Posted on 24 July 2009 with categories: Anime Reviews



I’m a big fan of folklore, so I was looking forward to checking out Otogizoshi, and I must yet again praise Production IG to come with original and new premises. The thing that makes this series special is that while it starts in Japan’s Heian era, the second half of the series takes place in modern day Tokyo. Even though the story and atmosphere of both are completely different, they mix really well in the end.

The Heian arc is really folklore, as traditional as you can get in anime. It’s a tale of honor, samurai and bandits as we follow the female protagonist as she pretends to be her dead brother in order to save the kingdom. It’s got a very tight atmosphere, almost horror-like, and it’s full of sword-battles and the like as the story that offers a deep look into the practices Onmyou evolves.

The Heian arc however suffers from a stereotypical cast of characters. It just spends too little time into fleshing out the characters, and so they never really grow beyond their arch-types, as likable as they may be: Hikaru is your average protagonist, always trying to do the right thing, even though it’s not in her own best interest, then we have your typical loyal guard, the womanizer who turns out to have a heart of gold and the annoying brat. They definitely have their charms, but they just don’t feel like dynamic characters and the end result becomes a bit cheesy. Especially the villains suffer from this: only the mid-bosses are sufficiently fleshed out. The minor bad guys are just a bunch of screaming paper bags with swords, while the main bad guy is your stereotypical evil overlord who wants to destroy the world because he believes humanity to be rotten. Been there, done that.

Then the Tokyo arc, that takes place 1000 years after the Heian arc. The common opinion of this arc seems to be that it’s rather boring compared to the previous arc, but I disagree: it’s the Tokyo arc that really breathes life into this series. For once, it’s much quieter than the over the top Heian arc, and instead it develops into a modern-day mystery series.

The creators here really take their time to let the mysteries slowly build up, and slowly but surely you’ll get an idea of what’s going on as the links with the Heian arcs are made and developed. But what also made this arc better was the cast: the characters for this arc get plenty of time to get fleshed out, due to the slower pacing, and we really get to know them this time. The Tokyo arc takes a long time to get going, but it’s perfectly paced and knows exactly how to use its time to close off with a great conclusion that doesn’t try to be anything more than it is, unlike with the Heian arc.

The visuals in this series also rock. The character-designs are really well done, especially for the Tokyo arc. they’ve got a really realistic feeling, as opposed to all of the moe and overly cute series you see nowadays. Hikaru isn’t moe in anyway, and yet she looks great, and the same goes for the rest of the cast. They really make for a lot of great art throughout the series, my personal favourites were the flood scene and the earthquake scene. I’m not sure who animated those scenes, but they were full of creative visuals and made a lot of impact.

And yeah, despite the flaws the Heian arc most definitely isn’t bad. It’s a tensely told folklore, and the Tokyo arc that follows it makes it even better when it puts a modern touch to it, if you don’t mind a bit of slice of life here and there, of course.

Storytelling: 9/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10

3 Responses

  1. Ialda says:

    I had my doubts too about the Tokyo arc, at first, but finally it makes sense : an otogizoushi is a compilation of medieval short stories, and while the Heian arc is a “classic” otogizoushi (whith several references and figures from well-known japanese folk tales), the Tokyo arc can be seen as a new form of “otogizoushi” with rumors and urban legends as a modernized kind of folk tales.

    I really loved the series, minus one minor detail : modern Hikaru seem to me really less interesting, more passive and soft-spoken than her Heian counterpart. On the other hand, seeing all these characters we learned to appreciate in the first arc and left dying back in Heian-kyo “coming back” and living together was kind of heart-warming.

  2. 4155580 says:

    I couldn’t stand this show after falling asleep throughout the Heian arc, pretty much for the weaknesses you listed.

    After your rock-solid recommendation on Fancy Lala tho, I’ll give the second arc a chance. :)

  3. ancalyme says:

    I liked the Heian arc better than the Tokyo one – possibly because I like Mansairaku type villains. The characters didn’t seem to shine as much in Tokyo, either.

    It was a neat anime, tho’.

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  • Nyangoro
    (Thursday, Apr 17. 2014 10:31 PM)
    Ping Pong’s second episode was so fucking good. I just love these characters.
  • Emma
    (Thursday, Apr 17. 2014 09:57 PM)
    You know…as much as I like mushishi’s manga…I never felt compelled to read every single chapter..
  • ninjarealist
    (Thursday, Apr 17. 2014 09:38 PM)
    lol, as if on cue XD
  • Brad Kremer
    (Thursday, Apr 17. 2014 07:57 PM)
    Hello, I recently made a film telling the story of Dogo Onsen. As you may know, Dogo Onsen was the inspiration for the look of the bath house in Miyazaki’s Spirited Away. The Legend of Dogo Onsen
    https://vimeo.com/91544453 Subtitled
    https://vimeo.com/91547432 I hope you enjoy! Brad
  • ninjarealist
    (Thursday, Apr 17. 2014 06:49 PM)
    @psgels Yeah I feel you about the spam bots. I mentioned a specific terrible anime website that gets link spammed all over the place. If only they would put that much effort into their content.
  • Friend
    (Thursday, Apr 17. 2014 02:52 PM)
    @Aidan dat straightforwardness XD
    Sidonia is a little strange, Ill have to see how well it sticks for a few more episodes.
  • AidanAK47
    (Thursday, Apr 17. 2014 10:28 AM)
    @Roger, It’s funny just how little it took for you to say “Screw you guys. I’m going home.”
    Rather flaky if you ask me. Not that you would be missed of course.
  • Emma
    (Thursday, Apr 17. 2014 09:04 AM)
    *typoed an M instead of a , =<
  • Emma
    (Thursday, Apr 17. 2014 09:03 AM)
    *isn’t felt as much.
    I actually that while he drew the monsters and robots pretty well and was as always dependable drawing the scenery his modern art actually loses alot of his older style actually benifitted from.
  • Emma
    (Thursday, Apr 17. 2014 09:01 AM)
    Sidonia no kishi volumes 1 through 8: All in all compotent, decent m average enough to stick with and even buy the rest of it. The setting, tech/science is fine, its not trapped by exposition and when the action shows up its enjoyable to look at/read, good designs on the monsters too. However the flow/pace of it is a bit off, it drags, meanders a bit, its too mainstream for that author and favours poorly in comparison to the rest of his work. The athmosphere, roughness, grit isn’t felt.

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