Posted on 31 August 2009 with categories: Guin Saga



It’s episodes like these that really show how good this series has been at building up. Amnelis in this episode was definitely one of the highlights of the entire series for me. And that’s the thing with incredibly flawed characters in a good series: they start out rather annoying, but when they do develop properly, they make much more impact than any Mary Sue could have done.

Remus’ change from wimp to evil overlord happened very sudden, but with Amnelis, her transition from an incompetent princess to a hate-filled warlord has taken up much more time, and this episode really was the key in her development. Not only did he deceive her, but because he has become unreachable for her to even carry out her revenge, it completely changes the way Amnelis used to be. The question is: is her moment to redeem herself going to happen in the next four episodes? If not, then I’ll repeat the same words again: SECOND SEASON WHERE!?

Last episode’s climax was pretty interesting: it suggested an epic fight between Guin and some mysterious orc-like people… and yet the fight was over within a minute, and it just turned out to be a build-up for the Yellow-haired guy’s plans to bring him down. Again: do we get to see whatever he’s building up to within the next four episodes? I have no bloody clue.
Rating: *** (Awesome)

Posted on with categories: Konnichiwa Anne



And finally, two years pass and Anne has grown up to nine years old. While it’s good to see lots of development, this episode also confirmed what I’ve been suspecting for a long while now: Anne is not Anne Shirley of Green Gables. She really is just an incredibly bright girl who happens to look similar to Anne of Green Gables, she just happens to share the same name and same name of her parents with her. And hey, Canada’s a big country. It could have happened.

Because in this episode, it becomes clear that Anne hasn’t been attending school for two years. Anne of Green Gables, however, was fully able to attend school; she just couldn’t attend it in the winter because it was too difficult to travel to her school, something which Randolf and Mildred don’t seem to have any problems with.

This show simply shouldn’t have been advertised as “Before Green Gables”, because it simply isn’t. I remember how Budge Wilson commented that she wasn’t going to try and mimic Lucy Maud Montgomery’s style for the novel, and instead would keep to her own. That’s understandable and I fully agree with that. However, she should have kept the characters in canon with the Anne of the Green Gables novel. She seems to be a famous writer with lots of experience. She should have been able to predict how Anne would have looked like in her childhood, which is nothing like the Anne in Konnichiwa Anne.

Nevertheless, this was a very nice episode if you ignore this. We get some background on Walter, the characters have all developed in an interesting way especially since this probably is one of the very first time in which we see a character as detailed as Anne, develop from seven years old to nine years old. Usually, when characters are shown below the age of ten, the creators usually just pick one age as a base, but this series instead shows Anne as a six, seven and nine-year-old.

Anne really strikes me as a child who grew up too fast. Children her age should still be busy goofing around, and being children. Instead, because Johanna has been forced to get a job after Bert’s job backfired, she had to face her adult responsibilities way too early. Because of this, even though Mildred and Randolf are much older than she is, she acts as if she’s of the same grade they are.
Rating: * (Good)

Posted on with categories: Monthly Summaries

Overall, I’m very pleased with this season. There were unfortunately a few series that disappointed this month, but at the same time there were also a lot of shows that exceeded my expectations about them. I think that the most notable of this season is that it’s the very first season in what feels like three years in which Madhouse doesn’t have any series of notable quality. I’m not sure what happened to them, really. Have they been hibernating through the economic recession or something?

Rankings, like the past months are a bit unusual again, I basically tried to generate the rankings for each show, compared to the others that are currently airing. Say, for example that Show A has a really good setting, and there are only a few other shows with a better setting, it’s going to rank higher than if there are many shows with excellent settings, and vice versa. I know that it’s a bit weird, but for some reason it does more accurately reflect my feelings about the shows this season.

#30 (29) – Zan Sayonara Zetsubou-Sensei – (6/10) – Okay, so this series has hit new frontiers of boredom for me. After one episode, this got so bad that I suddenly became fascinated by the pattern on my chair. In addition to this series getting less funny with every episode, the non-funny parts are also getting harder and harder to sit through, with especially the incredibly stereotypical characters growing more and more on my nerves.
#29 (20) – Saki – (7,25/10) – The battle between Saki and Koromo unfortunately was a step down for this series. At this point, Koromo was so unbelievably god-moded that the creators had to god-mode Saki as well to give her a chance against her. So in the end this just became a contest of who could pull off the biggest and cheesiest Deus ex Machina. Afterwards, this series never really managed to recover for me. It’s been one cheesy and predictable scene to the other, with hardly any of the character-depth that made the middle episodes so enjoyable.
#28 (25) – Chi’s New Address – (7,25/10) – Okay, so I got impatient with the slow subs and tracked down the raws for this series. Unfortunately, it doesn’t seem like this series is getting any better. There is just an entire lack of direction, and the show just hangs on a string of random episodes that all fail to live up to the first season. There are too many episodes in which Chi randomly causes trouble and breaks stuff, and I think that this series has hit past its expiration date at this point. Such a shame.
#27 (26) – 07-Ghost – (7,5/10) – I hope that for this series, the creators are going to go with an anime original ending. Don’t get me wrong, but this just isn’t a series that’s going to work with a second season, and with an ending that actually wraps up the story there is at least going to be some sort of closure. This show lately has been getting less bearable, with as the depth the really lame Bishop Exam.
#26 (28) – Needless – (7,5/10) – This show really is one of the most vulgar shows I’ve ever seen. The jokes are amongst the dumbest I have ever seen, same with the fanservice. Still, it does what it intended to do: entertain. In terms of mindless entertainment, it really does the job well and doesn’t try to pretend it’s anything more than what it is. At least I can appreciate that.
#25 (23) – Hetalia Axis Powers – (7,75/10) – This month, Hetalia has been adequate. There were no particularly bad episodes, but there weren’t any that stood out either. It’s nothing particularly boring, but I do hope that this show can pick itself up again after this.
#24 (30) – Bakemonogatari – (7,5/10) – I can see that the dialogue for this series is good, but at the same time I have a lot of trouble connecting to the characters because Shinbo took his style way too far. The screen is way too full with pointless visuals, walls of text that appear at the wrong moments, take way too long, and take the focus away from what’s really important: the characters. Seriously, the lead character in particular hardly gets any close-ups when he talks. The camera is always focusing at either his eye, his ahoge, or something completely different. It’s probably because of this that I found the ending of the third arc to be convenient and cheesy.
#23 (17) – Gintama – (7,75/10) – The thing that the new director is going to have to work at is his climaxes. The past oldies arc was pretty good, but the climax just ended up a bit cheesy and was filled with Deus ex Machina.
#22 (16) – Basquash! – (7,5/10) – Basquash was mostly building up this month. It’s going to need it, because I’ve pretty much lost my faith in this series, and only an entertaining ending can save it for me. My biggest issue with this series is that it doesn’t seem to really know what it wants. If it’s supposed to be a fun and entertaining show, then why does it go on and on in pointless drama? If it’s supposed to be a deep and thoughtful show, then why are the characters so unbelievably stupid at times?
#21 (22) – The Melancholy of Haruhi Suzumiya – (7,5/10) – Now that the Endless Eight has finally ended, I’ve gotten bugged with another of this series’ problems: Haruhi is annoying. Seriously though, the past three episodes of her Sigh have been surprisingly boring and uninteresting. The characters have been acting way too much according to their stereotypes, rather than as actual characters, and the dialogue also suffered a lot. In fact, the dialogue of the entire second season has been far from as detailed as it was in the first season.
#20 (24) – Kuruneko – (8/10) – This series is surprisingly fun, especially now that Chi’s Sweet Home has stopped being funny, there’s enough cats to laugh about here. But I especially like the old lady who keeps the different cats. She has wit, and I love how she always tries to voice everything over.
#19 (13) – Canaan – (8/10) – So in this month, Canaan showed its true colours. Deranged, over the top and very far-fetched colours. While I admit that I would have preferred a bit more subtlety in the storytelling, it still is a pretty nice action series. Just don’t try to go in it expecting any sort of realism…
#18 (18) – Taishou Yakyuu Musume – (8/10) – I’m starting to wonder whether twelve episodes are enough for this series. There’s still so much left to do, and yet we’ve already passed two thirds of the series. Sure, things have been pretty enjoyable slice of life, the characters are quite charming, but are the creators really all right with only four episodes left?
#17 (21) – Konnichiwa Anne – (8/10) – I still hate Henderson, but granted, she was much more annoying in the previous month. Thankfully Konnichiwa Anne has gotten better right now, with the focus nicely balanced between Anne and the side-characters.
#16 (11) – Umi Monogatari – (8/10) – This has been a peculiar little series. It’s strength is that it’s incredibly dramatic, and yet it never delves into melodrama or something that’s so overacted that you can’t take it seriously. It’s a great example of an emotional series: one that’s meant to bring out emotions. At this, it actually fares off pretty well, but this is a Sato Junichi series we’re talking about. He has done so much better in the past, that this series just pales when you compare it to some of its other works. If you don’t though, then it’s pretty nice.
#15 (27) – Yoku Wakaru Gendai Mahou – (8/10) – This is yet another one of those series that isn’t supposed to be good… and yet it is. Seriously, it has all the elements of yet another dull moe show: overly cute character-designs with weird hair-colours? Check. Stupid fanservice? Check. Overly cute voice actresses? Check. And yet, this series has something that a lot of moe shows nowadays lack. The characters, especially the main character, are all surprisingly genuine; the way they act, the way they interact with each other. It feels like they’re really behaving like themselves, rather than trying to go for forced stereotypes.
#14 (15) – Umineko no Naku Koro ni – (8,25/10) – I think that the biggest difference between Higurashi and Umineko, at this stage in the series, is that Higurashi was much more of a horror series: it used its storytelling and mystery to create a very tense plot. Umineko instead chooses for censored gore and a lot of talking, which neither come really close to horror. Because of this, I like the first nine episodes of Higurashi better than Umineko. Nevertheless, that doesn’t mean that the mystery in Umineko doesn’t rock. This yet again is a great series to try and formulate theories of what the heck is going on, only to have them proved wrong by this series.
#13 (10) – Marie & Gali – (8,5/10) – It’s a shame that this show went into multiple hiatuses during this month, because I really can’t get enough of the craziness in this series. What’s also very peculiar for a comedy is that it’s just consistently awesome: there’s hardly any bad episode, and every episode has something creative that puts a smile on your face. Sure, the episodes are only five minutes long, but still.
#12 (14) – Shin Mazinger Shougeki Z-Hen – (8,75/10) – This show really has become epic in the past month. I must say that it’s really managed to create an awesome story, based on the premise of a few key characters and a powerful giant robot. The twists and turns have only added to the awesomeness, and this series is only getting better and better. In the coming month, it’s finally time for this series to close off with an epic finale, and something tells me that the creators aren’t going to settle with a straightforward ending. There are so many different villains at this point that it’s promising to be a true clash of the titans.
#11 (8) – Pandora Hearts – (8,75/10) – Every time I think that this series couldn’t possibly pull any more plot twists, it does, and with every plot twist the series only gets more intriguing than it already was. Sometimes the creators keep hanging a bit too long around Oz’s development, but overall this still is an excellent series. Now where is that second season?!

#10 (7) – Guin Saga – (8,5/10)

Lots of politics this month for Guin Saga, and I must say that I like it a lot. The cast of characters is really growing beyond belief, but the creators still managed to give most of them their own identity. The lead characters meanwhile also make sure that this remains an epic series.

#9 (5) – Full Metal Alchemist: Brotherhood – (8,75/10)

It seems that the manga readers aren’t all happy with this adaptation, because of all the things it cut out. Having not read the manga, however, I don’t care. I personally don’t notice anything of the cuts that were made, and especially episode 19 was really good and well animated.

#8 (12) – GA:Geijutsuka Art Design Class – (8,75/10)

This show rocks! Sure, it’s probably a bit boring if you don’t have any interest in art, but this series really is one of the few anime this year that actually taught me something. Aside from that, the creators have managed to keep a perfect balance between fun interactions, slice of life and the educational parts. Not one episode feels like a copy of the others, and every episode it comes with new material, rather than ripping or milking off previous episodes due to a lack of inspiration. This definitely turned into one of the best (if not THE best, along with Cross Game) slice of life comedies I’ve seen this year.

#7 (9) – Cross Game – (8,75/10)

The thing that makes Cross Game so good is that every single episode, no matter how seemingly insignificant, contributes to and develops the characters, if ever so slightly. The pacing is slow, but for this series, it’s just enough to see the characters slowly get more and more complex and likable. That really is the strength of a series by Adachi: sure, he can only write shows of one type, but he’s really, really good at it and hardly ever repeats himself.

#6 (2) – Shangri-La – (8,75/10)

It’s not the best month for Shangri-La, but nevertheless it’s gotten surprisingly solid now that it’s building up to its finale, and it might actually be able to pull off a very enjoyable one at this pace. At this point, the story has gotten epic without sacrificing what made the rest of the series so enjoyable. All it now needs to do is have something awesome happen at the finale.

#5 (6) – Spice and Wolf – (8,75/10)

The biggest difference with the first season is the relationship between Lawrence and Horo: the two of them have become much closer with this season, and yet the creators manage to keep the romance mature and prevent it from being forced. The talk about trading has been as intelligent as ever, which always is a good sign.

#4 (4) – Aoi Hana – (8,75/10)

This series has really been consistently excellent, like I’ve probably said many times before. The romantic relationships are very down-to-earth and realistic and the creators are really good at very subtly fleshing out the characters.

#3 (1) – Tokyo Magnitude 8.0 – (9/10)

At first, when I finished episode 8, I thought that this series was going to finish with a rather uneventful finale that didn’t really live up to the amazing first five episodes. But then when I realized that SPOILER, it suddenly put the entire series in an entirely different light. That’s got to be the SPOILEREST SPOILER I have ever seen, and I really applaud the creators for SPOILER. This has the potential of being a classic if they manage to end this series well. Apologies for the rather cryptic description, but the ones who saw episode 8 will probably get what I mean.

#2 (18) – Kemono no Souja Erin – (9/10)

Yeah, yeah. So I gave in to everyone who praised this series and marathoned it up to episode 33. And oh my God, people surely weren’t kidding when they said that this was one of the best shows of the year! Because of its long length, it really was able to get the best out of the character. Especially Erin, who has now grown up to be eighteen years old, has become one of the best developed characters of this year for me. This series has become so good at portraying the pain-staking work it takes to tame and take care of a wild beast, but also the newly introduced villain is already an awesome one who is going to pose a serious threat to Erin. The back-story for this series has also turned out to be surprisingly solid, and for those who were wondering whether this series would have gotten a bit too childish with the farting bee-keeper: don’t worry. It’s just a small gimmick that returns occasionally.

#1 (3) – Phantom – (9,25/10)

Now that it’s entered its final arc, this series has become utterly amazing, and without a doubt my top pick for the past spring season. Especially Cal’s character-development has been awesome, but Reiji and Helen have also become a joy to watch with all of the development that this series has put in them.

Posted on 30 August 2009 with categories: Full Metal Alchemist - Brotherhood



Apparently last week had some sort of important sport event that caused quite a few series to go into hiatus, among which Full Metal Alchemist. Now that it’s back we can continue with the hunt for the Humonculi, and quite a surprising aftermath to the previous episode.

Because as it turns out, Havoc lost his ability to walk. I’m not sure whether this is permanent or temporary (you never know that in anime…), but nevertheless that was a heavy sacrifice that Roy had to pay in order to be able to kill off Lust. On top of that, Ed and Al also realized (with Barry’s original body being the way it was), that Al’s real body might be rotting away right now, and that he might not even be able to go back to it. At the same time, we also learn that Ed seems to be sleeping an awful lot. Something tells me that this is also going to become important later on.

The rest of this episode focused on a plan to lure out the Humonculi. Scar showed up again, in the city that Ed, Al and Roy happened to be in, and so they come up with the idea to use Scar, in order to lure out the Humonculi who seem to get rid of scar. They suspect this because of the way the Homunculi have been fighting scar, and also that the Fuhrer has a good chance of being a Humonculus, if I understood correctly.

Also, for some reason the facial distortions in this episode were a lot more out of control than usual. Especially with Ed on his fixing spree, and afterwards when he tried to talk to Roy Mustang. The scenes themselves were quite hilarious, but they didn’t mesh too well with Scar’s sudden appearance. I liked it more when the comedy was more subtle. That’s really the moment when you don’t know when to laugh or not.

I wonder how Winry’s going to react when she finds out that Ed and Al were chasing the one who killed her parents for revenge. Something tells me that she’s going to find out sooner or later, and I don’t think that she really would have taken revenge if she was in their shoes. Still, at the moment her part in this series has been rather pointless so far, aside for the emotional support for Ed and Al. I do hope that she’s going to end up doing something useful, rather than hog lots of screentime like she did in the first anime series.

And as usual: when discussing this episode, please refrain from mentioning events that happen after this point in the manga.
Rating: * (Good)

Posted on with categories: Cross Game



A big episode for Aoba this time. Up till now we have really seen both her and Kou acting as directed Wakaba’s dreams, rather than for their own. And while that indeed is important for both of them to deal with her sudden death, it also really gets in their way at times. Especially in the case of Aoba, who despite being technically superior to Kou is doomed to stay in his shadow because he just happens to be able to throw faster.

In this episode, she finally did what I’ve been hoping for for a while now: participate in an actual game. In the past few episodes, you could really tell that she was pissed off being seen as inferior to Kou. She kept teasing him about how he was a year higher than she was, and was very sarcastic whenever she talked to him. There is such a thing as a lovers’ quarrel, like you often see in anime, but in Aoba’s case it’s much more than her simply being a tsundere. Especially the new batters, who kept comparing her to Kou hit hard.

But yeah, in this episode, Senda(what happened to the guy, by the way? We haven’t seen him in a while, have we?)’s friend pops up again, with a proposal for her to join the baseball team of her school. Obviously, she did this without the consent of the rest of her team, but in the end Aoba gets a part of a stand-in. Which of course is logical: the teamwork would have been completely disrupted if the pitcher were to change to some girl nobody heard of.

And you know, it’s still pretty obvious that Kou and Aoba are into each other, but after having seen a genuine smile from Aoba a couple of times now, I’m starting to think that the two of them really should spend some time away from each other. Something tells me that when they’re together, they only remind each other of Wakaba: I suspect that Kou keeps seeing Wakaba in Aoba, and he continues to put up a strong image in front of her. Aoba on the other hand is constantly reminded of the guy Wakaba was in love with when she was still alive, and therefore still feels hurt when remembering her. In fact, have Kou and Aoba actually talked about Wakaba when they were together? This may be my memory, but it seems to me that the topic of Wakaba has become some sort of a taboo between the two of them.
Rating: ** (Excellent)

Posted on 29 August 2009 with categories: Anime Reviews, Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai, or Munto TV, was the biggest disappointment of the past Winter Season. Here the creators had a great chance to take a flawed OVA, and spread it across the airtime of a TV-series so that the setting and the characters could finally get the chance to be developed properly. So, what do they do? A bloody recap. Only the final three and a half episodes featured new material, which was way too little for a story of this caliber. Still, with a movie scheduled, it still could redeem itself. But yeah, I guess that you can all see by the rating for this review that it obviously didn’t.

Oh, the announcement for the movie sounded so promising. Even though it would also recap the new footage for the TV-series, it did promise that it was going to be just a “director’s cut of various climactic scenes”, with “new footage” and it “ends with a finale”. Looking back, that was the biggest piece of crap that the creators could ever have come up with to promote this movie.

Let’s start with the “new footage”. Let me tell you exactly how much new footage there was in this movie: three minutes. No, seriously, it has some three minutes of strange back-story slapped on the beginning. Apart from that, everything else simply recaps the TV-series.

So, how about the “director’s cut of various climactic scenes”? Well, apparently the creators found every single scene a climactic one, because the rest of the movie is literally every single scene of the new footage of the TV-series. Even the useless comic relief ones. The only part that is missing is the final part of the last episode. You know, the scene that PROMISED THAT THE STORY WASN’T OVER YET.

And how about “ends with a finale”? Well, this movie sure as heck ends with a finale. The same that the TV-series ended with. Yeah, the same finale with its Deus ex Machina climax, the same finale in which the characters started to act completely out of character, and the same finale in which Munto dressed up the three teenaged leads into sailor uniforms with extremely short skirts. What the heck was the point in advertising that!?

It’s a shame. This series really had potential; if only the creators actually made a remake of this series, panned over 26 episodes or something similar, it would have been really good. This, however, is just crap. Even for a recap-movie, it’s incredibly cheap, the way it was advertised, the way it promised so many things, and instead just chose the laziest way out and even failed in terms of storytelling with that ending. If you want to see what Munto is about, check out the TV-series, skip the rest.

Storytelling: 1/10
Characters: 1/10
Production-Values: 5/10
Setting: 5/10
Posted on 28 August 2009 with categories: Phantom



Oh my God, Cal just becomes more and more awesome with every single episode. Up till now we’ve only seen glimpses of her new version, and what she turned into ever since she was abandoned by Reiji and taken in by Scythe, but only in this episode we get a full grasp of her deep-seeded hate against Reiji. And this episode yet again was absolutely amazing. People have often asked me why the heck I’m such a big Bee-Train fan. Now THIS is why! Time and time again they end up creating a truly awesome cast of characters.

And while it’s indeed true that they sexed up Cal a bit too much, they do get the point across: someone who started out as a sweet little girl is now cursing all over, lost any trace of compassion, living solely for revenge and has no future at all if she does manage to kill off Reiji. What hit me the most was when Reiji asked her to leave Helen alone. It then all hit her that Reiji indeed was the bastard she imagined him to be, who left her for dead and instead is willing to protect Ein with his life.

At this point, Reiji’s apologies and the words that he thought she was dead obviously can’t easily put things right anymore, since they’re just going to come off as cheap excuses. The fact remains that Reiji just walked off without confirming Cal’s dead body, because he was too occupied by Helen. It’s completely understandable, but it completely destroyed Cal’s chance of growing up happily.

Also, I’ve said this many times before, but I really feel the need to repeat that I absolutely love the soundtrack for this series. In this series, it has become much more than simply a bunch of songs that play into in the background. Bee-Train was already experimenting with this kind of soundtrack during Blade of the Immortal, in which it really worked, and for this series they again compiled a crazy soundtrack that’s full of many different songs, ranging from the quiet ones to the mindfuck tracks. These songs aren’t meant to be simple elevator music, but they’ve become a very important part of the storytelling itself, and I really love the way it turned out.
Rating: *** (Awesome)

Posted on with categories: Pandora Hearts



Whoa. Even for Pandora Hearts, this was a surprisingly good episode. Since it already has been two weeks since the plot disappeared (with the previous week a hiatus and the week before that more aimed at comic relief), but damn, I didn’t suspect that the creators were already going to arrive at Break’s background this early.

So this episode basically starts out as Oz manages to get himself an appointment with the person who most likely is to remember something about the tragedy of Sabrie 100 years ago: Rufus Barma, the longest sitting of the four dukes, and a collector of information. Apparently, Oz had heard of him from before he was cast in the Abyss. Makes sense.

Anyway, it then turns out that Barma likes to play with his visitors, and creates a whole illusion to try and hide who he really is. With the threat of the Baskervilles and all, this indeed seems like a wise move. Anyway, it seems that the biggest reason why he accepted Oz’s invitation is because he wants to learn something from Break. On a side-note, the foursome of Break, Oz, Gilbert and Alice look awesome in formal attire. It’s nothing new, but this series sure is good at its costume designs.

Anyway, while this seems nice and all, the second half of this episode completely turns the chessboard upside-down, to come with an Umineko-reference, when it turns out that Break’s background is much darker than I imagined (or should I say, Kevin’s background). In his original time, his family was murdered and he willingly travelled into the abyss to get their murderer back. He already had a contract back then. He then met the White Alice, who turns out to be no-one else but the “Will of the Abyss”. She then pokes Kevin’s eye out, gives it to Cheshire Cat, and kills his chain. wtf. To make things even more inexplicable, a young Vincent (who seems to be an acquaintance of the Will of the Abyss), brings an unconscious Gilbert (who also happens to know her) in and acts like it’s the most normal thing in the world.

This explains quite a bit: it explains how Break knew of the Cheshire Cat, and what he wanted from him (his eye back), it also is probably going to explain why he has such a deep-seated grudge against Vincent. The next episode is probably going to show Vincent doing something really nasty to him. As a result, it’s probably because of this that Break has vowed to find out what happened in the Tragedy of Sabrie: it’s his wish to find Vincent’s weakness, and what Vincent absolutely doesn’t want is the truth about the tragedy to come out. The reason why he refused to sacrifice Sharon has probably to do with his little sister.

Also… about Alice being the Will of the Abyss, this is just a theory but was the Abyss actually created along with the Tragedy of Sabrie? I mean, the people who returned from the Abyss all were special cases: Gilbert and Vincent were there when it was created if this is true, and this would also explain why Vincent knew the Will of the Abyss so well. Break meanwhile was probably the only human who willingly entered the abyss, which seems to be confirmed with how the Will of the Abyss said that he was the only one who maintained his conscience. Oz was special because he found Alice’s locket, which somehow did something with one of the Alices to make some connection.

Also, was I the only one who noticed the weird Rozen Maiden cameos in the Will of the Abyss’s dolls?
Rating: ** (Excellent)

Posted on with categories: Tokyo Magnitude 8.0



The past two episodes of this series made me think a lot about the nature of criticism. Especially after the previous episode, which I slammed down for having Yuki supposedly collapse for cheap drama, even though it’s not that weird for people to get sick in these situations. I also remember people who weren’t happy with that episode because it included robots. But yeah, then you have things as this: is it still unrealistic and unbelievable when it’s being used in real life?

I think that a lot of people (including myself; I’ve caught myself doing this plenty of times), whenever they are turned off they start looking for reasons why. These seeming logic flaws are then very easy targets for these criticisms. Ignoring the obvious cases in which a plot twist becomes so stupid or unbelievable that it destroys the entire suspension of disbelief, these things often aren’t the real reasons for these declines in quality, and in the case of very realistic shows as Tokyo Magnitude, you can see people who start blaming things that turn out to be perfectly normal.

In the end, the only thing that I can really criticize this series for is that I don’t like the OP. I’m one of those people who is too lazy to skip through OPs (aside from perhaps marathons), but at the same time I’ve never been a big fan of neither j-pop or j-rock, and Abington Boy’s School is no exception to this rule, and the song they used for this series’ OP is getting more and more on my nerves.

I think the thing with this series is that episodes 2-5 were utterly amazing, and the past episodes, instead of building up to a great climax at the end, instead went to go for a much quieter aftermath. It’s not exactly the same as Eden of the East, where it became clear along the way that the creators just took too much on their plate and badly paced the series after its initial episodes. With Tokyo Magnitude, I think it’s obvious that the past few episodes lacked the same emotional impact of the first five episodes. The question however is: does it need to be?

I’m getting more and more convinced that this show indeed doesn’t really need to be. I’ve become so used to anime, which nearly all have the general pattern of a build-up that gets increasingly full of tension, but here we have an entire subversion of this trope. During an earthquake, the biggest emotional shock comes right after it happens, and after that the tension, while it’s still there, fades as more and more people regain their sensibilities. The more I think about it, the more realistic it becomes.

Anyway, about this episode, aside from the total chaos in the hospital it was a very quiet one. Yuki turns out to be fine for now, while Mirai has visibly grown up while Mari becomes more and more worried as to what happened to her children. It’s a role reversal here: the reason Mirai managed to grow wasn’t just because she had to look after Yuki, but also because Mari, who started out as a mother figure, started to show more and more of her weaknesses. And that was the strength of episode six: its purpose wasn’t to insert some random illness, but instead show that Mari instead was just a human being, and at that point Mirai realized that her whining wasn’t going to help at all to solve the situation, especially since you can really see that she wants Mari to be reunited with her daughter.

As for the reason why Mari refused to take the scooter in episode: she might actually be running away. Take a look at this episode: instead of walking fast, like what I would do when I was worried about someone, she often walks way behind Mirai and Yuki. It’s as if she’s scared to find out that her daughter died.
Rating: ** (Excellent)
Edit: I rewatched this episode, based on your comments, and you’re right: they’ve given this episode a completely different meaning, and what I believed was a rather quiet episode has now become incredibly sad instead. I really have to give thumbs up for the creators for having the guts to go this far.
Rating: *** (Awesome)

Posted on with categories: Basquash!



Okay, that’s it. This series has completely given up any form of logic at this stage. I mean, seriously. It surpasses itself in terms of stupidity in this episode. There were plenty of moments in this episode that just made me ask… “why?!”.

A list of bullet-points of all the wtf-moments of this episode:
– Satelight: what the heck are you doing making Flora fall IN LOVE with Dan. There are five episodes left, for God’s sake. What the hell are you doing slapping on a harem at the last possible minute?!
– In this episode, Dan and Flora end up abandoning everything else in order to be able to reach Rouge’s last concert on time. In order to get through some sort of customs that are in the way, they dress up as women. Never mind the question where they got these clothes from, DAN STILL DOESN’T REALIZE THAT FLORA IS A GIRL.
– To make things worse, even though he thought of the clever plan of dressing up, he ends up blowing his cover, simply by getting into another fight with Spanky.
– There are lots of guards at the customs, with advanced weaponry, mechas and professional equipment. Dan blows his cover right in the middle of them, surrounded by about two dozen of these guys. And yet they let them go. They don’t arrest a criminal who is wanted for committing multiple crimes and who even is notorious enough to have entire billboards full of wanted posters. Yes.
– Also, check this picture of Rouge as she’s lying under some medical thingy. What the hell is up with that waste? I mean, anorexia is one thing, but this is just ridiculous.
– Later in the episode, Dan and Flora get themselves surrounded yet again. All these soldiers are armed with guns. Dan fights them off… with a basketball. A freaking basketball. Versus dozens of guards. And he actually wins.
– To make matters even more ridiculous, Flora finds this a good moment to show her real identity. She pulls off her clothes, under which her full princess outfit was hidden.
– The only thing that all of the guards are able to do is kneel and make weird puking noises. No seriously, what was up with those yelps of pain as they kneeled before the princess?
– Flora uses her authority to stop Dan’s arrest. Yes, being a princess is fun!

But yeah, on the other hand: who cares? I think that we all should have seen this point coming, right when it became clear that the director of Kiss Dum was going to take over this series. In the end, all I’m asking from this series is an entertaining finale. I remember that last year at this point, Macross Frontier did the complete opposite and delivered an incredibly generic and boring finale for me, so my big hope here is that Satelight is able to avoid this and end the series on a high note, rather than with a disappointment. You can see that this series is still building up at this point, so it really can go anywhere at this point.

And for all the stupidity, I also have to admit that this episode was fun to watch. Sure, it didn’t make any sense, but setting aside the newly developed romance it was fun to see Dan and Flora together, and especially Dan’s dress rocked. The new soundtrack of this series is also really good. And finally we have a Kawamori-series with a soundtrack that isn’t based around j-pop.
Rating: (Enjoyable)

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Anonymous530138
I like a good dickin
Lenlo
tl;dr, chill its an anime.
Lenlo
Age gap isnt that big, and its not homophobic or arrogant to say a show isnt selling an aspect of itself well in his opinion. Lastly, romance for every person is different, so dont expect him to share your experiences/views on it.
Anonymous529997
Also, how Viktor's choice to become Yuuri's coach might have been initiated by not just Yuuri's skating, but Yuuri himself.
Anonymous529997
@Mario: I agree on the strip dance. Like, holy crap. But overall, I really like how episode 10 reframed the series from Viktor's perspective. Like, at first the whole commemorative photo thing made him seem like a jerk, but now we get to see that he had actually had a great time with Yuuri and was probably being genuine about it...
Anonymous530076
What happened to angry german kid
Anonymous530022
You just want them to identify themselves. You feel as if it's your right to know that they are gay. Well it isn't. It is their life, their story. You are being homophobic. You are being close minded. You are being arrogant. You are, indeed, very arrogant.
Anonymous530022
It is a mixture of admiration and lust and because it is hard to distinguish between the two it is difficult to express your feelings directly or even admit it to yourself.
Anonymous530022
As a gay man I attest that this is how romance works, ESPECIALLY when there is an age and experience gap.
Anonymous530022
This shows romance is actually reaistic, but you are still rejecting it. Yuri literally said he had found love. He said neither way who it's directed towards yet you are SO INSISTENT that it is towards skating. in the episode Victor even expressed admiration to Yuri's own dispositions beyond skating. He clearly was 'watching' him.
AidanAK47
If they planned to take such a hands off approach to romance then it would be better if they just focused on the skating. But well then the fujoshi's wouldn't be buying the Blu-rays now would they?
Lenlo
I can understand that, thats a problem I have with alot of modern romance's. Im just not seeing the backing off that happens in those romances. They just seem to raise it more and more in Yuri, without ever crossing the line, rather than toeing it then backing off.
AidanAK47
@Lenlo, To me I find it aggravating. They go so far to portray them as gay yet when it comes to the final say they keep backing off. Hey I want to be more that friends...just kidding! Hey I love you...just kidding! Hey lets get married...just kidding! It like how harems constantly tease the main getting together with each girl when by shows end you know he's not going to get with anyone.
SuperMario
@lenl: agree. I'm still enjoying the hell of the show. A bit out of the blues thou when it comes to the strip dance (they shoulve planted that before), but it's a joy to watch every week
Lenlo
Eh. As I said, I think its above bait below romance. Either way im enjoying it and thats the important part.
SuperMario
For me they're just too much at the moments but unless they confirm it, nothing changes.
Kaiser Eoghan
Y'know I kind of wish Rorico would just come out and directly say he feels too old for most anime, its not really surprising a man in his 60s would be so cranky when it comes to this stuff.
SuperMario
@lenlo: I think it's more about statements. Yes, we understand the context of rings and engagements but unless they confirm it, nothing set in stones. And "hinting" is what they love to do, you can see just by the 2 shows I've coverage myself: Sound Eupho (Reina & Kumiko), Flip Flappers (Papika & Cocona) and people saying those same underlining context things.
Lenlo
I think its beyond baiting, below full blown romance at this point myself.
Lenlo
Does a show have to confirm and say "They kissed" to make it true? Seems along the same lines as "Fade to black" for sex. Then theres the ED which also made the start of the show much more interesting, as with this ED not its Victor that was jilted at the airport, when Yuri ran away.
Lenlo
See, I dont understand why they have to come out and say "We are gay" for you to accept its an actual romance. I dont see how this is baiting anymore either, as the rings and the "Engagement" seem pretty clear to me. Also, without knowing the current climate on the matter in Japan, this could be the clearest they are allowed to make it, while still fully intending for it to be a real romance.
AidanAK47
@Anon1, Agreed. I said before that I would like to be proven wrong on this but this series doesn't seem to have done that yet. I really will admit I am wrong to Anon2 if it does provide proof but it would need to be far more substantial than this.
@Anon2, Girl, boy, whatever.
Anonymous529668
I'm not a girl.
Anonymous529660
Even that is just grasping at straws though, haha.
Anonymous529660
@Aidan: I think the only thing from that scene that hints at actual romance would be where Viktor says something along the lines of a lot of other people got their L words from Yuuri, which he had earlier stated are "Love" and "Life." Honestly, even this is pushing it though, but the fact that he said it like that suggests that both he and Yuri got "those words" from Yuuri.
AidanAK47
Way I saw that scene was the guy saying "Fuck you, you think Yuri is so great. Well I am gonna be better than Yuri. Just you wait and see" and then Victor remarking on how Yuri awoke his competitive spirit. Aka his love for Skating.
SuperMario
@Kaiser: Although I like both, I always prefer impressionism better. Expressionism for me tend to be a bit overwhelming and a bit subjectively. But mind you Flip Flappers still has moments of Expressionist as well (Episode 6: Irochan's parents)
AidanAK47
@Anon, I got the context you saw fine. About him getting mad over the "Good luck charm". You are being baited girl, hook, line and sinker.
Anonymous529618
You are missing context. You don't know anything. You don't even know why Yuri was mad do you? Why the fuck would he be mad about loving skating.
Kaiser Eoghan
@Mario: I bring up the impressionism vs expressionism thing because I feel that the impressionistic aspects of say a Tarkovsky film, Malick film and flippflappers feel superior to me over expressionistic style because its more emotionally satisfying while ALSO being athmospheric, Whereas expressinistic visuals are ONLY atmospheric.
Kaiser Eoghan
@Mario: Flippflappers has now reached a level where I feel the impressionism has gone beyond simply visual immersive in a way that makes us part of its world and has become more emotional.
Kaiser Eoghan
@Mario: You mention impressionism in your review of flipflappers, in general do you feel on a visual level you respond more strongly to expressionism or impressionism?
SuperMario
I watched the whole thing so I know that in this episode, except the time they're giving rings to each other (in the name of "good luck charm") and Victor somewhat pump Yuri up for the Gold medal by Not Denying it; they still haven't admitted anything.
AidanAK47
Perhaps I am not the one who is in denial.
AidanAK47
Oh I think I see it now. Yeah this is nothing mate. The conversation was about skating from begining to end and Victor mentioned that he wasn't the only one to get his "L words" from Yuri. Pretty clear he means how Yuri helped Yurio awaken a love for Skating. Romantic love doesn't really make sense within the context. But yeah, they admitted nothing.
AidanAK47
Quite frankly if they don't have the balls to admit they are gay by this point they are just not going to.
AidanAK47
Time stamp means the point in the episode he actually said it. Like 18 minutes 20 seconds in or something. You should be able to get one. But maybe you can't find it either. Only thing I found Was about yuri teaching victor through his life and love but that's ambiguous enough to refer to his love for skating.
Anonymous529435
Don't have time stamp
Anonymous529435
Episode is narrated by Victor
Anonymous529435
At the end Victor admits he's in love and mentions the other person is also
AidanAK47
@Anon, Can you give me the timestamp on the episode? Scanning through it I don't see anything that suggests that.
Anonymous529150
Not joked
Anonymous529150
They admitted
Anonymous529150
No those were both me it's just the chat doesn't show it immediately so I posted again
AidanAK47
@Masky, He's denied it before but it's pretty obvious he's trying to make it seem like someone's agreeing with him.
AidanAK47
@Anon, admitted or joked?
Masky
So wait, is that same anon repeating himself or two different anons where second one copy pasted part of first one's post
Anonymous528870
They literally admitted a love triangle between the three main characters. You're in denial.
Anonymous528815
Are you kidding? This episode they outright admitted a love triangle between the three main characters. You're in denial.
AidanAK47
I actually was going to admit that I was wrong when I heard about the "Kiss" and gladly do so. But when I watched the scene in question it's clear what I said is still correct. They will dance around it, sure. But never outright confirm it.
AidanAK47
@Anon, discussed this before when the "Kiss" happened. Despite the series hinting it, and hinting it hard, it still hasn't outright confirmed it. While I am sure it is head canon to the watchers, the series itself is just queer baiting.
SuperMario
Okay... Just watched this week's Yuri on Ice. Haha things got weird again... and they so nailed Barcelona here, I recognized most of the places.
SuperMario
@anon527634: actually about that, I am a bit let down that after that "supposed kiss" in episode 7, no one in the series mentioned it again. Just like that "kiss" never happened.
Anonymous527534
So when is Aidan going to publicly admit he was wrong about the Yuri romance?
Lenlo
I loved the special ED so much.
Lenlo
Alright... Yuri this week was interesting in so many ways.
SuperMario
I'm also planning to catch BBK/BRK before the year end soon. I'm also find that series entertaining despite its obvious flaws
Kaiser Eoghan
But come to think of it, I do know what its like to enjoy something admittedly flawed, the first season of utawerumono was like that for me, I have nothing but criticism of it in all aspects but yet ended up being one of those things I somehow enjoyed watching.
Kaiser Eoghan
Ah, only flippflappers, natsume, drifters on my end.
AidanAK47
I wonder if anyone here is still watching Bubuki Buranki? It's weird but despite how deeply flawed it is I find it fairly enjoyable. Though that fantastic soundtrack certainly helps.
AidanAK47
@Anon, Oh they announced a Sonic movie too. Apparently it's a mix of live action and animation.
Anonymous525559
I am suprised SEGA didn't announce an Sonic movie and went with games like Altered Beast and Crazy Taxi, they probably could have just ripped off one story from the Archie Sonic comics and make an movie based on that, preferably the story where Sonic travels in the multiverse to fight an super powerful Sigma alongside Classic Megaman and Megaman X,Steet Fighter cast,Breath of Fire 3 cast and more
AidanAK47
@Anon, A parody Grindhouse film actually could work. I consider Overkill the best of House of the dead. Thing is there actually is already a house of the dead movie so this would be their second attempt. The first attempt...lets just say it didn't work out.
Anonymous523336
And House Of The Dead: Overkill is probably the best game in the franchise to adapt, i mean, it has Isaac Washington in it and dude's awesome.
Anonymous523336
None of those games have much of a story, but at least House Of The Dead could make for an entertaining silly movie, i mean House Of The Dead: Overkill is freaking awesome and has silly cutscenes at the start and end of every level.
Kaiser Eoghan
At most moonbeam city seems sylistically interesting.
Kaiser Eoghan
Archer I simply lost track of and it ended up getting to long to catch up on it.
Kaiser Eoghan
Relatively old news, although I've been joking with friends about what if scenarios for a streets of rage film. I know there is a cg/live action hybrid sonic film in the works. I kind of want to think a shinobi or streets of rage film could work if they went full on 70s style action film.
AidanAK47
None of these games are played for the story. You would be better off just making a new game for them instead of a movie.
AidanAK47
I haven't even seen Archer. On another note SEGA is planning a bunch of live action movies of their franchises and boy do they all sound like a horrible idea. Shinobi, Golden Axe, Virtua Fighter, The House of the Dead, Crazy Taxi, Streets of rage and Altered Beast.
SuperMario
@Anon522497: hmm, I found Moonbeam City underwhelmed and for Archer up until their last season I actually got a bit tired of the cast (couldn't finish that season 7)
Anonymous522497
If i wanted Archer i would just watch Archer or Moonbeam City like everyone else.
Anonymous522338
Bloodivores
SuperMario
Anyone here watching Pacific Heat? It's an Aussie Archer-ripoff aired in Netflix last week. I actually enjoyed the 1st episode, not that great but everyone panned it like a plague.
AidanAK47
@Anon, Who?
Anonymous521123
#StephanieJaworowiczIsBeautiful
Kaiser Eoghan
@Mario: That'd be the compiliation film. I watched that based on hearing that the film version trimmed back on the shows weaker moments.
SuperMario
@Kaiser: was it the compilation film or the series itself? That scene is the highlight of that first season. I'm always a fan of KyoAni so it's very natural that I enjoy this series a whole lot.
Kaiser Eoghan
I watched the first season of sound euphonium, not much to say for it other than I liked the teacher guy and the scene where the black haired girl tells the main character that she thinks shes hiding behind a mask. Animation was as expected of kyoani good. All of those emotion shots though and some of the melodrama...
AidanAK47
@Kaiser, it does stop if you make an account.
Kaiser Eoghan
Hmmm there we go again, it delayed sending my message for longer than it should have.
Kaiser Eoghan
Anyone notice today and last night that the site has had some loading issues? I kept getting an error page for a while and it was also loading a bit more slowly. A server issue?
Lenlo
Have to say, Flip Flappers ep 5 was pretty good. I love atmospheric settings like that.
Lenlo
Looks like an Epee. The large bell guard, the fact that they are focusing on thrusting attacks instead of slashing (mostly). Fencing is alot of fun. Be prepared for some bruises though, as some people put their full body weight behind their thrusts.
SuperMario
I have one last dumb question, Can you tell what types of blade of Juri in Utena? https://www.youtube.com/watch?v=fGsVSSUv_i0
SuperMario
@Lenlo: the more you described the more I found fencing interesting. I might take a look around my town to see if we have Fencing here (the curse of living in a small town).
Lenlo
Blades are slightly different, yes, but mostly just in their guard and how much they bend. Sabers bend easily, Epee's not so much. Surprisingly Epee is the slowest, because people tend to be more careful. Saber is actually the most aggressive of the blades, atleast at my skill level
AidanAK47
That's all they had to do. Just stay inside and let it pass. But for some weird reason they just keep panicking over nothing.
As far as time/alternate world stuff goes this was ridiculously underwhelming. Just finished another movie called triangle and now that's how you do Time travel mindfuckery.
AidanAK47
@Mario, I am not fond of movies where people make stupid decisions for no good reason. For example:
"We should just stay inside"
"No, staying inside isn't realistic"
WHY IN THE HOLY HELL ISN'T IT REALISTIC.
SuperMario
Showed that movie to a bunch of friends last year and I remembered one of the girl just shut off the movie after 15'
SuperMario
@Aidan: too bad. I found Cohenrent really funny and entertaining. Some of their twists are stupid but I was actually invested in much of their characters. Maybe because I always love movies about a bunch of characters in an isolated setting
SuperMario
@Lenlo: sounds like Epee is the most "all-out-attack" and aggressive one. Their blades are different as well I assume?
AidanAK47
Just watched a movie called coherence and man, what a bunch a pseudo-intellectual garbage that was.
Lenlo
For Right of Way, its basically Person A attacks, Person B parries, Person A hits, Person B hits, Person B gets the point because they took right of way with the parry. Saber and Foil both have that, but Epee does not. Epee is simply "Whoever hits the opponent first, doesnt matter where, whole body is target area"
Lenlo
Theres Saber, Foil and Epee. The main difference is this thing called right of way, but there are other smaller ones like how Saber can hit with the edge and Epee is allowed to hit the entire body, instead of just the chest like Foil
SuperMario
For news, Blood Blockade Battlefront getting second season next year. As it was one of my favorite last year I'm really lokking forward to this second season
SuperMario
@Lenlo: that sounds great. From what I know from fencing there are 3 different types of blade right? So what are the differences between them? (Fencing 101 here)
Kaiser Eoghan
Although a fantasy sports thing could also generate interest, such as combining sports together to create something totally new.
Lenlo
@SuperMario, Fencing was great. Favorite sport ever and it helped me stay in shape in College. I find Epee to be the best blade, mostly cause I fenced it, but its a very intense 3 minutes. Unlike sports like Soccer and such which is alot of sustained running, Fencing is 3 minutes of Dont-Stop-Moving then wait till next match. Gets really fun once you figure out your own style.
SuperMario
haha, I wouldn't mind either if each episode focus on a single sport/ character/ country. Or even the positive aspects like role models, sports inspirations and stuffs
Lenlo
That Olympic anime sounds great.
Kaiser Eoghan
And it would be a good excuse to have characters of multiple backgrounds included too.
Kaiser Eoghan
Could be an 13 episode ova series with 48 minute episodes, and if its to be an ensemble character drama you could have 10 minutes to a each character (the ones being focused on in that episode) in each episode.
Kaiser Eoghan
Ah yes, aswell as cheating it could also get into "stage parenting", "abuse", "Disabilities" and also the general politics of sports, the backroom stuff.
SuperMario
I'll be the first in line if that olympic anime ever come out. Could be interesting to see the interactions between athletes in different sports, and then fans/athletes/coaches relationship, then the gold rush, doping... So much to talk around to
Kaiser Eoghan
I don't think theres ever been a manga about hurling either. Hey heres an idea, someone do an ensemble drama anime that deals with the olympics, fit in multiple sports that way.
SuperMario
Personally I find Australian football much more exciting than rugby. Or crickets.
SuperMario
@Kaiser: ha! Interesting that you mentioned Gaelic football, because in Aus we have AFL (Australian Football League), that really similars to Gealic Football to the point sometimes we have the 2 national teams compete each other with modified rules
Kaiser Eoghan
Hmm, lets see, sport under-represented in anime? Fencing, golf , Gaelic football, bowling, boat racing.
SuperMario
Hey, fencing is actually really cool. How did you like it Lenlo?
SuperMario
You have your point there Topgavin, as I clearly remember many instances where players' legs, backs or even necks got snapped during rugby's tackles. But in regards to Rugby I never really care about it. That and car racing
Lenlo
Its mostly the type of injuries you get that differ I think. Football you get concussions and broken bones and such, while in Rugby you probably get alot of bruises and cuts. Granted I have played neither, I was a Soccer man in highschool and fencing in College
Lenlo
American football has alot of rules, and really is just a bunch of millionaires running around chasing a ball. Rugby however, as Topgavin said, has no pads so when you get hit you get hit HARD
AidanAK47
I never ceases to surprise me just how high and mighty visual novel fans can be over Mosaics present in localized games. I mean they are literally complaining about not seeing genitalia yet the way they phrase it, it's like they are fighting against great injustice. If these VNs were Nukige they might have a point but in most cases the sex scenes in question are pointless and shoehorned in.
Topgavin
@Mario Rugby is more extreme *because* it has no protective gear. No hiding behind helmets and cushioned shoulder pads when ya get bowled over.
SuperMario
@Lenlo: I'm no expert but isn't American football a variation of Rugby? And I believe american football is more extreme, considering they have to wear helmets, protection gears and all that
Lenlo
I dont think theres alot of manga about it because its simply not that popular outside the US. As far as it being a battlefield, eeeeh? Not really? You want a battlefield watch Rugby.
SuperMario
I can think of other cool sports that could be interesting to see in anime: Kick Volleyball (Sepak takraw), Bossaball (combined soccer, volleyball in a trampoline), or in the same vein of skate figures this season, why not pole dancing competition???
Anonymous504493
What other sport is cool and popular that remains original to write about by now? There isn't a lot of manga about it compared to anything else.
Anonymous504493
American football looks like a battlefield with a visible battleline and everything. Id like it if there wasnt so many darn commercials.
Lenlo
I mean, its a sport. Far cry from best, but its definitely a sport.
SuperMario
@Vonter: or maybe because american football IS the best sports ever?
Kaiser Eoghan
@Vonter: Most likely due to the middle section of the original anime being the most popular bit.
Vonter
Can someone explain me how Cobra, is apparently getting an anime around some sort of space american football? https://www.youtube.com/watch?v=54kNWPr43zE
Kaiser Eoghan
@Mario: Its not safe enough a film for me to properly recommend. Even to exploitation fans, they might find it too slow others would be too sensitive to it. Really una vita violenca, mamma roma, accatone, hawks and sparrows are what Pasolini is really about.
SuperMario
Now that you watched Salo, would you recommend the film to other people? I personally think it's a masterpiece but it's one of the title that I think people would break up with me if I show them this movie
SuperMario
@Kaiser: even him as a director, both Braveheart and Apocalypto don't do much to me, will see if Hacksaw Ridge going to change my mind (but I'm not to fond with war movies in general). La Notte is in my sooon-to-watch list for years, haha
Kaiser Eoghan
@Mario: Mel Gibson as a director, not as an actor =)
Kaiser Eoghan
@Mario: Thats why I prefer the neo-realist/quasi-neo-realism stuff as it deals with the worse off in society. But Antonioni was the master of being able to do films about angsty well-off people, L'aventura, the passenger and La notte for example
Kaiser Eoghan
@Mario: Its not so much that I dislike post 50s fellini moreso I feel that his throw everything at the screen and hope what sticks method can be hit or miss.
SuperMario
While I don't really mind his later stuffs because he was masterclass, I have a pretty hard time for Paolo Sorrentino's later works. The thing is I don't care much about the high class society so everything is just ridiculously over the top and glamour and I'm tired of it.
SuperMario
I haven't watched nights of cabiria but I did watch La Strada and boy, I was sad for few days after watching it. Fellini mentioned that he was inspired to make this movie when seeing a woman pushing a cart from behind. The film really carry that sense throughout its running
SuperMario
Michael Haneke put Salo in his top 10 films. Quite understandable when you think about it. Still for me one of the movie that affected me deeply.
SuperMario
I really admire Elle for its ability to maintain its sharpness because under other inexperienced directors it could easily becomes a mess. Mel Gibson, really? He's one of the few actors that I absolutely dislike
SuperMario
@Kaiser: The Red Turtle remains one of the the most refreshing time I had this year in cinema, but then again I haven't watched much films lately. Agree with you on Sonia's performance, and I still think they could cut out the first 20' of the film because it feels out of place compare to the rest of the film
Kaiser Eoghan
Debating whether to bother catching up on I am a hero or watching the film adaptation. I haven't read it since they got rid of that one female character.
Kaiser Eoghan
@Mario: I've a feeling you'll like nights of cabiria, Fellini was cranking out some solidly effective social-realist dramas in the 50s before he fell into self-indulgence.
Kaiser Eoghan
Now I have that sound euphonium compilation film downloaded, I should get to that sometime.
Kaiser Eoghan
@Mario: I also finally watched Salo, I ended up meeting it pretty much halfway. Some parts still retain the ability to effect a modern viewer, having seen his other works though its crazy just how different Salo is to them.
Kaiser Eoghan
@Mario: Seeing I, daniel Blake tomorrow and rogue one in a few weeks.
Kaiser Eoghan
@Mario: I hope Mel Gibson and Isabelle huppert win at the next oscars.
Kaiser Eoghan
@Mario: I liked the red turtle for its visual style of storytelling and animation even if I didn't get as emotionally attached to it as others did. I also watched Aquarius nd was pretty much blown away by Sonia Braga's performance. Elle is now one of my favourite Verhoeven films and its a miracle he managed to maintain such a great balance successfully throughout the film.
SuperMario
I don't care for the sequel of Code Geass at all. Why Spice & Wolf still hasn't got season 3 though is what really bugged me. From what I know their manga and LNs are selling very well
Anonymous494677
I wonder why that is...
Kaiser Eoghan
Ah, they were always milking code geass though what with those bajillion-million-billion manga spinoffs.
Kaiser Eoghan
Still say I was more fond of the character chemistry in spice and wolf as opposed to everything else.
Kaiser Eoghan
I'll likely pass on the code geass sequel, the memory I have of it has already led to its appeal dimishing for me, I don't want to ruin things further watching an un-neccesary followup. Still avoiding utawerumono's second season for same reasons.
AidanAK47
After all there are things which need sequels and things which don't. And Code Geass never needed a sequel after R2's ending. Giving something a sequel can just ruin the conculsion of the orignal series. Case in point. Eureka Seven Ao. Remember that? Cause you shouldn't. Because it was terrible.
AidanAK47
Honestly I would have preferred Spice and Wolf Season 3.
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Featured Posts

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This season surely gives us too much of Kumiko-cuteness versions. After the fluffy little Kumiko last few weeks, the bedridden sore throat Kumiko, the surprisingly “always listening – always understanding” (such a pretentious slogan) Kumiko last week, what shades pf Kumiko is in store for us this week? Of course it’s an emo teary-eyes Kumiko. […]

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Drifters – 09[Serious Bomber]

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