Posted on 31 July 2009 with categories: Pandora Hearts



I must say that this episode turned out completely different from what I expected. Now that the setting has become your average high school, I was expecting a more light-hearted chapter, and the way this arc started indeed seemed to suggest so. So I was wrong.

Because this was the last place I expected the Baskervilles to show up at. I’m not exactly sure how they knew that Oz was visiting his sister this day, but the Tragedy of Sabrie turns out to be a bigger mystery than expected, especially since the ones who instigated it don’t even know everything that happened. I suspect that they want to know the exact details of what Jack did back there in order to prevent it from gobbling up the entire country.

The most interesting thing in this episode was the piece of meta-fiction in terms of the Holy Knight series, which seems to be a series of popular books in the Pandora Hearts universe. I loved how both Oz and Eliot (the new guy, who seems to be part of the Nightray family, of all things) had completely different ways of interpreting a guy named “Edgar”. Oz, being cast in the abyss and all, has lost just about all of his self worth, but it turns out that he even thought little of himself before he was cast into the abyss, which again brings us back to the way he was raised by his parents. This episode shows that he still fails to see the many people that care about him (Ada, Gilbert and especially Alice). Those words from Eliot made a lot of impact.

And on a side-note: what kind of school has a barbecue club? Seriously?
Rating: ** (Excellent)

Posted on with categories: Phantom



Haha! This is the episode where we’ve all been waiting for, and it SO does deliver! It’s a very slow-paced episode, but the build-up was so incredibly good that it had me on the edge of my seat for the entire twenty minutes. Not only did this episode have some incredibly subtly emotional scenes, but it also created some awesome potential for this series finale (heck, we still have eight episodes to go and this episode had plot twists that you’d usually include in episode 24 or something).

Helen really had me fooled. Ack, I should have known that we were only shown the story from Reiji’s perspective. While it looked like she transformed into the emotionless doll that Scythe wanted her to be, it was far from the case and instead she too had as many internal conflicts as Reiji. Heck, if Cal wasn’t there, the fight in this episode would have ended rather nasty, because I suspect that without her, Reiji would have been a little too obsessed over Helen to think straight. Now that he thinks she’s dead he only has Helen left, and that’s what made him convinced that he wasn’t going to seriously fight Ein.

But Cal sure as heck ain’t dead! We just don’t have a bloody clue as to what happened to her: all this episode showed were a surprisingly clean gun and watch: signs that she indeed was away when it happened. Still: why did she go back to that place? Where is she now? What made her go away right at the moment of the bombing? What is she thinking of doing next. And how the heck is she going to react to Helen being back!?

Amidst this awesomeness, it almost feels like second fodder that Claudia freaking died! It turns out that her biggest reason to join Inferno was to get her revenge on her brother, and she’d get this revenge even if it meant betraying her friend Lizzie (who looked awesome when she was younger, by the way)
Rating: *** (Awesome)

Posted on with categories: Tokyo Magnitude 8.0



Four episodes in, and this series still hasn’t show any signs of dulling in. This episode yet again was amazing and heart-wrenching. I was already suspecting that the creators were going to crash Tokyo Tower at one point. That happened here. Interestingly enough though, it was far from the highlight and main focus of this episode.

Media coverage on such disasters like Earthquakes and the like always tend to be rather one-sided: they always focus on the people who have been hit the worst. These disaster documentaries like the ones you see on National Geographic Channel always tend to pick out the ones with the most spectacular cases and all. That’s why it’s incredibly refreshing to see that this series picked out a bunch of random people who got caught up in the earthquake. This brings things surprisingly close to home: “it could happen to you”. And I think that that’s what makes this so engaging.

The first half of this episode was about… Mirai trying to go to the toilet. Perhaps it’s not the most appealing of side-plots, but for a child her age to suddenly get bothered by a bad stomach… it indeed could happen and this episode showed that even that proves to be full of troubles in such a situation in which millions are stranded.

What struck me also here was that scene in which Mirai and the others tried to get some food. The way Mirai judged that person who walked away with two cups instead of one is exactly what’s going on in just about everyone’s mind in such a situation. We have no idea whether this guy took advantage of the situation or whether he really had a good reason to be carrying two cups, but that single scene said so much about the situation everyone’s in.

The second half of this episode showed Mari leaving the two kids alone as she tried to get information on where to go, at which point Mirai and Yuki get into a fight. At that point, Mirai really felt miserable because of everything that happened to her, not to mention that at that age, you really find your little brother’s whining annoying no matter how good he means it. In the end they both have a good cry and make up.

I’ve always been a fan of realism in anime, so I really love the touches of realism in this series. Yuki may be a bit too nice for a boy his age, but I definitely could see a character like his in real life. And besides, I don’t think that he’s ever seen his sister in so much distress as here, so I don’t think that he had any time to panic for himself. I think that that’s why his tantrum in this episode was so good for him, because it finally allowed him to blow off some steam.
Rating: *** (Awesome)

Posted on with categories: Basquash!



It’s interesting how the new staff got an entirely new soundtrack to work with. It, along with the new direction gave a totally new atmosphere to this series. I’m surprised to say it, but it actually works. It’s not better in every single way (the loss of the subtlety is one example), yet somehow it works. This episode was mostly meant to introduce the upcoming (and probably final) major arc, but it was a solid and enjoyable build-up nonetheless.

But yeah, the loss of subtlety does stand out. This episode really showed that in the fanservice: previously, this series had a lot of fanservice as well, but the jokes it made around it were creative. So obviously, this episode shows moon giant-kun running into Sera as she comes out of the shower. *headdesks*

Anyway, in this episode Iceman quickly takes care of the bounty hunter, getting revenge on the guy who cut off his arm and leg at the same time, by unleashing a new power: the Destroy Tornado. Interestingly enough, he then gets left behind by the others as they receive a sudden chance for another attempt to go to the moon. It seems to be the main prize of a tournament that’s held in some city, and I suspect that either the moon giant or Flora is going to replace Iceman.

In the meantime, Rouge’s manager is evolving into a real bad guy here, when he even tries to kidnap Coco (ransom, I guess), but Mr Perfect manages to avoid it. That does make me wonder about James’ sense of space. He really seems to be able to appear whenever he’s needed, doesn’t he? Is that some kind of secret power of his, or just a case of lazy scriptwriters?

And yeah, my prediction of Rouge turning into a damsel in distress was wrong. She looks more to be developing into the final boss at this rate. Something tells me that that was Shoji Kawamori’s idea…
Rating: * (Good)

Posted on with categories: Monthly Summaries

I must say, that we’ve got ourselves an awesome Summer Season here. Sure, there aren’t many series, but a significant majority of the new series succeed at what they intend to do. There may not be a lot of shows with awesome and ambitious story-lines, but in terms of slice of life and characterization, this really couldn’t have been better. Oh, and if you’re wondering what happened to Valkyria Chronicles: I dropped it. It just became too tiring to keep track of it, especially with so many other great series going on.

Rankings, like the past months are a bit strange again, I basically tried to generate the rankings for each show, compared to the others that are currently airing. Say, for example that Show A has a really good setting, and there are only a few other shows with a better setting, it’s going to rank higher than if there are many shows with excellent settings, and vice versa. I know that it’s a bit weird, but for some reason it does more accurately reflect my feelings about the shows this season.

#33 (new) – Element Hunters – (6,5/10) – So yeah, there’s not much hope for this series. It tries to be educational, but the creators have no idea what they’re talking about. The characters behave like your typical shounen leads (really, you can’t get any more typical than these guys), and overall it’s something you show kids when they’re whining too much. Dropped
#32 (new) – Kanamemo – (7/10) – Amongst all of the other slice of life and yuri series this season, Kanamemo is simply overshadowed in the way that there really is nothing special about it whatsoever, and the first episode just felt forced to me. Dropped.
#31 (new) – Princess Lover – (6,25/10) – I originally dropped this, but because so many people seemed to like it and recommend it I stuck with it. My question is: WHY!? What is so good about this series? I can see that the animation is above average and all, but the whole set-up is even more generic than your average harem. The scenarios are very predictable and very much written to suit the story, rather than evolving naturally. Especially the lead character doesn’t seem to be able to decide what personality he wants to be. It’s just way too forced to make any sort of impact.
#30 (new) – Bakemonogatari – (7,25/10) – Watching Bakemonogatari is like watching someone read the Bakemonogatari novels in front of a slide-show. I can see that Nisioisin is a great writer in the way that he uses wordplay through his stories, but Shinbo has been incredibly lazy in adapting it. The characterization is just utterly bland, and we’re given no way whatsoever to sympathize with them with this style. I’d really wish that Shinbo had the chance to watch Mouryou no Hako before adapting this series; now THAT’s how you should adapt a story with lots of dialogue.
Award: Best OP of the Month (the first one)
#29 (19) – Zan Sayonara Zetsubou-Sensei – (7/10) – It’s a shame really. I remember how I used to laugh like crazy over this series, but now all it gets from me are a bunch of chuckles during the good parts. The “social commentaries of the week” are still getting more far-fetched and formulaic by the minute. The only thing that still has my interest is that every single episode has a different OP and ED.
#28 (new) – Needless – (7,5/10) – Well, so this series deserves the reward of featuring the single biggest moron to grace any show this year (“yes, I’m looking for a guy named Adam; do you know such a person?”). It’s an incredibly stupid series and it’s clear that Madhouse’s worst staff has been working on this thing. Yet, for brainless entertainment it does the job. The banter between the different characters is varied and fun to watch at least.
#27 (new) – Yoku Wakaru Gendai Mahou – (7,5/10) – I’m really not sure what to think of this series. I know that I’m enjoying it so far and I like the concept of programmable magic; it’s not a chore to watch it in any way, and yet it has these cases of hopelessly bad acting and a collection of utterly terrible action scenes, and yet the characters themselves remain strangely enjoyable enough to watch. What puzzles me the most though is this series’ really weird fanservice. Are you getting bullied? Well, just throw your panties in the bully’s face! That will shut him up!
#26 (19) – 07-Ghost – (7,75/10) – Meh, it’s a shame but 07-Ghost has been getting a lot less entertaining. The focus has been getting much less at the church and more at the overall plot which turns out to be surprisingly dull and angsty. Finally my patience seems to be running out with this series…
#25 (16) – Chi’s New Address – (7,75/10) – Chi’s New Address has been getting a bit dull lately. That may be because of the slow subs (I switched to the subs for this series because the raws are near-impossible to keep track of), but granted: the first series also had this. It needs something to spice things up a bit, like the first season did with the big black cat.
#24 (new) – Kuruneko – (7,75/10) – I originally thought that this was going to be another one of those dull kiddie shows. Then I found out who the director was, headdesked and reminded myself why I always check out every single show at the start of each season. Kuruneko only has 3-minute episodes, but they’re really charming so far. I like how the old lady always tries to voice over her own cats, and with the most consistent comedy director in the business behind this series, I can see little that can go wrong.
#23 (22) – Hetalia Axis Powers – (7,75/10) – This month really saw an overabuse of dull Liechtenstein jokes, however after that this series very neatly picked itself back up. Especially the second season had a very nice start.
#22 (13) – Melancholy of Suzumiya Haruhi – (7,5/10) – Well, I’ve dropped this series at this point. The first four episodes were nice slice of life, but eight is going way too far. I’m not that angry with the series because I’ve never really been a fan, but I can understand the current fans a bit. If Amatsuki were to pull the same thing then I’d be raging too.
#21 (4) – Konnichiwa Anne – (7,75/10) – Ouch, this series has fallen badly this month. The Marysville arc has just been one big mess, full of really cheesy moral speeches that just WOULD NOT STOP and characters ripped off from Emily of the New Moon. The Thomas Family is still as awesome as ever, but characters like the teacher Henderson really manage to bring this series down right now.
#20 (15) – Saki – (8/10) – Okay, so the OP and ED haven’t stopped being annoying and the Mahjong matches have been based on luck more than ever now, but I’m still surprised at how good Saki has become. The reason for this is the cast of characters. They’ve been sufficiently fleshed out and developed right now, and they get more and more engaging with every episode. It’s strange, because apart from that this series has nothing else that makes it special whatsoever.
#19 (new) – Sora no Manimani – (7,75/10) – I originally dropped this, but then I learned about the director. Overall it has been an enjoyable series, but the comedy has been a bit too hit-or-miss, and the creators’ attempts at being heart-warming just end up as cheesy.
#18 (new) – Taishou Yakyuu Musume – (8/10) – For the past year we’ve seen an interesting increase in baseball shows: One Outs, Major 5, Cross Game and now Taishou Yakyuu Musume appears and still manages to stand out individually. The whole gender issues of eighty years ago are nicely touched upon, and the characters themselves are surprisingly likable.
#17 (18) – Gintama – (8,25/10) – Despite my rantings a few months ago, I must say that the new director has been getting better and better. The past arc has been surprisingly good at Gintama’s trademark of taking just about everything to the absurd.
#16 (17) – Basquash! – (8/10) – In this month, Basquash has been trying to get into the right track. Emphasis on “trying”, because I still have no idea whether this series is going to be a success or a total train-wreck. We’ve reached the point now at which Kiss Dum’s director has taken over, so let’s hope that he can give this series the ending it deserves.
#15 (21) – Umineko no Naku Koro ni – (8,25/10) – I’m still having a bit of trouble connecting to the characters, but Umineko definitely has been the most intriguing new series this season. In the first month we seem to have gotten only a little taste of what is to follow, but it’s promising to be a really entertaining mind-screw.
#14 (14) – Shin Mazinger Shougenki! Z-Hen – (8,5/10) – You know, for a homage of the series that popularized the monster of the week genre, the story is surprisingly non-linear. The Germany arc had a surprisingly good conclusion, and now that the past few episodes have started to introduce a whole new layer of depth in the whole story Shin Mazinger has gotten even more epic than it already was. I can always count on this series for my weekly dose of manly entertainment.
#13 (new) – Canaan – (8,25/10) – Canaan really has an awesome set of production values to work with, courtesy of PA Works. Everything looks really crisp and detailed with an excellent direction. Sure, the premise and characters still need some work, but there isn’t anything wrong with the execution so far.
#12 (new) – GA Geijutsuka Art Design Class – (8,25/10) – Talk about the dark horse of the season! I’m really enjoying this series, not just because of the characters, but also because I’m really interested the main topic for this series: Art Design. I love all of the nice ideas that the creators throw into this series, and the creators have really shown that they’re very knowledgeable about this subject. I’m just not sure why they found it a good idea to focus an entire episode on a bunch of unrelated side-characters, but perhaps they’ll return later somehow.
#11 (21) – Umi Monogatari – (8,25/10) – For a Junichi Sato series, Umi Monogatari feels a bit too one-sided, but nevertheless it has a powerful cast of characters and succeeds as a heart-warming drama. The “monster of the week”-theme only turned out to be something of the first few episodes in order to flesh out the characters.
#10 (10) – Marie & Gali – (8,5/10)

This series continues to be my current favourite comedy. It still hasn’t lost any of its charms, and it’s still as funny as ever with all of the weird stuff that the creators throw into it.
Award: Funniest Series of the Month

#9 (6) – Cross Game – (8,75/10)

Cross Game yet again has been a truly excellent series this month. The characters are advancing very subtly and the wit of this series doesn’t seem to be getting less interesting at all.

#8 (3) – Pandora Hearts – (8,75/10)

So yeah, the Cheshire Cat arc rocked. It really pushed the story into a different direction and the characters gained a lot of depth through it. My big worry is the same as the manga readers’ right now: where the heck is that second season!?

#7 (8) – Guin Saga – (8,75/10)

This month, Guin Saga turned to politics and lots of character-development, with some excellent results that really managed to solidify this series’ epic atmosphere. This series has become very solid fantasy and I’m loving it so far.

#6 (8) – Spice and Wolf – (8,5/10)

The first season took a while to get going. The second season didn’t. These past four episodes have been intelligent and complex in the merchant business, and at the same time they showed Lawrence and Horo at their best surpassing the subtle chemistry between them that made the first season so good.

#5 (9) – Full Metal Alchemist – Brotherhood – (8,75/10)

17 episodes in, and I’m confident to say that Brotherhood has surpassed the original series. The new series is shaping up to be much more interesting, and the way the creators toy around with your emotions, with which you’re not sure whether to laugh or cry, is just brilliantly done.

#4 (new) – Aoi Hana – (8,75/10)

Amazing attention to detail, that’s what this series stands out in. Because of that, this has turned into one of my favourite series of the new summer season. A lot of care has been spent into subtly fleshing out and developing all of the different characters, with some amazing results already within five episodes. Noise rocks!
Award: Best First Episode of the new Season

#3 (2) – Phantom – (9/10)

Phantom has continued to slowly build up its current arc, and you can still see enough of its brilliance throughout. I really like what Cal turned into, and the characterization on Reiji has been truly excellent all the way. This is why I’m such a big fan of Bee-Train.
Award: Best Characters of the Month

#2 (1) – Shangri-La – (9/10)

I really have to praise Shangri-La for its ambition. The storyline is really evolving into something epic right now: there are lots of different sides, every single episode nowadays comes with a truckload of plot twists that hardly ever feel out of place and only make the setting even more intriguing. It’s a lot of fun to watch due to the excellent cast of characters. It’s as a series very rough around the edges, with the direction feeling jerky at times to say the least, but considering how awesome the rest of the series has turned out, I’ve really stopped caring about this series’ flaws long ago.
Awards: Best Storytelling of the Month; Best Setting of the Month; Best ED of the Month (the second one)

#1 (new) – Tokyo Magnitude 8.0 – (9/10)

What an utterly amazing start to this series. I’m really glad to see that the creators chose a realistic approach: they didn’t create a worst-case scenario, but instead a “what if”-scenario. Mirai really works as a flawed lead character, and the creators added a lot of subtle details to her character that make her a really sympathetic lead.
Awards: Best Production-Values of the Month; Best Episode of the Month (02)

Posted on 30 July 2009 with categories: Anime Reviews



Well, here’s an interesting one. Imagine your average Super Sentai show like the Power Rangers: our hero has to fight a wave of bad buys and monsters every day in order to protect the world from getting taken over. Now imagine the complete opposite. That’s what Tentai Senshi Sunred is.

I’m still not sure whether this was a case of brilliance, or just a case of a drunk idea that got taken too far, but Tentai Senshi Sunred takes the average Super Sentai Formula, transforms the titular Sunred into a lazy temperamental sadist, and the villains into a bunch peace-loving incompetent idiots who seem to be more interested in housekeeping and making a living than “doing evil stuff”. In fact, especially the lead villain is a peace-loving flower child who is a master at house-keeping and always puts the feelings of others before his own. And so this series chronicles the useless attempts of our peace-loving villains to try to beat Sunred, while at the same time living as respectable members of society. And somehow, it works.

As a comedy, it may not be continuously funny, but it has its moments of brilliance throughout the entire series. It gets a lot of inspiration from its unique setting, and makes good use of this by driving things even more into the absurd. The characters also have their quirks which have a number of priceless moments and some of the running gags also really work well (I especially loved Godom and Sodorrah, even though the two of them didn’t do ANYTHING throughout the entire series). There are a few sketches that do tend to get on your nerves though, like the Host Dog and Vamps Cooking Tips, but overall it’s not too long to get boring or repetitive.

And the nice thing is, that at the moments that this series isn’t funny, it still is a very enjoyable and detailed slice of life with a good cast of voice actors. Really, this series is a pretty realistic portrayal of the trials of young adults if you ignore the fact that most of the characters are silly monsters that nobody seems to find scary or weird. I especially liked the subtle relationship between Sunred and his girlfriend, which for once was not overly romantic like you see in most other anime.

But yeah, the animation is quite lazy. A lot of the characters conveniently have masks on or some other excuse that would prevent the animators from animating their mouth when they speak. Instead, the characters wiggle around a bit when they try to move and speak. And really, it’s not like the animators can’t animate either: there’s one particular segment in which Sunred is walking in the background of a life-action scene, which is animated so smoothly that it actually becomes really hard to see whether he’s drawn or part of the live action.

But then again, to the question “does this show really need to be well animated?” the answer obviously is “no”. Sunred isn’t the best of the comedies out there, but it’s still worth it if you grew up watching shows like the Power Rangers or anything similar, just to see this series completely taking the piss out of those premises.

Storytelling: 8/10
Characters: 8/10
Production-Values: 7/10
Setting: 9/10
Posted on with categories: Aoi Hana



Oh, I so love how this series managed to bring its characters to life. The non-verbal communication between the characters says much more than what the dialogue can even hope for and the creators manage to do this with a lot of subtlety. It really gives all of the characters complex stories, rather than “A is in love with B but B is in love with C so A hates C”, or the like. There definitely is a love triangle going on here, but these five episodes have added a lot of detail to them to make them far away from your average love triangle out there.

In this episode, Kyouko finds out why she was rejected by Yasuko, and how Yasuko is in love with Fumi. I didn’t see any hate for Fumi at her, but just about every other negative emotion was present on her. Because of this, Fumi stops accompanying Yasuko to her rehearsals because she fears having to deal with Kyouko’s sad face again. Throughout, Akira keeps acting as the straight man in this romance: she isn’t loved or in love with anyone, but instead provides support for both Fumi and Kyouko in this case.

And I have to say that Yasuko has a very interesting way to show her affections. While Fumi act like a shy puppy around her, Yasuko instead shows her feelings very subtly: she mostly puts on a straight face in order to be the strong shoulder for Fumi to lean on, but there are a few times here and there in which you can see that she really likes to be with Fumi.

Kenichi Kasai isn’t the most consistent director I’ve seen. What I saw of Major (the first season) shows that he’s terrible at shounen series, and Kimikiss, while it did have genuine characters, did drag on for way too long, but his best works really are something else. Nodame Cantabile was awesome, and Aoi Hana also looks to be standing out in its own way with its attention to detail. And yes, some day I’m going to watch Honey and Clover. ;)
Rating: ** (Excellent)

Posted on with categories: Umineko no Naku Koro ni



As much as I don’t care about the original visual novel, I have to admit that this episode stretched even my suspense of disbelief. Battler just acted way too weird in this episode, it just doesn’t make any sense.

So basically, the bodies continue to fall when Natsuhi commits suicide. Butterflies then appear again, Battler tries to shoot them, the eye-catch appears… and suddenly Kanon, Sharon and Natsuhi are perfectly fine and everyone acts like nothing happens! Sure, I can see how Beatrice is screwing with everyone’s mind by magically reviving everyone and all… but what happened to the others? There isn’t even a single mention of them! And besides, everyone was talking like they just returned from a Beach resort, instead of a murderous mansion.

Then Battler’s refusal to believe in the existence of witches. Sure, I believed that too until the end of the previous episode. HOWEVER he completely seemed to accept that everyone and his dog came back to life, and yet he never even questions it, and yet he doesn’t want to believe that Beatrice killed them. That just doesn’t make any sense.

Overall, I’m a bit disappointed that it really was Beatrice who killed off everyone, but let’s see what the rest of the series can do to spice things up. This show now seems to be developing into a battle of wits between Beatrice and Battler, but I wonder how the creators are going to make this interesting without making Beatrice Mary-Sueing Battler over and over.

I’m intrigued by that letter in a bottle from Maria, though. What was up with that, and could that one explain what happened to the real Maria? So that Maria was basically killed and replaced by some thing that could keep an eye around for Beatrice?

Oh boy, this really reminds me back to the first season of Higurashi. I remember how my love for that series was also as inconsistent as he series itself.
Rating: – (Disappointing)

Posted on 29 July 2009 with categories: Anime Reviews



I’m not the biggest fan of romantic comedies, mostly because a lot of them are pretty cliched and boring. Nevertheless there obviously also are a lot of gems. His and Her Circumstances is Gainax and Hideki Anno’s addition to this genre, and while it may on the outside seem like the umpth variation of the same formula, it rises above most others through its dialogue, deep characters and snappy direction.

I have to grant it to Hideki Anno: as infamous as Gainax has become over the years, HaHC features some of the best direction I have seen in a romantic comedy. It doesn’t feel like a moment is wasted here, the dialogue is elaborate and meaningful and he really managed to bring out the depth of the characters from whatever manga this was based on. It turns this into a very accessible series: it’s very easy to watch and hardly ever gets boring. It may not be consistently funny, but it is consistently entertaining (well, with ONE major exception, but I’ll get to that below).

The dialogue overall flows very naturally, and of course the trademark Gainax Animation is very evident through the series, but you can see that along the way, the budget of this series becomes smaller and smaller. Nevertheless, the creators of this series solve it really well, and in a completely different way from how a limited budget is usually masked (by things like distorted faces and an overabundance of still frames). This series excels in its smart and creative tricks to save budget; the art remains crisp and consistent and the creators never forget to have lots of things going on at the same time. Two episodes in particular stand out in this: one consists out of uncoloured character-sketches, while the other is basically a living storyboard in black and white. They were a lot of fun to watch because even though it definitely looked cheap, there was always something going on in the screen and the characters never ceased to be captivating.

This does get taken too far in one aspect, though: Hideki Anno’s really weird obsession with recaps. Seriously, this show is full of the: nearly every episode starts with a recap of what happened up to that point, sometimes even lasting for three minutes. If this series had a complex story then okay, it might have been excused, but for a romantic comedy? In the middle, there also is a string of two completely useless recap episodes in the middle, and my guess would be that the total amount of time this series has spent on recapping is about the same as Wolf’s Rain’s recap block. And that one was aired for a good reason. And not spread across the entire series.

Nevertheless though, this series is a great example of a romantic comedy that’s deep and entertaining at the same time. Sure, it does have a bit of an inconclusive ending, but it’s nowhere near a bad conclusion. It’s a great example of how to correctly save budget without sacrificing style. And hey, after watching this series I finally know what the favourite anime of Akiyuki Shinbo is. ^^;

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on 28 July 2009 with categories: Shangri-La



Another great episode, if only because of Karin’s awesomeness. I already suspected that we didn’t see the last of her when she got busted out of her room by Atlas, but for her to end up buying the entire Akihabara! That’s a nice one. To think that it’s actually Karin who unites all of the good guys, rather than Kuniko, but it’s definitely an interesting twist for Karin to try and collect all of the Digmas (or Triple As, as she calls them). We still don’t know though what makes them so important, and why Ryouko bothered to let them go in the first place. Now that Claris seems to be gone, an interesting split personality on her side also seems to surface.

In other news, Takehito seems to have discovered that Kuniko is a Triple A Atlas member. What we do learn in this episode is that one of the Triple As is meant to inherit Atlas in the future… wtf?! But in any case, Takehito’s grief for his dead sister seems to be a bit too big for him to accept that Kuniko is part of Atlas (he’s probably not going to like it when he finds out about her grandmother either). We see him jump off a cliff in this episode, but in true Shangri-La fashion, I really doubt that that was the last we see of him. :)

But the juiciest plot twist in this episode: Kuniko plans to burn down the ENTIRE TOKYO in order to stop the Daedalus from spreading. This plot just keeps getting better and better, doesn’t it? My big hope is that Gonzo has saved its budget for that particular scene, because if it’s going to mean that the the entire city of Tokyo, including Atlas, is going to end up in flames, then that’s going to make for some potentially awesome eye candy.

What also striked me in this episode is that there are a lot of people who have an aversion of something major: Karin hates public places, Mikuni can’t go out in broad daylight, while Medusa can’t seem to survive without water. I keep trying to look for a link with something else in the story, but it seems pretty random. If you take liberties in this definition then you could argue that Sayoko can’t live without a “daughter”-figure to take care of, and Momoko and Miiko turned away their manlihoods, but there still doesn’t seem to be a pattern I can spot here. Especially since Kuniko and Kunihito don’t seem to fit in this theme at all…
Rating: ** (Excellent)

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Vonter
@Anon2140150 - I do. Though Shounen do have the issue of being derivative in certain aspects like power scales and several doing the FMA Brotherhood climax (of what I've watched). Also they're made to be endless. It can be intimidating jumping to one that has several seasons.
Anonymous2140150
Does everyone here don't like shonen anime?
Amagi
Really, if there is one piece of information (aside from otome maybe) that makes me ignore a series forever it's a LN about a LN author or illustrator. The selfinert wish fulfillment couldn't be more obvious.
Amagi
Another LN greenlit for an anime production and the synopsis starts with "* is a light novel illustrator and..".
Amagi
@KTravlos: I don't know why modern anime hate curly- and/or wild hair so much. The old hair style gave Reinhard a more royal look, whereas he looks like a normal highschool boy now. Not that I am complaining about the anime as a whole. Also, I like some of the new designs.
KTravlos
and a part of me things it is indeed the hair. It comes to low, giving Reinhard a slovenly, lazy feel. When Yang feels more energetic you know there was a mistake.
KTravlos
and yes, this Reinhard fares poorly in comparison to the OVA one. He is dull. I need more Yang :p
KTravlos
ai vay vay. The Castrop Rebellion remains waste of time. And this time it was worse. The older depiction was tacky but at least it showed Kircheis ability in a logical manner. This time I had no idea what the hell happened. It felt cheap.

The rest of the episode was ok. Not completely sold on all the renditions of imp. admirals though I still love the uniforms.
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
SuperMario
So it's best to wait for another 2 years to watch Heaven's Feel? Hell NOT
AidanAK47
When all the movies come out though you can basically barrel through it like a TV series.
SuperMario
Dangit, it's me Mario
Anonymous2115918
I still don't know if I like this trilogy trend. We've had a fair bun h of those in recent years (Berserk Golden Age, Madoka, even Kizumonogatari). I guess doing it that way, they'd make much more profits, and we have higher production values, but the wait is way too long and I don't think it works as movie-format
Kaiser-Eoghan
One of the very rare times where self-awareness works.
Kaiser-Eoghan
I can be nice and say of course Ryan Reynolds+ violence, comic was funnier.
Kaiser-Eoghan
@Aidan: But I'm sure if you think it over, the first deadpool was trapped in origin story mode, as an advantage, the sequel, is probably free of that.
Kaiser-Eoghan
@Aidan: Deadpool 2 had John Wicks director, which at the least means something in terms of action direction.
Kaiser-Eoghan
@Aidan: There was a whole run of deadpool issues called Cable and deadpool, which I suppose that pairing together gets the best out of the character.
AidanAK47
Seen Deadpool 2 tonight and I have difficultly deciding if it's better or worse than Deadpool 1. Still it's quite fun and I enjoyed it.
AidanAK47
@Anon, I feel somewhat similar in regards to Franxx. When this series finishes I won't be singing high praises for it. Yet I do feel that it's worth watching.
AidanAK47
@Lenlo, Now I get ya. Yeah I understand that. I might even feel the same if I didn't already know the story from the VN.
AidanAK47
@Amagi, The second film seems to be in cinema this year but we won't get it until it hits blu-ray.
Kaiser-Eoghan
@Travlos: As I expected, I am disappointed that they have held back . And you might just be right about Castrollop/Caligula/Nero, when I originally attempted to watch the show years ago, that was the episode I stopped on.
KTravlos
Yang really is stealing the show this time. But I wanted the "Alcohol is mankind's oldest friend" rant. I need it.
KTravlos
my expectation is that they will take this to the Battle of Armistar, and then the films will cover the dual civil wars etc.
KTravlos
...CASTROP REBELLION! Why the hell sacrifice an episode to the most useless and bad part of the original! I hated that episode. Well let us see if they can give it a better twist this time around.
KTravlos
The Iserlohn arc at LGOGH:NT was ok. I liked how they presented the preparations. I like the new Murai face. The music was quite good. But they did tone the violence. I expected Walter to stab the imperial officer in the neck. They have toned down the violence a lot. And I missed Seeckts "Long live the Empire" death. That said it was not bad, and I think in general it was good adaption. But....
Anonymous2115268
for example, I think Darling in the franxx is pretty average, but that's not because i think it doesn't have cool shit in it or things that make it appealing; I just find that what the show tries to achieve is not that stupendous or worth lauding with praise. As a result, the flaws stick out that much more to me
Anonymous2115268
@Lenlo and that's pretty much how i felt. Everything is subject to criticism; hell i criticize my most favorite things in the world because i know they're not perfect. I evaluate art and media on whether what it achieves overshadows the flaws and to what degree. Which i think is the best way to approach criticism
Lenlo
I want to repeat though, Heavens Feel wasn't bad. I know some people take any criticism to mean I hated it, but I actually quite enjoyed it. I just think ill appreciate/enjoy it more once the other 2 movies are also out.
Lenlo
@Anon, you nailed it. I couldnt describe it, but what you said /feels/ right.

And Aidan, I loved Lindsay Ellis's videos on the whole Hobbit debacle. A shame, cause the original Lord of the Rings is a landmark in film for me.
Amagi
@Aidan: Do we know if the next HF movie will be finished this year?
Amagi
I love how and how often they say "Fujimi no Sugimoto" in Golden Kamuy. It's pretty hype for some reason, especially when it's said by his enemies.
Anonymous2114206
yea. heaven's feel is nothing like the situation with peter jackson's hobbit; this story needs this many movies and that large runtime. The thing with these heavens feel films that is probably bothering lenlo is that they feel like very long episodes and that particularly the first film felt like a giant prologue rather than a film with a beginning, middle, and end
AidanAK47
And just to make it clear, Heavens Feel needs at least three movies to cover the entire story. It's too big for one movie.
AidanAK47
@Lenlo, I ain't unhappy about it though. Sucks that I need to wait so long for each movie but there is higher production values as a result. Though in regards to the Hobbit I recommend watching Lindseys Eillis videos on it. As it not only talks about how it screwed the Hobbit but also how the movies screwed New Zealand.
Kaiser-Eoghan
I could never immerse myself in Tolkienistic world building.
Kaiser-Eoghan
Man, the hobbit, lord of the rings and that shit king kong film, he sold out so much , this was the man who gave me Heavenly creatures , Braindead and Feebles.
Lenlo
It is very beautiful indeed. And Aidan, that Hobbit metaphor made me weep for you. I hated what happened to the Hobbit
Anonymous2112805
other than that; HF is a very beautiful looking film; ufotable has improved with their digital compositions...holy crap
Anonymous2112805
heaven's feel seems to be embracing its more horrific elements. Aside from that, watching this film made me realize how much i prefer rin over the rest of the girls; kinda wish we got to spend a bit more time understanding Sakura's psyche in the film
Kaiser-Eoghan
@Mario: This was part of some film fest thing, ended up missing big fish Begonia though, that Chinese animated thing =<
Kaiser-Eoghan
@Mario: they'd invited him to introduce the flick.
Kaiser-Eoghan
@Mario: Had this really unexpected run in, in my nearest arthouse cinema, seeing some film about the Soviet space program , I bump into this eastern European guy, assume he's an audience member, awkwardly say something in Russian to him, turns out he's the Russian federation ambassador to Ireland.
AidanAK47
It's sort of the hobbit situation where they chopped one book into three. Expect here we aren't getting extra fluff to pad things out. Well there are extra scenes but they are actually relevant.
Point is that in it's orignal form there are no stopping points here were you need to wait a year to continue. It was a straight story from start to finish.
AidanAK47
Well Fate is essentially the tutorial section that introduces most of the concepts and whatnot. But even then some of the things here are explained later in Heaven's Feel. Cause yeah, not only is the Fate/Stay Night VN not supposed to be split up into three seperate things, the routes aren't supposed to be split into movies either.
Lenlo
Im only familiar with the UBW route, cause Ufotable
Lenlo
I see.
AidanAK47
@Lenlo, In a way there is. Heaven's Feel was originally meant to be experience after the Fate and UBW routes of the VN. That the thing Fate/Stay Night has struggled with. It's not meant to be split up into three like this. It's originally supposed to be three parts of a whole. Each route complementing another.
Nayrael
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We have seen an influx of Fate adaptations over the last year and sadly each has proven to be disappointing except for a cooking slice of life short series which is weirdly better than it has any right to be. This movie was the last of the Fate adaptations that I needed to see but […]

Violet Evergarden (2018 Winter) Review – 76/100

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter […]

A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]

After the Rain (2018 Winter) Review – 89/100

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep […]

Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

Junji Ito Collection Anime Review – 40/100

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an […]

Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]