Posted by psgels on 25 June 2009 with categories: Anime Reviews, Ristorante Paradiso



I’ve turned into quite a fan of the modern horeca-series, brought back and popularized by Bartender. It’s a genre with an atmosphere unlike any other genre, and one of those very few types of series targeted solely at adults. The latest installment is Ristorante Paradiso: yet again a short but charming and relaxing series about a restaurant somewhere in Rome.

From the outside, the premise of this series indeed looks quite shaky. It’s easy to think that this is just a harem, but this time the lead character being a female in her twenties and the male characters all being stereotypical bishounen in their forties or above. Thankfully, the series proves that it’s fully able to avoid this cliché. There is one lead couple, and the rest of the characters all have their own romances.

One of the things that makes this series so enjoyable is how well it manages to handle its limited airtime of only eleven episodes, and yet it manages to develop a relatively large cast of characters. Every episode is basically dedicated to one or two characters, but they’re all inspired and miles away from stereotypes. The characters here have realistic problems and issues, rather than those overdramatic ones you tend to often see in anime. Every episode keeps you guessing on what’s going to happen next; despite the next-episode previews, you’ll hardly ever find yourself able to predict what’s going to happen next, or what the next character’s back-story is going to be about.

And still the series forms a coherent whole in the end. A major theme is the past, and how it affects characters today. Surprisingly, most people in this series have relatively dark pasts, but unlike most other anime they hardly ever bear grudges or feel depressed. A major theme of this series is not getting worked up about what happened in the past, but instead using these experiences to enjoy today. It’s a theme that’s explored wonderfully throughout the series, and makes it feel complete.

Of course, you need to know that this isn’t the series for those who want action or lots of drama. Instead, it’s meant to be relaxing, while most of the drama is done very subtly without ever dragging on. Apart from that though, I couldn’t find any major flaws in this series, or reasons why one would not want to watch this. It’s not anything epic, but what it does it does really well: the creators really put thoughts into how they could make this show work best, and not let a minute go to waste. It’s a recommendation for those who are looking for a short relaxing series.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10

One Response

  1. soyahoney says:

    After Zoku Natsume Yuujinchou had ended, I yearned for another ‘nostalgic’ series. This anime really hit the spot.

    This was a relaxing ride indeed. There weren’t any bumpy roads just small stops to discover the different towns, but in this case, to uncover the characters’ past.

    As Nicoletta weaves her way into each person’s past, she’s also creating an image for herself or marking her stamp on the restaurant itself.

    The animation was simple and the music was also light and heartwarming, but that was enough for us as we tried to understand the concept, ‘how to move on’.

    It was subtle like a whimsical wind in yet mysterious and sometimes dark like the night. The ride had its twists and turns, but it never once steered in the wrong drection. In this case, “La cena era deliziosa, grazie.”

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  • Emma
    (Friday, Mar 6. 2015 03:47 AM)
    I remember that same guy, during end of eva, pausing it over and over during that scene where asuka dies with all of those fast moving clips too.
  • Emma
    (Friday, Mar 6. 2015 03:39 AM)
    I remember catching it also when I was young with a friend and we looked back on a fanservice scene with shinji and rei and he mentioned “You know if you think about it that scene is damn disturbing when you think she’s a clone of/modelled after you know who…”
  • Emma
    (Friday, Mar 6. 2015 03:36 AM)
    Before Eva, when I was 11 or so my image of a mech anime was Nadesico…then it was eva and then I was like…Whoah…whoah God halp! =O
  • Emma
    (Friday, Mar 6. 2015 03:34 AM)
    I suppose credit where I feel it due, the angel designs are excellent and I remember getting the shock of my life when shinji’s eva went nuts and then there was a bit with Bardiel infect Toji’s unit. I remember at least Masatos boyfriend being a likeable character.
  • Emma
    (Friday, Mar 6. 2015 03:31 AM)
    I don’t think anyone was prepared for Eva, whether they liked the show or not, at 11 I can remember being horrified by end of eva and the series original ending as well as having my first moment of “Feck…theres a first…an anime that did something that scrambled my mind, I actually feel kind of thick now, this show is smarter than I am”.
  • Bam
    (Friday, Mar 6. 2015 03:27 AM)
    It really wouldn’t have been that hard to put a satisfying ending to the original series, wrap up the threads nicely and put a pretty ribbon on the package to finish it off. But Anno and friends took a risk and went against the tide and end up becoming the trope-namer for the Gainax Endings. That took balls and made things unexpected and fresh, cuz god knows that ,good guys win the day ‘is tired and boring.
  • Emma
    (Friday, Mar 6. 2015 03:26 AM)
    Requiem for a dream. I remember the guy who recommended that film saying to me “Even someone such as yourself who finds it hard to find/has high standards an emotionally investing film will get something out of requiem for a dream”
  • Bam
    (Friday, Mar 6. 2015 03:17 AM)
    @Emma: leaving a bad taste is pretty much the point of Eva, just as getting bummed out by Requiem For a Dream is the naturally intended effect. I don’t mind that you don’t enjoy Eva all that much Emma, l actually appreciate it over dishonest admiration. Just keep in mind that Eva deserves it’s special place in anime.
  • Emma
    (Friday, Mar 6. 2015 01:32 AM)
    But Eva just left a bad taste in my mouth as a whole, I understand that Bam you are very passinette about it and thats fine, I wasn’t aiming to provoke. I just feel that its frustrating that like alot of certain anime, that I am not allowed to dislike it or have reason to.
  • Emma
    (Friday, Mar 6. 2015 01:32 AM)
    If anything at least I found Ikuhara’s symbolism while obvious at least in utena and straightforward was at least visually interesting to look at.
    I love every David Lynch film and again I thought Lain was exceptional.

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