Posted by psgels on 23 April 2009 with categories: Ristorante Paradiso



Short Synopsis: Nicoletta tells Claudio about her mother.
Episode Rating: 8/10 (Good)
I’m really not sure what’s up with this show’s tendency to spoil the biggest plot twists of every next episode but for some strange reason it works pretty well. Since this is a series that’s much more about the characters, rather than these fancy plot twists, which are only there in order to get the best out of the characters. In this episode for example, the most important thing wasn’t for Nicoletta to tell Claudio how the girlfriend of the owner is her own mother, but rather how the two of them start to gradually understand each other, and realize that they’re actually quite similar.

But really, this episode was good stuff, and I’m glad to say that the first three episodes of Ristorante have some of the most solid characters of the season. The advantage it has is that since it’s only 11 episodes, it can’t really waste any time building up like most of the other shows this season: while most of the other shows still have three months to go before they can get to the real meat of the story, RisPara is already there, and like Genji Monogatari in the previous season, it’s a very consistent romance show, although in comparison, the focus of RisPara lies more at the characters, when compared to the storytelling that was central in Genji Monogatari.

It’s obviously not a show for everyone, but you have to appreciate that finally we have a show in which the average age of the characters lies above thirty (perhaps even above forty). I can only think of two other anime who achieved the same: Real Drive (simply because two characters were in their eighties) and Millennium Actress.

It’s interesting how Nicoletta finally got a proper talk with her mother in this episode, and yet the two of them got along pretty easily, rather than Nicoletta trying to scratch her mother’s eyes out and it’s interesting how Olga even was worried about Nicoletta going after Claudio, and in the end she even encouraged her. Olga herself was immediately taken in by Lorenzo, and apparently that feeling came from both sides.

It’s also interesting how Claudio and Gabriella split up over a pretty trivial reason: her work became busier and in the end they got into a fight about a misunderstanding, and so they broke up, even though they seem to have settled their differences by now and are not in love anymore.

In any case, I’m glad to have stuck with this series. At one point I considered dropping this show from blogging instead of Natsu no Arashi, but looking back now, the latter is much more a show where you shut up and watch, and even though it’s probably the most underrated show of the season, I don’t think that there would have been much to say about it aside from that. The director of RisPara has a knack of getting the best out of short 13-episode series, and it’s a very interesting effect to see him dealing with a slow-paced romance show, instead of a suspenseful thriller or extremely sad wartime romance. He’s definitely able to show the best side of the original source material this way in only eleven episodes.

5 Responses

  1. schneider says:

    Hey, nice post. My favorite aspect of this show is the character relationships. Nicoletta and Olga alone are pretty complex in their own right. I’d love to see what happens in the future.

    I’ll be watching this episode shortly. :D

  2. smallDetails says:

    There really aren’t enough shows with older main characters, and since you seem to like this one so much, I’ll have to check it out. From how you’re describing the characters, it sounds like a show I’d enjoy.

    Also, I know you’re probably very busy, but there’s a show that it doesn’t seem like you’ve seen yet on my fave list, called Kurau: Phantom Memory. It’s sci-fi, the main character is a young woman (which is why this post reminded me of it), and has a nice balance between action and character-development. It also has some nice themes that address touchy topics.

  3. blergh says:

    Thanks again for dropping Natsu no Arashi even though you think it’s quite underrated and said previously that you’d rather support those shows that could really use more support. Obviously something everyone and their brother is blogging (the FMA remake) qualifies perfectly.

  4. psgels psgels says:

    Blergh: I really wish that I could satisfy everyone on this blog, but unfortunately that’s a bit impossible. Dropping FMA seemed like a good idea at the time, but a few days later I realized that I just have too many things that I want to say about that show, when compared to Natsu no Arashi. I really wish that I could also make some room to write up thoughts on Natsu no Arashi, but my time unfortunately isn’t endless, and I’m already blogging so many shows at this point.

  5. blergh says:

    Yeah well, I wouldn’t care that much if you
    1. hadn’t started it already
    2. hadn’t said you’d rather give support to shows that need it
    3. hadn’t said it’s underrated as it is

    btw it doesn’t make sense to explain this with both “I don’t have much to say” and “I don’t have time to say it”, because if there’s not much to say, time shouldn’t be much of an issue if you watch it anyway. Well whatever, it’s not like I can make you blog it.

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  • Emma
    (Friday, Mar 6. 2015 03:47 AM)
    I remember that same guy, during end of eva, pausing it over and over during that scene where asuka dies with all of those fast moving clips too.
  • Emma
    (Friday, Mar 6. 2015 03:39 AM)
    I remember catching it also when I was young with a friend and we looked back on a fanservice scene with shinji and rei and he mentioned “You know if you think about it that scene is damn disturbing when you think she’s a clone of/modelled after you know who…”
  • Emma
    (Friday, Mar 6. 2015 03:36 AM)
    Before Eva, when I was 11 or so my image of a mech anime was Nadesico…then it was eva and then I was like…Whoah…whoah God halp! =O
  • Emma
    (Friday, Mar 6. 2015 03:34 AM)
    I suppose credit where I feel it due, the angel designs are excellent and I remember getting the shock of my life when shinji’s eva went nuts and then there was a bit with Bardiel infect Toji’s unit. I remember at least Masatos boyfriend being a likeable character.
  • Emma
    (Friday, Mar 6. 2015 03:31 AM)
    I don’t think anyone was prepared for Eva, whether they liked the show or not, at 11 I can remember being horrified by end of eva and the series original ending as well as having my first moment of “Feck…theres a first…an anime that did something that scrambled my mind, I actually feel kind of thick now, this show is smarter than I am”.
  • Bam
    (Friday, Mar 6. 2015 03:27 AM)
    It really wouldn’t have been that hard to put a satisfying ending to the original series, wrap up the threads nicely and put a pretty ribbon on the package to finish it off. But Anno and friends took a risk and went against the tide and end up becoming the trope-namer for the Gainax Endings. That took balls and made things unexpected and fresh, cuz god knows that ,good guys win the day ‘is tired and boring.
  • Emma
    (Friday, Mar 6. 2015 03:26 AM)
    Requiem for a dream. I remember the guy who recommended that film saying to me “Even someone such as yourself who finds it hard to find/has high standards an emotionally investing film will get something out of requiem for a dream”
  • Bam
    (Friday, Mar 6. 2015 03:17 AM)
    @Emma: leaving a bad taste is pretty much the point of Eva, just as getting bummed out by Requiem For a Dream is the naturally intended effect. I don’t mind that you don’t enjoy Eva all that much Emma, l actually appreciate it over dishonest admiration. Just keep in mind that Eva deserves it’s special place in anime.
  • Emma
    (Friday, Mar 6. 2015 01:32 AM)
    But Eva just left a bad taste in my mouth as a whole, I understand that Bam you are very passinette about it and thats fine, I wasn’t aiming to provoke. I just feel that its frustrating that like alot of certain anime, that I am not allowed to dislike it or have reason to.
  • Emma
    (Friday, Mar 6. 2015 01:32 AM)
    If anything at least I found Ikuhara’s symbolism while obvious at least in utena and straightforward was at least visually interesting to look at.
    I love every David Lynch film and again I thought Lain was exceptional.

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