Posted on 31 May 2009 with categories: Guin Saga



Aah! This show so badly deserves better animation! Having Satelight as the animation production company is both a bliss and a curse: the graphics sure look imposing. The designs for this series are absolutely beautiful, but the animation is just incredibly messy and full of cut corners and very obviously rushed. What a bloody shame, because this series really deserves to look beautiful.

As for the rest of this episode: Guin Saga yet again showed that it excels at detailing and describing all sorts of different cultures and people. This episode gives a proper introduction to the giant people that Guin went after, and again a lot of imagination went into designing these people. Standalone, they’re a bit stereotypical, but when put in context with the rest of the series they fit so well. With such a huge cast, this series has already shown that it isn’t the best at characterization: for Guin Saga it’s really the bigger picture that makes it stand out.

This episode also shows Istvan’s part of Guin’s plan come to fruition as he successfully manages to kill off one of the major generals from the Mongols. It’s also interesting how he never seemed to take his mission personally, and actually came to like Marius before he killed him off. It’s good to run into a series that doesn’t have the “I can’t kill him! He’s my friend”-mentality.

Rating: * (Good)
Sub-par animation, but that’s not stopping this series from delivering a fantasy-epic.

Posted on with categories: Full Metal Alchemist - Brotherhood



Yeah, this episode proves it: the creators really were trying to rush through the first bunch of chapters for the sake of those who already watched the first series. This episode was much slower paced than the previous eight episodes, and it allowed for a lot of time to flesh out the characters. For once we have an episode without action that instead focuses on characters, and although quite a few parts of this episode did return in the anime at one point, it was an enjoyable episode.

The comedy was a bit overkill, though. It was definitely funny, but some of the jokes missed the mark; especially the ones in which Ed started yelling. Energetic jokes don’t suit this series: its humour is at its best when it’s subtle, not when the characters are jumping around and yelling like a bunch of overexcitable teenagers.

One big issue that was solved pretty fast was Al’s doubts about Ed’s intentions. If I recall correctly, in the original series it took him tens of episodes of emo-ing before he spoke up his mind, though here they managed to set their differences within an episode. It’s two different approaches which both make sense in their context. My only complaint about the way it was handled in the original series was that Al’s development wasn’t really moving in the time he was wondering whether he was brainwashed by Ed.

There was also a nice Easter-egg when Izumi and Sig Curtis walked past in the train station. That’s the second time that we see familiar faces at a train station, so perhaps it’s going to be used in the future again.

Another big difference with the first season is that the Humonculi don’t seem to want anyone to find out about the philosopher’s stone. They seemed to be using Lior in order to track down the idiots who were searching for it, kept track on them and whenever they’d get too close they seem to be destroying the evidence that was left. Their motive in the original series was to become human, but I don’t think that that’s their intention here.

Rating: (Enjoyable)
While the comedy didn’t always work, the new parts of this episode were pretty good.

Posted on with categories: Cross Game



Oh, I must say that after watching the first season of Major, it’s so delightfully refreshing to watch another baseball match in which the lead pitcher isn’t god-moded beyond belief. This episode showed the very first baseball match of this season (a practice match between the good team and the bad team), and I must say that I’m very surprised.

I really was convinced that Kou was hiding some sort of superhuman abilities, but at this point he’s actually worse than Aoba. The thing with him is that he’s got a lot of uncontrolled power, and he lacks a lot of experience when compared to Aoba, who really knows every single detail about the sport (and also shows this in this episode, detailing exactly what the weaknesses are for every player in the opposing team. This power does make him a very good hitter, though, but even with that I may be wrong, since all he did was hitting a home-run off Senda. He has yet to prove himself in front of a real pitcher.

I also love how Senda actually proved to be useful in this episode. From the outside he looks a lot like your typical idiot, but unlike most series who just use characters like him for comedy, he does have his points where he’s useful, and is actually a pretty good short stop. In terms of tactics, this series really pays very detailed attention to every character’s strengths and weaknesses. It’s very ironic how this series looks so childish and simple, and yet it yet again establishes itself as the smartest series of the season.

One thing that I really hope now is to see Aoba in action again. She really showed her experience in this episode despite being so young, and it’d be a real shame if from now on she’d just watch behind the sidelines to see Kou pitch, improve himself and get his power under control. It’s in these cases a huge shame that there also isn’t a girl’s team at the high school.

Rating: ** (Excellent)
First match of the series, and it delivers.

Posted on with categories: Monthly Summaries

My opinion on this season? Awesome. It really is one of the best seasons we’ve had in years, and especially the series I’ve been blogging haven’t disappointed at all so far. This season is especially excels in characters: there are lots of series with excellent characterizations and that make use of lots of quiet moment in order to flesh out their cast. A lot of the series this season are slow paced, but there are also some roller-coaster rides among them and overall, I’m very satisfied. I’m not sure whether this correlates to an almost complete lack of series from the mecha-genre (apart from two shows, but those are either so delightfully different from all of the mecha-series that we’ve been seeing for the past years, and/or know that they’re not supposed to be taken 100% seriously).

Rankings, like last month are a bit strange again, I basically tried to generate the rankings for each show, compared to the others that are currently airing. Say, for example that Show A has a really good setting, and there are only a few other shows with a better setting, it’s going to rank higher than if there are many shows with excellent settings, and vice versa. I know that it’s a bit weird, but for some reason it does more accurately reflect my feelings about the shows this season.

#25 (31) – Higepiyo – (6,75/10) – I dropped this show after episode six or something. It’s a shame that the only gimmick this show really had was the moustache. Apart from that it’s just been reusing its jokes over and over again.
#24 (20) – Koukaku no Regios – (7,5/10) – Okay, so the finale has finally started. This is the point where everything is supposed to come together, and sure enough: the characters are developing quite nicely… If only the plot knew where it wanted to go. For some reason the filth monsters have suddenly become incredibly weak, characters are conveniently zapped from one place to the other without much explanation, there are lots of pacing issues and with all the build-up of the rest of the series, it still feels like things haven’t been built up and introduced well enough. I hope that the finale can prevent this series from becoming a true disappointment, but things aren’t looking good.
#23 (11) – Kurokami the Animation – (7/10) – Aah! Sunrise, what are you doing?! There was a lot of potential going for this series once it hit its second half, but this month completely raped any potential this series had left. The way Keita came back to life without any explanation whatsoever, combined with a truckload full of other badly planned Deus ex Machina completely destroyed all the credibility this series had going for it. The final nail in the coffin for this thing was Reishin’s comeback, including his complete loss of any kind of personality whatsoever. Reishin’s background and the explanation why he became the bad guy was also laughable at best.
#22 (25) – Saki – (7,75/10) – You know, this series would have been much better if the creators actually knew a DAMN THING about Mah-jong. Right now, the matches are all “ooh look at how incredibly strong she is!” and “wow she’s even stronger”. There’s too much moe, there’s too much fanservice, but I have yet to drop this series because the characters do remain charming.
#21 (18) – Valkyria Chronicles – (7,5/10) – I’m still looking for a reason to continue watching this series, because it’s getting duller and duller now that some sort of generic ancient civilization of the Valkyrians has been introduced. Seriously, Guin Saga is currently doing just about everything better than this series is.
#20 (13) – Sengoku Basara – (7,75/10) – I want to like this series, but something is stopping me from it. My impression is that it’s in a bit of an identity crisis: it keeps hopping back and forth between GAR and epic manliness and historical politically correct warfare, but it doesn’t succeed in bringing out the best in either of them and they seem to be working against each other, rather than complementing.This really isn’t the best GAR series this season, and for historical warfare in feudal Japan we have Bakumatsu Kikansetsu Irohanihoheto which has done a much better job at that, so I’m running out of things to recommend this series for.
#19 (19) – Chi’s New Address – (8,25/10) – There’s a really big difference with the first season now that Chi no longer has to stay in the house, but it’s still a really funny comedy. Right now the creators are introducing all sorts of interesting characters (I especially loved the return of the pet shop saleswoman) and Chi really is as lovable as ever.
#18 (new) – Melancholy of Haruhi Suzumiya – (8/10) – Well, it’s pretty much what I remember it to be: whenever Haruhi opened her mouth I wanted to punch the screen, but as soon as that annoyance left and the focus returned back to Kyon, Mikuru and Yuki it suddenly got a lot more interesting. I’m glad to see that this show hasn’t lost its wit yet. Now if only the fan-base would get less annoying and overwhelming.
#17 (22) – Gintama – (8,25/10) – Now this is more like it! I’m not sure what exactly happened, but this month Gintama showed that it most definitely can continue on with its new director, and that the guy can actually be funny and compelling. While still nowhere as good as it once was, the past few episodes released on fansubs have been a large step into the right direction.
#16 (16) – Shin Mazinger Shougenki! Z-Hen – (8,5/10) – Now this is pure entertainment! I really have a weakness for that retro cheese, but the new Mazinger is shaping up to be a really enjoyable series that tries just about everything to make an as big spectacle as possible, without falling into the same pitfalls as the likes of Code Geass by sacrificing solid storytelling for entertainment. I especially like how the creators seem to realize that mecha-battles alone are boring, so they made sure that most of the action happens outside of Mazinger, while they still keep Mazinger central to the plot by simply making him god-like whenever he gets the chance (not often) to show his awesome powers.
#15 (10) – Hetalia Axis Powers – (8,5/10) – There really is just one word needed to describe this series: brilliant. I especially love it when this series starts messing with cultural differences (especially the “in heaven” and “in hell”-songs were priceless), and I still find it a bloody shame that the Netherlands isn’t a character that’s made fun of.
#14 (12) – Marie & Gali – (8,5/10) – Oh, this series doesn’t make one iota of sense, but I like it so much. Every episode, there’s just so much weirdness going on, and I absolutely love the huge amount of creativity that the creators have. I’m glad to see that this show doesn’t seem to be ending after only thirteen episodes, because that’s just too little in order to show everything about this very strange setting in which Marie Curie bakes radioactive cookies and Newton is in love with apples.
#13 (14) – 07-Ghost – (8,25/10) – 07-Ghost has been a very strange beast. Unlike some other shows this season, it doesn’t have something it stands out in particular. It’s not the most ambitious series, its setting is on purpose kept very small, fillers are used to flesh out the characters. But what it does, it does very well. The characters are very enjoyable to watch and especially the fights and battles are very well coordinated and written, with just enough dialogue and just enough action without any of the two getting in the other’s way.
#12 (21) – Full Metal Alchemist – Brotherhood – (8,5/10) – In eight episodes, this show did what the original series took more than 21. Still, I already like it much better than the original series: the comedy and action mix well, there’s always something going on and the characterization is just so much better. Now that the two series are finally about to diverge from each other, I’m interested to see where the creators can take this.
#11 (5) – Guin Saga – (8,5/10) – Now that this series has also included medieval warfare between large armies, it really has caught my attention. About the only downside to this show is the really inconsistent animation (which really needs to be top-notch with this kind of series), but the whole setting, Guin, the enemy Mongols. Everything is compelling to watch further, despite the slow pacing.

#10 (3) – Pandora Hearts – (8,5/10)

Not as good as the previous month, but still an excellent series with great chemistry between the three lead characters. It’s obviously building up right now, so I’m eagerly waiting what it’s planning to do with the rest of the series, considering the creativity that it has already shown us. I just hope that the bit of the cheese shown in a few episodes between Oz and Raven isn’t going to return.

#9 (8) – Basquash! – (8,5/10)

Ah, Basquash. I’m still amazed at how behind the childish characters, weird fanservice and weird plot, there’s a surprisingly deep story lying. The characters are very well written and enjoyable to watch, though the fanservice can become a bit too overwhelming at times.

#8 (7) – Ristorante Paradiso – (8,5/10)

It’s interesting how all of the characters seem to have their own issues in the past, and yet this remains such a charming and quiet slice of life series. At the moment, the characters are getting fleshed out really well, and it’s enough to just watch this series for the characters and their daily lives, spiced up with a bit of their pasts. I felt like I really got to know these people.

#7 (15) – Hajime no Ippo – (8,75/10)

Now this is more like it. The Brian Hawk-arc took a long while to build up, but it’s been SO intense so far. Especially after the fighting started, I just can’t wait until that next episode gets released.

#6 (6) – Natsu no Arashi – (8,75/10)

This show has really proven a great execution, with a very nice combination between comedy episodes and serious ones, which both deliver in their own way to the main storyline. The comedy-episodes are really hilarious (thanks to Jun), and really: at the beginning of the show, did anyone expect to see the characters standing amidst a sea of fire in the midst of World War II?

#5 (1) – Eden of the East – (8,75/10)

Well, so while this show isn’t the best of the season anymore, it still is rock-solid with believable and likable characters. This month was mostly used for building up, though my one gripe is that it’s going to be such a long wait until the movie is going to come with all of the answers.

#4 (17) – Shangri-La – (8,75/10)

At first sight it’s stupid, silly and very incoherent, but as it turns out Shangri-la has much, much more to offer than just that. It’s a clever, compelling and confronting series with a lot of creativity in the story-writing. Every one or two episodes, the mood, themes and atmosphere completely change when the focus falls on something different, while the series still remains strong as a whole. Definitely one of the dark horses of the season.

#3 (2) – Cross Game – (9/10)

Possibly the smartest series of the entire season. This series has wit, but more importantly it has such a lovable cast of characters. Everyone is simply compelling in their actions, antics and development, and this series is just a must-watch for any slice of life fans, even those who have nothing with baseball.

#2 (4) – Phantom – (9,25/10)

What a fantastically subtle characterization of the lead couple. This series without a doubt stands among the top of this season and is definitely recommended if you’re looking for deep and well developed characters (and it’s only been nine episodes so far). This has a really good chance of becoming Bee-Train’s best series after .Hack//Sign.

#1 (9) – Konnichiwa Anne – (9,25/10)

After the first two episodes, I never expected that right now this series would already have been as good as it has shown now. You’d expect that in these first few months, this series would be quiet and nothing much would happen, but instead EVERY SINGLE episode has been awesome this month, ranging from Elisa leaving the house to childbirth to Ben’s drinking problems. There’s always something to make something special out of this series. And what a bittersweet series it has turned into!

Posted on 29 May 2009 with categories: Phantom



With this episode, Phantom yet again proves that it’s one of the top shows this season. It’s much quieter than the previous episode, and yet there was so much growth in Ein an Zwei’s character(or should I say, Reiji and Helen’s). Especially the conversations between Reiji and Helen were utterly astonishing. The creators have got such a great feeling for their characters.

Helen, who has so far only worked for Scythe, and only lived for the guy finally realizes that there is someone else who cares for her. It must have been a complete shock for her to learn how far Reiji is willing to go for her, even to the point of throwing his entire past away. It turns out that the only reason she appeared so strong in front of Reiji was because Scythe ordered her to.

I was also really surprised at how early Scythe managed to find Helen, and how easily Inferno tracked down Reiji and that they showed hardly any mercy to them. Reiji got punched over and over in order to get information out of him, while who knows what happened to Helen after Scythe found her. The next episode should prove to be yet another treat. There’s no doubt that Reiji is going to succeed in killing Scythe, but just imagine what kind of effect that would have on Helen. I can’t wait!

Rating: ** (Excellent)
A very quiet episode, but Reiji and Helen made it worth every single second.

Posted on with categories: Basquash!



This series is weird. Really weird. This episode again: it’s one of these episodes that’s not supposed to be good… and yet it is.

To give a quick summary: this episode had a hot spring sequence, including the girls comparing each other’ breast sizes. The three idols turn out to be able to play basketball. They challenge Team Basquash for a match. Then one of the idols accidentally bumps into Dan and the two fall in love, while one of the other idols falls in love with Iceman. Later this episode, our little princess (still pretending to be a guy) professes herself as one of the idol group’s top fans and starts singing while the rest plays basketball. I have truly lost count of the amount of fanservice clichés that this episode used.

I’m still not exactly sure why I didn’t hate this episode. Perhaps it was the fact that at this point you’d really expect crazy things like this from this series, Perhaps it was that point at which Pink Idol (I’m too lazy right now to look up their names) got hit by one of Iceman’s crazy Destroys, started crying like a little girl, and Dan completely forgot about his embarrassments and the game because it reminded him of Coco’s accident.

But yeah, I should have seen it coming that Dan would end up as a couple with Pink Idol, with Shoji Kawamori as the chief director and all. Still, in this case it’s a pretty fresh concept, since for once we don’t have a shounen lead falling in love with one of the lead females. But yeah, on the other side the inclusion of idols of course pretty much fits with the themes of this series: this is a series about fandom, and of course idols have their completely different fandom when compared to the basketball players like Dan.

Rating: (Enjoyable)
Fanservice, fanservice and more fanservice… and surprisingly fresh romance.

Posted on with categories: Pandora Hearts



I must say, I like Echo a lot with this episode. Her antics are really fun to watch.

This episode also sheds a bit more light on the mysterious Vincent Nightray, who seems to be central to the plot’s mysteries. The guy looks a lot like the one that was with Alice when she was young, and for some reason he’s very interested to see the potential in either her grown up version or Oz himself. I have reasons to believe that he was the one who sent Break after Oz in the first place. There seems to be a lot going on in that Nightray family that’s being kept secret of us.

In any case, the rest of this episode showed Oz a situation he can relate to very much: fathers. Because he grew up with such a terrible father he really wishes for nobody to go through the same things as he did (speaking of which, what happened to that bugger in the past ten years anyway?). And sure enough, this features a kid who is about to lose his father to a monster of the Abyss. Yet again it’s an episode that’s meant to enforce the bond between Oz on one side and Gilbert and Alice on the other side, who both never had a parent in the first place (or can’t remember them anyway) and can’t relate to how much Oz wanted to have respect from his father.

Rating: * (Good)
Building up, but this show is still going strong.

Posted on with categories: Eden of the East



Okay, this episode is probably the one that sets up the story for the final arc of this series. With three episodes left until the movie, I have to say that this show turned out to be quite a bit different than I imagined. With 12 Selecao, you’d expect each episode to focus on a different one of them to see how they decided to try and change the world, but the creators cleverly tried to stay out of that formula and instead are going to explore what lies below everything.

Having said that, this wasn’t the most exciting episode though. I really wonder how Akira knew that Shiratori had wings, and what is it with his dreams about “Johnnies”? The parts with Oosugi were also quite annoying, especially when he got jealous for Saki and all. I really don’t know what a pointless love triangle is going to add to this series, especially when there’s no doubt that Akira and Saki are going to end up together.

Still, I like Micchon a lot. Finally we see an actual believable programmer (seriously, most programmers you see in anime nowadays are nothing but l33t hax0rz instead of the software developers that you’d assume them to be, but that’s just me being the computer science student that I am) and that Pants-guy intrigues me, and it’s going to be interesting to see how they’re going to deal with the Selecao system.

Also, I’ve been wondering: what’s up with those squares on everyone’s faces? Are they meant to be subtle shadows or something?

Rating: * (Good)
Quiet building up episode.

Posted on 28 May 2009 with categories: Ristorante Paradiso



Misleading previews are very misleading. Really, the first episodes showed the big climaxes of their next episode, and so with the way the next-episode previews are so forcefully inserted after the end of the episode, it really makes you create expectations for that next episode. So, let me ask why the heck the previews for the past few episodes were so incredibly misleading. I was believing that this episode would turn into a date between Nicoletta and Claudio, only for the majority of this episode to focus on Luciano and the date turned out to be an incredibly small thing meant for building up.

So yeah, this was a really good episode about the birthday party for Luciano’s grandson. And really, you can’t get more slice-of-life than this, and it was such a great way to look into Luciano’s character. It’s SO devoid of any sort of clichés, and it really was such a charming episode, seeing everyone prepare and celebrate Francesco’s birthday.

At this point, you can really consider me a fan of Mitsuko Kase, the director. After this series, I’m convinced that she(he?) has her own style: she doesn’t care being mainstream, and what she excels in is subtly fleshing out her characters, with that kind of subtlety that’s really hard to put into words, and yet I’ve noticed the same with both Saikano, Crystal Blaze and Ristorante Paradiso. Her biggest fault is that she tends to be a bit too emo at times (for which Rispara is of course a great way to get rid of that nasty habit). I have really enjoyed the characterization of her works so far (yeah, I don’t care whether I’m the only one who believes so, but Crystal Blaze rocked).

With this, there are only four episodes left. Two will be spent on the remaining members of the cast (Teo and Furio), while the final two will probably wrap up the story between Claudio and Nicoletta, and I wonder what kind of path the creators will go into. This series has already shown that it isn’t of the type “and they killed the dragon and lived happily ever after”. In fact, it doesn’t seem to follow any formula at all, and I really wish that the creators can keep this up, while doing something with the romantic tension between Nicoletta and Claudio at the same time.

Rating: ** (Excellent)
A Luciano episode, still as calm and fresh as ever.

Posted on 27 May 2009 with categories: Anime Reviews



It’s probably no surprise that romantic comedies are among my least favourite genres in anime. The reason for that is that 90% of the bunch just looks way too damn much like each other, is too afraid to go beyond the usual genre tropes, and/or just plain lazy. Nevertheless, I definitely enjoy that remaining ten percent that manages to avoid these pitfalls. Full Metal Panic belongs to those 10%, and is another example of a Good Gonzo series.

Full Metal Panic is a story that combines this romantic comedy with futuristic military combat (mechas included), and it tells the story of a teen-aged army sergeant (Sousuke) who grew up as a child soldier that ends up protecting a not-so-regular high school girl (Chidori). These two really are the reason why you would want to watch this series: even though the series is seven years old by now, they’re still fresh and dynamic, and the relationship between the two of them really grows on you. Sousuke’s socially inept antics will delight any fan of deadpan humour, while Chidori herself quickly sets herself apart from all other overused tsunderes with her wit. The two shine in the comedic part with some fresh jokes, but they definitely impress the most when they get serious.

Overall, this series has made a good use of its airtime; it consists out of four arcs, which all serve their own purpose: the first arc serves as introduction, the second fleshes out, the third one provides background and in the fourth one everything comes together in a great climax. This series knows how to build up and finish off with an impact, though my one complaint is that the comedy and drama don’t try to mix at all: an episode is either focused at completely at comedy or completely at drama; there’s hardly any in between.

Full Metal Panic is a series that shines in the way it takes a bunch of cliches, and makes them actually believable. Mechas and romantic comedies have been done to death before, but in this series, it’s actually made plausible: the situations that the characters are thrusted in make quite a bit of sense. The military side of the story is fleshed out really well and the battles are pretty realistic for anime’s standards. And take the seemingly oddball character of Tessa: she’s a young girl who commands an entire crew of a hyper-modern submarine. Throughout the course of the season, you can and will be wondering why the heck she is at such a position. And yeah, while there is of course no way that this would ever happen, her actions at the end of the series will have you convinced that she at least deserved her position.

Unfortunately, there were cliches that even this series didn’t escape (I’m looking at you, walking-into-bathroom-naked) and the building up during the drama parts does take a bit of patience when everything is being set up because during these parts there isn’t a lot that is going to make you keep watching, but the climaxes will definitely deliver in the end. My biggest complaint is that the main villain lacks any sort of background whatsoever: he’s definitely one of he smarter vilains out there, but he could have become so much better if we actually KNEW WO HE WAS. There are a few annoying side-characters (I’m looking at you, Chidori’s classmates), but overall Full Metal Panic can boast a well developed main cast, and I’m interested to see what Kyoani could have added to their development when they took over the franchise.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
CHANGE USERNAME
Anonymous1829447
Well, one last thing. I understand that anime like games or movies are a refuge for people who want to escape from politics for a second. But when mangakas bring those topics up themselves with stupid yaoi, gender bender, or yuri fan service, they're the ones politicizing anime and manga, not people like me. If they'd treat it with respect, then there would be no need for outcry.
Kaiser-Eoghan
@Lenlo: Eh sorry about that, I almost launched into a rant about tumblr.
Lenlo
Yeah, id prefer not to get to political in this chat, but I agree with Aidan. Theres a limit, and I strike that limit at the + of LGBTQ+. There comes a point where your just making things up to be special
Kaiser-Eoghan
Looking back I probably read hourou musuko initially to get a better understanding of the topic it covered.
Kaiser-Eoghan
Not looking for cares/attention/fellating/self promoting, just felt a moment to pseudo-intellectualize because it was related to the identity topic.
Kaiser-Eoghan
From a psychological standpoint, apparently this is linked in with autism to some level.
Kaiser-Eoghan
The idea of cosplay as a thing is fascinating honestly as an escapist thing.
Kaiser-Eoghan
And I imagine it would probably be easier to interact in a relationship as someone else, of course with them being aware of that.
Kaiser-Eoghan
More in a religious/spiritual sense however and having a greater sense of identity/feeling through temporarily taking on the role of someone else.
Kaiser-Eoghan
but the person themselves.
Kaiser-Eoghan
I did have ideas after hourou musuko and also finding out someone was trans that that might have applied to me and I still use female names in some sites but I really just came to realize it wasn't about trying the female clothes thing numerous times, wasn't trans(vestite or sexual), really pretty much found out I temporarily can take on roles of what/who I dress as, not due to gender
Kaiser-Eoghan
Oh, tumblr sjws are a parody of leftism /activism .
AidanAK47
People have the right to be whatever they want to be. That said there is a line when it comes to respecting peoples choices. For example, I don't think we need Tumblrs 40 different Genders.
Kaiser-Eoghan
@Anon: I haven't read the lesbian experience one.
Kaiser-Eoghan
Love my life was another good one, a serious shoujo-ai manga.
Anonymous1829213
That's unfortunate. TvT
Anonymous1829200
no thanks
Anonymous1829213
In the future though, I'd like to see something exploring sexuality as a whole even further. Even LGBT in and of itself implies a gender/sexuality binary. Let's get into the gender neutral/fluid, pansexuality, and so on as well. :.D
Anonymous1829200
and i like the
Anonymous1829200
i have one
Anonymous1829213
And I definitely agree - those manga exist and are excellent. ^_^
Anonymous1829213
*Shimanami
Anonymous1829213
And in regards to the celebrities themselves acting flamboyant or playing into stereotypes, why do you think those are the ones who are famous? They are allowed to be, because they paint a comical picture that is more easily accepted by the public. This is why Hourou Musuko and manga like Shiranami Tasogare/My Lesbian Experience with Loneliness are so amazing by painting people as actual humans
Kaiser-Eoghan
There ARE good shoujo-ai manga of course, girlfriends, aoi hana and yaoi like haru wo deiteita.
Kaiser-Eoghan
@CoolerAnon: I notice that bisexuality isn't much addressed in these things , the coming out thing doesn't often come into it.
Anonymous1829213
@Other Anon: You might add that a lot of those shows also perpetuate some pretty extreme stereotypes and male light of other of serious issues (i.e. the perception others have of LGBT people and that LGBT people have towards themselves, the experience of coming out, etc. etc.)
Kaiser-Eoghan
By lol coincidence he seems to have also voiced a pokemon character too.
Kaiser-Eoghan
*re-incarnation of, not evolved
Kaiser-Eoghan
Totally based, hilarious guy to, once claimed jokingly in an interview he was the evolved form of pikachu.
Kaiser-Eoghan
@Anon: There is a view of the transvestite as a "silly joke character" even in live action media there thats connected to homosexuallity but I'd say in most cases the person themselves is into it, Akihiro Miwa, famous Japanese gay actor played up that flamboyant drag act since the 60s.
Kaiser-Eoghan
@Anon: That is well known to me. Also its seen as anti-conform and I heard that the teachers don't know what to do when people are bullied over it, some of them think its down to mental illness.
Anonymous1829154
How japanese media portray lgbtq issues is a problem to this day. Sure shoujo, gender bender, and yaoi genres are mainstream, but at the end of the day people are expected to eventually "grow out of it" and find heterosexual partners in the end. Pretty patronizing
SuperMario
Oh shit, I didn't realize I put Wandering Children instead of Wandering Son in the title. Thanks for pointing that out Kaiser
Kaiser-Eoghan
@Mario: Shuu, mai precious lil' Babbu *hugs*
Kaiser-Eoghan
lol Okadas best anime work cause she didn't really write it lol
SuperMario
I will read on the manga to see how these kids growing up. Boy do i love this cast
Kaiser-Eoghan
@Mario: I suppose thats fair enough.
SuperMario
@Aidan: yeah, I know I stretched that image a bit but for some reasons I was goddamn hard to find an image for Wandering Son that I liked. Will make a slideshow later today to see if it looks better
SuperMario
@Kaiser: yeah I call them by their physical gender because at that stage, they haven't come out yet, right? If I remember correctly, Shuu still regards himself as "boku" rather than "watashi"
Kaiser-Eoghan
I guess this amuses me mostly because theres a jokey line later on in the manga where the girl with shu says "Ha, guess this makes me a lesbian"
Kaiser-Eoghan
There has been some theory/suggestion that Doi is attracted to shuu seeing shuu's femininty, seeing shuu as a woman .
Kaiser-Eoghan
Later in the manga Takatsuki stops having these feelings toward masculinity, which is addressing adolescent confusion.
Kaiser-Eoghan
Sorry about this really hope I don't come off as trying to start anything/an arguement/coming off as an asshole here.
Kaiser-Eoghan
Whats really interesting about hourou musuko is that in addition to Takako Shimura being a Lesbian , by choosing a mtf character as the protaganist and with shuu's relationship with a biological woman later in the manga, she is dealing with an even more interesting issue of whats called by Lesbians as Trans-lesbianism.
Kaiser-Eoghan
Transexual, mtf or ftm are probably the more accurate words to use as transgender also includes transvestite which is a different thing.
Kaiser-Eoghan
Its a very good review though, you don't have to change anything I'm probably being overly anal about it.
Kaiser-Eoghan
Was wandering Children chosen instead of wandering son to avoid suggesting pronouns in the title? But then the text of the review uses shuus physical rather than psychological gender. I'm not preaching or asking for changes or complaining, I just found this somewhat contradictory.
AidanAK47
Oh Tomogui Kyoushitsu? That is a weird death game manga.
Kaiser-Eoghan
*Checks manga cover* Goes in expecting bondage manga *its a cannibalism horror manga instead*
Kaiser-Eoghan
Probably just me, but I feel the top two pictures should have a gap between them.
AidanAK47
I would recommend replacing the top image of wandering son. Cause you killed the quality of it by stretching it. Never stretch an image.
Lenlo
Id recommend some kind of slideshow or something Mario. For me, its a big sudden blob of images. But thats just me.
Kaiser-Eoghan
I wouldn't deny a single criticism of the Junji Ito adaptation, and yet despite it all it works for me , I forgive it because the imagination goes such a long way with me, I don't even mind that some of them aren't fully developed either, don't need things to be too tidy or explain everything.
Kaiser-Eoghan
@Mario: Eh, Maverick was a fairly rubbish, thrown in villain but I liked Lunatics backstory how it linked in with the twist his father was that big hero guy mentioned at the start who ended up becoming a washed up mess.
SuperMario
And I won't take "No, you don't need these pics at all" for an answer
SuperMario
Guys, should I put the 2 arts back-to-back at the begin of the post like this, or should I use slideshow?
Anonymous1828545
Travlos here: 91 Days was not too bad.
Anonymous1828545
Travlos here: Thanks for those two historical manga's head-up.
Anonymous1828434
Akumestu soo satisfying to read
Anonymous1828321
Thank you
Lenlo
A shame. Kokkoku had the first truly dull episode this week. Suppose one had to come eventually, but this one was mostly an info dump.
AidanAK47
Like lightning, I strike. Junji Ito is basically interesting ideas with deeply flawed execution. It's not scary, doesn't really capture Ito's style and the animation is bare bones. While the stories themselves can have there interesting points, they are often not fleshed out enough. Honestly I am getting rather bored with it.
Lenlo
Holy bejesus Aidan. Nice triple post. :P

So overall how is Junji Ito? From what ive read so far, it seems pretty hit or miss on the horror/gore front. Failing to live up to the manga. I havnt read it though, so im curious what ya think
AidanAK47
Akumetsu?
Anonymous1828142
Wearing a mask
Anonymous1828142
What was the name of the manga where the main character is some superhuman high school student who goes around fighting Japanese politicians
Lenlo
On a side note, I should really start Violet Evergarden at some point...
Lenlo
"Anime is dying" is just a meme that gets thrown around because of Miyazaki.
Lenlo
Maybe. I dont think average score per year is a good metric though, as the cash ins are increasing, but I doubt the passion projects are decreasing. For instance we had /alot/ of duds this year, but people only really remember/care about the good ones of which there was a fair number. It wasnt a bad year for decent/good anime.
AidanAK47
Well yeah, but they didn't have as many Animation studios back then as we do right now. So it's not so much that we lost artistic merit but rather the number of studios cashing in on popular trends for a quick buck have increased. Even then, I am willing to put money on there being just as much harem anime in yesteryear as we have cute girls shows in present.
Lenlo
Perhaps, but I would argue those were on smaller scales, and even then, thats not so different from Western animation or movies. Just look at Warner Bros and their DC push after the success of Marvel. Every industry has those who chase successful trends, yet they arnt failing
AidanAK47
@lenlo, the thing is though that before Moe crap there was eva copy crap and before eva copy crap you had space opera crap and before space opera crap you had hyperviolet OVA crap. The industry has always tried to cash in on a popular trend.
Kaiser-Eoghan
I feel people went apeshit over, say highschool of the dead because they never saw a bunch of old B/exploitation films, thus that show was never special to me and even failed at an imitation of such.
Kaiser-Eoghan
I think people getting to excited for it being unique to a single medium or for, its setting themselve up for disappointment.
Kaiser-Eoghan
I just think its incredibly limited thinking to base it all on just ONE medium, you CAN hold up anime to film when anaylzing anime.
Kaiser-Eoghan
Why should 91 days get a free pass just because its an anime about gangsters? Go watch a film about it instead which theres probably many of, joker game fail you as the mature spy thriller it ended up not being, who cares, Tinker tailor soldier spy exists.
Kaiser-Eoghan
I dislike this "Its unique for an anime/manga to do this, so instantly lets latch on to it, despite fact that same something is already extremely prevalent in other mediums "
Kaiser-Eoghan
Case in point 91 days and Joker game "It has adults, lets pre-rejoice before the show even came out"
Kaiser-Eoghan
I feel though because of the level of dissatisfaction with said moe shows that people are going to leap far too quickly on anything just slightly different, getting their hopes up too high and end up feeling let down.
Lenlo
That, or it all comes crashing down around our ears. With stuff like Houseki no Kuni and Made in Abyss from last year however, I think its going to be ok. We are just getting inundated with crap right now.
Lenlo
I do think that some of the artistic part of it has been lost, its gotten diluted in the never ending river of Moe crap. But that doesnt mean its gone. Just harder to find. Eventually all the random moe shows no one cares about will fail and stop getting made. But the anime audience will still be around, to enjoy the better stuff thats left.
Lenlo
Same thing happened in the mid/late 90's and early 00's to American cartoons.
Lenlo
Eh, I dont think anime is dying. Changing no doubt. Its going through a rough growth stage right now. It has a bigger audience than ever and people are trying to cash in on that with lots of shows that are basically the same
Kaiser-Eoghan
@Mario: Tank you and damn you for posting screencap of loli-tachibana, I now have cuteness overload a diabeetus =<
Kaiser-Eoghan
I realize thats a very minor detail to focus on though.
Kaiser-Eoghan
Thats why I can really really get into a history manga if the art is top quality, the costume designs.
Kaiser-Eoghan
On the historical thing, I have a massive I repeat massive thing for full body medieval armoured characters hacking the shit into things or just the armour in general , especially templar armour designs. I also have an little obsession with male aristocratic army uniforms from the Prussian era and world war 2.
Kaiser-Eoghan
That recent Urasawa manga Travlos mentioned is ending also
@Mario: We might get a complete adaptation of after the rain, the manga is ending.
Kaiser-Eoghan
More historical manga I found, haven't read the second one however, I didn't hear those two mentioned on here either before.
Kaiser-Eoghan
[link src="http://kissmanga.com/Manga/Hawkwood
http://kissmanga.com/Manga/Ad-Astra-Scipio-to-Hannibal"]
AidanAK47
@Anon, yes clearly you know better than everyone else on the planet despite having no evidence whatsoever to back up you claims. Thank you nameless Stranger, we owe you a debt for telling us the same thing we hear every year. Let me congratulate you by kicking you out the door.
Kaiser-Eoghan
I can generally come up with an opinion for what I follow/watch/read , but I don't really have one on kokkuu.
KTravlos
Well we watched the first episode of Kokkuku. Interesting. The ED theme is quite the fanservice.
SuperMario
@Ktravlos: If your like to check out some other shows this season then I'd definitely recommend After the Rain.
SuperMario
@KTravlos: at least Kino is thought-provoking. I can't say the same for Violet Evergarden. In fact I remain skeptical with VE
KTravlos
I am quite enjoying both Violet Evergarden and Mahoutsukai. Violet gives me similar vibes to the first Kio series, though obviously Kino was a better series.
SuperWooper
EPIC post, anon!
Anonymous1825128
Of course, as ardent fans of anime, the writers of this site would not deign to agree or even entertain the idea that their passion is no longer the same artisanal endeavor it once was.
AidanAK47
@Anon, Oh. Actually surprised I forgot about that. Yeah, when it comes to something being described as edgy I think Goblin Slayer fits that definition perfectly.
AidanAK47
@Lenlo, You can still throw down your take if you want.
Anonymous1824209
AidanAK47 - Or the women shields.
Lenlo
You know, sometimes I dont regret forgetting about this chatbox. Missing the "anime is dying" conversation? One of those times
AidanAK47
Oh, Goblin Slayer is getting an anime adaption. I was rather lukewarm on it but I wonder how the anime is going to handle the rather unsavoury aspects. Like the rape. Lots and lots of rape.
AidanAK47
I remember the last guy said he would make a chart and I thought it was a brillent idea as at least something useful could come out of this old dead horse. Then his chart turned out to be a useless jpeg with series thrown to the left or right.
AidanAK47
It does stir up conversation but it's really just the same conversation repeated. I remember stating the exact same points Nayrael and Bokusen are saying around a year ago when this last came up.
AidanAK47
@Anon, Indeed Ratings are subjective but it would at least be a general mainstream consensus of the quality of anime over the years. Not final but at least it's better evidence than one persons general assumption. And other factors are impossible to quaitify.
Nayrael
A good parody of the "Anime back then and now - what happened? meme (if the links are not blocked here): https://i.imgur.com/JZqxz6f.jpg
Nayrael
Not to mention that back in the olden days you didn't see every Anime that aired. Official translators and fansubbers selected the best stuff, which resulted in you seeing the best shows and never even knowing about the shit-tier shows.
Bokusen
I think that people who say "anime is dying" are just getting too nostalgic. It's easy to remember the hit series from earlier seasons. It's less easy to remember all the forgettable generic series that you dropped after 1 episode, and so anime tends to "seem better" back then because of people's tendency towards selective memory.
Anonymous1820731
Why are there more bad anime? Because there are more anime being made. That means the good ones are buried under the lots of bad ones. But saying "anime is dying" from that is like saying "music is dead because I don't like Britney Spears." Why does this conversation always come up, its obvious conversation bait.
Anonymous1820589
@Aidan: You are the first to obsess over the fact that reviews are subjective. And since they're subjective, looking at anime 'ratings' over time does nothing to gauge the measure of effort and artistic talent that goes into making anime.
Kaiser-Eoghan
Which I got my answer by the way.
SuperWooper
>average review scores
What do those have to do with whether anime is "dying" or not? You'd need to look at the money.
Kaiser-Eoghan
Want to add that I agree with both you and Aidan, only brought up those two topics back there because I wanted to know what shows now will be popular in the future.
SuperMario
I'm on the side of Aidan regarding to this. For me it's not neccessary means the anime industry has become "better" or "worse", it's just that it takes new shape and trends and based on the number of anime produced, the industry isn't going down soon
AidanAK47
Am I really going to draft up a chart gathering average review scores of the past 25 years just t shut up this talk of anime dying?
But even if I did that won't toss aside this nonsense.
Kaiser-Eoghan
I know this is complete guesswork.
AidanAK47
Plus the industry is dying? Bloody hell, we got major companies FUNDING anime. Streaming services and more anime coming out that ever before. You can argue that this new anime is weaker but honestly it's just misguided. It takes time but great shows are still coming out. Just like back then.
Kaiser-Eoghan
Well thats kind of what I meant, what, when passage of time comes into it are going to end up being classic based on that, speculatively speaking.
Kaiser-Eoghan
Thats probably a much better way of phrasing it, inheriting mantles. I'm going to say that promised neverland is presently along with Titan a BIG modern shounen.
AidanAK47
Anyway my point is that the shows of the past, the so called classics, are just as flawed as the shows of today. It is only through the passage of time that they become classics. When Stein;Gate finished airing, I seen no one call it a classic. Same goes for Madoka and Fate/Zero. Now, you have people putting up the pedestals.
AidanAK47
Though if anything has inherited the Shounen mantle, it's likely Boku no hero.
AidanAK47
There is no big three Shounen and that's honestly for the best. Because in generally the declining aspect of Naruto and Bleach was mainly due to the pressure on the mangaka to put out chapters on a weekly basis. In fact it's pretty much the primary factor in Bleachs decline.
AidanAK47
Bebop is great but even it is hit and miss by nature. Doubt many remember much about the casino episode and the Alien spoof episode is likely not anyone's favorite. Eva is massively flawed but no one wants to admit it due to the massive amount of praise it receives and influence it has on the industry.
Kaiser-Eoghan
But what is the new big three shounen?
AidanAK47
If we go further back to DBZ, that has tons of issues with filler, dragging out episodes, animation shortcuts, and even complaints of it doing the same thing over and over again with it's story. No to mention the underutilised cast and the everlasting act up putting Goku on a greater pedestal.
AidanAK47
But let us dissect this viewpoint of yours. You claim the Shouen-jump canon as a great, guessing that refers to the shounen big three. But aside from One piece, the other two are emmensily flawed. Naruto is 50% filler and Bleach drops seriously in quality after soul society.
AidanAK47
Also Fate series is trash? That definitely seems aimed at me. What first series are you referring to? Fate/Zero, Fate/Stay Night 2006? Fate/UTW? The same thing over and over again? Sure each series has a holy grail war, but none of them every turned out the same. I am more than willing to admit that the spinoff series outside of the main canon are lesser. Calling them trash however is hyperbole.
AidanAK47
@Anon, Not this crap again. The old "Anime isn't as good as it used to be", how many times have I heard that over the years, and each and every time it proves more untrue.
Kaiser-Eoghan
One point I'm trying to get at is, I don't get throwing the word bad taste around when I know I was probably in the same position as that other fan years ago.
Kaiser-Eoghan
Another thing, for shows we talk up and obviously I've been just as guilty of this, how many of these am I going to be able to recite off by heart years down the line?
Kaiser-Eoghan
I don't like Madoka but thats a good example of a modern classic that'll keep in peoples minds, people still care.
Kaiser-Eoghan
*its a
Kaiser-Eoghan
@Anon: The reason I want to see a new show become a modern classic is because I'm tired of this "fleeting masterpiece" way of thinking, where I a show is super popular during the season and gets talked up as if it'll stick in the mind years on, then weeks later it disappears from memory.
Anonymous1819907
And anime watchers tend to be attracted to series that are just plain boring. The Fate franchise is case and point. The same thing over and over again. It really is a disgrace, to be honest--in my opinion. The first series was great, and I look forward to the movie. But everything in between is trash. But they still get the views, since people are sheep.
Anonymous1819907
The shonen-jump canon, shows like bebop and eva were huge in their time. The industry is just not the same--it's really dying. There isn't the same desire to blow shows up like there used to be. Shonen jump is still at it, but those shows are rarely worth watching, even if they're popular
Anonymous1819907
its a good anime, but it doesn't have the same staying power since it was not an entire industry
Kaiser-Eoghan
Sorry for the long post, I want to get people talking again here.
Kaiser-Eoghan
I would love for this to happen with, say, made in Abyss, that becoming a show that we remember decades from now and still talk about.
Kaiser-Eoghan
Something else I want to bring up, what shows do you all REALLY believe will still be talked about in the future . Bebop and Eva still come up regularly to this day, what new shows do you think will become big classics.
Kaiser-Eoghan
To base taste on things you watched ages ago doesn't really work.
Kaiser-Eoghan
I bring that up because I remember a comment somewhere I read that said, the people who trashed guilty crown, forget geass was 10 years ago and if guilty crown had came out back then instead of geass they would have embraced it instead at the time.
Kaiser-Eoghan
On the bad taste thing, I could easily say Mahouka or sword art are terrible, but back when I watched and loved code geass people where probably bashing it as overhyped shit in the same way people like to do with sword art/mahouka now.
Kaiser-Eoghan
I sure years ago I would have been all over violet evergarden.
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