things usually didn’t take a turn for the worst, but when they did, you’d know that Porfy was screwed really badly and you hardly ever knew could see it coming. Konnichiwa Anne is not such a series, and instead the focus is much more on the characters, rather than the storytelling. In a way, much like Kaze no Shoujo Emily.

And really, the nostalgic value of this episode was immense. Hiding under the sheets when you’re feeling down; trying out stuff you’re not supposed to when your parents are out. Ah, how it brings back memories. ^^;

Posted on with categories: Shangri-La



Short Synopsis: Kuniko and Momoko head to Akihabara. Or what’s left of it.
Episode Rating: 7,5/10 (Good)
At first I thought that it would be best for me to simply follow the subs from this series, but after last week’s disaster with Tranquil Fansubs I’m just going to continue with the raws like I’m doing for most of the other shows I’m blogging. I’d rather miss a few details here and there than to sit through their “It’s so huge! It’s so huge!” It’s of course one thing to make slight translation errors, but it becomes a problem when a subtitle creates an extra flaw for a series. Shangri-la has its own problems, and it doesn’t need any more.

In any case, the animation of this series is a strange beast: during the first half of this episode, it actually looked quite capable… only to descend into the previous inconsistent quality in the second half. It’s the clear sign of a badly managed animation budget and outsourcing. I can’t seem to find anywhere who is supposed to be the chief animation director, but I think that this is the guy we need to blame for this.

Still, I’m not ready to give up on this show yet by far. While the show indeed isn’t anything amazing yet, it’s doing exactly what it should be doing right now: flesh out the setting and characters. This episode was a great way to show a bit more of the setting by showing how Akihabara has turned into some sort of black market paradise, and how these vastly different cities emerged when Tokyo got turned into a jungle. This series is in no way like Dragonaut, which even in its first episodes was one big heap of dullness, stock characters and predictability. I mean, who cares if it’s not amazing right now: there’s enough chance left for that. It’s clear that this isn’t a show that can be awesome right from the first minute, but there have been plenty of series with an average first half and an amazing second half. That’s what I’m hoping Shangri-la will turn into.

On a more negative side, there have been quite a few coincidences in this episode. The most unlikely ones:
– Kuniko’s mother is most likely confirmed to be Sayoko
– Miiko becomes instantly liked by Mikuni
– Momoko is Mikuni’s mother (?!?)
– Someone Kuniko knows lives in Akihabara. My guess would be either her father or brother.
– For some reason Karin can’t find any data about Kuniko.

Standalone those coincidences are obviously too much, but when you think about the causality between them, things start to get interesting. If Momoko indeed is Mikuni’s mother or father (depending on when exactly she got her sex change), it would make sense of Mikuni to like transvestites like Miiko. We now see that Kinuko is someone special, and perhaps the reason why Momoko left her ‘daughter’ had something to do with Kinuko, and somewhere along the way Miiko got involved. Now the question remains who that guy at the end of the episode was. There are still a few too coincidences, but provided that they’re well handled they shouldn’t prove to be that much of an annoyance. And besides, it’s good that these revelations come this early in the series. It’s much better than the alternative: a “LUKE I AM YOUR FATHER”-moment near the end.

Posted on with categories: Guin Saga



Short Synopsis: Guin and the others descend a rather dangerous river in order to escape no man’s land.
Episode Rating: 8/10 (Excellent)
While most EDs aren’t anything special, I do have to say that Guin Saga’s ending theme is really good. Probably the best of the season along with Basquash’s (interestingly, both come from Satelight). It fits the series exactly with its epic sound, and the vocals are clean and haunting. It’s a very varied song, considering it’s only ninety seconds.

In any case, this episode again brought a whole new dimension to this series, as it introduces Amnelis, who turns out to be a princess of the Mongol (or however that’s spelled) country. At the same time, this episode was also used to get to know the cast better: everyone has a different goal, but for now they still need to work together to get back to civilization. I was quite surprised by all of the disturbing things that live inside that river. Those oversized piranhas and big-mouthed fish were bad enough already, but to think that some sort of everything-eating plant lived somewhere underwater…

We also learn that there’s some sort of deep storyline involved with Istvan. If I understood correctly, he was supposed to have died at one time. How does that relate to him getting captured by that demon of the previous episode? And Linda also turns out to either have some ability of telepathy, or she occasionally gets possessed by something that wants to talk through her. The meaning of the occult in this series is still a big mystery, though. We also see some henchman of Amnelis who is into foresight.

It seems that next up is the village of Suni’s people, from which either everyone will go separate ways, or something (probably involving Amnelis) will happen that will keep the five of them together for a while longer.

Oh, and on a side-note, while the character-animation this episode didn’t look as good as in the previous episode with quite a few inconsistencies that even I could notice, the architecture in this series really is amazing. All of the different buildings are distinct and look like a lot of creativity had gone into designing them. And it’s not just for one building, but every single structure in this series looks amazing. I bet that the creators could even make a wooden shack look awesome if they wanted to.

Posted on 26 April 2009 with categories: Full Metal Alchemist - Brotherhood



Short Synopsis: The Shou Tucker arc, compressed into one episode.
Episode Rating: 7/10 (Enjoyable)
I’m amused at the people who are already disappointed by the new FMA series. I mean, it’s only been three episodes; what did you expect? The new series lacks the novelty of the original, and the series has mostly been simply building up. At the start of the season, did people expect the new Evangelion in only three episodes, or something?

Not that the new series is perfect and all, of course. The producers right now are trying to rush through the first few episodes a bit too badly, and hardly allow for any quiet moments right now, but at least these beginning episodes are a lot more easy to go through than the original series was. There were a few differences here and there, mostly involving Scar: this episode sees him kill off Basque Gran, right after he was introduced, and he kills off both Shou Tucker and his daughter. It’s good, since I never liked that guy anyway.

As for Basque Gran’s death, it was a shame he died so early. I remember his death in the original series as being one of the first memorable scenes, because it was so ironic: here the show was building him up as one of the major bad guys… and then he gets killed off so easily. But I do guess that it makes more sense this way: after all, Scar was a smart guy. Why the heck would he show his face in front of half a dozen officers. It’d be much harder for him to move around that way. Looking back, it was just another cheap trick to get Ed involved with the main storyline.

Strangely enough, this episode also showed that Scar has some sort of inside-knowledge of what’s going on inside the military. Otherwise he would never have known where Basque Gran would be, or where he could find Shou Tucker, right after he created his next chimera. At this point, I can’t remember whether or not the original series answered that question, though.

Normally I don’t mind when the creators of an anime insert their own stuff, insert fillers or go with a different storyline, but in the end it’s all going to depend on their ability to write a good storyline, which for the original FMA unfortunately didn’t go too well at certain times. The first thirteen episodes had their charms, definitely. The small scenes in which we see Scar, right before Ed arrives for the first time in Central City for example were a nice touch, as they showed how Scar was when he just received his arm (either that or my memory is deceiving me again and Brotherhood also had that scene… something must be wrong with either me or the series if I can’t remember a simple fact that happened two episodes ago…).

Anyway… it’s a shame that the fillers of Full Metal Alchemist were all just too formulaic, with dull characters and a predictable role for the two lead characters, with the only exception being the one with the dog and Armstrong’s family; that one was fun, granted. In the second half, the original material improved a lot, and the storyline was really competent, but at the same time it screwed up by trying too hard to make characters from the earlier episodes return, combined with a set of certain other characters that just got on my nerves. But I think that my biggest problem with the original series is that I could never really buy Ed and Al as the two lead characters. That’s why I appreciate Brotherhood’s attempts to make the two of them more likable.

Posted on with categories: Cross Game



Short Synopsis: Kou and Aoba find a creative way to catch a burglar.
Episode Rating: 7,5/10 (Good)
It’s interesting that, even though Adachi’s series are all about the same thing (talented guy playing baseball), the anime adaptations of his works all have these subtle differences that make them totally different series (or at least the ones that I’ve seen so far, being this one and Touch). It’s going to be a bit hard to talk about these differences due to my fear of Touch spoilers, but even though Touch and Cross Game look a lot like each other, I just don’t see them as rip-offs of each other, and they both have their own unique parts.

The big difference between the two lead males is that Kou of Cross Game has nobody to look up to: he’s already the most talented at baseball, and instead we see him in this episode pull everyone along, even though he isn’t actively playing baseball, whereas Tatsuya had Kazuya and was only able to come as far as he did because of his brother’s influence. I’m interested to see what’s going to happen when Kou enters high-school, as it seems that he’s going to be joining the same team as that arrogant baseball-guy whose name I can’t find, which seems to suggest that the baseball in Cross Game is going to be much more about rivalry, rather than commitments to the past like in Touch.

And while I can’t say this for sure, since Touch also took around ten episodes for the first real baseball match to occur, but according to the things I’ve heard about the manga Cross Game seems to focus a bit more on slice of life than Touch did, and you can hear that through the music as well: the soundtrack of Touch was very typical for a sports game: fast-paced, up-beat and overall cheerful, while you wouldn’t be able to guess that Cross Game was a show about baseball by solely hearing its soundtrack: the background tunes here more sound like that of a heart-warming slice of life series.

The sense of humour also feels more tongue-in-cheek than its predecessor: in Touch, you knew when to laugh and when to take the show seriously. In Cross Game, you only realize something funny has happened, two second after it’s already over, and it’s another example of the unpredictability of Adachi: while in Cross Game the overall plot might be easier to predict, this time it’s the humour that you can’t see coming.

In any case, this episode was a bit strange; I mean, how often do you see a burglar through a window in a house inside a metro in broad daylight? That thug must have been really stupid in order to allow for such a miss. And yet it had its purposes: we now know that Kou isn’t a complete lazy bum, and for some reason he also always carries a baseball ball with him. Something tells me that he doesn’t exactly know what he wants to do later, which in a way is typical of a teenager his age, especially after he had been scared out of the baseball club like the way he was three years ago.

Posted on with categories: Valkyria Chronicles



Short Synopsis: It’s time for some cleaning duties for Squad 7 as another commander gets his ass kicked in battle.
Episode Rating: 7/10 (Enjoyable)
Okay, so obviously this episode was meant to build up. It wasn’t anything special at all, but it did flesh out the characters pretty nicely. It’s good to see that a show really takes its time before it really starts up, but of course the bad thing with such an approach is that it’s virtually impossible to tell early on in the series whether it’ll succeed or fall apart in the end.

My biggest problem with this episode was the newly introduced arrogant fat guy. He was obviously meant to show that there are no other competent commanders in Gallia aside from Welkim (and Faldio perhaps, but I first have to see him in action before I’ll believe that). It’s an often used trope in which an arrogant bastard with a bit of power for himself gets his ass kicked really badly, and it just fails to make any impact whatsoever. And on a side-note, the levels of Engrish in this show are also… ‘inaccurate’, to say the least…

On a more positive note, I liked that old commander of the Empire. In this episode you could see why this guy made it big, and the next episode is going to be interesting when Welkim has to take him on, so I hope that the creators can pull it off right. It’s also amusing that Maximilian (the guy who is leading the Empire’s troops into Gallia) dresses himself like Julius Caesar. In a way it’s quite typical. ^^;

So yeah, Fanservice + Alicia = Annoying, but this shouldn’t become that big of a problem. The thing with Alicia is that she definitely gets on your nerves when nothing is happening, but she becomes an interesting character once the action and strategy start and she’s too busy with her own duties to whine about having seen Faldio naked.

Posted on 24 April 2009 with categories: Eden of the East



Short Synopsis: Akira and Saki arrive at Akira’s… “home”.
Episode Rating: 8/10 (Excellent)
For me, the great thing of Eden of the East is that it only gets awesome after an episode finishes. At least, I had that with this episode: most of the episode was just a collection of strange events with very pretty production values, but as I started putting all of the pieces of the puzzle together and things started to make more sense, the setting only became more and more intriguing.

So, we now know that all of the Selecao get a starting budget of 10 billion yen, or 77,7 million Euros. Akira used 13,9 million Euros of that in order to buy his own shopping mall and gather 20.000 NEET and had them killed. Since having 3 people killed costs around 11653 euros (as shown in the previous episode), the murder of the 20.000 NEET would have cost him nearly exactly 77,7 million Euros. Now that’s a nice coincidence there that I didn’t expect.

Now, my guess would be that Akira killed those NEET in person, instead of using Juiz, since otherwise he’d be broke right now. The question now remains what he did to all the bodies of those people, since it doesn’t seem like Juiz cleaned up for him.

My image of the pre-mind-wipe Akira at the moment is one of a deranged madman: somehow he got the complete wrong idea of carrying out his mission of improving the world, thought that it’d be a good idea to simply get rid of all of the NEET in Tokyo, rather than all of the bank-robbers, rapists or terrorists. He threw around with money for a while, bought his own shopping mall, killed 20000 people by hand and was happy about it. Then he started to probably regret his choice; he went crazy, did nothing but watch every possible movie in existence, made some fake passports, fled around the world and in the end he simply erased his own memory to end himself from constantly being haunted.

It’s interesting how for once, we have a show that doesn’t criticize bad society, but those naive minds who think that with the right amount of money and power this world can simply be turned into a better place. I do want to see more of the other Selecao though. Akira in this episode was labeled as a very notorious member, which means that the other members of the Celecao didn’t run off with their money in the way he did. It’s going to be interesting to see how the other ones ended up using their money: are Akira and Yuusei the two worst examples, or are the others the same and also waste the money of the Selecao?

Posted on with categories: Phantom



Short Synopsis: Ein and Zwei disguise themselves as a teenaged couple in order to get close to their next target.
Episode Rating: 8,5/10 (Awesome)
Whoa! I must say, that while Phantom may be a blatant Noir rip-off, it’s promising to surpass Noir very quickly if this keeps up. From the outside this episode looks like your average random episode, but the cast got so much depth through it. It’s in episodes like this in which Bee-Train’s real strength lies: not the awesome music (though that does help), but the excellent characterization.

It was very strange to see Ein acting so convincingly like your average teenaged girl on a holiday with her first boyfriend. Especially considering how goofy Zwei looked right next to her with his bad acting as her boyfriend. I like how she even commented to Zwei how he still needs to work on his acting a lot. There was quite a bit of subtle fanservice in this episode, but even that had its purpose: to show the sexual tension between Ein and Zwei.

And that’s another point at which this series rocks: Ein and Zwei are really characters who don’t speak what’s on their mind: they leave their feelings and thoughts exactly out of their jobs, but the thing is that we hardly ever get to hear their thoughts. During those above-mentioned fanservice moments, for example: we can only guess what goes on their head at those points, and this gets especially confusing when the two start acting like their complete opposites and at times it gets really hard to point out which a subtle action of the belongs to: their acted personas, or their own intuitions.

And I’m personally a huge fan of series that manage to leave certain things up to the viewer’s imagination. Phantom knows exactly the difference between simply leaving out an important plot point, and just subtly refraining to say things that most people can figure out on their own. And when we finally get a confirmation (or denial in this case) of Ein’s feelings at the end of this episode, it does make impact. Especially considering how this series has only gone on for four episodes, I’m surprised at how far it has already come.

CHANGE USERNAME
AidanAK47
Actually forgot about it.
Kaiser-Eoghan
I don't know why you don't just read kara no shoujo 2 instead.
AidanAK47
And Himawari is actually boring me. It's proving difficult to push myself though just to see where the point that makes it highly regarded comes in.
Kaiser-Eoghan
@Aidan: In the end I was pretty much curious about it.
AidanAK47
Yep, that's it. Gonna stop discord displaying what I play from now on. It's weird when people comment on it.
Kaiser-Eoghan
Now my current rankings: 1. Devilman
2.Junji itou
3. sangatsu
4. Cardcaptor sakura
5. Pop team
6. Evergarden.
Kaiser-Eoghan
*Aidan
Kaiser-Eoghan
I'm joking obviously, but I am surprised to see you playing Himawari Aiden.
Kaiser-Eoghan
Oh Aidan you and your lolicon visual novel you =P
Kaiser-Eoghan
@Alonaria: Shin Godzilla had the evolving godzilla thing and that freaky ass final shot too, it also justified itself quite well i think by showing how relevent he is today, given the nuclear thing and that it drew on the Fukushima incident essentially.
Kaiser-Eoghan
@Alonaria: Thats a far better and shorter way of putting it than I.
Alonaria
I wish I'd just waited for the other parts of the Godzilla movie trilogy to be released. As it is, I'm just going to remember it as "that incomplete movie." And the character designs kind of blurred together for me, which was really disorienting.
Anonymous1746949
Oh psgels is back
Kaiser-Eoghan
But I've seen other Godzilla things so I pretty much was supposed to see this anyway.
Kaiser-Eoghan
Or you know you could always take what I said with a pinch of salt, because you know....I don't get on with Urobutcher.
Kaiser-Eoghan
The idea behind it is definately cool and a different spin for the franchise though.
Kaiser-Eoghan
Maybe I was held back a bit by the cgi or the mediorce voice acting.
Kaiser-Eoghan
But I'd need to see its followup before properly assessing it.
Kaiser-Eoghan
Godzilla often makes for silly films, but lke alot of silly older films the silliness and seriousness combine without clashing, this one is too Poe faced .
Kaiser-Eoghan
I saw that Godzilla anime film, I'd describe it as watchable in parts but far too caught up in setup mode and an unlikeable protaganist , it could go somewhere with what it raised at the start but this is an example of a first film in a trilogy that suffers from being unable to currently stand on its own.
Kaiser-Eoghan
I generally feel that Itou's stories have a winning track record but theres exceptions, Uzumaki and Gyo in manga form struggle toward the end and the first episode story the anime chose to adapt is, while fun one of the weaker offerings.
Alonaria
Honestly, the shorter stories have been more effective at getting a reaction out of me, though. I actually didn't really enjoy the first episode's first story, mostly because I found the MC too obnoxious. :.D Maybe because my younger brother chased me with a bug once and it was really unpleasant. XD
Kaiser-Eoghan
@Anon: It wasn't just it coming out of her mouth, but when they were stamping on them too.
Anonymous1743747
@Kaiser: Yah, I was horrified for like 5 seconds but the other characters made me crack up. :.D
Kaiser-Eoghan
Although it was mixed in with laughing my ass of eventually.
Kaiser-Eoghan
Of all the Itou stories to be un-nerved by, its the second half of this third episode oddly that does it for me and I never get uncomfortable during anything .
AidanAK47
@Anon, We are working on it.
Anonymous1742736
Are you planning on making a top anime of 2017 list?
Amagi
Yeah Mash is one of the few good ones it seems.
Amagi
Oh damn, good that you remind me, I didn't pick anything yet. But I guess I will go with Altera, considering that some of them don't look that good and I own her anyway. Would have wanted the Scat one but the drawing looks weird.
AidanAK47
Which Bond CE did you pick for the 2 mill? I went with the Mash one. Only only whose artwork I liked.
AidanAK47
Might settle for making Bryn my endgame lancer though.
AidanAK47
As I said in my Apocrypha post, I have no interest in any version of Jeanne. My top priorities for my endgame team is Isekander, Scathach and assassin Shiki. And Shiki is a welfare so only need to worry about the other two.
Amagi
Yeah, I was considering to keep rolling for the new 4* at first but I really want Jeanne Alter and she's coming soon.
AidanAK47
@Amagi, I tried rolling for Karna and got nothing. Though I think Bryn is better. I plan on rolling one more time with the saint quartz we are getting to try for NP2. Though we do have the valintines event coming.
Amagi
@Aidan: Same here, just got Brynhildr. Even though I already got Karna last month. But I wanted her, nice design, finally a single-targed 5* and she's even one of the few servants related to my country.
KTravlos
@SuperMario. The contemplation of the death of humanity, and the loneliness, both were very disturbing to me. Kinda like thinking of my grave.
AidanAK47
YANDERE GET. Bryn's mine baby.
AidanAK47
Gonna try rolling for Brynhildr tomorrow. Bit annoyed they chose to translate it as Brynhild. I mean it's not incorrect but her name is far more recognisable as Brynhildr
AidanAK47
@Amagi, The grind wasn't that bad for me. Mordred carried me for it. Though I managed to get Siegfried in the gacha despite not being on rate up. I admit that the event was rather lackluster. Story wasn't that fun and the whole saber restriction was a pain. Also gonna take me a while to readjust to regular damage.
Amagi
Man that FGO Saber Wars event was annoying. I am happy finally I have 2 mio. altrium now and am done with it.
Kaiser-Eoghan
Reminder that netflix Godzilla anime is later today.
Amagi
Damn I didn't noticed that ankle band of the little demon from the intro scene of FranXX 01, now I feel stupid.
Lenlo
Yuasa is great! Ping pong and Tatami Galaxy are still some of my favorites
SuperMario
Oh fuck, the lead singer of the Cranberries passed away. I literally just listened to their music yesterday. Damnn, sad news
SuperMario
@Kaiser; thanks for considering me but I believe Wooper is much more a Yuasa's fan than I am
SuperMario
Far out!!!
SuperWooper
Yuasa will be answering questions on Reddit's anime board on the 20th.
SuperMario
@Niello: what do you mean regarding Yuasa?
SuperMario
@Travlos: I agree that Girls Last Tour is a special little gem, but in what ways it's disturbing?
Niello
Holy cow, Masaaki Yuasa AMA!! What magic is this?
Niello
Meawhile, Japan took a different approach and we ends up with a bunch of .hack rehash and diving more and more into escapism. Until we eventually got isekai and then it just spiraled into a sea of mediocrity.
Niello
While that opened its own can of worms, at least it opens up element about making ends meet, managing irl relationships, earning extra income for a poor family, getting cheated etc.
Niello
in the characters real life just fine. Something more a long the line of Net-juu but more technologically advanced. And I would say that plenty of those have been superior to Japanese online game and isekai story shenanigans. That said, it doesn't mean that those don't have their own kind of traps they usually fall in. A bunch of those instead focus on the aspect of making money off of games.
Niello
...Getting stuck in a virtual reality game and being transport to another world that happens to be like a game are completely different though. I don't know what is it with Japan and getting stuck in game plots considering that there are loads of other game-base Asian novels that came before it that manage story lines where they manage to tell compelling stories in game while balancing what happen
KTravlos
I finally finished Girls Last Tour. What a profound, fluffy and disturbing masterpiece. Bravo.
Amagi
Yeah. I feel the world swap is pretty much pointless when real life isn't relevant anymore. It's just a stupid as hell excuse to combine fantasy wish fullfilment with self-inserts, which is why these main characters tend to be 29 by now, just like the big part of the otaku community.
Lenlo
Of those you listed, no, I dont think they get explained? I mean, SAO did, but I dont think that falls into your category.

Thats why I liked .hack//sign over alot of more modern game Isekai. Also .hack//sign did explain what happened to Tsukasa.
Amagi
Considering how bad most of these are I wouldn't wonder if they wouldn't even bother with an explanation and just end it with the characters being happy in that game world and that's it. Or magic and the whole harem gets transported into reality at the end because power of love and such.
Amagi
I have no problem with a sci-fi fantasy mix, I liked .hack//sign for example, but it annoys me that such an incredibly bizarre situation gets never explained. Or maybe it will but it never happened so far because none of these LNs was ever finished and concluded yet. I just wish to know how they explain that.
Amagi
I mean all those shows in which the character just finds himself stuck in a real world that's (coincidentally?) the same as the game he recently played. Be it Overlord, Death March, Log Horizon or the 300 other series with that premise.
Amagi
Some thing that always bothered me about game isekai for which I never got an answer so far: did any of those series ever end and/or explain how the warp has happened and why the MC is in the game? - Not talking about .hack, SAO and such where the action of getting trapped is part of the premise
Niel
@Eoghan - Btw, Kokkoku isn't a time travel. it's stasis, apparently. Looks very promising so far. Though if I am to trust the manga score, it's shit.
Niel
But is Toradora really slice of life? As far as I can see it's straight up romance.
Lenlo
And Mario, ill rag on SOL all I want! :P

Wooper, its true good shows transcend genre, as there are still some like Toradora I like, but those are exceptions that prove the rule so to speak.
Lenlo
@Niel, yeah I base my potential % on the odds something gets/stays good.
AidanAK47
I am of similar mindset about Franxx. I want it to get better but I don't really see it doing so. Unless the other characters get a majority personality boost or the MC stops being a plank.
Niel
XD
Kaiser-Eoghan
I confess....I only sat through just over half an episode of aldonoah.
Niel
Since it's Trigger, I will give the benefit of the doubt. I'm just very skeptical about this whole formula.
Niel
The way I can see this series improving is through world building. And if other aspects are going to improve too, it's going to revolve around that.
Niel
It leaves about as much impression on me as much as the first episode of Aldnoah did, and I dropped that one straight away. The character chemistry doesn't look like it will go places that's not cliche. The gimmick doesn't seem like it has much potential either.
Niel
So you're all betting it on "this is going to get better". I mean, I hope it gets better. Though right now this feels more Kiznaiver than Kill la Kill or LWA.
Kaiser-Eoghan
I'd nominate Mario to do the devilman review as he's the most immediate Yuasa fan to do it and Bam is too awol to write it.
Kaiser-Eoghan
The cute girl shows just bleed and blend in my mind now, same with the isekai shows.
Kaiser-Eoghan
Devilman, my show of the season, unless after the rain ends up having some emotional wallop.
Kaiser-Eoghan
So for me its looking like: Junji itou, Cardcaptor sakura, keeping up with sangatsu, wait and see on amegari . Not watching a time travel or trigger show and I remain unable to sit through Mahoutsukai .
Amagi
The story itself is generic so far but so are most Trigger series at the beginning so not sure. Maybe it will stay weak, but in general I prefer series that start with the weaker episodes and get better and better over time over the many series that use up all of their budget and trump cards in the first episode and drag on after that.
Amagi
I really love Trigger's esthetics and their characters. I am happy they're more often involved in non-trigger-only productions because I honestly think that most of the stuff I enjoyed about FranXX was heavily influenced by them.
SuperMario
@Nielo: Franxx's first ep was stellar for me. Storywise, it's lackluster (and I see the similar in tropes between this and Beatless) but production-wise it's excellent
SuperMario
I think I just keep watching it on a weekly basis. Still trippy as hell
SuperMario
Okay, I just watched second episode of Devilman Crybaby and it's still pretty good.
Nielo
By the way, what's up with Darling in the Franxx? I thought it's a very weak first episode.
Nielo
@Lenlo: Slice of life isn't my thing either, and I usually avoid series set in high school.
Nielo
@SuperMario: Takagi-san is cute, I'll admit that, but since I already read the manga it's not new to me. Sora Yori is good, but it's not particularly cute. I found Hakumei to Mikochi and Yuru Camp very boring. Haven't got the chance to watch Mitsuboshi Colors or Gakuen Babysisters but I don't think they could be more cute than Mii-kun.
SuperWooper
HOT TAKE: Genre is irrelevant. What matters is whether a show is good.
SuperMario
Don't knock off MY genre Lenlo. It's one of the reason I got into anime in the first place :)
Lenlo
Im not saying it doesn't do what it sets out to. I just don't think what it sets out to do is all that... great.
Lenlo
@Niello, Slice of Life was never my Genre in the first place :/ I typically avoid them. I have my own life to deal with and already graduated high school, why would I want to deal with a melodramatic anime highschool, is my line of thought.
SuperMario
@Niello: okay, let's see:Takagi-san (the titular character), Mitsuboshi Colors, Gakuen Babysisters (Toddlers!!), Hakumei to Milochi (tiny girls) and two more slightly more mature but equally cute: Sora Yori and Yuru Camp's casts
Nielllo
@SuperMario: I'm sure this is where our definition of "cute" parts way, but I'll ask anyway, what are those 5 shows?
SuperMario
@Niello: seems so because I can eaisily pick 5 more shows that are cuter, and better than Mummy this season ;)
Nielllo
...So I suppose I'm the only one who's kinda bored out by a lot of the slice of life shows that's trying to be cute this season and only perked up by the Mummy anime because it's actually do what it's meant to do and be legit cute.
Lenlo
I am interested in Koi, but still have concern about the relationship itself.

@Vonter, the mummy anime would be better as short vignettes together I feel.
Kaiser-Eoghan
Koi amegari is surprisingly tasteful, subdued and pretty.
Kaiser-Eoghan
*to where
Kaiser-Eoghan
Try as I might, my love of kyoani tv anime has largely evaporated did where I no longer want to bother at this stage, I'll just wait and see. I'll just stay quiet on the franxx anime, theres little value in me trying to get through a trigger work at this point.
SuperMario
I get the exact same feeling with Takagi-san. It's pretty good on what it does but 20 minutes of the same thing for a whole season doesn't sound that promising
Vonter
The chibi mummy anime
Vonter
It's a shame it isn't a shorter 10 or 5 minute series, I think that format would make it shine more, since it does what it's trying to do.
Amagi
Speaking of it, I liked the second episode of Kokkuko or whatever the name is even more than the first one.
Amagi
I really have a problem with all these shows that rely on one single thing, joke, shenanigan or whatever. Be it something cute, some certain kind of interactiong or whatever. It doesn't matter how good it is it will bore me with episode 2.
Lenlo
Like, yeah, the mummy was cute. But the cute became rote/bland really quick. There has to be more than "cute" to be worth watching for more than a single episode to me.
Lenlo
@Niello, I was harsh because its not aimed at me. I wanted to drop it 5 minutes in, kept up for the post, then was thankful it was over. There wasnt anything overtly bad about it. Its just there was nothing good either.
AidanAK47
To be fair it's not as if we are lacking cute in this season.
In fact it's in danger of inflation.
SuperMario
@Niello: yes, the mummy is cute, the show is cute but beside that it's pretty mediocre. That show in particular is the only show that I have the damnest time to give it a potential rating.
Niello
It's not even down because of legal reasons, since the site pull down contents that are lincensed. It's down cause it's too much for the site owner to manage. Much of it also have to do with too many bots, which comes back to how a lot of other sites are relying on batoto.
Niello
@Masky: Not enough manga titles are getting translated. Batoto is the site scanlation groups basically rely on, and where other aggregation sites pull their content from. No batoto no obscure titles, a big blow to small scantation groups and one big manga/scanlator community down.
Niello
Why are you guys so harsh on the mummy show? It's so darn cute. Give it some credit. If a comedy show can be good because it does comedy well I don't see why a show ike Mummy can't be good if it can make people go "aww".
Masky
I don't really know why that is the case, maybe marketing budget and UI friendliness when done right? :P
Masky
Eh, wouldn't say it will kill manga industry. I mean, more and more official methods of reading manga online is starting to pop up and legit channels to pay to get access to manga can surprisingly enough harm free channels to get manga.
Masky
Anyway, I do find it funny how how the isekai character dies can be so meaningless that is joke in most of them
Niello
Batoto is going down, how this affect the manga reading is going to be interesting. Hope it's not slowly dying.
Masky
(at least that one, besides forgetting to introduce what the heck is gimmick besides generickness, acknowledged how most of otaku mcs shouldn't erally want to get transferred to fantasy world since they never get to see how their favourite mangas end :P )
Masky
Anyhoo, it gets annoying since its not just isekai being cliche, sometimes is just them being kind of badly written(or at least adapted to manga). Like, I found one new isekai today, but I have no idea what its gimmick is(from what I understood, its that "cute companion" that character gets is hideously op because mc didn't spefy cute girl when he asked god manager dude for cute companion)
Masky
Slime one is one of better from the more generic ones weirdly enough :P I mean I still wouldn't call it good, but at least MC character isn't god tier, just top tier and it has sort of village building simulation feel to it. Plus at least naming things giving monsters more powers is something funny regarding jrpg mechanics
Kaiser-Eoghan
Or alternatively the car was on a boat with the character or parents in it and the boat and car were hit by a falling plane lol
Kaiser-Eoghan
Its always "car accident" that sends the characters to another world or in harem cases "Lost parents due to car crash", for christs sake doesn't anyone die in out of control plane or speedboat crashes anymore, at least make it a motorbike....
Nayrael
Ah sorry, should probably not have touched the colors...
Nayrael
Trust me, Isekai is better when it doesn't try to be imaginative. When it tries to be original then... Isekai with a Smartphone... Isekai where the MC turns into a Slime... and my favorite: Isekai where the MC became a Hot Spring popular with sexy girls.
Masky
Assuming "new" things can happen under the sun
Masky
Anyhoo, I do wonder what the heck will be next "popular genre trope that will become so overused cliche that everyone groans whenever show uses it even if its actually good show"
Masky
Like, seriously you could do really interesting story variant on isekai with that if done right. Suddenly becoming characters you have roleplayed would be trippy as hell espicially if one of characters went really into detail with backstory while one of them is just "Bob the fighter, he likes fighting" and has to deal with what happens when you assume life of such a person
Masky
But I wouldn't honestly be surprised because of my anger issues related to amount of unimaginative isekai :P Though I guess trpg based one would be more imaginative in comparison
Masky
I'd assume not since I assume tabletop rpgs are much more niche than jrpgs in japan
Masky
So has anyone yet done isekai where guys getting transferred were playing trpg? :P
KTravlos
quite happy with most recent Attack of Titan manga chapter.
SuperMario
Alright, one more impression post to go before we really get on to new season
SuperMario
@Kaiser: yep, I just fixed it. Thank you
Kaiser-Eoghan
*than just the reviewers names
Kaiser-Eoghan
A slight problem with the coding there in the newest impression, showing code gobbledeegook rather than the reviewers names above their impressions.
Kaiser-Eoghan
@Mario: I'm seeing it on 2nd of February.
Kaiser-Eoghan
@Mario: Late screeners generally leak shortly after the uk release, so maybe early Febbruary it'll be online?
SuperMario
@Kaiser: yep, Phantom Thread. Could be Daniel Day Lewis's final performance. Is it available online already?
Kaiser-Eoghan
@Mario: Did you know that Paul Thomas Anderso8n has a new film coming out? Also I found out there is a Polish semi-knockoff of purple rose of cairo.
Kaiser-Eoghan
Awesome, just got myself an invite to a secret private torrent site =)
K-Off
@Kaiser When I was in University, I was a waiter at a Korean-owned Japanese Sushi restaurant with a kitchen staff of entirely Mexicans with poor English. The owner, while he provided the rest of his staff with small meals during our lunch or dinner shifts, never game any to the kitchen staff. The guy even ranted to a customer about how "lazy" or "ignorant" they were.
K-Off
Buses are pretty common in America, even outside the major super-cities like LA, NYC, or Chicago. It's public rail you're thinking of that we don't have much of outside the cities.
Kaiser-Eoghan
I brought up the racisim/aunt story wondering if anyone had any horror stories about where they worked?
Kaiser-Eoghan
@Bokusen: Buses don't seem to be a thing in America, meanwhile over here, despite traffic, public transport is much more of a thing, couldn't imagine not getting a train or bus somewhere.
Kaiser-Eoghan
@Amagi. I must say you changed my positive view of the German education system.
Kaiser-Eoghan
@Amagi: And yet Austria gets the far right party in power and Israel also has a far right apartheid leader.
Kaiser-Eoghan
If any good came from it, her boss got banned from facebook .
Amagi
Two years ago the alt/new right hold a rally here since they're successful elsewhere with their anti-immigrant/PoC speeches. In the end it was 35 nazis vs 29.000 counter-demonstrators. The joke: when they had to leave with police protection they shouted "We are the people". Yes 35 hated bigots are surely the people, not the 29k. I laughed.
Amagi
@Kaiser-Eoghan: That aunt story is pretty shit. I am kinda happy about smartphones nowadays, you can often make photos or record speech if you are witnessing something. Also, thank God the racists in my city are very rare since antifa and leftwingers took hold of it decades ago - now 70% of people are immigrants so racists don't even tend to show up anymore.
Nielllo
Great. I don't think most of what I wrote actually appeared in the chat.
Niello
what I'm going to do in the long run.
Niello
While Liberal art colleges are really good for developing writing and reading skills, the truth is in science classes you still don't do much of that. it's also limited by general lack of equipments that you get at bigger Uni. My college don't even have engineering.
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Featured Posts

After the Rain – 02 [Rain Drops on Green Leaves]

It has been exactly a year since I last blogged you, noitaminA shows, and this time again it’s another romance drama. Unlike Scum’s Wish last year, however, Ameagari has one simple premise, but it executes the idea with such grace. This second episode is even stronger than the first, setting the stepping stone for Tachibana […]

Violet Evergarden – 02 [Never Coming Back]

I’m thankful that this second episode plays out much quieter and more subtle than the first, because I’m not a fan at all with the grandeur approach of the first episode. This makes the second week of Violet slightly better than last week, but I still find myself not totally satisfied with the whole experience. […]

Kokkoku – 2 [The Second Moment]

Hello and welcome to the 2018 Winter season! This time, we have an interesting little time-based drama called Kokkoku. It has mystery, it has cults, it has dead-beat parents and apparent god-like beings. Lets jump in! To start, a quick blurb about our characters. Personally, I like them so far. They are all flawed and imperfect […]

A Place Further than the Universe – 03 [The Follow Backs Don’t Stop]

“I could just die right now” That line, spoken by our new member, Yuzuki, bookends this week’s Universe. It marks the shift in the new girl’s character growth. Last week, the Expedition girls mentioned they have a plan to raise fund, right? Turns out it’s not the mother, but the young girl herself, is used […]

Junji Ito Collection – 02[Fashion Model, Long Dreams]

After the first episode started off as a black comedy, I was worried that this series may suffer the same problem as Kino’s Journey in that the weaker stories in his work would be chosen for adaption. Lucky this does not appear to be the case but there is another problem which is not quite […]

Mahoutsukai no Yome – 13/14 [East, West, Homes Best]/[Looks breed love]

Hello and welcome to the new year! New Year, a new Cour for Mahoutsukai no Yome, this time with slightly more plot. These past two weeks have been a bumpy ride of Mahoutsukai, with plenty to talk about. So let’s jump in! To start off, the new OP is terrible. The music isn’t as good […]

A Place Further than the Universe – 02 [Kabukicho Fremantle]

I’m glad that this second episode addresses straight out all my worries from the first episode: the actual implementation to make that trip a reality, because boy, it’s no simple matter. Universe apparently does its research, telling us exactly places they need to go, the initial trip ahead and the amount of money they need […]

3-gatsu no Lion – 33/34 [Where the Sun Shines…Light]

It’s been three weeks since my last 3-gatsu post, a gap owed in part to the break the show took around New Years’. Perhaps it’s because of all that time away from the series, or maybe it’s due to the massive difference between these two episodes, but I had a tough time connecting with the […]

Dies Irae – 10/11[Einherjar/Self-Destruction Factor]

Quite late in covering this one though out of the three shows I covered for the fall season my level of interest in this series has more or less evaporated. Truth be told, while this is a episode review of ten and eleven, i honestly cannot even remember what happened in episode ten. I think […]

Latest Reviews

In This Corner of the World (2016) Movie Review – 90/100

In this Corner of the World (for the purpose of this review, I’ll refer it as “Corner”), is the truest slice of life drama if you ever encounter one, in that it’s a slice into an ordinary life of an ordinary girl during the War period. That speaks into the very first strength of Corner, […]

Houseki no Kuni (Fall 2017) Review – 92/100

Make no mistake, Houseki no Kuni is the most ambitious anime project of the year. Not only because it’s an entirely CG project (and make a damn good use of it, mind you), or because of its narrative scope that at once strange, grand and beauty, but also in its very conception in their production […]

Fate/Apocrypha Anime Review – 64/100

I was quite excited for Apocrypha and in the so called year of Fate adaptations, it looked to be the crown jewel. Sadly, partly due to lacking adaption and the source lacking in areas, this anime turned out to be not quite the jewel I thought it would be. It’s hard to call this a […]

Kino’s Journey -The Beautiful World Anime Review – 73/100

One of the surprises of the year was to see the return of Kino’s Journey, a very well regarded and more unique anime among those deemed classic. Many, myself included, were very much looking forward to the return of Kino and her talking Motorrad. Though due to some factors this series doesn’t quite live up […]

Girls’ Last Tour (Fall 2017) Review – 86/100

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak […]

Two tales of War: Reviewing The Heroic Legend of Arslan and Altair: A Record of Battles

It would not be an exaggeration to say that my favorite type of anime is the political-military epic. This comes partly out of my profession, I study war and politics, but also my hobby, as military and political history is something I enjoy. When it comes to anime there is a clear sub-category that can […]

The Night is Short, Walk On Girl (2017) Movie Review – 92.5/100

“How many decades have passed since our drinking contest?” “It hasn’t been that long. It was only a few hours ago, this very night!” That gap in time perceiving plays a significant role in Night is Short. For you see, it all depends on how our perception of the surroundings and time itself can affect […]

Ballroom e Youkoso Review – 65/100

In the weeks leading up to the summer 2017 season, Ballroom e Youkoso was one of the most buzzed-about new series. Produced by the Production I.G. team responsible for the smash hit Haikyuu!!, and set to air on Amazon’s brand new Anime Strike service, the series had no shortage of promotion or hype behind it. […]

Inuyashiki Review – 80/100

Do you know what the average age of an anime protagonist is? Neither do I, but I’d wager its in the upper teens. For obvious reasons, most anime focus on high school and have high school aged protagonists with similarly aged problems. Its not often that we get a good older main character, who has […]