Oh, I so love how this series managed to bring its characters to life. The non-verbal communication between the characters says much more than what the dialogue can even hope for and the creators manage to do this with a lot of subtlety. It really gives all of the characters complex stories, rather than “A is in love with B but B is in love with C so A hates C”, or the like. There definitely is a love triangle going on here, but these five episodes have added a lot of detail to them to make them far away from your average love triangle out there.
In this episode, Kyouko finds out why she was rejected by Yasuko, and how Yasuko is in love with Fumi. I didn’t see any hate for Fumi at her, but just about every other negative emotion was present on her. Because of this, Fumi stops accompanying Yasuko to her rehearsals because she fears having to deal with Kyouko’s sad face again. Throughout, Akira keeps acting as the straight man in this romance: she isn’t loved or in love with anyone, but instead provides support for both Fumi and Kyouko in this case.
And I have to say that Yasuko has a very interesting way to show her affections. While Fumi act like a shy puppy around her, Yasuko instead shows her feelings very subtly: she mostly puts on a straight face in order to be the strong shoulder for Fumi to lean on, but there are a few times here and there in which you can see that she really likes to be with Fumi.
Kenichi Kasai isn’t the most consistent director I’ve seen. What I saw of Major (the first season) shows that he’s terrible at shounen series, and Kimikiss, while it did have genuine characters, did drag on for way too long, but his best works really are something else. Nodame Cantabile was awesome, and Aoi Hana also looks to be standing out in its own way with its attention to detail. And yes, some day I’m going to watch Honey and Clover. ;)
Rating: ** (Excellent)