Posted by psgels on 27 April 2009 with categories: Shangri-La



Short Synopsis: Kuniko and Momoko head to Akihabara. Or what’s left of it.
Episode Rating: 7,5/10 (Good)
At first I thought that it would be best for me to simply follow the subs from this series, but after last week’s disaster with Tranquil Fansubs I’m just going to continue with the raws like I’m doing for most of the other shows I’m blogging. I’d rather miss a few details here and there than to sit through their “It’s so huge! It’s so huge!” It’s of course one thing to make slight translation errors, but it becomes a problem when a subtitle creates an extra flaw for a series. Shangri-la has its own problems, and it doesn’t need any more.

In any case, the animation of this series is a strange beast: during the first half of this episode, it actually looked quite capable… only to descend into the previous inconsistent quality in the second half. It’s the clear sign of a badly managed animation budget and outsourcing. I can’t seem to find anywhere who is supposed to be the chief animation director, but I think that this is the guy we need to blame for this.

Still, I’m not ready to give up on this show yet by far. While the show indeed isn’t anything amazing yet, it’s doing exactly what it should be doing right now: flesh out the setting and characters. This episode was a great way to show a bit more of the setting by showing how Akihabara has turned into some sort of black market paradise, and how these vastly different cities emerged when Tokyo got turned into a jungle. This series is in no way like Dragonaut, which even in its first episodes was one big heap of dullness, stock characters and predictability. I mean, who cares if it’s not amazing right now: there’s enough chance left for that. It’s clear that this isn’t a show that can be awesome right from the first minute, but there have been plenty of series with an average first half and an amazing second half. That’s what I’m hoping Shangri-la will turn into.

On a more negative side, there have been quite a few coincidences in this episode. The most unlikely ones:
– Kuniko’s mother is most likely confirmed to be Sayoko
– Miiko becomes instantly liked by Mikuni
– Momoko is Mikuni’s mother (?!?)
– Someone Kuniko knows lives in Akihabara. My guess would be either her father or brother.
– For some reason Karin can’t find any data about Kuniko.

Standalone those coincidences are obviously too much, but when you think about the causality between them, things start to get interesting. If Momoko indeed is Mikuni’s mother or father (depending on when exactly she got her sex change), it would make sense of Mikuni to like transvestites like Miiko. We now see that Kinuko is someone special, and perhaps the reason why Momoko left her ‘daughter’ had something to do with Kinuko, and somewhere along the way Miiko got involved. Now the question remains who that guy at the end of the episode was. There are still a few too coincidences, but provided that they’re well handled they shouldn’t prove to be that much of an annoyance. And besides, it’s good that these revelations come this early in the series. It’s much better than the alternative: a “LUKE I AM YOUR FATHER”-moment near the end.

8 Responses

  1. - Someone Kuniko knows lives in Akihabara. My guess would be either her father or brother.

  2. uuggghh . . . why my reply was cut =_=

    - Someone Kuniko knows lives in Akihabara. My guess would be either her father or brother.

    do you mean the guy with glasses at the end of the episode? if yes, my guess it’s Kusanagi. Well, the close-up in the preview of the episode really seems to be him. or maybe it’s just my wishful imagination. haha!

    Sayoko . . .I forgot who she was x_x

    I am also seeing the possibility of Momoko being Mikuni’s . . . parent.

  3. psgels psgels says:

    Hmm, I forgot who Kusanagi was. ^^;

    Anyway, Sayoko was the main assistant of Mikuni. Previously it was mentioned that Kuniko’s mother was at Atlas. It can’t be anyone but her.

  4. LOLz to mutual character forgetfulness!

    Kusanagi is the soldier with the dagger. It made a sound when it hit with Kuniko’s boomerang in one of the previous episodes.

    Ah, if I understood correctly, Sayoko’s the one in the upper right screenshot?

    Ah, I see. In a way it makes sense. But there’s a possibility her mother’s a different character that hasn’t made her appearance yet? I dunno. ^^; I just can’t . . . see her connected to Kuniko. Hehe

  5. dm00 says:

    It may be my imagination, but I’ve come to think that this series is constantly flirting with the fourth wall in ways of varying subtlety — take, for example, the otaku ecstacy over a real girl wearing a real school uniform. Other than inciting otaku ecstacy why does Kuniko wear sailor-fuku (maybe it’s explained in the novel, where her dress is similar). I also think Kusanagi’s “polka dots” in episode two referred to Kuniko’s panties — but the series (from Strike Witches Gonzo no less!) has never shown cartwheeling Kuniko’s panties.

    That’s all prologue to saying that I think the “inconsistent animation” of the second half was actually a deliberate shift in animation style to one more Akihabara/Otaku-like.

  6. Rob Hiengler says:

    “While the show indeed isn’t anything amazing yet..”

    As I recall Guin Saga was doing some pretty amazing things within 2 episodes.

    Anywho resetting trade records? Whatever that does, considering this people i.e. the traders will notice a change in value of whatever is on the screen (presumably stock value etc.) and wonder why, and they will see the trade has been reset so they’ll just do the trade again not to mention know that someone “hacked” the system – back to square one. Its nonsense and quite honestly stupid.

  7. Rob Hiengler says:

    Again this show has no understanding of what the carbon economy is. It’s about limiting carbon emissions, selling people’s quotas to others not selling graphite.

    Graphite – how F-ing stupid. I mean synthetic graphite can be manufactured from amorphous carbon i.e. coke and coal. Burn a couple of trees flood the market and graphite is worthless.

  8. sigundul says:

    This is the worst anime I’ve ever watched. The story has no rule whatsoever and the author just keep pulling things off the thin air. While the whole carbon market and hacking in this anime is plain dump, it even has a bigger problem regarding its storyline. For example, why on earth that Lady Mikuni cannot kill Ryoko instantly just like she killed many of her servants? It was obvious that Ryoko blatantly lied to her yet she could not figure it out nor killed her for it. I thought sensing lies and killing liars are Mikuni’s power.

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  • Vincent
    (Friday, Jan 30. 2015 01:36 AM)
    Himouto is getting an anime my god. The hype is up
  • Bam
    (Thursday, Jan 29. 2015 06:49 AM)
    Yeah the ear-monster from Garden of Eartly Delights is in the eclipse.
  • Bam
    (Thursday, Jan 29. 2015 06:48 AM)
    @Emma: lol no not you, that Anime Campus ad and the way every word is capitalized.
  • Emma
    (Thursday, Jan 29. 2015 06:47 AM)
    @Bam: I bring him up because apparently somewhere in the berserk manga Miura took inspiration for one of the panels and it was to do with one of the godhand characters.
  • Emma
    (Thursday, Jan 29. 2015 06:45 AM)
    @Bam: O- shi- =P I rushed that comment cause I had to rush out to do something which is why it sounds so phoned in lol
  • Bam
    (Thursday, Jan 29. 2015 06:45 AM)
    If you’re talking about Hieronymus Bosch then yes. I have seen two or three triptychs from him which are vividly detailed and thematic. I enjoy this medieval type of art.
  • Bam
    (Thursday, Jan 29. 2015 06:42 AM)
    That’s a weird way to type.
  • Emma
    (Thursday, Jan 29. 2015 06:38 AM)
    @Bam: Currently looking a the awesome art of Bosch at the moment you a fan?
  • Anime Campus
    (Thursday, Jan 29. 2015 06:28 AM)
    Watch Anime Online for Free in English Subbed. Daily Anime Episode Updates.No Lags No Ads, We Have Updated Animes Sources For Online Streaming, Fastest Streaming Anime Sources, Enjoy Watching Anime.
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  • Bam
    (Thursday, Jan 29. 2015 06:19 AM)
    The German/Russian cartoons had no dialogue or description, but they were instead symbolic philosophical musings; like a painting of a man sitting on a tree and sawing off the very branch he is siting on.

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