Posted by psgels on 25 June 2009 with categories: Anime Reviews, Ristorante Paradiso



I’ve turned into quite a fan of the modern horeca-series, brought back and popularized by Bartender. It’s a genre with an atmosphere unlike any other genre, and one of those very few types of series targeted solely at adults. The latest installment is Ristorante Paradiso: yet again a short but charming and relaxing series about a restaurant somewhere in Rome.

From the outside, the premise of this series indeed looks quite shaky. It’s easy to think that this is just a harem, but this time the lead character being a female in her twenties and the male characters all being stereotypical bishounen in their forties or above. Thankfully, the series proves that it’s fully able to avoid this cliché. There is one lead couple, and the rest of the characters all have their own romances.

One of the things that makes this series so enjoyable is how well it manages to handle its limited airtime of only eleven episodes, and yet it manages to develop a relatively large cast of characters. Every episode is basically dedicated to one or two characters, but they’re all inspired and miles away from stereotypes. The characters here have realistic problems and issues, rather than those overdramatic ones you tend to often see in anime. Every episode keeps you guessing on what’s going to happen next; despite the next-episode previews, you’ll hardly ever find yourself able to predict what’s going to happen next, or what the next character’s back-story is going to be about.

And still the series forms a coherent whole in the end. A major theme is the past, and how it affects characters today. Surprisingly, most people in this series have relatively dark pasts, but unlike most other anime they hardly ever bear grudges or feel depressed. A major theme of this series is not getting worked up about what happened in the past, but instead using these experiences to enjoy today. It’s a theme that’s explored wonderfully throughout the series, and makes it feel complete.

Of course, you need to know that this isn’t the series for those who want action or lots of drama. Instead, it’s meant to be relaxing, while most of the drama is done very subtly without ever dragging on. Apart from that though, I couldn’t find any major flaws in this series, or reasons why one would not want to watch this. It’s not anything epic, but what it does it does really well: the creators really put thoughts into how they could make this show work best, and not let a minute go to waste. It’s a recommendation for those who are looking for a short relaxing series.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10

One Response

  1. soyahoney says:

    After Zoku Natsume Yuujinchou had ended, I yearned for another ‘nostalgic’ series. This anime really hit the spot.

    This was a relaxing ride indeed. There weren’t any bumpy roads just small stops to discover the different towns, but in this case, to uncover the characters’ past.

    As Nicoletta weaves her way into each person’s past, she’s also creating an image for herself or marking her stamp on the restaurant itself.

    The animation was simple and the music was also light and heartwarming, but that was enough for us as we tried to understand the concept, ‘how to move on’.

    It was subtle like a whimsical wind in yet mysterious and sometimes dark like the night. The ride had its twists and turns, but it never once steered in the wrong drection. In this case, “La cena era deliziosa, grazie.”

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  • Bam
    (Friday, Dec 19. 2014 03:46 AM)
    And yet again at the end of the day Akane failed to do what’s the most important ethical thing to do and left people to possibly die instead of judging Sybil herself. I think the reason her psycho pass is clear might be out of stupidity.
  • Bam
    (Friday, Dec 19. 2014 03:43 AM)
    @Emma: The plot was not only a mess but also incredibly flawed and contrived. Why would Sybil need to have to delete seemingly random brains considering that the are all supposedly asympttmatic to begin with? And if so then they should’ve done this a long time ago.
  • Emma
    (Friday, Dec 19. 2014 03:40 AM)
    *This was
  • Emma
    (Friday, Dec 19. 2014 03:37 AM)
    One thing I forgot to say regarding earlier complaints about the second psychopass season is that you have people who were getting lost in regards to what was going on in the plot due to what a mess it was.
  • Emma
    (Friday, Dec 19. 2014 03:35 AM)
    The was a pretty awful, although expected turn in the latest two brynhildr chapters regarding Hatsuna and the tonal jump in the latest chapter was terrible.
  • Bam
    (Friday, Dec 19. 2014 03:34 AM)
    Yup Psycho Pass 2 finale was just as underwhelming as you lot say, so now I share the sentiment. Even the 1st season’s wrap up wasn’t all that satisfying so they kinda suck at that, but this just felt like they gave up trying tho.
  • Emma
    (Friday, Dec 19. 2014 02:57 AM)
    I have heard of directors admitting bullshit before, Von Trier is said to have done so and I love the ground that man walks on.
  • Bam
    (Friday, Dec 19. 2014 02:56 AM)
    @Emma: yeah, he mentioned that many elements of NGE where simply for visual flair or to elicit a response from the viewer, which to me is fine.
  • Emma
    (Friday, Dec 19. 2014 02:55 AM)
    And both of you have a point about the power fantasy thing. Would also like to add here that a writer, writing is essentially a power fantasy to an extent as he or she essentially is elevated to the position of a God that has full control over their own world and characters.
  • Emma
    (Friday, Dec 19. 2014 02:52 AM)
    Has Anno mentioned himself that he knows when he’s just messing around?
    Also I like his wife’s works a fair bit and more.

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