Posted on 31 July 2009 with categories: Pandora Hearts



I must say that this episode turned out completely different from what I expected. Now that the setting has become your average high school, I was expecting a more light-hearted chapter, and the way this arc started indeed seemed to suggest so. So I was wrong.

Because this was the last place I expected the Baskervilles to show up at. I’m not exactly sure how they knew that Oz was visiting his sister this day, but the Tragedy of Sabrie turns out to be a bigger mystery than expected, especially since the ones who instigated it don’t even know everything that happened. I suspect that they want to know the exact details of what Jack did back there in order to prevent it from gobbling up the entire country.

The most interesting thing in this episode was the piece of meta-fiction in terms of the Holy Knight series, which seems to be a series of popular books in the Pandora Hearts universe. I loved how both Oz and Eliot (the new guy, who seems to be part of the Nightray family, of all things) had completely different ways of interpreting a guy named “Edgar”. Oz, being cast in the abyss and all, has lost just about all of his self worth, but it turns out that he even thought little of himself before he was cast into the abyss, which again brings us back to the way he was raised by his parents. This episode shows that he still fails to see the many people that care about him (Ada, Gilbert and especially Alice). Those words from Eliot made a lot of impact.

And on a side-note: what kind of school has a barbecue club? Seriously?
Rating: ** (Excellent)

Posted on with categories: Phantom



Haha! This is the episode where we’ve all been waiting for, and it SO does deliver! It’s a very slow-paced episode, but the build-up was so incredibly good that it had me on the edge of my seat for the entire twenty minutes. Not only did this episode have some incredibly subtly emotional scenes, but it also created some awesome potential for this series finale (heck, we still have eight episodes to go and this episode had plot twists that you’d usually include in episode 24 or something).

Helen really had me fooled. Ack, I should have known that we were only shown the story from Reiji’s perspective. While it looked like she transformed into the emotionless doll that Scythe wanted her to be, it was far from the case and instead she too had as many internal conflicts as Reiji. Heck, if Cal wasn’t there, the fight in this episode would have ended rather nasty, because I suspect that without her, Reiji would have been a little too obsessed over Helen to think straight. Now that he thinks she’s dead he only has Helen left, and that’s what made him convinced that he wasn’t going to seriously fight Ein.

But Cal sure as heck ain’t dead! We just don’t have a bloody clue as to what happened to her: all this episode showed were a surprisingly clean gun and watch: signs that she indeed was away when it happened. Still: why did she go back to that place? Where is she now? What made her go away right at the moment of the bombing? What is she thinking of doing next. And how the heck is she going to react to Helen being back!?

Amidst this awesomeness, it almost feels like second fodder that Claudia freaking died! It turns out that her biggest reason to join Inferno was to get her revenge on her brother, and she’d get this revenge even if it meant betraying her friend Lizzie (who looked awesome when she was younger, by the way)
Rating: *** (Awesome)

Posted on with categories: Tokyo Magnitude 8.0



Four episodes in, and this series still hasn’t show any signs of dulling in. This episode yet again was amazing and heart-wrenching. I was already suspecting that the creators were going to crash Tokyo Tower at one point. That happened here. Interestingly enough though, it was far from the highlight and main focus of this episode.

Media coverage on such disasters like Earthquakes and the like always tend to be rather one-sided: they always focus on the people who have been hit the worst. These disaster documentaries like the ones you see on National Geographic Channel always tend to pick out the ones with the most spectacular cases and all. That’s why it’s incredibly refreshing to see that this series picked out a bunch of random people who got caught up in the earthquake. This brings things surprisingly close to home: “it could happen to you”. And I think that that’s what makes this so engaging.

The first half of this episode was about… Mirai trying to go to the toilet. Perhaps it’s not the most appealing of side-plots, but for a child her age to suddenly get bothered by a bad stomach… it indeed could happen and this episode showed that even that proves to be full of troubles in such a situation in which millions are stranded.

What struck me also here was that scene in which Mirai and the others tried to get some food. The way Mirai judged that person who walked away with two cups instead of one is exactly what’s going on in just about everyone’s mind in such a situation. We have no idea whether this guy took advantage of the situation or whether he really had a good reason to be carrying two cups, but that single scene said so much about the situation everyone’s in.

The second half of this episode showed Mari leaving the two kids alone as she tried to get information on where to go, at which point Mirai and Yuki get into a fight. At that point, Mirai really felt miserable because of everything that happened to her, not to mention that at that age, you really find your little brother’s whining annoying no matter how good he means it. In the end they both have a good cry and make up.

I’ve always been a fan of realism in anime, so I really love the touches of realism in this series. Yuki may be a bit too nice for a boy his age, but I definitely could see a character like his in real life. And besides, I don’t think that he’s ever seen his sister in so much distress as here, so I don’t think that he had any time to panic for himself. I think that that’s why his tantrum in this episode was so good for him, because it finally allowed him to blow off some steam.
Rating: *** (Awesome)

Posted on with categories: Basquash!



It’s interesting how the new staff got an entirely new soundtrack to work with. It, along with the new direction gave a totally new atmosphere to this series. I’m surprised to say it, but it actually works. It’s not better in every single way (the loss of the subtlety is one example), yet somehow it works. This episode was mostly meant to introduce the upcoming (and probably final) major arc, but it was a solid and enjoyable build-up nonetheless.

But yeah, the loss of subtlety does stand out. This episode really showed that in the fanservice: previously, this series had a lot of fanservice as well, but the jokes it made around it were creative. So obviously, this episode shows moon giant-kun running into Sera as she comes out of the shower. *headdesks*

Anyway, in this episode Iceman quickly takes care of the bounty hunter, getting revenge on the guy who cut off his arm and leg at the same time, by unleashing a new power: the Destroy Tornado. Interestingly enough, he then gets left behind by the others as they receive a sudden chance for another attempt to go to the moon. It seems to be the main prize of a tournament that’s held in some city, and I suspect that either the moon giant or Flora is going to replace Iceman.

In the meantime, Rouge’s manager is evolving into a real bad guy here, when he even tries to kidnap Coco (ransom, I guess), but Mr Perfect manages to avoid it. That does make me wonder about James’ sense of space. He really seems to be able to appear whenever he’s needed, doesn’t he? Is that some kind of secret power of his, or just a case of lazy scriptwriters?

And yeah, my prediction of Rouge turning into a damsel in distress was wrong. She looks more to be developing into the final boss at this rate. Something tells me that that was Shoji Kawamori’s idea…
Rating: * (Good)

Posted on with categories: Monthly Summaries

I must say, that we’ve got ourselves an awesome Summer Season here. Sure, there aren’t many series, but a significant majority of the new series succeed at what they intend to do. There may not be a lot of shows with awesome and ambitious story-lines, but in terms of slice of life and characterization, this really couldn’t have been better. Oh, and if you’re wondering what happened to Valkyria Chronicles: I dropped it. It just became too tiring to keep track of it, especially with so many other great series going on.

Rankings, like the past months are a bit strange again, I basically tried to generate the rankings for each show, compared to the others that are currently airing. Say, for example that Show A has a really good setting, and there are only a few other shows with a better setting, it’s going to rank higher than if there are many shows with excellent settings, and vice versa. I know that it’s a bit weird, but for some reason it does more accurately reflect my feelings about the shows this season.

#33 (new) – Element Hunters – (6,5/10) – So yeah, there’s not much hope for this series. It tries to be educational, but the creators have no idea what they’re talking about. The characters behave like your typical shounen leads (really, you can’t get any more typical than these guys), and overall it’s something you show kids when they’re whining too much. Dropped
#32 (new) – Kanamemo – (7/10) – Amongst all of the other slice of life and yuri series this season, Kanamemo is simply overshadowed in the way that there really is nothing special about it whatsoever, and the first episode just felt forced to me. Dropped.
#31 (new) – Princess Lover – (6,25/10) – I originally dropped this, but because so many people seemed to like it and recommend it I stuck with it. My question is: WHY!? What is so good about this series? I can see that the animation is above average and all, but the whole set-up is even more generic than your average harem. The scenarios are very predictable and very much written to suit the story, rather than evolving naturally. Especially the lead character doesn’t seem to be able to decide what personality he wants to be. It’s just way too forced to make any sort of impact.
#30 (new) – Bakemonogatari – (7,25/10) – Watching Bakemonogatari is like watching someone read the Bakemonogatari novels in front of a slide-show. I can see that Nisioisin is a great writer in the way that he uses wordplay through his stories, but Shinbo has been incredibly lazy in adapting it. The characterization is just utterly bland, and we’re given no way whatsoever to sympathize with them with this style. I’d really wish that Shinbo had the chance to watch Mouryou no Hako before adapting this series; now THAT’s how you should adapt a story with lots of dialogue.
Award: Best OP of the Month (the first one)
#29 (19) – Zan Sayonara Zetsubou-Sensei – (7/10) – It’s a shame really. I remember how I used to laugh like crazy over this series, but now all it gets from me are a bunch of chuckles during the good parts. The “social commentaries of the week” are still getting more far-fetched and formulaic by the minute. The only thing that still has my interest is that every single episode has a different OP and ED.
#28 (new) – Needless – (7,5/10) – Well, so this series deserves the reward of featuring the single biggest moron to grace any show this year (“yes, I’m looking for a guy named Adam; do you know such a person?”). It’s an incredibly stupid series and it’s clear that Madhouse’s worst staff has been working on this thing. Yet, for brainless entertainment it does the job. The banter between the different characters is varied and fun to watch at least.
#27 (new) – Yoku Wakaru Gendai Mahou – (7,5/10) – I’m really not sure what to think of this series. I know that I’m enjoying it so far and I like the concept of programmable magic; it’s not a chore to watch it in any way, and yet it has these cases of hopelessly bad acting and a collection of utterly terrible action scenes, and yet the characters themselves remain strangely enjoyable enough to watch. What puzzles me the most though is this series’ really weird fanservice. Are you getting bullied? Well, just throw your panties in the bully’s face! That will shut him up!
#26 (19) – 07-Ghost – (7,75/10) – Meh, it’s a shame but 07-Ghost has been getting a lot less entertaining. The focus has been getting much less at the church and more at the overall plot which turns out to be surprisingly dull and angsty. Finally my patience seems to be running out with this series…
#25 (16) – Chi’s New Address – (7,75/10) – Chi’s New Address has been getting a bit dull lately. That may be because of the slow subs (I switched to the subs for this series because the raws are near-impossible to keep track of), but granted: the first series also had this. It needs something to spice things up a bit, like the first season did with the big black cat.
#24 (new) – Kuruneko – (7,75/10) – I originally thought that this was going to be another one of those dull kiddie shows. Then I found out who the director was, headdesked and reminded myself why I always check out every single show at the start of each season. Kuruneko only has 3-minute episodes, but they’re really charming so far. I like how the old lady always tries to voice over her own cats, and with the most consistent comedy director in the business behind this series, I can see little that can go wrong.
#23 (22) – Hetalia Axis Powers – (7,75/10) – This month really saw an overabuse of dull Liechtenstein jokes, however after that this series very neatly picked itself back up. Especially the second season had a very nice start.
#22 (13) – Melancholy of Suzumiya Haruhi – (7,5/10) – Well, I’ve dropped this series at this point. The first four episodes were nice slice of life, but eight is going way too far. I’m not that angry with the series because I’ve never really been a fan, but I can understand the current fans a bit. If Amatsuki were to pull the same thing then I’d be raging too.
#21 (4) – Konnichiwa Anne – (7,75/10) – Ouch, this series has fallen badly this month. The Marysville arc has just been one big mess, full of really cheesy moral speeches that just WOULD NOT STOP and characters ripped off from Emily of the New Moon. The Thomas Family is still as awesome as ever, but characters like the teacher Henderson really manage to bring this series down right now.
#20 (15) – Saki – (8/10) – Okay, so the OP and ED haven’t stopped being annoying and the Mahjong matches have been based on luck more than ever now, but I’m still surprised at how good Saki has become. The reason for this is the cast of characters. They’ve been sufficiently fleshed out and developed right now, and they get more and more engaging with every episode. It’s strange, because apart from that this series has nothing else that makes it special whatsoever.
#19 (new) – Sora no Manimani – (7,75/10) – I originally dropped this, but then I learned about the director. Overall it has been an enjoyable series, but the comedy has been a bit too hit-or-miss, and the creators’ attempts at being heart-warming just end up as cheesy.
#18 (new) – Taishou Yakyuu Musume – (8/10) – For the past year we’ve seen an interesting increase in baseball shows: One Outs, Major 5, Cross Game and now Taishou Yakyuu Musume appears and still manages to stand out individually. The whole gender issues of eighty years ago are nicely touched upon, and the characters themselves are surprisingly likable.
#17 (18) – Gintama – (8,25/10) – Despite my rantings a few months ago, I must say that the new director has been getting better and better. The past arc has been surprisingly good at Gintama’s trademark of taking just about everything to the absurd.
#16 (17) – Basquash! – (8/10) – In this month, Basquash has been trying to get into the right track. Emphasis on “trying”, because I still have no idea whether this series is going to be a success or a total train-wreck. We’ve reached the point now at which Kiss Dum’s director has taken over, so let’s hope that he can give this series the ending it deserves.
#15 (21) – Umineko no Naku Koro ni – (8,25/10) – I’m still having a bit of trouble connecting to the characters, but Umineko definitely has been the most intriguing new series this season. In the first month we seem to have gotten only a little taste of what is to follow, but it’s promising to be a really entertaining mind-screw.
#14 (14) – Shin Mazinger Shougenki! Z-Hen – (8,5/10) – You know, for a homage of the series that popularized the monster of the week genre, the story is surprisingly non-linear. The Germany arc had a surprisingly good conclusion, and now that the past few episodes have started to introduce a whole new layer of depth in the whole story Shin Mazinger has gotten even more epic than it already was. I can always count on this series for my weekly dose of manly entertainment.
#13 (new) – Canaan – (8,25/10) – Canaan really has an awesome set of production values to work with, courtesy of PA Works. Everything looks really crisp and detailed with an excellent direction. Sure, the premise and characters still need some work, but there isn’t anything wrong with the execution so far.
#12 (new) – GA Geijutsuka Art Design Class – (8,25/10) – Talk about the dark horse of the season! I’m really enjoying this series, not just because of the characters, but also because I’m really interested the main topic for this series: Art Design. I love all of the nice ideas that the creators throw into this series, and the creators have really shown that they’re very knowledgeable about this subject. I’m just not sure why they found it a good idea to focus an entire episode on a bunch of unrelated side-characters, but perhaps they’ll return later somehow.
#11 (21) – Umi Monogatari – (8,25/10) – For a Junichi Sato series, Umi Monogatari feels a bit too one-sided, but nevertheless it has a powerful cast of characters and succeeds as a heart-warming drama. The “monster of the week”-theme only turned out to be something of the first few episodes in order to flesh out the characters.
#10 (10) – Marie & Gali – (8,5/10)

This series continues to be my current favourite comedy. It still hasn’t lost any of its charms, and it’s still as funny as ever with all of the weird stuff that the creators throw into it.
Award: Funniest Series of the Month

#9 (6) – Cross Game – (8,75/10)

Cross Game yet again has been a truly excellent series this month. The characters are advancing very subtly and the wit of this series doesn’t seem to be getting less interesting at all.

#8 (3) – Pandora Hearts – (8,75/10)

So yeah, the Cheshire Cat arc rocked. It really pushed the story into a different direction and the characters gained a lot of depth through it. My big worry is the same as the manga readers’ right now: where the heck is that second season!?

#7 (8) – Guin Saga – (8,75/10)

This month, Guin Saga turned to politics and lots of character-development, with some excellent results that really managed to solidify this series’ epic atmosphere. This series has become very solid fantasy and I’m loving it so far.

#6 (8) – Spice and Wolf – (8,5/10)

The first season took a while to get going. The second season didn’t. These past four episodes have been intelligent and complex in the merchant business, and at the same time they showed Lawrence and Horo at their best surpassing the subtle chemistry between them that made the first season so good.

#5 (9) – Full Metal Alchemist – Brotherhood – (8,75/10)

17 episodes in, and I’m confident to say that Brotherhood has surpassed the original series. The new series is shaping up to be much more interesting, and the way the creators toy around with your emotions, with which you’re not sure whether to laugh or cry, is just brilliantly done.

#4 (new) – Aoi Hana – (8,75/10)

Amazing attention to detail, that’s what this series stands out in. Because of that, this has turned into one of my favourite series of the new summer season. A lot of care has been spent into subtly fleshing out and developing all of the different characters, with some amazing results already within five episodes. Noise rocks!
Award: Best First Episode of the new Season

#3 (2) – Phantom – (9/10)

Phantom has continued to slowly build up its current arc, and you can still see enough of its brilliance throughout. I really like what Cal turned into, and the characterization on Reiji has been truly excellent all the way. This is why I’m such a big fan of Bee-Train.
Award: Best Characters of the Month

#2 (1) – Shangri-La – (9/10)

I really have to praise Shangri-La for its ambition. The storyline is really evolving into something epic right now: there are lots of different sides, every single episode nowadays comes with a truckload of plot twists that hardly ever feel out of place and only make the setting even more intriguing. It’s a lot of fun to watch due to the excellent cast of characters. It’s as a series very rough around the edges, with the direction feeling jerky at times to say the least, but considering how awesome the rest of the series has turned out, I’ve really stopped caring about this series’ flaws long ago.
Awards: Best Storytelling of the Month; Best Setting of the Month; Best ED of the Month (the second one)

#1 (new) – Tokyo Magnitude 8.0 – (9/10)

What an utterly amazing start to this series. I’m really glad to see that the creators chose a realistic approach: they didn’t create a worst-case scenario, but instead a “what if”-scenario. Mirai really works as a flawed lead character, and the creators added a lot of subtle details to her character that make her a really sympathetic lead.
Awards: Best Production-Values of the Month; Best Episode of the Month (02)

Posted on 30 July 2009 with categories: Anime Reviews



Well, here’s an interesting one. Imagine your average Super Sentai show like the Power Rangers: our hero has to fight a wave of bad buys and monsters every day in order to protect the world from getting taken over. Now imagine the complete opposite. That’s what Tentai Senshi Sunred is.

I’m still not sure whether this was a case of brilliance, or just a case of a drunk idea that got taken too far, but Tentai Senshi Sunred takes the average Super Sentai Formula, transforms the titular Sunred into a lazy temperamental sadist, and the villains into a bunch peace-loving incompetent idiots who seem to be more interested in housekeeping and making a living than “doing evil stuff”. In fact, especially the lead villain is a peace-loving flower child who is a master at house-keeping and always puts the feelings of others before his own. And so this series chronicles the useless attempts of our peace-loving villains to try to beat Sunred, while at the same time living as respectable members of society. And somehow, it works.

As a comedy, it may not be continuously funny, but it has its moments of brilliance throughout the entire series. It gets a lot of inspiration from its unique setting, and makes good use of this by driving things even more into the absurd. The characters also have their quirks which have a number of priceless moments and some of the running gags also really work well (I especially loved Godom and Sodorrah, even though the two of them didn’t do ANYTHING throughout the entire series). There are a few sketches that do tend to get on your nerves though, like the Host Dog and Vamps Cooking Tips, but overall it’s not too long to get boring or repetitive.

And the nice thing is, that at the moments that this series isn’t funny, it still is a very enjoyable and detailed slice of life with a good cast of voice actors. Really, this series is a pretty realistic portrayal of the trials of young adults if you ignore the fact that most of the characters are silly monsters that nobody seems to find scary or weird. I especially liked the subtle relationship between Sunred and his girlfriend, which for once was not overly romantic like you see in most other anime.

But yeah, the animation is quite lazy. A lot of the characters conveniently have masks on or some other excuse that would prevent the animators from animating their mouth when they speak. Instead, the characters wiggle around a bit when they try to move and speak. And really, it’s not like the animators can’t animate either: there’s one particular segment in which Sunred is walking in the background of a life-action scene, which is animated so smoothly that it actually becomes really hard to see whether he’s drawn or part of the live action.

But then again, to the question “does this show really need to be well animated?” the answer obviously is “no”. Sunred isn’t the best of the comedies out there, but it’s still worth it if you grew up watching shows like the Power Rangers or anything similar, just to see this series completely taking the piss out of those premises.

Storytelling: 8/10
Characters: 8/10
Production-Values: 7/10
Setting: 9/10
Posted on with categories: Aoi Hana



Oh, I so love how this series managed to bring its characters to life. The non-verbal communication between the characters says much more than what the dialogue can even hope for and the creators manage to do this with a lot of subtlety. It really gives all of the characters complex stories, rather than “A is in love with B but B is in love with C so A hates C”, or the like. There definitely is a love triangle going on here, but these five episodes have added a lot of detail to them to make them far away from your average love triangle out there.

In this episode, Kyouko finds out why she was rejected by Yasuko, and how Yasuko is in love with Fumi. I didn’t see any hate for Fumi at her, but just about every other negative emotion was present on her. Because of this, Fumi stops accompanying Yasuko to her rehearsals because she fears having to deal with Kyouko’s sad face again. Throughout, Akira keeps acting as the straight man in this romance: she isn’t loved or in love with anyone, but instead provides support for both Fumi and Kyouko in this case.

And I have to say that Yasuko has a very interesting way to show her affections. While Fumi act like a shy puppy around her, Yasuko instead shows her feelings very subtly: she mostly puts on a straight face in order to be the strong shoulder for Fumi to lean on, but there are a few times here and there in which you can see that she really likes to be with Fumi.

Kenichi Kasai isn’t the most consistent director I’ve seen. What I saw of Major (the first season) shows that he’s terrible at shounen series, and Kimikiss, while it did have genuine characters, did drag on for way too long, but his best works really are something else. Nodame Cantabile was awesome, and Aoi Hana also looks to be standing out in its own way with its attention to detail. And yes, some day I’m going to watch Honey and Clover. ;)
Rating: ** (Excellent)

Posted on with categories: Umineko no Naku Koro ni



As much as I don’t care about the original visual novel, I have to admit that this episode stretched even my suspense of disbelief. Battler just acted way too weird in this episode, it just doesn’t make any sense.

So basically, the bodies continue to fall when Natsuhi commits suicide. Butterflies then appear again, Battler tries to shoot them, the eye-catch appears… and suddenly Kanon, Sharon and Natsuhi are perfectly fine and everyone acts like nothing happens! Sure, I can see how Beatrice is screwing with everyone’s mind by magically reviving everyone and all… but what happened to the others? There isn’t even a single mention of them! And besides, everyone was talking like they just returned from a Beach resort, instead of a murderous mansion.

Then Battler’s refusal to believe in the existence of witches. Sure, I believed that too until the end of the previous episode. HOWEVER he completely seemed to accept that everyone and his dog came back to life, and yet he never even questions it, and yet he doesn’t want to believe that Beatrice killed them. That just doesn’t make any sense.

Overall, I’m a bit disappointed that it really was Beatrice who killed off everyone, but let’s see what the rest of the series can do to spice things up. This show now seems to be developing into a battle of wits between Beatrice and Battler, but I wonder how the creators are going to make this interesting without making Beatrice Mary-Sueing Battler over and over.

I’m intrigued by that letter in a bottle from Maria, though. What was up with that, and could that one explain what happened to the real Maria? So that Maria was basically killed and replaced by some thing that could keep an eye around for Beatrice?

Oh boy, this really reminds me back to the first season of Higurashi. I remember how my love for that series was also as inconsistent as he series itself.
Rating: – (Disappointing)

Posted on 29 July 2009 with categories: Anime Reviews



I’m not the biggest fan of romantic comedies, mostly because a lot of them are pretty cliched and boring. Nevertheless there obviously also are a lot of gems. His and Her Circumstances is Gainax and Hideki Anno’s addition to this genre, and while it may on the outside seem like the umpth variation of the same formula, it rises above most others through its dialogue, deep characters and snappy direction.

I have to grant it to Hideki Anno: as infamous as Gainax has become over the years, HaHC features some of the best direction I have seen in a romantic comedy. It doesn’t feel like a moment is wasted here, the dialogue is elaborate and meaningful and he really managed to bring out the depth of the characters from whatever manga this was based on. It turns this into a very accessible series: it’s very easy to watch and hardly ever gets boring. It may not be consistently funny, but it is consistently entertaining (well, with ONE major exception, but I’ll get to that below).

The dialogue overall flows very naturally, and of course the trademark Gainax Animation is very evident through the series, but you can see that along the way, the budget of this series becomes smaller and smaller. Nevertheless, the creators of this series solve it really well, and in a completely different way from how a limited budget is usually masked (by things like distorted faces and an overabundance of still frames). This series excels in its smart and creative tricks to save budget; the art remains crisp and consistent and the creators never forget to have lots of things going on at the same time. Two episodes in particular stand out in this: one consists out of uncoloured character-sketches, while the other is basically a living storyboard in black and white. They were a lot of fun to watch because even though it definitely looked cheap, there was always something going on in the screen and the characters never ceased to be captivating.

This does get taken too far in one aspect, though: Hideki Anno’s really weird obsession with recaps. Seriously, this show is full of the: nearly every episode starts with a recap of what happened up to that point, sometimes even lasting for three minutes. If this series had a complex story then okay, it might have been excused, but for a romantic comedy? In the middle, there also is a string of two completely useless recap episodes in the middle, and my guess would be that the total amount of time this series has spent on recapping is about the same as Wolf’s Rain’s recap block. And that one was aired for a good reason. And not spread across the entire series.

Nevertheless though, this series is a great example of a romantic comedy that’s deep and entertaining at the same time. Sure, it does have a bit of an inconclusive ending, but it’s nowhere near a bad conclusion. It’s a great example of how to correctly save budget without sacrificing style. And hey, after watching this series I finally know what the favourite anime of Akiyuki Shinbo is. ^^;

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on 28 July 2009 with categories: Shangri-La



Another great episode, if only because of Karin’s awesomeness. I already suspected that we didn’t see the last of her when she got busted out of her room by Atlas, but for her to end up buying the entire Akihabara! That’s a nice one. To think that it’s actually Karin who unites all of the good guys, rather than Kuniko, but it’s definitely an interesting twist for Karin to try and collect all of the Digmas (or Triple As, as she calls them). We still don’t know though what makes them so important, and why Ryouko bothered to let them go in the first place. Now that Claris seems to be gone, an interesting split personality on her side also seems to surface.

In other news, Takehito seems to have discovered that Kuniko is a Triple A Atlas member. What we do learn in this episode is that one of the Triple As is meant to inherit Atlas in the future… wtf?! But in any case, Takehito’s grief for his dead sister seems to be a bit too big for him to accept that Kuniko is part of Atlas (he’s probably not going to like it when he finds out about her grandmother either). We see him jump off a cliff in this episode, but in true Shangri-La fashion, I really doubt that that was the last we see of him. :)

But the juiciest plot twist in this episode: Kuniko plans to burn down the ENTIRE TOKYO in order to stop the Daedalus from spreading. This plot just keeps getting better and better, doesn’t it? My big hope is that Gonzo has saved its budget for that particular scene, because if it’s going to mean that the the entire city of Tokyo, including Atlas, is going to end up in flames, then that’s going to make for some potentially awesome eye candy.

What also striked me in this episode is that there are a lot of people who have an aversion of something major: Karin hates public places, Mikuni can’t go out in broad daylight, while Medusa can’t seem to survive without water. I keep trying to look for a link with something else in the story, but it seems pretty random. If you take liberties in this definition then you could argue that Sayoko can’t live without a “daughter”-figure to take care of, and Momoko and Miiko turned away their manlihoods, but there still doesn’t seem to be a pattern I can spot here. Especially since Kuniko and Kunihito don’t seem to fit in this theme at all…
Rating: ** (Excellent)

CHANGE USERNAME
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
KTravlos
Well I binge watched Princess Principal. That is a very good show. I was surprised. Good animation, good music, the art is good, hell I even did not mind the protagonist art. But what I really like is the stories. All the episode were pretty solid and interesting.
AidanAK47
Just won a fight by the skin of my teeth thanks to my Lancer, Cu Chulainn. You the man Cu!
AidanAK47
@Amagi, Been playing Grand Order myself. It's rather fun. There are some good original character in it but I notice with Quantity certain figures designs were pretty terrible. I thought Assassins of black was the worst but some Grand Order servents manage to top it in terrible. Why all the bikini's?
Amagi
Fate/GO has quite some interesting original characters there. Wish we'd see them in some actual manga or anime series with more backstory someday. - I also like that we finally have an overpowered, interesting and competent Hassan with King Hassan for once. His design is metal AF too.
KTravlos
Binge watched Altair. The pacing of the show is a problem, but in general the raw material is good. Altair is sympathetic, and the world is interesting. But I do feel this is the kind of show that would had gained by a Monster or LOGH type treatment. Also, man it is scary how accurate they got some of the traits of Greeks (Phoenicians in the show). I am a Greek, I should know! :p
KTravlos
forgot to mention. I saw the 91 Days special. Three side stories that give some depth to the events in the main anime, but nothing that goes beyond it's end. Still they were in general ok to good.
SuperWooper
It's got Jude Law playing "this kind of huge robot butler called Charles, who is also a rocket ship." What could possibly go wrong?
AidanAK47
Anime with Jaden Smith? Um..I don't know about this.
SuperMario
@Kaiser: one of the good thing about SoL shows like Centaur and even 18if is that their episodes are self-contained, so you can just jump right in to watch the good ones and ignore the rest
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Featured Posts

Classroom of the Elite – 11 [What People Commonly call Fate is Mostly their Own Stupidity]

So suddenly, without mentioned at any point before, Horikita can suddenly kicks ass? Or that Horikita has been sick ALL THIS TIME? Or that Horikita still can kick some ass while being sick all this time? Since when the Class-D boys shrink into only Ayanokouji, Hirata and the 3 idiots? On that note, where is […]

Ballroom e Youkoso – 11 [Evaluation]

And so the Tenpei Cup comes to a close at last. It took five episodes to get from the first round to the awards ceremony, and not all parts of the competition were created equal, but I’m happy that my girl Mako managed to claim the Ballroom Queen award. After she received the trophy, there […]

Kakegurui – 11[The woman who bets her life]

So…what am i supposed to say here? Yumeko wins, the treasurer loses and now the show looks to be teasing a matchup between the Student council President and Yumeko. I would say it’s a good thing this shows end looms near as my interest in it has just about petered out. I love seeing smug […]

Made in Abyss – 11[Nanachi]

It’s been an issue I have wanted to bring up before but the previous episode recaps of this series are rather long. Today’s was the biggest offender as the first three and a half minutes was just footage from the previous episode. While these kinds of recaps are handy for those watching weekly to catch […]

Fate/Apocrypha – 12[The Holy Man Returns Triumphant]

If Fate/Apocrypha can keep up this level of quality till the end, I may just change my overall opinion on it. I don’t think it would match the works of Fate/Zero or Unlimited Blade Works but it could beat out the 2006 Fate/Stay Night, Prisma Illya and Fate/Grand Order. It’s a decently respectable position in […]

The Reflection – 9 [Downtown L.A.]

This week The Reflection continues on towards its finale. Finally all of our characters are in one place and raring for a fight. Reflection starts off right back with the Idol group, being unable to decide between beef or fish. Apparently an episode named for the dilemma wasn’t enough. Reflection quickly cuts back to Elen […]

Katsugeki Touken Ranbu – 12 [Battle of Hakodate]

Welcome to the penultimate episode of Ranbu! Unable to end with a small, personal story, Ranbu prepares for the largest battle yet! Lets jump in. Ranbu opens up right were last week left off. Kane’s sword falling, to strike Horikawa. Instead, it cuts into the dirt at his feet, moved aside at the final moments. […]

Princess Principal – 11 [Case 23 Humble Double]

Hmmm, something doesn’t ring true here. As this episode ends, we can assume that the Princess and Ange have a big break-up, Princess plays the role of Ange under the Princess’s disguise, and Ange has gone to Casablanca to live in a casa blanca for good. To be frank, I never really buy all that. […]

18if – 11 [The Thorn Cross Association]

Hum, never know that Eve is a ginger and has wings like an angel and wears that cool dress. I’ve always thought she’s always naked. hmmm Finally, 18if provides an overarching double length plot to wrap everything up. We have an episode that splits half of the time as a recap of what previously happened […]

Latest Reviews

Sakura Quest (Summer 2017) Review – 79/100

Conceived as a third installment in a loose P.A Works trilogy about young adult girls in working environment, Sakura Quest both knows its target audience well, and has some big shoes to fill. After all, many have considered Shirobako an install classic for good reasons. As it turns out, Sakura Quest is more on the […]

Castlevania Season 1 Review – 70/100

Upon hearing that Castlevania would be getting an animated TV series my first reaction was that of unpleasant surprise. Part of the reason was because of the video games infamous history with adapting their stories to other mediums but my main reason was that being familiar with the Castlevania games, I knew the story was […]

Tsuki ga Kirei (Spring 2017) Review – 88/100

It’s hard for me not to go overboard on Tsuki ga Kirei: out of all the show I’ve followed this season, I resonated the most to this one; but even when I’m judging this show objectively, Tsuki ga Kirei is one of the most perfect one, in a way that it achieved exactly what it […]

Seikaisuru Kado Review 51/100

Seikaisuru Kado was a title which caught my attention for a number of reasons. For one it’s visuals showed not a single teenager in sight and a cast mainly consisting of working adults. Another is that it deals with a premise not often tackled in anime, Philosophical Science Fiction. The story features an alien being […]

ID-0 (Spring 2017) Review – 81/100

Here comes one of the most under-appreciated anime of this Spring season. ID-0 has many hassles that keeps viewers away from watching it: Netflix exclusive, full CG animation and a plot that just plain weird and a bit incomprehensive at first view. I originally took it as nothing more than fun spooky little-seen show until […]

Grimoire of Zero (Spring 2017) Review – 77/100

I remember, back in our first impression of this series, Aidan remarked that Grimoire of Zero isn’t your typical LN-adaptations, but he didn’t know what to make of it. To be honest, after watching an entire cour, I’m still unsure what to make of it myself. This show has some serious flaws, yet despite all […]

Uchoten Kazoku Review – 94/100

(Note: Since psgels didn’t give his final review to the first season, this review is for the entirety of Eccentric Family. If I had to grade the second season alone, it’s 90/100). Doesn’t matter how you look at it, the Eccentric Family is a unique show, in a way it feels and tastes like no […]

Little Witch Academia TV Review – 80/100

The Little Witch Academia series has been something that’s a long time coming. Ever since Studio Trigger made the original Anime OVA back in 2013 I have been hotly anticipating the time when it would be fleshed out into it’s own anime series. I love both the original OVA and the enchanted Parade so this […]

Window Horses (2016) Movie Review – 87/100

In Window Horses, or its full name Window Horses – The Poetic Persian Epiphany of Rosie Ming, many characters keep asking the main protagonist, a Stick Girl in an otherwise fully formed character designs, why is she wearing a chador, in which she’s unable to reply. It’s her first trip to go overseas, so she […]