Posted on 30 June 2009 with categories: 07-Ghost



Just so you know, if the upcoming Summer Season has four or more series that turn out to be really interesting, I might just drop this series in favour of one of them. I’ll definitely keep watching it and give it a proper review, but as a guilty pleasure that has been done many times before, I’d rather spend my time on something fresh, creative or innovative, if it would happen to premiere in the upcoming season.

Basically, for a guilty pleasure from Studio Deen, this series doesn’t even stand out. We have Hiroshi Watanabe’s works for that. As addictive as this series is, it was nothing near as fun as the campness of Suteki Tantei Labyrinth, and so I’m just going to drop it when it’s still fun to blog, rather than wait until it becomes a chore. I’ve found that for the past year, I’ve become much quicker in dropping a series from blogging, but that’s mostly because I’ve gotten tired of blogging dull shows.

Anyway, about the episode: it was definitely no wasted one, as it finally reveals not just Teito’s past, but also that the priests from the church didn’t just “run into” Teito when they were taking a stroll, and knew very well who he was, and especially Frau seems to be hiding something. I really laughed when Frau let that fact slip when he tried to comfort Teito.

But yeah, on the downside, this episode was angst angst angst. Thankfully it wasn’t bad or annoying, but it is getting a bit old now, and I’m hoping that Teito at least is going to grow beyond this angst, rather than remaining in this slump of his.
Rating: (Enjoyable)
Teito’s past revealed with enjoyable build-up and a perhaps a bit too much angst.

Posted on with categories: Monthly Summaries

The interesting thing with this month is that yet again I had no clear favourites. There’s a bunch of shows that I really like, but there’s not been a series for me that really stood above the others this month. I think that because of this, the series that ended up as my number one position is probably one that not many agree with, but it’s the series that I feel this month showed the most improvement and impressed me the most.

In other news, in the upcoming months I’m going to experiment with a new feature on these summaries, by handing out small awards for what stood out as the best at one particular part for the past month (inspired by The Null Set, thanks for the idea). Some awards like “Best ending of the month” are obviously only going to appear when a significant amount of series actually end. Next month, I’m probably also going to include an award for the best episode (I’d love to do it right here as well, but my favourite episode for June came from Higurashi’s OVA, and I stopped including OVAs in these rankings because it’s simply too convoluted to keep track of them).

Rankings, like the past months are a bit strange again, I basically tried to generate the rankings for each show, compared to the others that are currently airing. Say, for example that Show A has a really good setting, and there are only a few other shows with a better setting, it’s going to rank higher than if there are many shows with excellent settings, and vice versa. I know that it’s a bit weird, but for some reason it does more accurately reflect my feelings about the shows this season.

#26 (new) – Fight Ippatsu! Juuden-Chan! – (6,5/10) – Yeah… what’s there to say about this one, really? While I haven’t technically dropped it, I really can’t see myself watching through it entirely unless either the rest of the summer season is going to be really bad or the second episode is going to be really good.
#25 (24) – Koukaku no Regios – (6,75/10) – The ending was a horrible mess. Plot twists came from absolutely nowhere, there hardly was any conclusion or question that was answered. It’s been a while since I’ve seen a finale that was as rushed as we saw here.
#24 (23) – Kurokami the Animation – (6,75/10) – Alas. I really hoped that this series would become good with its second half, but it turned out to be the complete opposite. Especially that ending was a complete joke, but the entire month was basically a disaster of plot twists that were just there to get the most dramatic finale possible. Obviously that failed.
#23 (21) – Valkyria Chronicles – (7,5/10) – I’m twelve episodes in right now, and every time I think that this series is going to impress me… it doesn’t. This show really is getting old right now, and I can only hope that the second half is going to become better, and make up for the lackluster first half.
#22 (15) – Hetalia Axis Powers – (7,5/10) – Hetalia, what are you doing? You’re supposed to be a series that pokes fun at different cultures, not an excuse for gay romance. I’m really not sure what’s up with this series. The jokes have been as good as ever, but there are just too many scenes that just… aren’t jokes. Especially when they devote an ENTIRE EPISODE to a disturbing gay semi-reverse double Oedipus romance between a guy and his grandson.. you have to wonder what the creators are smoking. In a bad way.
#21 (new) – Umi Monogatari – (8/10) – I have yet to see Aria, so I’m really not sure what to expect from this series. It definitely had a solid start and premise, though. Let’s see what the rest of the series can offer.
#20 (20) – Sengoku Basara – (7,5/10) – Well, it’s at least good to see that the series is closing off with an exciting finale that was everything that this show made great: lots of manly action. Of course, when that’s all a series has going for it, it’s never going to stand among the greats. Sengoku Basara has been an enjoyable series, but it really should have used its time better.
#19 (13) – 07-Ghost – (8/10) – So yeah, this has turned out to be pretty much a guilty pleasure for me. Strictly speaking I should be hating it, but it just keeps drawing me in with its characters and nice art, despite the cheesiness and repetitiveness of the plot.
#18 (17) – Gintama – (8/10) – The past few episodes have been hit and miss. While the strange reference holiday was pretty dull, the King of Mayonnaise was absolutely hilarious.
#17 (9) – Basquash! – (8/10) – The thing with Basquash! at the moment is that it seems to be in its “mid-season lull”. For the past month, I’ve been missing the chaos and fun that made the beginning of the series so enjoyable. With episode 12 as a nice exception, perhaps.
#16 (19) – Chi’s New Address – (8,25/10) – More of Chi’s antics as usual. There definitely has been a change since the first season: since Chi can move outside freely now, most of the show is spent not inside, but exploring what’s going on outside of the house, and meeting some interesting characters along the way. Especially that elder cat was hilarious.
#15 (22) – Saki – (8,25/10) – To be honest, I thought that this series would end up falling apart completely with the start of the tournament. And yet, this month probably was the best month so far for Saki. The battles still are based too much on luck and weird skills like causing dust to spontaneously appear when you play a mah-jong tile, but the characters are really saving this series. I’m still surprised at how not annoying they’ve become. Apart from the Kugimiya Rie-voiced brat, perhaps.
#14 (16) – Shin Mazinger Shougenki! Z-Hen – (8,5/10) – Baron Ashura is such an awesome villain. This guy/girl is so incredibly fun to watch, and seeing his surprisingly thought-out plans come to fruition. Really, the only thing keeping him from pwning everyone over and over is the fact that Mazinger is simply god-moded. My only gripe with the show is the little brother and detective: they’re too often used for pointless and usually unfunny comic relief, and sap away screen-time from Ashura.
#13 (18) – Melancholy of Haruhi Suzumiya – (8,25/10) – I like how the past two episodes basically pulled a Seraphim Call Higurashi. It’s a nice idea once you see where it’s trying to go to, and I do have to say that Haruhi too was enjoyable to watch. The past month has been pretty enjoyable slice of life for me.
#12 (5) – Eden of the East – (8,25/10) – You know, everyone keeps saying how this series had some of the best mystery, but I don’t see why. Sure, the mystery rocked for the first three episodes, but after that it dulled in a bit, and I can name tons of series that handled their mystery better than Eden of the East did. But yeah, it’s true that this series has left me somewhat disappointed, but that in no way means that I don’t like it. The animation was as incredibly detailed as ever, and overall the series left with a pretty good cliff-hanger for the upcoming movies.
Award: Best Production Values of the Month
#11 (6) – Natsu no Arashi – (8,5/10) – The ending unfortunately was the worst part of the series. Never mind the lack of conclusion, it felt like it was trying too hard, and kept recycling old jokes. Nevertheless, the rest of the episodes from Natsu no Arashi this month rocked. It again had a very good combination between a deep analysis of its characters, and just plain fun humour. I’m not sure whether I’m going to like the second season as much as this one, but who knows?
#10 (14) – Marie & Gali – (8,5/10)

I just can’t help but love this series. It’s completely nonsensical, it’s downright crazy and very childish, yet I look forward to it every week to see what kind of weirdness they’re pulling next. It’s a hilariously charming series so far, and I’m glad that there are at least going to be 13 more episodes of it. The thing with this series is that it’s so consistently creative in all of the crazy situations it puts the lead characters in.

#9 (12) – Full Metal Alchemist – Brotherhood – (8,5/10)

Okay, and we’re nearly to the part where the story diverges from the original series completely. There have been plenty of other differences so far, though. Especially the atmosphere is completely different from the first series, and it’s much more fast-paced and quirky. The characters have been very enjoyable so far, and I’ve gotten very interested in that different storyline.

#8 (11) – Guin Saga – (8,75/10)

The new arc promises a lot of great things for this series: political intrigue, betrayal and much more, with the visuals still being as pleasing as ever. I’m just very curious about how the creators are planning to handle the rest of the adaptation: are they planning on covering all 200 novels, or are they simply going to stop after 26 episodes?

#7 (8) – Ristorante Paradiso – (8,75/10)

The ending was very solid, and really wrapped up the storyline with a satisfying conclusion. Overall, the final episodes of this series were really well done, and made this a really relaxing and engaging series.
Award: Best Ending of the Month

#6 (3) – Cross Game – (8,75/10)

My only problem with Cross Game is its baseball matches. Sure, I understand that they’re necessary and make sure for a lot of character-development, but they just take too long, and they just aren’t what this series is best at: slice of life. The rest of the episodes this month were again a great watch though, as the relationship between Kou and Aoba continues to develop subtly, and the wit that is used while telling their story is as awesome as ever.
Award: Best Storytelling of the Month

#5 (7) – Hajime no Ippo – (9/10)

Seriously, the only way to properly describe the past arc is by simply yelling FUCKING EPIC over and over. With this, I fully understand why this series has become so popular, and I’m of course going to check out that first season some day. I only hope that once Madhouse is going to come with another great series for the upcoming summer season, otherwise I’ll probably be going into a Madhouse withdrawal… (No, Chi’s New Address isn’t enough).

#4 (1) – Konnichiwa Anne – (9/10)

After the move to Marysville, the series has become much lighter this month, with Anne getting to know her new home place and making new friends, but something tells me that this is just one really big calm before the storm. Anne has really been as awesome as ever, and she definitely is the best character of the entire season.
Award: Best Characters of the Month

#3 (10) – Pandora Hearts – (8,75/10)

Thankfully the cheese is mostly gone now, and it shows. The drama so far is poignant and well written, and the art really rocks. Especially with the arrival of the Cheshire Cat, the story has become much more interesting.
Award: Best Setting of the Month

#2 (2) – Phantom – (9/10)

Phantom still belongs at the top-tier this season. Especially now that Reiji has developed and changed completely, there is SO much potential left in this series. Cal has only been introduced for two episodes, and she already is awesome to watch, and I’m really eager for this show to hit its second half.

#1 (4) – Shangri-La – (9/10)

So yeah, when watching Shangri-La there are plenty of points in which you’re going to have to suspend disbelief for a while, but apart from that I feel that Shangri-La has something that many other series are lacking. Despite how it seems messy from the outside, it’s actually growing out to be a very coherent mystery-story that continuously gets developed along with its characters. There’s always something interesting going on and the cast of characters is incredibly strong, yet all of them are flawed and no perfect humans. The soundtrack is also second to only Phantom in this season and the visuals are a huge improvement over what we’ve seen in the first few episodes, with especially episode 13 being a beautiful example.

Posted on 29 June 2009 with categories: Guin Saga


This arc has really been getting more and more interesting, even though this episode pretty much lacked any sort of battles. This is where the adventure part of this series jumps in, and I do have to say that it may be the part where Guin Saga is best at. In any case with episodes like this you’re not going to get bothered by badly animated fights.

So this episode basically followed the two story-lines around Amnelis and Ardnaris’ wedding, and Guin and his party trying to get back to Parro (at least, that’s what I managed to pick up), and both delivered. This episode marks the point in which Naris finally seduced Amnelis, and whatever his plans are, something tells me that they won’t be pretty for Amnelis.

Remus’ development also it becoming really interesting. From the outside he seems to be turning into your average whiny brat, but having his balls drop and getting into puberty has had some interesting side-effects: suddenly, it is Linda who is the weakest of the two. Suddenly, Linda who seemed so mature in the Nosferas arc has turned into the whiny brat who doesn’t take good notice of her surroundings, and Remus has turned into the mature one; despite his brattiness, he does know when to shut up, and the only one he treated with disrespect was Linda. That is SO typical of siblings when they’re in puberty.

Flawed characters like Remus are either incredibly bad or incredibly good, since they’re so annoying when they’re first introduced, but when they’re developed correctly they can prove to be a very interesting addition to their story. I’m not saying that Guin Saga is definitely going to be one of those series that gets it right, but there’s a reasonable chance that it will.
Rating: ** (Excellent)
The characters are really developing strongly. This show is going to be epic if the creators can keep this up.

Posted on with categories: Shangri-La



Oh my god. I’m not sure who exactly was responsible for the dogfights in this episode, but I have to say, that these were the most visually pleasing scenes that I have seen this season. Yes, that includes Guin Saga and Eden of the East; it was THAT good. With this episode, Gonzo has really shown why they are the masters of CG. It may not be the best blend with the rest of the art, but damn. These guys are getting closer and closer to perfection in making CG action scenes engaging. I don’t care what the popular opinion on them is, it’s going to be SUCH a shame if these guys are going to close down due to poor sales. Their bad series are indeed really bad, but their hits really are one of a kind, and for me, Shangri-La has been their best series ever since Bokura no ended. Say what you want about both Gonzo and this series. I’m too busy drooling over the incredible visuals in this episode.

The rest of this episode was also really good to close off the first half of this series. This episode was intense, in which Kuniko for the first time has to really display her leadership, and even though she still has a lot to learn, at the same time you can see that she’s trying her hardest guiding the Metal-Age, instead of sitting back and letting the others do the dirty work.

And while most of this episode was about the Metal-Age trying to bust into Atlas, there also was something interesting going on around Ryouko, as some sort of upper chief has decided to pay a visit. His influence on Ryouko is going to be pretty interesting. There was also a pretty touching moment about Miiko and Mikuni, where you can see that the two have gotten even closer since Sayaka left.

I’m wondering when Kunihito is going to play a role in the story again. He obviously is important, he has a dagger, he is a digma, but so far the only thing he’s done is screw up when Kuniko was around. He definitely was a character meant for the second half of this series, but I’m really wondering what kind of role he’s going to play in the whole series. I’m definitely pumped for that second half. With such an ambitious setting, if this series manages to avoid any major screw-ups, it’s going to be epic.
Rating: *** (Awesome)
Incredible CG visuals, very exciting dogfights

Posted on with categories: Konnichiwa Anne



Seriously, can this show get any more adorable? This episode was so incredibly charming, even though it was about a bunch of characters that have yet to be introduced beforehand. The children in this episode were portrayed really life-like. Well, I guess that that’s the World Masterpiece Theatre for you. ^^;

Anyway, this episode starts with a regular day at school, in which Mildred is showing off a brooch with angels that she got from her birthday. Anne stays away from them, but she of course is interested in the angel-story, but when Randolf notices her looking she looks away again. Mildred wonders if Anne is interested in the brooch as well, but Anne answers that while angels tend to grant wishes, they’ll never grant wishes to liars (a nudge to what happened in the previous episode).

During class, Anne actually did better than Mildred (for her grade, anyway), which rather pisses Mildred off. A girl then arrives at the classroom, whose name is Sadi. Her house seems to be poor, and she too apparently has had to stay home to take care of it. Because of this, Anne becomes interested, and sits down next to her during the afternoon break, and starts telling about Elisa and Katie Morris.

Sadi then reveals that she has a number of younger siblings, and the reason why she has been away is because her mother is sick: her father is dead (you have to love how Anne rejoices when she finds this out, having discovered someone who is similar to herself, even though it’s about such a touchy subject), and since her mother has been taking care of the family and making the money, her becoming sick has put them into a bit of trouble.

Anne, still fascinated by the angels, asks her what she wishes for if angels were able to grant wishes. She herself wishes for new ribbons in her hair, since she’s gotten bored of her old ones. Sadi of course answers that she wishes that her mother would get better soon. Meanwhile Mildred is setting everyone up against Anne, and they come up with a plan to frame Anne: Randolf was supposed to put Mildred’s brooch inside Anne’s bag, so that they could blame her for taking it. Obviously the plan goes wrong because Randolf mistakes Anne’s bag for that of Sadi.

At the end of the classes, Anne notices how the brooch is in Sadi’s bag, but at first she’s too afraid to say something. That’s why she follows Sadi to her house. Sadi then comes out of the house and notices Anne, and then tells her about the brooch. It turns out that Sadi never knew of anything, and Anne informs her that it’s Mildred’s.

A while later, they start talking about the brooch with the angels on it along with Sadi’s younger sister and brother, and when the two of them find out that angels are supposed to grant wishes, they wish for their mother not to go to heaven. Apparently, their mother’s condition is much worse than previously thought, because one of the kids overheard her mother say that she’d join her husband soon, that evening earlier.

They then drop by their mother, along with Anne, who gets all shy when the mother gives her a compliment on her looks. When she is about to get up to do the chores, Anne and the other children instead insist on doing the chores themselves, so that she can rest. Afterwards, Sadi gets more and more worried about her mother’s condition, and how she can’t believe that her mother is hiding a serious illness from them. Since they don’t have any income, they also don’t have any money to call a doctor. The children suggest soup with milk, which is supposed to help (hey, they’re 3 years old…), but even for that they don’t have any money. Anne suggests collecting a type of flower, which is supposed to help according to Eggman. In the meantime, Sadi’s mother suddenly gets out of bed and starts doing the chores like there’s nothing wrong.

After a very touching moment in which the children seem to give up all hope because they can’t find that particular flower, they return home… and find out that it’s all been one big misunderstanding. All their mother had was a simple cold. When they overheard her talking that evening, she simply was talking about how she remodelled some of her late husband’s clothes to fit their children, so that it’d be like they’re always with him.

Anne stays until it’s nearly dark, after which they say goodbye but not before giving Anne a new set of pink ribbons,

This really was a mean episode. It was so sad, with especially superb voice-acting from Sadi’s little brother and sister, who really sounded like a bunch of sad children, only for everything to be a simple misunderstanding that was blown out of proportions by these simple kids’ minds. Stories around misunderstandings are often a bit lame, but this time it was the complete opposite, and this episode became so incredibly adorable because of it.

There’s one thing that doesn’t quite sit well with me, though, and it has to do with the continuity with the original Anne of Green Gables. I mean, how often has Anne been praised for her looks by now? It becomes harder and harder to imagine how this would have caused her to start yelling at Gilbert Blythe like that when he first pranked her. But then again, around that age she indeed should have started to get into puberty, so I think that that was the major cause of it.
Rating: ** (Excellent)
A light but downright adorable episode.

Posted on with categories: Anime Reviews, Natsu no Arashi



After all of the shows that he’s been directing and will be directing in 2009, it’s safe to say that Akiyuki Shinbo has been the most prolific director of the past decade: I can’t think of anyone who directed as much series as he did, especially in the past five years. Natsu no Arashi started out as one of the many dark horses of the past Spring Season. At first sight it looked to be full of your usual shounen clichés and all, but it turned into a very interesting and engaging series.

At first sight it’s easy to label Natsu no Arashi as one of those moe comedies around high-school girls, but that’s only half of the series. The other half is a surprisingly serious and deep storyline about time travel, World War II and people who are deeply affected by the past. For once in one of Shinbo’s series, the characters have strong personalities and yet are more than a bunch of paper bags. Hajime may seem like a bit of an oddball here, but his purpose in the series really is to act as the straight man, compared to the issues and stories that the rest of the cast has, and he pulls this off really well as the main character.

On top of that, this series also has a very inspired sense of humour. As this is a series about time-travel, it really makes the most of it by including jokes that can only be shown in this kind of series. This leads to priceless discussions about a rotten fish, among others. It also likes to poke fun at one of its on-going plot threads, in which one of the characters (Jun) is a cross-dresser. A number of absolutely hilarious episodes are centred around all sorts of crazy situations in which she has to try and keep her secret and pretend to be a guy.

Overall, this series is really well balanced, with the serious and silly episodes alternating so that the end result is a very varied series that grabs the best of both. The only downsides are the first and last episode. The first episode really gives a wrong image of what the series is going to be about, while the last is mostly a rehash of jokes (something that the other episodes managed to avoid so well), and carries Shaft’s style a bit too far. nevertheless, if you’re looking for a series that has both light and dark parts with engaging characters, then this is a show you should check out.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on with categories: Natsu no Arashi



Ah, so there’s going to be a second season this fall. That’s a good thing, because this episode pretty much was the weakest episode of this show so far. Especially the first half was just a rehash of already used jokes with all of the characters somehow dressed in swimwear (including Jun in clothing that would obviously reveal her gender to Hajime, yet nobody noticed), while the second half had some new and funny material, it also seemed to be trying too hard.

However, I am also very wary of the “Curse of the Shaft Sequel”. I KNOW Shinbo, and I’m just certain that he’s going to carry this show’s style way beyonds its limits, making it lose its substance like how Zoku Sayonara Zetsubou Sensei and a tale of melodies were ruined. Especially this episode was a very bad sign, if every episode of he second season is going to end up like that. That’s why I’m not going to guarantee that I’m going to blog season 2 as well. It’s all going to depend on how awesome the rest of the upcoming Fall Season is going to be.

And don’t get me wrong, barring this episode, I really loved Natsu no Arashi. I just feel that it would have been better if everything was wrapped up in just these thirteen episodes. The past two episodes would have been much better if they took the stories from the manga that explained why the ghosts came back, and the part where Jun finally comes out of her shell, and combine those into an anime-original conclusion.

Rating: (Enjoyable)
Enjoyable to watch, but mostly just a rehash of previous jokes with some really un-subtle references to other shows.

Posted on 28 June 2009 with categories: Full Metal Alchemist - Brotherhood


Wait, what? Was it just me, or did we see the evil officer from the mining arc right next to Scar in this episode? I mean, I’m trying to watch both series as different stories, but it’s really making this difficult when this show references events that only happened in the original series…

Thankfully, that was just about the only thing I didn’t like of this episode. I’m glad to see that Greed finally got his introduction, because his story is one that I really liked in the original series. He already starts off as a quirkish character, and so far I feel that Brotherhood did him justice. I was also surprised that his henchmen still are a bunch of Chimera. That means that someone other than Shou Tucker has been creating them.

There were also lots of differences this episode when compared to the original series. My memory is a bit too fuzzy to list all of the differences exactly, but it seems that Izumi is going to play a much bigger role here. It also seems to be the goal of Greed and his henchmen to become like Al: away from all those nasty side-effects that the human body has. Ed also threw a major tantrum when he finds this out, and this part turns out to be quite a bit deeper than what happened in the original series, which was just about the homunculi wanting to become human. Here, Greed and the others are longing for something they hardly know anything of, and something that Ed is desperate to get rid of. This time, it’s Greed who feels uncomfortable with the way he is, rather than Lust.

I also love how the comedy in this series just appears from out of nowhere, especially this episode did this really well. The creators really have managed to integrate it seamlessly with the rest of the series, rather than having clear-cut parts that are funny and other parts that are serious.
Rating: * (Good)
Solid episode; Greed was especially nice.

Posted on with categories: Higurashi no Naku Koro ni, Higurashi no Naku Koro ni Rei


Pure awesomeness. I really have to say, that this OVA couldn’t have been done better. These past three episodes were right up there with the most memorable moments from the Higurashi series. I’d definitely rank this among the best OVAs I have ever seen, along with Rurouni Kenshin Tsuioku-hen and Hunter X Hunter’s OVA. All of them were just incredible: intelligent, inspired and focused.

Most of this episode was just lots of dialogue, but that’s exactly what I liked about it. Rika, who was tortured with the choice whether or not to kill her mother, and abandon the world in which nobody was plagued by sin. This exactly showed the irony of good endings: sure, you may have everything happening perfectly; you may have nobody suffering from the past, and deeply haunted by some of the wrong decisions they made, and that were made for them. But does that make them better persons?

It may all have just been a dream by Hanyuu, but who cares? Thinking back it made sense: how else would Hanyuu have known about the fate of everyone who wasn’t there? The way Rika let herself go and get caught up in the accident really showed her how she has unconsciously taken her own death and rebirth for granted, and how she began to forget how important her mother was.

If I had to mention a down-side, then it was the continuity error of Keiichi’s sin. In the original series, Keiichi’s sin was left out, and I had to read about it in the Higurashi TIPS, about how he ran around with the plastic gun. Those who haven’t read the TIPS will probably feel left out a bit, because that event was crucial to why this episode was so incredibly powerful. It’s still a shame that we never got to see that scene animated, by the way. It would have been damn intense.

In any case, Umineko no Naku Koro ni is about to begin now, and even though I’ve heard that it’s going to be completely different from Higurashi, I’m really looking forward to it, because 07th Expansion has shown himself to be an incredible writer. My only concern is going to be Chiaki Kon; I’m not sure whether she is the right person for this series. Especially considering how she’s also currently working on Hanasakeru Seishounen, and considering the mess that that turned into. On the other hand, Toshifumi Kawase is returning for the series composition. I absolutely love what this guy has been doing for the past few years (he was the one who directed the Higurashi Rei OVA), so perhaps he was the biggest reason why Higurashi was the only thing that didn’t disappoint out of Chiaki Kon’s work.

Rating: *** (Awesome)
Amazing conclusion to an already amazing OVA.

Posted on with categories: Cross Game



So, this episode is the classic “gasshuku”-episode, that every sports series seems to have, but the creators really made excellent use of it. This episode was everything that makes this series so enjoyable to watch: subtle characterization, plenty of character-development, very witty and well-built up jokes…

Speaking of which, the humour was… interesting… This episode has to feature the most disturbing gender-ambiguous character I have seen in that old guy. He’s definitely an eccentric, first fooling Kou about Aoba (who was just taking shelter from the rain at his place), then filming the entire process of Kou, frantically looking for Aoba after finding the shoe that she lost, and never even revealing that he dresses like an old lady…

Meanwhile, it’s interesting how Azuma and the other guy aren’t happy with the work that their coach is putting off. The other coach, in the meantime, shows a completely different side of his during the gasshuku, and reveals him to be the evil trainer from hell, training his team to the limits. It’s also interesting how the previous match has given the team some real motivation to start training and get better. After nearly beating Azuma with a pretty much imperfect team, they really seem to be motivated to get better on their own.
Rating: ** (Excellent)
Excellent summer training camp episode with a number of great jokes. And a rather disturbing one.

CHANGE USERNAME
Kaiser-Eoghan
Still enjoying the sangatsu manga and all the character interactions in this most recent volume.
Kaiser-Eoghan
Quintuplets might be under consideration, dororo is a definite. I don't want to watch revisions , girly airforce or plane thing because of the cgi.
Kaiser-Eoghan
I have the first 3 doro episodes downloaded to watch tomorrow, I'll comment on them, I'm giving it a shot because I love Tezuka.
Kaiser-Eoghan
The quintuplets thing is one of those things I would see myself chuckling at for a bit then feeling no obligation to it.
Kaiser-Eoghan
The cat thing is probably cute but its too light for me to invest in in the long run.
Kaiser-Eoghan
Regarding this season, I'll be direct, it isn't my thing, I got my fill of Kaguya's manga and all I can out of it, promised neverland, once the escape bit finished just turned into an action series (at least from what I read) lacking a compelling followup hook for me.
Kaiser-Eoghan
Acca had this odd way of delivering information that made it seem stuff went on between the lines or offscreen, often it worked, sometimes it didn't. Its a show that really picks up after the first couple of episodes and really gets elevated by its revelations, cool setting , art style and opening theme too.
Lenlo
I agree it does that. I think my issue may come with me maybe missing something or just not understanding the series as a whole, and so parts of it were lost on me. I enjoyed the series I would say though
SuperMario
Let me rephrase by saying ACCA ending neatly ties up plot threads for me
Lenlo
I didnt say I didnt like it, just that it wasn't what I expected. It was odd. I think I need time to process it.
SuperMario
@Lenlo: you didn't like ACCA ending? I thought the ending is easily its best part. It's the first few episodes that feel slow for me
Lenlo
Also, just finished ACCA. Man... that was a weird ending. Not sure how I feel about the series, but damn, did it have style.

Also, thanks (?) Wooper.
Lenlo
Lets see... Dororo is good, but I am still lukewarm on it. Kaze Fui is a fantastic carry over from last season. Mob and Neverland of course. Shield Hero, if you want to be part of the latest big craze discussion. Kaguya if you like romance. Ill search some more, but those are off the top of my head.
Anonymous3338351
What are some must-watch anime this season; I'm watching MBP100 and Promised Neverland rn
Vonter
Shield hero looks like it fits with that journey of doing the right thing even though most are against you.
Vonter
You know what it reminds me of. It's kinda like that episode of Malcolm in the Middle. Where the family returns after a trip and find the neighborhood celebrates their absence, since everyone dislikes them. By the end when they make up, all the neighborhood gets bitter with one another because they no longer share a connection of hate with Malcolm's family.
Vonter
Also the undercurrent semblance of looking more like a bad guy or anti hero. Despite him having a good moral compass.
Vonter
SuperMario - I don't felt it was about being defeated or not. I got the feeling it was taking the hit for others. Because since he has high defence he does take the damage, but he does look weary about doing that. And the framework paints him so far more as an underdog than a prodigy.
SuperMario
But does the fact that he’s the greatest defender makes him the one who can’t be defeated? I haven’t watched the latest one though
Vonter
I did like the new episode of Shield Hero. It made me realize there can be stakes in Isekai battles. In both Overlord and Slime I usually space out in the battles because they seem unnecessary outside of animation. It's more interesting if there's a display of wits and using the environment. I also like the protagonist be on the defense and the sidekick as the attacker.
SuperWooper
Here's a "review of one of our own reviewers:"

Lenlo is a pretty cool guy. His taste refreshingly runs the gamut from shounen action series to character-driven period pieces. His use of "Read More" tags and intro paragraphs, though they break the site's house style, give his posts their own signature that his readers likely appreciate. I give Lenlo a 92/100.
SuperWooper
Also, if we're getting pedantic, my post on Kaguya wasn't a "review of one of your own reviewers." It was a review of an anime episode.
SuperWooper
It's "shitty?" Really? None of what we do here is for profit, or for a grade. If I want to alert readers to the fact that I've never read the manga, and choose to do it in a less-than-serious way, I don't think that violates any sacred rule of anime blogging.
Lenlo
@Niello, the technical aspect of Megalo Box is very lacking. Its a character drama with sports, not a sports series with good characters, basically. And yeah the gear makes no sense.
Anonymous3336806
It seems kinda shitty to write a "Proceed with caution!" disclaimer before the review of one of your own reviewers...
Firechick
There are also old school isekai manga such as Red River, From Far Away, Crest of the Royal Family (Which is still going), and a few others.
Kaiser-Eoghan
@Animosh: Red River also, but for a while it takes some time to re-gain the addictive quality it has in the beginning. I didn't stick with Yona, it felt like it didn't have any direction on where it was going.
Vonter
Those were different times. And while Isekai, it feels like a different genre. I feel the Isekai of old were also more eastern, given the RPGs of the time were more fairytale like and also several you listed have more of an eastern influence.
Animosh
Yona of the Dawn is also a good example of a series with a politically ambitious female lead, though I wasn't a fan.
Animosh
I forgot how female-oriented early isekai series were. I already mentioned Twelve Kingdoms, but there's also Escaflowne, InuYasha, Rayearth, Fushigi Yugi, Haruka (I've only seen TK though) ... so I guess it's only after the recent revival of the genre that it started targeting men.
Niello
Out of all the sport anime I have watched I think Monkey Turn V is the best so far. Megalobox is pretty good but nothing special imo. I heard that in term of boxing the technical aspect isn't good, though I don't know how true that is. What I personally can't get over is how their gear in reality should just be making people fall over quicker, which shouldn't make the matches more fun.
Niello
I still
Kaiser-Eoghan
I have to stop underestimating these sports shows.
Kaiser-Eoghan
Lenlo is good at convincing me to watch stuff I might not have otherwise watched, I saw ashita no Joe, Kaze and megalobox due to him =)
niello
I should catch up on Kaze, the gap is starting to get quite big.
Lenlo
Im gonna say this every week. How is an anime about running so damn good?
Vonter
I suppose when creating a story one also needs to put some restraint, since as human beings we easily gravitate to certain "tastes."
Vonter
But oh well, I think guys do also have their kinks.
Vonter
@niello - Love might be the hardest emotion to convey. Since even if you put the poses, attitude and the like, the interactions is what sells it. The chemistry as some call it. Sadly in most anime it kinda feels one sided because the male characters are too passive. I like the relation in Shield Hero, but it also underlines the common parental figure girls tend to put.
niello
Later, the author made him accepts the love as a kind of rehab for his bitterness and for the sake of political advantages the girls will gain. So there's this weird atmosphere where the author criticises harem isekai but is writing one himself, although he's certainly trying to make it an unconventional one. At least that's how it is in the web novel. I don't know if they changed it in the LN.
niello
And also to show off. Meanwhile the MC acts like he's not involved because he prioritise the right thing, and also because he's dense toward some of the girls around him (at first) and felt put off by other girls who make bold advances. In essence, he has a harem but he doesn't seek to make one.
niello
@vonter The thing with Shield Hero and harem is that the MC berates how other people who got transported to another world have the idea of forming harems like the LN/manga/anime they know before getting transported. That became the focus of some people instead of what they should be doing like seriously training and preparing for enemy attacks, which they opt for the easy way like it's a game.
Vonter
@Kaiser-Eoghan - Aside from reincarnating as a baby. Not really. Zettai Karen Children from the author of Ghost Sweeper Mikami, seems like they do. I mean they start very young and later covers have them as teenagers.
Kaiser-Eoghan
@Animosh: A slower take on a story is something that has grown on me as I get older.
Kaiser-Eoghan
@Animosh: Those scenes in kaze clicked for me this week, but at the same time, that last bit and also the scene in the middle were definately uncharacteristically cheesy.
Kaiser-Eoghan
@Vonter@Amagi: Mushoku tensei has the lead character grow up throughout it I think?
Kaiser-Eoghan
I think fan interaction by creators, theres something there, listening to fans ideas within reason.
Kaiser-Eoghan
Something that comes to mind here, sometimes i think we the audience might be better at writing the shows than the people doing them.
Kaiser-Eoghan
I enjoy explictness but wish it was used less juvenile-ly.
Kaiser-Eoghan
The latest character thats being recurring in my head is a kind of communist or liberation theology soldier that is trying to convert people, while also struggling to keep his highly polarized beliefs in some kind of balance.
SuperMario
@Amagi, tell me about it (having ideas but to lazy to materialize it). Heck, they are mostly lame ideas to begin with
Kaiser-Eoghan
I liked Scums wish .
Kaiser-Eoghan
Its almost always a boring comedy or action show.
Kaiser-Eoghan
Or have some kind of anaylsis of why the characters express themselves in certain ways in relationships.
Kaiser-Eoghan
Or something depressing.
Kaiser-Eoghan
I really really wish more stories involving nudity/sex/fetishes/ecchi/hentai could actually use this kind of thing for a good psychosexual story.
Kaiser-Eoghan
I really like it when the conflict has something to do with beliefs or repression aswell.
Amagi
Same here. I mean people are conflicted too, so these characters are actually more relatable. Strangely directors usually think otherwise.
Kaiser-Eoghan
@Amagi: I loved goodbye Lenin, my old German teacher in school was really awesome and took the class to see it.
Kaiser-Eoghan
I like conflicted characters.
Kaiser-Eoghan
I'm also fond of the idea of a villain trying to turn pure hero out of guilt from the past while still longing for his evildoing days and self-hating because of that and also feeling guilty out of enjoying the violence he commits against the villains he's up against. And sees the violence done onto himself as punishment .
Kaiser-Eoghan
@Amagi: They just end up as ideas written up rather than stories in my case.
Amagi
@Kaiser: I often feel guilty for being as lazy as I am because I have a lot of ideas and barely do anything with them. I don't even have the "I can't draw it" excuse most other people have. I am just lazy and useless.
Vonter
I've been trying to make a story for quite some time. Is about a special ops agent, that turns into a woman after a failed mission where he lost his friends and comrades. He's on a mission in order to look how to turn back and find redemption for the lost of his friends.
Amagi
OH GOD actually got FGO's Hassan i Sabbah after all with the last few quartz. Suicide prevented, thank you God.
Kaiser-Eoghan
@Amagi: Not a day goes by where I'm not thinking up some wild idea.
Vonter
Kaiser-Eoghan - The best use of incest in a story, is the one you don't see coming, like in King Ooedipus or Old Boy.
Vonter
I think the best case for that story would be using the Yoko Taro method of storytelling. Start by the end and build on how that tragic ending happened. There's a presentation where he explains his method. https://www.youtube.com/watch?v=OO_d3fwTNPo
Kaiser-Eoghan
I would never ever use incest positively in a story.
Kaiser-Eoghan
Also, I had a scenario where the hero develops an obsession with the villain, to where killing him is less about personal heroic codes, but curing himself of that obsession.
Kaiser-Eoghan
But the great thing is that the actual thing, relationship never happens.
Vonter
@Kaiser-Eoghan - That last one just reminds me of erogame about a girl than can't quite get with her crush and relives that same moment several times. Sometimes she reincarnating as man and the crush as a girl. In the end all versions end with rape.
Kaiser-Eoghan
Also some of these villains I came up with, they're deaths and rebirths could only occur when it came to settling their specific individual problem. Thus by admitting his/her love for the brother he/she dies.
Kaiser-Eoghan
@Vonter: I'll add it to my list.
Kaiser-Eoghan
I treated one of my characters like total shit, guy was a girl in his former life, got raped by some alternate version of his brother, got reincarnated a man and as a child killer/abuser, only every time this character committed a crime, they felt they abuse they inflicted on others.
Vonter
Kaiser-Eoghan - Have you read A World I Rule by Tank Guy? That's essentially an isekai about screwing over, what's essentially Eden.
Kaiser-Eoghan
And the true victory and winner is those who lost.
Kaiser-Eoghan
I love the endless cycle of you can't win no matter who you are.
Amagi
@Kaiser: I live for this stuff.
Amagi
@Vonter: I liked that about Tiger and Bunny. I don't want to spoil in case someone is about to watch it. But it contained this element of "something we're looking up to is actually some evil thing/person" and I don't mean the guys they're working for, it was clear from the beginning that those were corrupt.
Kaiser-Eoghan
But at the same time, it isn't like the hero was right either.
Vonter
Amagi - I think in the case of old villains it was caused because those didn't had civilian identities to empathize to the "human".
Kaiser-Eoghan
Also, because I love screwing characters over, after becoming the villain and actually achieving through evil, the perfect good society, even after taking in all the sins of the world and seemingly eliminating the evil inside people, humanity just fucks it all up again and became a monster all for nothing.
Amagi
We also usually don't see the villains having any problems that aren't related to the actual thing they cause. For example losing someone dear to them. Not because heroes killed them or anything, just..so. That's life etc. Making them feel more like persons. Hell even heroes have this problem. Usually when a hero suffers it's caused by the villain. As if the world wasn't more complicated.
Vonter
Also Franken Fran had a very dark and very funny story about a superhero founding out that the organization he's facing wants to conquer the world with charities.
Vonter
Watchmen, Dr. Strangelove, The day the Earth Stood Still kinda put a similar message about needing to be better with each other in order to have a better future.
Amagi
Yes, it's usually too simple. We have a clear hero fraction and a clear fraction of the villain.
Kaiser-Eoghan
*villain
Kaiser-Eoghan
I also like it when the villain isn't actually in co-operation with other bad guys, but theres also a hero, but the hero is marginalized because there are so many differing villaib factions.
Amagi
Even there, in the end it was heavily hinted that people can never bring back gone things. She saw through them and knew they were pretending and that it wasn't real anymore. Think that would happen in the other potential series we came up with too and it cause more character development.
Kaiser-Eoghan
@Vonter: Elementary school up to their mid 30s.
Amagi
Have to think of Goodbye Lenin, kinda. Not exactly that topic but similar. With the mother falling into a coma during GDR time and waking up after the fall of the wall and her family trying to pretent that they're still living in the GDR to not shock her since it could mean that she'd die.
Vonter
@Kaiser-Eoghan - To what extend watching them grow up? I mean in Dragon Ball we've seen Goku's entire life. In Ashita no Joe we have a big arc before the MC ever gets into an official boxing match. In Rose of Versailles we see a change of ideology over the course of 12 years.
Kaiser-Eoghan
Bad guys idea was to start up so much shit in our world to terrify the people back home.
Kaiser-Eoghan
The guys homeworld was basically one where things we consider evil are good over there.
Kaiser-Eoghan
I remember working with the idea, where a villain brought people back, solely to open the gateway to his homeland through stealing energy from them resulting from psychological turmoil, then broadcasting how terrible humans are back to his homeland, and his people seeing how awful humanity are, then realizing they should stop being bad people.
Amagi
It's why I am always a huge fan of characters (usually, who could have known, villains) who try to resurrect a past decade or something. Like someone trying to build a world or VR space that imitates the 80s because it was the time he grew up in and which he is still missing and want to return back to. Could be the 90s as well or whatever.
Vonter
The paradox with that, is that technically one becomes a tyrant or a monster eventually. Power corrupts the individual. Whose to say those villains didn't start with good intentions?
Kaiser-Eoghan
@Amagi; Seeing a characters entire life too, seeing him grow up.
Amagi
@Kaiser: I am often thinking about such a series too. A real coming of age, with the character realising what he had lost or is about to lose, how life changes and him trying to make it stop or escape. Or force the old status quo but realising it isn't possible to maintain.
Amagi
@Vonter: Yeah that's a great compromise. Defeat the villain but maintain his new state, or develope his idea or whatever. Just without the errors the villain made.
Vonter
Oh my, realizing that last one, could make most Isekais more interesting, since there are things those characters can't do by design.
Amagi
And then the MC comes and tells everyone that the old life is good as it is with all its flaws and don't realizes that he is actually lucky enough to not be born into misery or in the middle of some war zone like many others who die and suffer.
Vonter
Villains in the end, take the decisions the hero cannot.
Amagi
It's especially bad when the authors aren't even aware of what they're doing. Like showing that there are characters in the fictional world that get an actual better life with the change the villain brings. Paralysed people being able to move for example or poor outcasts not needing food anymore, in case that the villain forces some VR world and digitalizes people.
Kaiser-Eoghan
Booboo hiss , no revolution is lame. Revolution good, do revolution.
Vonter
Kaiser-Eoghan - Aggretsukko touches a bit on the last two examples.
Kaiser-Eoghan
I still love the idea of people actually benefitting from the terrible things the villain does and actually learning from it and the world becomes a better place because we learned not to repeat the bad guys actions. But the bad guy committed those very bad actions to make us realize that.
Amagi
@Vonter: Yeah I never liked that meta message most stories have that basically boils down to "be happy with everything as it is now and don't try changing it, also, revolutions are evil".
Kaiser-Eoghan
Or where a person attempts to explore becoming something more but ends up just accelerating the breakup/going seperate ways thing.
Kaiser-Eoghan
yes vonter, you are giving good examples.
Kaiser-Eoghan
And people growing apart because they've gotten older.
Vonter
@Amagi - Villains have selfish desires, human flaws, and determination. Heroes on those series usually defended the status quo, since that's the only thing they saw as right. And in the meta was to tell the audience how they should behave.
Amagi
Could never get into wimpy characters either. Shy yes, as long as shyness is portrayed seriously and not the typical shy/naive "etooo..ano ne.." harem guy/girl. But I always wondered who can even selfinsert into the typical harem or otome lead.
Kaiser-Eoghan
I'd happily watch a coming of age story which was just about a bunch of guys hanging out, playing videogames, watching films, anime, playing outside and just joking around, very little melodramatic stuff, only on a rare occassion drifting in naturally into the narrative.
Vonter
Ano hana is about reflecting on how the characters grew up.
Amagi
I mean villains are often the oddballs. MCs are too "normal". They're usually the typical guys that maintain the status quo (even if it's flawed), get/want a romantic relation ship and a normal life whereas the villains have ambitions and are often "different" to say it that way. They feel more human to me. Or maybe I am just too weird myself I don't know.
Kaiser-Eoghan
Or even a character reflecting on how they've grown up.
Amagi
@Kaiser: As a child it was almost always the villains for me, or villain sidekicks. Probably because writing was more strict back then and there were too many things heroes weren't allowed to think, like or do. Well it's still a problem.
Vonter
Hi Score Girl has a character that reminds me of some aspects I'm not proud of my youth.
Kaiser-Eoghan
Or a protaganist realizing all of their past romances were chosen because they thought they had to fit in by having such relationships based on expectations, when really they genuinely don't care about romance.
Vonter
@Kaiser-Eoghan Wasn't 30 centimeters per second like that? Welcome to NHK also explores some aspects of the young adult. Kimi ga Nozomu Eien is a soap opera but with adult characters in need of maturing to independent people.
Kaiser-Eoghan
So i can understand wanting to relate to something in fiction.
Kaiser-Eoghan
Also none of these stories ever reflected or related to my adolescence.
Kaiser-Eoghan
I want to see a story about someone who is trying to adjust to their mid 20s or 30s after finally realizing that what they thought would never end (what they were familiar with in their youth) is over.
Anonymous3329534
What are the must-watch anime this season?
Kaiser-Eoghan
In alot of cases naturally the underwhelming leads, male or female are romcom/harem/coming of leads...which leads me to ask, I want an dramedy that I can actually relate to.
Kaiser-Eoghan
Or it was one of the villains.
Kaiser-Eoghan
The idea of being a military commander, military leader, spy or an emperor or a more clever character appealed to me more.
Kaiser-Eoghan
Nor superpowered characters for the most part.
Kaiser-Eoghan
I've probably said this before, and I don't know if this is just from western upbringing, but I never really self-inserted into wimpy characters because I could never imagine myself like that.
Vonter
All these in regards when a girl is the protagonist.
Vonter
1.- They rarely put interesting love interests. 2.- Few times stories aren't about seeking some internal even selfish desires. 3.- In anime at least females get along very easily while I get the impression it's more complicated IRL. 4.- I identify easily the romanticized power fantasy of men but I can't tell if I've seen that thing of women's.
Vonter
It's a dichotomy. Since I've seen both the worst and some of the best female character in manga and anime. Yet I can't shake the feeling female characters have unwritten restrictions to them.
Amagi
@Vonter: The new Promare trailer got me more interested in this. So it seems like the enemies are actually controlled by humans (that..guy/girl(?)). I also feel like the new blonde character will be a traitor or secret endboss or something.
Amagi
@Vonter: I also always had a problem with female characters, be it anime or whatever. Not because of social reasons or anything, I just found them unrelatable. But they got better over the years, especially in the west. Anime always had some series with ambitious female MCs though, it's just that a lot of anime are too selfinserty and these types prefer the safe route and do otome series.
Vonter
This movie is looking sick. It looks like it's using the same type of cel shading as the latest Guilty Gear game: https://www.youtube.com/watch?v=RzFFaLB6fHw
Vonter
I've read manga and webcomics with good or bad art, both can have great or very poor writing.
Vonter
I think scores are incredibly more subjective in terms of comics than other mediums. There is just a vast array of qualities, content, and distribution and exposure also makes for some works fall into obscurity.
Kaiser-Eoghan
or huge praise either.
Kaiser-Eoghan
I decided to read that yuri manga Octave, while I'd give it a higher score than they gave it, a myanimelist reviewer was fairly accurate in saying it really boils down to "another drama" but another review said it was "a quick, short and easy to read manga" I think those are reasonable takes, for better or worse this falls it the fine category and isn't really a huge black mark against it
Vonter
Interesting. I mean it's only a matter of time there are several other Isekai mangas that are either full female or gender bended. Also the Spider Isekai is also coming soon.
Animosh
Always nice to see an author reflect on and work on overcoming his limitations.
Kaiser-Eoghan
There was that recent article where sword art's writer brought up how he wrote his female chracters.
Animosh
Japan has a female prime minister in GITS too, although she's just a supporting character. And now that I think about it, the world of SAO's current arc has a female leader - in fact, her all-consuming ambition is basically her #1 trait.
Kaiser-Eoghan
But that is more of a case of female characters in tougher mode roles.
Kaiser-Eoghan
I suppose if I was making a list of female characters that stood out well for me I would put Motoko (ghost in the shell) or Balsa from Moribito.
Animosh
But I can think of some exceptions. Youjo Senki technically has a female lead, and for an older example there's Twelve Kingdoms. And outside of isekai you have ambitious female characters like Shurei (from Saiunkoku Monogatari) or Maude (from ACCA). But it's true that they're relatively rare.
Animosh
It is true that political ambition is a big part of some isekai though. Overlord is an obvious case, and there's also Log Horizon and the Slime series this season. And the MCs of these series are all males. But then, I suppose political power over others is something that is just more likely to appeal to men, especially in patriarchal Japan.
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Kemurikusa – 03

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Winter 2019 Summary – Week 2

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Kouya no Kotobuki Hikoutai – 02 [The Wandering Six]

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Kaguya-sama wa Kokurasetai – 02

WARNING: This review of Kaguya-sama wa Kokurasetai has been authored by a non-manga reader. His ignorance of future characters and plot points may limit his perspective on the series as it unfolds. Proceed with caution! Boy, is this show a treat. I know we’re only two weeks into the winter season, but Kaguya-sama is my […]

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Thus the story of the Promised Neverland starts in earnest now that the first episode has revealed it’s book and the nature of the orphanage is revealed. As someone aptly put it, this is like Chicken Run, the anime. It’s quite interesting seeing things from a new perspective now that the curtain has risen as […]

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If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]

Castlevania Season 2 Review – 73/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly […]