Posted by psgels on 23 July 2009 with categories: Aoi Hana



I love the subtitle of the Noise timeslot: “War Cry of Animation Monster. GAOOOOO!!” Let alone the awesome roar, it’s ironic how despite such an aggressive motto, the past two series of the timeslot have been very charming and very quiet slice of life series. At the moment, I’m not going to call Noitamina or Noise the better time slot, because Noise has only started. However, after the fourth season of Noise’s lifetime, its repertoire only consists out of truly excellent and well-thought out series, so it really got off to an amazing start. But then again, this was the same thing with Noitamina (I would have rated Paradise Kiss much higher if I had watched it today): its first screw-up came with its fifth season and Jyu Oh Sei. Let’s now see whether or not Noise can beat that.

Anyway, about this episode: it yet again was excellent and continues to subtly flesh out and develop the different characters, mostly Fumi and Yasuko. Fumi shows herself to be really uncertain about her relationship, and in her mind she sees herself in the middle of a love triangle: while she’s in love with Yasuko, she doesn’t want to lose Akira at the same time, and yet staying with Akira makes her believe that she’s betraying Yasuko.

Yasuko in the meantime thankfully made sure that this series avoids the biggest pitfall that shounen ai and yuri shows can have: the “everyone is gay”-syndrome. As it turns out, Yasuko used to be in love with one of her teachers, but got rejected. And now suddenly, she is in a relationship where she has to be the strong one, taking care of the ever-gloomy Fumi. I guess that she uses that to make her forget about the relationship with her teacher, but at the same time the way she rejected Kyouko two episodes ago suggests that she isn’t that desperate, and didn’t just start dating Fumi for the heck of it, and instead has real feelings for her.
Rating: ** (Excellent)

5 Responses

  1. nazrin says:

    P. sure the teacher was the one that hit on Yasuko and not the other way around.

  2. AKI says:

    Just watched this episode. Isn’t Aoi Hana just the third installment on the Noise timeslot? I mean I only know of Michiko to Hatchin and Ristorante Paradiso. Well, I guess if you count Michiko as two seasons, then this is the fourth season and the third anime, is this correct?

  3. psgels psgels says:

    AKI: yup, this is the third Noiramina series, and the fourth season it’s in existance because Michiko e Hatchin took up 22 episodes.

  4. AKI says:

    You mean Noise, right? LOL

  5. psgels psgels says:

    Crap, yes I do. I just woke up when I typed in that comment. :P

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  • Bam
    (Sunday, Jun 26. 2016 10:32 AM)
    If a series wants to be sophisticated about complex concepts like war and conflict, then it has to presuppose the fact that it is part of human nature. Resources are limited, and even aside from that, greed exists. There is no way to take out a few head figures to stop a war- there will be a vacuum that will almost immediately be filled by a similar, if not worse, individual. A world “where no one cries” or suffers, or dies, etc, cannot exist as long as we have free will.
  • Bam
    (Sunday, Jun 26. 2016 10:26 AM)
    F/SN delved into this deeply with the Shirou/Archer dichotomy, but then it pussied out at the decisive moment. Archer was right, his arguments made perfect sense, yet the arrogant naive Shirou had to pull thru by sheer will alone, and a vague hope and promise that he’ll find a way somehow. I swear, I’m not sure if Nasu gave in to pressure to make a so-called “good prevails” ending, or that he honestly believes in it. Looking at his material, I’ll bet on the former.
  • Bam
    (Sunday, Jun 26. 2016 10:22 AM)
    hehe … that’s why you don’t get me started on Eva or Berserk.
  • Bam
    (Sunday, Jun 26. 2016 10:20 AM)
    It also delved into the depth of what a desperate goodie-two-shoes people-pleaser protagonist would actually be like, and the reception he would get from his peers, specially the women. That alone right there was a deconstruction of the majority of shonen main characters.
  • Bam
    (Sunday, Jun 26. 2016 10:00 AM)
    There was no hype machine back then. The internet was still in its infancy. So when a show became this popular there was certainly some merit to it. The organic/machine hybrid mecha was relatively new, and the scene construction and cinematography was for the most part immaculate. There’s a reason why the mecha genre is divided to “pre-Eva” and “post-Eva”.
  • Bam
    (Sunday, Jun 26. 2016 09:53 AM)
    It also didn’t hurt that the character, costume and mecha designs were slick and attractive, done by the under-appreciated Yoshiyuki Sadamoto.
  • Bam
    (Sunday, Jun 26. 2016 09:31 AM)
    It came up with clever scenarios to common mecha tropes, and answered the questions that would arise from them:
    -Why do we use mechas with melee weapons against alien invaders instead of conventional weapons? AT fields on Angels.
    -Why use kids to pilot them? The Gehrin Project.
    -What happens when you put kids in sever combat situations? Extreme PTSD.
  • Bam
    (Sunday, Jun 26. 2016 09:27 AM)
    These types of deconstruction shows that are run-of-the-mill now didn’t really exist back then. Eva did afterall became the tropemaker for Gainax endings. To see the creator’s psyche twist in front of our eyes was incredible. The show went from a regular monster of the week mecha series to a deranged psycho-thriller by the end of it.
  • Bam
    (Sunday, Jun 26. 2016 09:23 AM)
    Eva was fresh and quite unique for its time. Not that everything they did was original, but they certainly put their own twist on it. I also enjoyed the “fuck-you” ending of the tv series. Anno always defended it as intentional, but we all know it was really a budgetary constrain. well, at least we got the amazing End of Evangelion movie to supplement it.
  • Bam
    (Sunday, Jun 26. 2016 09:21 AM)
    @K-of: yup Eva geek here, guilty as charged. In my defense, I watched it week-to-week when it aired back in 96, and the landscape of anime was a lot different back then.

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