Posted by psgels on 25 June 2009 with categories: Anime Reviews, Ristorante Paradiso



I’ve turned into quite a fan of the modern horeca-series, brought back and popularized by Bartender. It’s a genre with an atmosphere unlike any other genre, and one of those very few types of series targeted solely at adults. The latest installment is Ristorante Paradiso: yet again a short but charming and relaxing series about a restaurant somewhere in Rome.

From the outside, the premise of this series indeed looks quite shaky. It’s easy to think that this is just a harem, but this time the lead character being a female in her twenties and the male characters all being stereotypical bishounen in their forties or above. Thankfully, the series proves that it’s fully able to avoid this cliché. There is one lead couple, and the rest of the characters all have their own romances.

One of the things that makes this series so enjoyable is how well it manages to handle its limited airtime of only eleven episodes, and yet it manages to develop a relatively large cast of characters. Every episode is basically dedicated to one or two characters, but they’re all inspired and miles away from stereotypes. The characters here have realistic problems and issues, rather than those overdramatic ones you tend to often see in anime. Every episode keeps you guessing on what’s going to happen next; despite the next-episode previews, you’ll hardly ever find yourself able to predict what’s going to happen next, or what the next character’s back-story is going to be about.

And still the series forms a coherent whole in the end. A major theme is the past, and how it affects characters today. Surprisingly, most people in this series have relatively dark pasts, but unlike most other anime they hardly ever bear grudges or feel depressed. A major theme of this series is not getting worked up about what happened in the past, but instead using these experiences to enjoy today. It’s a theme that’s explored wonderfully throughout the series, and makes it feel complete.

Of course, you need to know that this isn’t the series for those who want action or lots of drama. Instead, it’s meant to be relaxing, while most of the drama is done very subtly without ever dragging on. Apart from that though, I couldn’t find any major flaws in this series, or reasons why one would not want to watch this. It’s not anything epic, but what it does it does really well: the creators really put thoughts into how they could make this show work best, and not let a minute go to waste. It’s a recommendation for those who are looking for a short relaxing series.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10

One Response

  1. soyahoney says:

    After Zoku Natsume Yuujinchou had ended, I yearned for another ‘nostalgic’ series. This anime really hit the spot.

    This was a relaxing ride indeed. There weren’t any bumpy roads just small stops to discover the different towns, but in this case, to uncover the characters’ past.

    As Nicoletta weaves her way into each person’s past, she’s also creating an image for herself or marking her stamp on the restaurant itself.

    The animation was simple and the music was also light and heartwarming, but that was enough for us as we tried to understand the concept, ‘how to move on’.

    It was subtle like a whimsical wind in yet mysterious and sometimes dark like the night. The ride had its twists and turns, but it never once steered in the wrong drection. In this case, “La cena era deliziosa, grazie.”

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  • Bam
    (Monday, May 25. 2015 07:33 PM)
    And no I’m not really that annoyed for Lancer not kicking Shinji off of Rin immediately, at least not in this version, but if he really was trying to get his rape on in the VN with Lancer huffin n puffin right there next to them then that would be pretty awkward then.
  • Bam
    (Monday, May 25. 2015 07:27 PM)
    What I’m legitimately confused about is how did Shirou become an archer? Didn’t he always use melee weapons? Does the counterforce just kinda prefer the archer archetype or something? Cuz even as a Guardian Shirou should’ve still used the double daggers, or even a rolled up enforced newspaper or something.
  • Bam
    (Monday, May 25. 2015 07:23 PM)
    @Aidan: yeah I’m mostly just shooting shit at it, I actually thought it was good, despite the fact that I would’ve been pleasantly surprised if Archer either killed or managed to stop Shirou’s ambition. But plot armor is nothing new to the medium, hell, even Guts has a pretty thick layer of it on at this point.
  • AidanAK47
    (Monday, May 25. 2015 06:11 PM)
    I really enjoyed this episode of anime. Whether someone else did not enjoy it is no concern of mine.
  • AidanAK47
    (Monday, May 25. 2015 06:09 PM)
    Sigh…I just read through 20 pages of stuff on that ANN Fate UBW 20 review. Honestly…I am just tired of this crap. On and on, the same arguments being shouted as if this time they will win an unwinable battle. I really don’t argee with the review but jumping into the fray isn’t going to help anything. Shouting my view won’t change her opinion just as her shouting does not change mine.
  • AidanAK47
    (Monday, May 25. 2015 04:48 PM)
    You know when Shinji was talking to Rin. You could have said something Lancer.
  • AidanAK47
    (Monday, May 25. 2015 04:47 PM)
    @Bam, Ouch. Come on I think comparing him to Kirito is a bit much. You think that Kirito would every be shown getting this much of a beating?
    I do argee that lancer should have jumped in sooner…but he did get a spear though the chest and likely did need some time to rest after attacking Kirei. But a “HEY FECK OFF YOU LITTLE SHIT” would have been appreciated.
  • Bam
    (Monday, May 25. 2015 05:54 AM)
    The episode was alright and felt dense as I watched it, but in hindsight only really moved the plot forward incrementally. Lancer not untying Tohsaka as soon as he killed Kirei and then not killing Shinji when he clearly had the chance left a bad taste in my mouth. That and Shirou’s heavy plot armor at this point is becoming reminiscent of another famous anime dual-wielder. Not a compliment.
  • Bam
    (Monday, May 25. 2015 05:46 AM)
    UBW 20 felt like another rendition of Eva 26 (Take care of yourself), complete with character analysis, battle with one’s Jungian Shadow, and loosely Buddhist ideas of self-actualization. It even featured the repetitive monologue shots that fade to black (with “I saw Hell” instead of Rei’s “Sky. Red, red sky”). It never went as far as Eva with “which way is up?” type of Soliloquy, but that’s probably a good thing.
  • Emma
    (Sunday, May 24. 2015 05:48 AM)
    Ashura was an excellent example of how to through anime illicit and emotional response in an honest, non-melodramatic way.

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