Posted by psgels on 23 April 2009 with categories: Ristorante Paradiso



Short Synopsis: Nicoletta tells Claudio about her mother.
Episode Rating: 8/10 (Good)
I’m really not sure what’s up with this show’s tendency to spoil the biggest plot twists of every next episode but for some strange reason it works pretty well. Since this is a series that’s much more about the characters, rather than these fancy plot twists, which are only there in order to get the best out of the characters. In this episode for example, the most important thing wasn’t for Nicoletta to tell Claudio how the girlfriend of the owner is her own mother, but rather how the two of them start to gradually understand each other, and realize that they’re actually quite similar.

But really, this episode was good stuff, and I’m glad to say that the first three episodes of Ristorante have some of the most solid characters of the season. The advantage it has is that since it’s only 11 episodes, it can’t really waste any time building up like most of the other shows this season: while most of the other shows still have three months to go before they can get to the real meat of the story, RisPara is already there, and like Genji Monogatari in the previous season, it’s a very consistent romance show, although in comparison, the focus of RisPara lies more at the characters, when compared to the storytelling that was central in Genji Monogatari.

It’s obviously not a show for everyone, but you have to appreciate that finally we have a show in which the average age of the characters lies above thirty (perhaps even above forty). I can only think of two other anime who achieved the same: Real Drive (simply because two characters were in their eighties) and Millennium Actress.

It’s interesting how Nicoletta finally got a proper talk with her mother in this episode, and yet the two of them got along pretty easily, rather than Nicoletta trying to scratch her mother’s eyes out and it’s interesting how Olga even was worried about Nicoletta going after Claudio, and in the end she even encouraged her. Olga herself was immediately taken in by Lorenzo, and apparently that feeling came from both sides.

It’s also interesting how Claudio and Gabriella split up over a pretty trivial reason: her work became busier and in the end they got into a fight about a misunderstanding, and so they broke up, even though they seem to have settled their differences by now and are not in love anymore.

In any case, I’m glad to have stuck with this series. At one point I considered dropping this show from blogging instead of Natsu no Arashi, but looking back now, the latter is much more a show where you shut up and watch, and even though it’s probably the most underrated show of the season, I don’t think that there would have been much to say about it aside from that. The director of RisPara has a knack of getting the best out of short 13-episode series, and it’s a very interesting effect to see him dealing with a slow-paced romance show, instead of a suspenseful thriller or extremely sad wartime romance. He’s definitely able to show the best side of the original source material this way in only eleven episodes.

5 Responses

  1. schneider says:

    Hey, nice post. My favorite aspect of this show is the character relationships. Nicoletta and Olga alone are pretty complex in their own right. I’d love to see what happens in the future.

    I’ll be watching this episode shortly. :D

  2. smallDetails says:

    There really aren’t enough shows with older main characters, and since you seem to like this one so much, I’ll have to check it out. From how you’re describing the characters, it sounds like a show I’d enjoy.

    Also, I know you’re probably very busy, but there’s a show that it doesn’t seem like you’ve seen yet on my fave list, called Kurau: Phantom Memory. It’s sci-fi, the main character is a young woman (which is why this post reminded me of it), and has a nice balance between action and character-development. It also has some nice themes that address touchy topics.

  3. blergh says:

    Thanks again for dropping Natsu no Arashi even though you think it’s quite underrated and said previously that you’d rather support those shows that could really use more support. Obviously something everyone and their brother is blogging (the FMA remake) qualifies perfectly.

  4. psgels psgels says:

    Blergh: I really wish that I could satisfy everyone on this blog, but unfortunately that’s a bit impossible. Dropping FMA seemed like a good idea at the time, but a few days later I realized that I just have too many things that I want to say about that show, when compared to Natsu no Arashi. I really wish that I could also make some room to write up thoughts on Natsu no Arashi, but my time unfortunately isn’t endless, and I’m already blogging so many shows at this point.

  5. blergh says:

    Yeah well, I wouldn’t care that much if you
    1. hadn’t started it already
    2. hadn’t said you’d rather give support to shows that need it
    3. hadn’t said it’s underrated as it is

    btw it doesn’t make sense to explain this with both “I don’t have much to say” and “I don’t have time to say it”, because if there’s not much to say, time shouldn’t be much of an issue if you watch it anyway. Well whatever, it’s not like I can make you blog it.

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  • K-Off
    (Sunday, Jun 26. 2016 09:11 PM)
    But I agree with Bam in that the show has lots of moments where it shines, namely in the action and the entertaining character interactions. If I was interested more so in a character story rather than an overall plot, I’m sure I’d like Eva a lot more. Certain shows work really well purely off that principle like Phantasia, but by the time I got to Eva I’d gotten relatively desensitized to those character tropes. Shinji didn’t help much either.
  • K-Off
    (Sunday, Jun 26. 2016 09:07 PM)
    There’s no narrative thrusts throughout the show, it’s just scenes happening to get from one action set piece to the next all the while shoving blatant symbolism in your face. The little plot there is feels incredibly weak, aside from the world building there’s no clear objective besides a vague idea of defeating angels and something about Gendo that’s almost background noise with how little it affects the story.
  • K-Off
    (Sunday, Jun 26. 2016 09:03 PM)
    Having started watching anime only in the mid 2000s despite occasionally seeing them on TV during the 90s, I come from a school of thought that emphasizes coherence more than anything else, basically I want the story to have focus. And while Eva’s influence on character archetypes and animation cannot be argued, I still think the story in Eva is pretty bad.
  • AidanAK47
    (Sunday, Jun 26. 2016 07:56 PM)
    Judging purely visually I agree some leeway must be given due to the technical limitations of the time but all of my issues with the series is not visual related but story.
    I have admitted that I don’t hate Eva and I do like aspects of it. But do you really need me to give it praise? There is plenty giving it praise. I see no reason to join the choir.
  • AidanAK47
    (Sunday, Jun 26. 2016 07:51 PM)
    Now you are just flying off the hook.
    I understand Eva’s cultural significance, and it’s effect on the medium. I just deem it irrelevant when judging the anime itself. For you see dear boy, if you are going to place EVA above modern anime then you must judge it by modern standards. If it falls short you can’t just bring up historic significance to wave away it’s problems.
  • Bam
    (Sunday, Jun 26. 2016 05:46 PM)
    I praised Fate/Zero for its story, pacing and charismatic protagonist. UBW I agreed to its superb battle animation and overall quality of first cour. Now when someone watches EoE or Eva Rebuild 2.2 and comments on nothing of quality, then who is the biased one here really?
  • Bam
    (Sunday, Jun 26. 2016 05:34 PM)
    If anything at least call Shinji a shitty annoying character- cuz even I won’t deny that.
  • Bam
    (Sunday, Jun 26. 2016 05:25 PM)
    When I mean discussion I don’t mean a series of personal likes and dislikes- but judging objective elements: plot consistency, animation quality, restrain in fan-service and pandering, over reliance on tropes and cliches, etc. Otherwise we all have our different preferences.
  • Bam
    (Sunday, Jun 26. 2016 05:20 PM)
    I agree with the cons of Eva, as well as its strengths. Same with Fate. Being pessimistic is a stance, not inherently a flaw. The setting of Eva predicates that tone. If anything I have a bias towards Berserk, and that’s mostly all out of nostalgia.
  • Bam
    (Sunday, Jun 26. 2016 05:16 PM)
    Also what ladies? Even the “gentlemen” part is stretching it. It’s very easy for someone who didn’t follow anime 20 years ago to criticize one of its most historic moments. At least this Tenka Seiha fella doesn’t talk smack about what he doesn’t really understand.

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