Posted on 23 July 2009 with categories: Aoi Hana



I love the subtitle of the Noise timeslot: “War Cry of Animation Monster. GAOOOOO!!” Let alone the awesome roar, it’s ironic how despite such an aggressive motto, the past two series of the timeslot have been very charming and very quiet slice of life series. At the moment, I’m not going to call Noitamina or Noise the better time slot, because Noise has only started. However, after the fourth season of Noise’s lifetime, its repertoire only consists out of truly excellent and well-thought out series, so it really got off to an amazing start. But then again, this was the same thing with Noitamina (I would have rated Paradise Kiss much higher if I had watched it today): its first screw-up came with its fifth season and Jyu Oh Sei. Let’s now see whether or not Noise can beat that.

Anyway, about this episode: it yet again was excellent and continues to subtly flesh out and develop the different characters, mostly Fumi and Yasuko. Fumi shows herself to be really uncertain about her relationship, and in her mind she sees herself in the middle of a love triangle: while she’s in love with Yasuko, she doesn’t want to lose Akira at the same time, and yet staying with Akira makes her believe that she’s betraying Yasuko.

Yasuko in the meantime thankfully made sure that this series avoids the biggest pitfall that shounen ai and yuri shows can have: the “everyone is gay”-syndrome. As it turns out, Yasuko used to be in love with one of her teachers, but got rejected. And now suddenly, she is in a relationship where she has to be the strong one, taking care of the ever-gloomy Fumi. I guess that she uses that to make her forget about the relationship with her teacher, but at the same time the way she rejected Kyouko two episodes ago suggests that she isn’t that desperate, and didn’t just start dating Fumi for the heck of it, and instead has real feelings for her.
Rating: ** (Excellent)

5 Responses

  1. nazrin says:

    P. sure the teacher was the one that hit on Yasuko and not the other way around.

  2. AKI says:

    Just watched this episode. Isn’t Aoi Hana just the third installment on the Noise timeslot? I mean I only know of Michiko to Hatchin and Ristorante Paradiso. Well, I guess if you count Michiko as two seasons, then this is the fourth season and the third anime, is this correct?

  3. psgels says:

    AKI: yup, this is the third Noiramina series, and the fourth season it’s in existance because Michiko e Hatchin took up 22 episodes.

  4. AKI says:

    You mean Noise, right? LOL

  5. psgels says:

    Crap, yes I do. I just woke up when I typed in that comment. :P

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  • K-Off
    (Monday, Sep 1. 2014 10:11 AM)
    I’ll disappear now; going back to the game.
  • K-Off
    (Monday, Sep 1. 2014 10:10 AM)
    @Bam Kk, will do so after I’ve caught up on Walking Dead. I feel like I could get an adventure game streak going.
  • Yuko
    (Monday, Sep 1. 2014 10:08 AM)
    Talk about a learning curve. I thought Surgeon Simulator had a pretty big learning curve…
  • Bam
    (Monday, Sep 1. 2014 10:08 AM)
    @K-off: no I hated that game.
    You should play the first episode of A Wolf Among Us tho,that game just sells itself ;)
    I never once read Fables neither, so not a fanbiase involved neither.
  • K-Off
    (Monday, Sep 1. 2014 10:06 AM)
    You’re right, the niche IS really fine tuned. I spent hours looking at YouTube tutorials and shit =o
  • K-Off
    (Monday, Sep 1. 2014 10:04 AM)
    I honestly still don’t know what to expect from TellTale, but I have high hopes…
  • K-Off
    (Monday, Sep 1. 2014 10:03 AM)
    @Bam I’m guessing you liked Telltale’s Jurassic Park?
  • Bam
    (Monday, Sep 1. 2014 10:03 AM)
    @K-off: Don’t get me wrong, I heard good things about it, but flight simulators just aren’t my thing. It seems to have a slow learning curve as well, which might be the thing keeping it niche.
  • Bam
    (Monday, Sep 1. 2014 10:00 AM)
    @Emma: if you have access to any type of computer right now then there really isn’t any excuse left not to, as it has aged very gracefully. The heavy noir jazz-fueled adventure in a 1950s south American land of the dead never really gets old and just oozes with style, witty dialogue and tons of charm. A timeless masterpiece of the medium by far.
  • Yuko
    (Monday, Sep 1. 2014 09:59 AM)
    @K-Off God damn, that sounds like hell.

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