Yet another episode of building up, but really: that’s exactly what this series needs to be doing at one point. I watched this episode raw, so I probably missed quite a few things, but it’s always good to see an episode dedicated to fleshing out the side-cast. There’s plenty of time for the climaxes during the final episodes of the series and the movie, so I’m happy with how this show has turned out so far. It’s definitely the series with the most solid execution of the entire spring season, even though it’s not the most exciting one.
This pattern really reminds me of how brilliantly Mouryou no Hako turned out. Its middle part also had SO much building up, and yet it finished off with such an awesome climax, and Eden of the East is shaping up to become the same. This episode shows how Saki gets dropped off by Akira near her friends, so that she can introduce them to him. Among her friends are a female programmer and two NEETs, of which one has lots of resemblances to a hikkikomori. In a way, especially her male friends are exactly those targeted by Akira’s “saving the world” programme.
Also correct me if I’m wrong, but “Eden of the East” turns out to be Saki’s friends’ programming club. At the moment, I’m not sure whether Saki herself is also a computer geek, but she sure did befriend a lot of them. When the show started, I thought that it was some sarcastic reference to Japan, with all of the bombings and all. The theme of young people trying to find the place that they belong turns out to be surprisingly large for a series that first seemed like just a fascinating mystery-series. The “Eden” more means something like a heaven for NEETs.
Also, this episode sure gave an even more macabre image of the white-haired woman, as we learn that she kills her victims by cutting off their “Johnnies”. I really am not sure how a selfish bitch like her managed to escape the supporter for that long. My guess would be that she made some sort of deal with number one, who pretty much everyone suspects to be the supporter.
Rating: * (Good)
Building up and fleshing out the cast with still all-out excellent production-values.