Posted on 31 August 2009 with categories: Guin Saga

It’s episodes like these that really show how good this series has been at building up. Amnelis in this episode was definitely one of the highlights of the entire series for me. And that’s the thing with incredibly flawed characters in a good series: they start out rather annoying, but when they do develop properly, they make much more impact than any Mary Sue could have done.

Remus’ change from wimp to evil overlord happened very sudden, but with Amnelis, her transition from an incompetent princess to a hate-filled warlord has taken up much more time, and this episode really was the key in her development. Not only did he deceive her, but because he has become unreachable for her to even carry out her revenge, it completely changes the way Amnelis used to be. The question is: is her moment to redeem herself going to happen in the next four episodes? If not, then I’ll repeat the same words again: SECOND SEASON WHERE!?

Last episode’s climax was pretty interesting: it suggested an epic fight between Guin and some mysterious orc-like people… and yet the fight was over within a minute, and it just turned out to be a build-up for the Yellow-haired guy’s plans to bring him down. Again: do we get to see whatever he’s building up to within the next four episodes? I have no bloody clue.
Rating: *** (Awesome)

Posted on with categories: Konnichiwa Anne

And finally, two years pass and Anne has grown up to nine years old. While it’s good to see lots of development, this episode also confirmed what I’ve been suspecting for a long while now: Anne is not Anne Shirley of Green Gables. She really is just an incredibly bright girl who happens to look similar to Anne of Green Gables, she just happens to share the same name and same name of her parents with her. And hey, Canada’s a big country. It could have happened.

Because in this episode, it becomes clear that Anne hasn’t been attending school for two years. Anne of Green Gables, however, was fully able to attend school; she just couldn’t attend it in the winter because it was too difficult to travel to her school, something which Randolf and Mildred don’t seem to have any problems with.

This show simply shouldn’t have been advertised as “Before Green Gables”, because it simply isn’t. I remember how Budge Wilson commented that she wasn’t going to try and mimic Lucy Maud Montgomery’s style for the novel, and instead would keep to her own. That’s understandable and I fully agree with that. However, she should have kept the characters in canon with the Anne of the Green Gables novel. She seems to be a famous writer with lots of experience. She should have been able to predict how Anne would have looked like in her childhood, which is nothing like the Anne in Konnichiwa Anne.

Nevertheless, this was a very nice episode if you ignore this. We get some background on Walter, the characters have all developed in an interesting way especially since this probably is one of the very first time in which we see a character as detailed as Anne, develop from seven years old to nine years old. Usually, when characters are shown below the age of ten, the creators usually just pick one age as a base, but this series instead shows Anne as a six, seven and nine-year-old.

Anne really strikes me as a child who grew up too fast. Children her age should still be busy goofing around, and being children. Instead, because Johanna has been forced to get a job after Bert’s job backfired, she had to face her adult responsibilities way too early. Because of this, even though Mildred and Randolf are much older than she is, she acts as if she’s of the same grade they are.
Rating: * (Good)

Posted on with categories: Monthly Summaries

Overall, I’m very pleased with this season. There were unfortunately a few series that disappointed this month, but at the same time there were also a lot of shows that exceeded my expectations about them. I think that the most notable of this season is that it’s the very first season in what feels like three years in which Madhouse doesn’t have any series of notable quality. I’m not sure what happened to them, really. Have they been hibernating through the economic recession or something?

Rankings, like the past months are a bit unusual again, I basically tried to generate the rankings for each show, compared to the others that are currently airing. Say, for example that Show A has a really good setting, and there are only a few other shows with a better setting, it’s going to rank higher than if there are many shows with excellent settings, and vice versa. I know that it’s a bit weird, but for some reason it does more accurately reflect my feelings about the shows this season.

#30 (29) – Zan Sayonara Zetsubou-Sensei – (6/10) – Okay, so this series has hit new frontiers of boredom for me. After one episode, this got so bad that I suddenly became fascinated by the pattern on my chair. In addition to this series getting less funny with every episode, the non-funny parts are also getting harder and harder to sit through, with especially the incredibly stereotypical characters growing more and more on my nerves.
#29 (20) – Saki – (7,25/10) – The battle between Saki and Koromo unfortunately was a step down for this series. At this point, Koromo was so unbelievably god-moded that the creators had to god-mode Saki as well to give her a chance against her. So in the end this just became a contest of who could pull off the biggest and cheesiest Deus ex Machina. Afterwards, this series never really managed to recover for me. It’s been one cheesy and predictable scene to the other, with hardly any of the character-depth that made the middle episodes so enjoyable.
#28 (25) – Chi’s New Address – (7,25/10) – Okay, so I got impatient with the slow subs and tracked down the raws for this series. Unfortunately, it doesn’t seem like this series is getting any better. There is just an entire lack of direction, and the show just hangs on a string of random episodes that all fail to live up to the first season. There are too many episodes in which Chi randomly causes trouble and breaks stuff, and I think that this series has hit past its expiration date at this point. Such a shame.
#27 (26) – 07-Ghost – (7,5/10) – I hope that for this series, the creators are going to go with an anime original ending. Don’t get me wrong, but this just isn’t a series that’s going to work with a second season, and with an ending that actually wraps up the story there is at least going to be some sort of closure. This show lately has been getting less bearable, with as the depth the really lame Bishop Exam.
#26 (28) – Needless – (7,5/10) – This show really is one of the most vulgar shows I’ve ever seen. The jokes are amongst the dumbest I have ever seen, same with the fanservice. Still, it does what it intended to do: entertain. In terms of mindless entertainment, it really does the job well and doesn’t try to pretend it’s anything more than what it is. At least I can appreciate that.
#25 (23) – Hetalia Axis Powers – (7,75/10) – This month, Hetalia has been adequate. There were no particularly bad episodes, but there weren’t any that stood out either. It’s nothing particularly boring, but I do hope that this show can pick itself up again after this.
#24 (30) – Bakemonogatari – (7,5/10) – I can see that the dialogue for this series is good, but at the same time I have a lot of trouble connecting to the characters because Shinbo took his style way too far. The screen is way too full with pointless visuals, walls of text that appear at the wrong moments, take way too long, and take the focus away from what’s really important: the characters. Seriously, the lead character in particular hardly gets any close-ups when he talks. The camera is always focusing at either his eye, his ahoge, or something completely different. It’s probably because of this that I found the ending of the third arc to be convenient and cheesy.
#23 (17) – Gintama – (7,75/10) – The thing that the new director is going to have to work at is his climaxes. The past oldies arc was pretty good, but the climax just ended up a bit cheesy and was filled with Deus ex Machina.
#22 (16) – Basquash! – (7,5/10) – Basquash was mostly building up this month. It’s going to need it, because I’ve pretty much lost my faith in this series, and only an entertaining ending can save it for me. My biggest issue with this series is that it doesn’t seem to really know what it wants. If it’s supposed to be a fun and entertaining show, then why does it go on and on in pointless drama? If it’s supposed to be a deep and thoughtful show, then why are the characters so unbelievably stupid at times?
#21 (22) – The Melancholy of Haruhi Suzumiya – (7,5/10) – Now that the Endless Eight has finally ended, I’ve gotten bugged with another of this series’ problems: Haruhi is annoying. Seriously though, the past three episodes of her Sigh have been surprisingly boring and uninteresting. The characters have been acting way too much according to their stereotypes, rather than as actual characters, and the dialogue also suffered a lot. In fact, the dialogue of the entire second season has been far from as detailed as it was in the first season.
#20 (24) – Kuruneko – (8/10) – This series is surprisingly fun, especially now that Chi’s Sweet Home has stopped being funny, there’s enough cats to laugh about here. But I especially like the old lady who keeps the different cats. She has wit, and I love how she always tries to voice everything over.
#19 (13) – Canaan – (8/10) – So in this month, Canaan showed its true colours. Deranged, over the top and very far-fetched colours. While I admit that I would have preferred a bit more subtlety in the storytelling, it still is a pretty nice action series. Just don’t try to go in it expecting any sort of realism…
#18 (18) – Taishou Yakyuu Musume – (8/10) – I’m starting to wonder whether twelve episodes are enough for this series. There’s still so much left to do, and yet we’ve already passed two thirds of the series. Sure, things have been pretty enjoyable slice of life, the characters are quite charming, but are the creators really all right with only four episodes left?
#17 (21) – Konnichiwa Anne – (8/10) – I still hate Henderson, but granted, she was much more annoying in the previous month. Thankfully Konnichiwa Anne has gotten better right now, with the focus nicely balanced between Anne and the side-characters.
#16 (11) – Umi Monogatari – (8/10) – This has been a peculiar little series. It’s strength is that it’s incredibly dramatic, and yet it never delves into melodrama or something that’s so overacted that you can’t take it seriously. It’s a great example of an emotional series: one that’s meant to bring out emotions. At this, it actually fares off pretty well, but this is a Sato Junichi series we’re talking about. He has done so much better in the past, that this series just pales when you compare it to some of its other works. If you don’t though, then it’s pretty nice.
#15 (27) – Yoku Wakaru Gendai Mahou – (8/10) – This is yet another one of those series that isn’t supposed to be good… and yet it is. Seriously, it has all the elements of yet another dull moe show: overly cute character-designs with weird hair-colours? Check. Stupid fanservice? Check. Overly cute voice actresses? Check. And yet, this series has something that a lot of moe shows nowadays lack. The characters, especially the main character, are all surprisingly genuine; the way they act, the way they interact with each other. It feels like they’re really behaving like themselves, rather than trying to go for forced stereotypes.
#14 (15) – Umineko no Naku Koro ni – (8,25/10) – I think that the biggest difference between Higurashi and Umineko, at this stage in the series, is that Higurashi was much more of a horror series: it used its storytelling and mystery to create a very tense plot. Umineko instead chooses for censored gore and a lot of talking, which neither come really close to horror. Because of this, I like the first nine episodes of Higurashi better than Umineko. Nevertheless, that doesn’t mean that the mystery in Umineko doesn’t rock. This yet again is a great series to try and formulate theories of what the heck is going on, only to have them proved wrong by this series.
#13 (10) – Marie & Gali – (8,5/10) – It’s a shame that this show went into multiple hiatuses during this month, because I really can’t get enough of the craziness in this series. What’s also very peculiar for a comedy is that it’s just consistently awesome: there’s hardly any bad episode, and every episode has something creative that puts a smile on your face. Sure, the episodes are only five minutes long, but still.
#12 (14) – Shin Mazinger Shougeki Z-Hen – (8,75/10) – This show really has become epic in the past month. I must say that it’s really managed to create an awesome story, based on the premise of a few key characters and a powerful giant robot. The twists and turns have only added to the awesomeness, and this series is only getting better and better. In the coming month, it’s finally time for this series to close off with an epic finale, and something tells me that the creators aren’t going to settle with a straightforward ending. There are so many different villains at this point that it’s promising to be a true clash of the titans.
#11 (8) – Pandora Hearts – (8,75/10) – Every time I think that this series couldn’t possibly pull any more plot twists, it does, and with every plot twist the series only gets more intriguing than it already was. Sometimes the creators keep hanging a bit too long around Oz’s development, but overall this still is an excellent series. Now where is that second season?!

#10 (7) – Guin Saga – (8,5/10)

Lots of politics this month for Guin Saga, and I must say that I like it a lot. The cast of characters is really growing beyond belief, but the creators still managed to give most of them their own identity. The lead characters meanwhile also make sure that this remains an epic series.

#9 (5) – Full Metal Alchemist: Brotherhood – (8,75/10)

It seems that the manga readers aren’t all happy with this adaptation, because of all the things it cut out. Having not read the manga, however, I don’t care. I personally don’t notice anything of the cuts that were made, and especially episode 19 was really good and well animated.

#8 (12) – GA:Geijutsuka Art Design Class – (8,75/10)

This show rocks! Sure, it’s probably a bit boring if you don’t have any interest in art, but this series really is one of the few anime this year that actually taught me something. Aside from that, the creators have managed to keep a perfect balance between fun interactions, slice of life and the educational parts. Not one episode feels like a copy of the others, and every episode it comes with new material, rather than ripping or milking off previous episodes due to a lack of inspiration. This definitely turned into one of the best (if not THE best, along with Cross Game) slice of life comedies I’ve seen this year.

#7 (9) – Cross Game – (8,75/10)

The thing that makes Cross Game so good is that every single episode, no matter how seemingly insignificant, contributes to and develops the characters, if ever so slightly. The pacing is slow, but for this series, it’s just enough to see the characters slowly get more and more complex and likable. That really is the strength of a series by Adachi: sure, he can only write shows of one type, but he’s really, really good at it and hardly ever repeats himself.

#6 (2) – Shangri-La – (8,75/10)

It’s not the best month for Shangri-La, but nevertheless it’s gotten surprisingly solid now that it’s building up to its finale, and it might actually be able to pull off a very enjoyable one at this pace. At this point, the story has gotten epic without sacrificing what made the rest of the series so enjoyable. All it now needs to do is have something awesome happen at the finale.

#5 (6) – Spice and Wolf – (8,75/10)

The biggest difference with the first season is the relationship between Lawrence and Horo: the two of them have become much closer with this season, and yet the creators manage to keep the romance mature and prevent it from being forced. The talk about trading has been as intelligent as ever, which always is a good sign.

#4 (4) – Aoi Hana – (8,75/10)

This series has really been consistently excellent, like I’ve probably said many times before. The romantic relationships are very down-to-earth and realistic and the creators are really good at very subtly fleshing out the characters.

#3 (1) – Tokyo Magnitude 8.0 – (9/10)

At first, when I finished episode 8, I thought that this series was going to finish with a rather uneventful finale that didn’t really live up to the amazing first five episodes. But then when I realized that SPOILER, it suddenly put the entire series in an entirely different light. That’s got to be the SPOILEREST SPOILER I have ever seen, and I really applaud the creators for SPOILER. This has the potential of being a classic if they manage to end this series well. Apologies for the rather cryptic description, but the ones who saw episode 8 will probably get what I mean.

#2 (18) – Kemono no Souja Erin – (9/10)

Yeah, yeah. So I gave in to everyone who praised this series and marathoned it up to episode 33. And oh my God, people surely weren’t kidding when they said that this was one of the best shows of the year! Because of its long length, it really was able to get the best out of the character. Especially Erin, who has now grown up to be eighteen years old, has become one of the best developed characters of this year for me. This series has become so good at portraying the pain-staking work it takes to tame and take care of a wild beast, but also the newly introduced villain is already an awesome one who is going to pose a serious threat to Erin. The back-story for this series has also turned out to be surprisingly solid, and for those who were wondering whether this series would have gotten a bit too childish with the farting bee-keeper: don’t worry. It’s just a small gimmick that returns occasionally.

#1 (3) – Phantom – (9,25/10)

Now that it’s entered its final arc, this series has become utterly amazing, and without a doubt my top pick for the past spring season. Especially Cal’s character-development has been awesome, but Reiji and Helen have also become a joy to watch with all of the development that this series has put in them.

Posted on 30 August 2009 with categories: Full Metal Alchemist - Brotherhood

Apparently last week had some sort of important sport event that caused quite a few series to go into hiatus, among which Full Metal Alchemist. Now that it’s back we can continue with the hunt for the Humonculi, and quite a surprising aftermath to the previous episode.

Because as it turns out, Havoc lost his ability to walk. I’m not sure whether this is permanent or temporary (you never know that in anime…), but nevertheless that was a heavy sacrifice that Roy had to pay in order to be able to kill off Lust. On top of that, Ed and Al also realized (with Barry’s original body being the way it was), that Al’s real body might be rotting away right now, and that he might not even be able to go back to it. At the same time, we also learn that Ed seems to be sleeping an awful lot. Something tells me that this is also going to become important later on.

The rest of this episode focused on a plan to lure out the Humonculi. Scar showed up again, in the city that Ed, Al and Roy happened to be in, and so they come up with the idea to use Scar, in order to lure out the Humonculi who seem to get rid of scar. They suspect this because of the way the Homunculi have been fighting scar, and also that the Fuhrer has a good chance of being a Humonculus, if I understood correctly.

Also, for some reason the facial distortions in this episode were a lot more out of control than usual. Especially with Ed on his fixing spree, and afterwards when he tried to talk to Roy Mustang. The scenes themselves were quite hilarious, but they didn’t mesh too well with Scar’s sudden appearance. I liked it more when the comedy was more subtle. That’s really the moment when you don’t know when to laugh or not.

I wonder how Winry’s going to react when she finds out that Ed and Al were chasing the one who killed her parents for revenge. Something tells me that she’s going to find out sooner or later, and I don’t think that she really would have taken revenge if she was in their shoes. Still, at the moment her part in this series has been rather pointless so far, aside for the emotional support for Ed and Al. I do hope that she’s going to end up doing something useful, rather than hog lots of screentime like she did in the first anime series.

And as usual: when discussing this episode, please refrain from mentioning events that happen after this point in the manga.
Rating: * (Good)

Posted on with categories: Cross Game

A big episode for Aoba this time. Up till now we have really seen both her and Kou acting as directed Wakaba’s dreams, rather than for their own. And while that indeed is important for both of them to deal with her sudden death, it also really gets in their way at times. Especially in the case of Aoba, who despite being technically superior to Kou is doomed to stay in his shadow because he just happens to be able to throw faster.

In this episode, she finally did what I’ve been hoping for for a while now: participate in an actual game. In the past few episodes, you could really tell that she was pissed off being seen as inferior to Kou. She kept teasing him about how he was a year higher than she was, and was very sarcastic whenever she talked to him. There is such a thing as a lovers’ quarrel, like you often see in anime, but in Aoba’s case it’s much more than her simply being a tsundere. Especially the new batters, who kept comparing her to Kou hit hard.

But yeah, in this episode, Senda(what happened to the guy, by the way? We haven’t seen him in a while, have we?)’s friend pops up again, with a proposal for her to join the baseball team of her school. Obviously, she did this without the consent of the rest of her team, but in the end Aoba gets a part of a stand-in. Which of course is logical: the teamwork would have been completely disrupted if the pitcher were to change to some girl nobody heard of.

And you know, it’s still pretty obvious that Kou and Aoba are into each other, but after having seen a genuine smile from Aoba a couple of times now, I’m starting to think that the two of them really should spend some time away from each other. Something tells me that when they’re together, they only remind each other of Wakaba: I suspect that Kou keeps seeing Wakaba in Aoba, and he continues to put up a strong image in front of her. Aoba on the other hand is constantly reminded of the guy Wakaba was in love with when she was still alive, and therefore still feels hurt when remembering her. In fact, have Kou and Aoba actually talked about Wakaba when they were together? This may be my memory, but it seems to me that the topic of Wakaba has become some sort of a taboo between the two of them.
Rating: ** (Excellent)

Posted on 29 August 2009 with categories: Anime Reviews, Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai

Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai, or Munto TV, was the biggest disappointment of the past Winter Season. Here the creators had a great chance to take a flawed OVA, and spread it across the airtime of a TV-series so that the setting and the characters could finally get the chance to be developed properly. So, what do they do? A bloody recap. Only the final three and a half episodes featured new material, which was way too little for a story of this caliber. Still, with a movie scheduled, it still could redeem itself. But yeah, I guess that you can all see by the rating for this review that it obviously didn’t.

Oh, the announcement for the movie sounded so promising. Even though it would also recap the new footage for the TV-series, it did promise that it was going to be just a “director’s cut of various climactic scenes”, with “new footage” and it “ends with a finale”. Looking back, that was the biggest piece of crap that the creators could ever have come up with to promote this movie.

Let’s start with the “new footage”. Let me tell you exactly how much new footage there was in this movie: three minutes. No, seriously, it has some three minutes of strange back-story slapped on the beginning. Apart from that, everything else simply recaps the TV-series.

So, how about the “director’s cut of various climactic scenes”? Well, apparently the creators found every single scene a climactic one, because the rest of the movie is literally every single scene of the new footage of the TV-series. Even the useless comic relief ones. The only part that is missing is the final part of the last episode. You know, the scene that PROMISED THAT THE STORY WASN’T OVER YET.

And how about “ends with a finale”? Well, this movie sure as heck ends with a finale. The same that the TV-series ended with. Yeah, the same finale with its Deus ex Machina climax, the same finale in which the characters started to act completely out of character, and the same finale in which Munto dressed up the three teenaged leads into sailor uniforms with extremely short skirts. What the heck was the point in advertising that!?

It’s a shame. This series really had potential; if only the creators actually made a remake of this series, panned over 26 episodes or something similar, it would have been really good. This, however, is just crap. Even for a recap-movie, it’s incredibly cheap, the way it was advertised, the way it promised so many things, and instead just chose the laziest way out and even failed in terms of storytelling with that ending. If you want to see what Munto is about, check out the TV-series, skip the rest.

Storytelling: 1/10
Characters: 1/10
Production-Values: 5/10
Setting: 5/10
Posted on 28 August 2009 with categories: Phantom

Oh my God, Cal just becomes more and more awesome with every single episode. Up till now we’ve only seen glimpses of her new version, and what she turned into ever since she was abandoned by Reiji and taken in by Scythe, but only in this episode we get a full grasp of her deep-seeded hate against Reiji. And this episode yet again was absolutely amazing. People have often asked me why the heck I’m such a big Bee-Train fan. Now THIS is why! Time and time again they end up creating a truly awesome cast of characters.

And while it’s indeed true that they sexed up Cal a bit too much, they do get the point across: someone who started out as a sweet little girl is now cursing all over, lost any trace of compassion, living solely for revenge and has no future at all if she does manage to kill off Reiji. What hit me the most was when Reiji asked her to leave Helen alone. It then all hit her that Reiji indeed was the bastard she imagined him to be, who left her for dead and instead is willing to protect Ein with his life.

At this point, Reiji’s apologies and the words that he thought she was dead obviously can’t easily put things right anymore, since they’re just going to come off as cheap excuses. The fact remains that Reiji just walked off without confirming Cal’s dead body, because he was too occupied by Helen. It’s completely understandable, but it completely destroyed Cal’s chance of growing up happily.

Also, I’ve said this many times before, but I really feel the need to repeat that I absolutely love the soundtrack for this series. In this series, it has become much more than simply a bunch of songs that play into in the background. Bee-Train was already experimenting with this kind of soundtrack during Blade of the Immortal, in which it really worked, and for this series they again compiled a crazy soundtrack that’s full of many different songs, ranging from the quiet ones to the mindfuck tracks. These songs aren’t meant to be simple elevator music, but they’ve become a very important part of the storytelling itself, and I really love the way it turned out.
Rating: *** (Awesome)

Posted on with categories: Pandora Hearts

Whoa. Even for Pandora Hearts, this was a surprisingly good episode. Since it already has been two weeks since the plot disappeared (with the previous week a hiatus and the week before that more aimed at comic relief), but damn, I didn’t suspect that the creators were already going to arrive at Break’s background this early.

So this episode basically starts out as Oz manages to get himself an appointment with the person who most likely is to remember something about the tragedy of Sabrie 100 years ago: Rufus Barma, the longest sitting of the four dukes, and a collector of information. Apparently, Oz had heard of him from before he was cast in the Abyss. Makes sense.

Anyway, it then turns out that Barma likes to play with his visitors, and creates a whole illusion to try and hide who he really is. With the threat of the Baskervilles and all, this indeed seems like a wise move. Anyway, it seems that the biggest reason why he accepted Oz’s invitation is because he wants to learn something from Break. On a side-note, the foursome of Break, Oz, Gilbert and Alice look awesome in formal attire. It’s nothing new, but this series sure is good at its costume designs.

Anyway, while this seems nice and all, the second half of this episode completely turns the chessboard upside-down, to come with an Umineko-reference, when it turns out that Break’s background is much darker than I imagined (or should I say, Kevin’s background). In his original time, his family was murdered and he willingly travelled into the abyss to get their murderer back. He already had a contract back then. He then met the White Alice, who turns out to be no-one else but the “Will of the Abyss”. She then pokes Kevin’s eye out, gives it to Cheshire Cat, and kills his chain. wtf. To make things even more inexplicable, a young Vincent (who seems to be an acquaintance of the Will of the Abyss), brings an unconscious Gilbert (who also happens to know her) in and acts like it’s the most normal thing in the world.

This explains quite a bit: it explains how Break knew of the Cheshire Cat, and what he wanted from him (his eye back), it also is probably going to explain why he has such a deep-seated grudge against Vincent. The next episode is probably going to show Vincent doing something really nasty to him. As a result, it’s probably because of this that Break has vowed to find out what happened in the Tragedy of Sabrie: it’s his wish to find Vincent’s weakness, and what Vincent absolutely doesn’t want is the truth about the tragedy to come out. The reason why he refused to sacrifice Sharon has probably to do with his little sister.

Also… about Alice being the Will of the Abyss, this is just a theory but was the Abyss actually created along with the Tragedy of Sabrie? I mean, the people who returned from the Abyss all were special cases: Gilbert and Vincent were there when it was created if this is true, and this would also explain why Vincent knew the Will of the Abyss so well. Break meanwhile was probably the only human who willingly entered the abyss, which seems to be confirmed with how the Will of the Abyss said that he was the only one who maintained his conscience. Oz was special because he found Alice’s locket, which somehow did something with one of the Alices to make some connection.

Also, was I the only one who noticed the weird Rozen Maiden cameos in the Will of the Abyss’s dolls?
Rating: ** (Excellent)

Posted on with categories: Tokyo Magnitude 8.0

The past two episodes of this series made me think a lot about the nature of criticism. Especially after the previous episode, which I slammed down for having Yuki supposedly collapse for cheap drama, even though it’s not that weird for people to get sick in these situations. I also remember people who weren’t happy with that episode because it included robots. But yeah, then you have things as this: is it still unrealistic and unbelievable when it’s being used in real life?

I think that a lot of people (including myself; I’ve caught myself doing this plenty of times), whenever they are turned off they start looking for reasons why. These seeming logic flaws are then very easy targets for these criticisms. Ignoring the obvious cases in which a plot twist becomes so stupid or unbelievable that it destroys the entire suspension of disbelief, these things often aren’t the real reasons for these declines in quality, and in the case of very realistic shows as Tokyo Magnitude, you can see people who start blaming things that turn out to be perfectly normal.

In the end, the only thing that I can really criticize this series for is that I don’t like the OP. I’m one of those people who is too lazy to skip through OPs (aside from perhaps marathons), but at the same time I’ve never been a big fan of neither j-pop or j-rock, and Abington Boy’s School is no exception to this rule, and the song they used for this series’ OP is getting more and more on my nerves.

I think the thing with this series is that episodes 2-5 were utterly amazing, and the past episodes, instead of building up to a great climax at the end, instead went to go for a much quieter aftermath. It’s not exactly the same as Eden of the East, where it became clear along the way that the creators just took too much on their plate and badly paced the series after its initial episodes. With Tokyo Magnitude, I think it’s obvious that the past few episodes lacked the same emotional impact of the first five episodes. The question however is: does it need to be?

I’m getting more and more convinced that this show indeed doesn’t really need to be. I’ve become so used to anime, which nearly all have the general pattern of a build-up that gets increasingly full of tension, but here we have an entire subversion of this trope. During an earthquake, the biggest emotional shock comes right after it happens, and after that the tension, while it’s still there, fades as more and more people regain their sensibilities. The more I think about it, the more realistic it becomes.

Anyway, about this episode, aside from the total chaos in the hospital it was a very quiet one. Yuki turns out to be fine for now, while Mirai has visibly grown up while Mari becomes more and more worried as to what happened to her children. It’s a role reversal here: the reason Mirai managed to grow wasn’t just because she had to look after Yuki, but also because Mari, who started out as a mother figure, started to show more and more of her weaknesses. And that was the strength of episode six: its purpose wasn’t to insert some random illness, but instead show that Mari instead was just a human being, and at that point Mirai realized that her whining wasn’t going to help at all to solve the situation, especially since you can really see that she wants Mari to be reunited with her daughter.

As for the reason why Mari refused to take the scooter in episode: she might actually be running away. Take a look at this episode: instead of walking fast, like what I would do when I was worried about someone, she often walks way behind Mirai and Yuki. It’s as if she’s scared to find out that her daughter died.
Rating: ** (Excellent)
Edit: I rewatched this episode, based on your comments, and you’re right: they’ve given this episode a completely different meaning, and what I believed was a rather quiet episode has now become incredibly sad instead. I really have to give thumbs up for the creators for having the guts to go this far.
Rating: *** (Awesome)

Posted on with categories: Basquash!

Okay, that’s it. This series has completely given up any form of logic at this stage. I mean, seriously. It surpasses itself in terms of stupidity in this episode. There were plenty of moments in this episode that just made me ask… “why?!”.

A list of bullet-points of all the wtf-moments of this episode:
– Satelight: what the heck are you doing making Flora fall IN LOVE with Dan. There are five episodes left, for God’s sake. What the hell are you doing slapping on a harem at the last possible minute?!
– In this episode, Dan and Flora end up abandoning everything else in order to be able to reach Rouge’s last concert on time. In order to get through some sort of customs that are in the way, they dress up as women. Never mind the question where they got these clothes from, DAN STILL DOESN’T REALIZE THAT FLORA IS A GIRL.
– To make things worse, even though he thought of the clever plan of dressing up, he ends up blowing his cover, simply by getting into another fight with Spanky.
– There are lots of guards at the customs, with advanced weaponry, mechas and professional equipment. Dan blows his cover right in the middle of them, surrounded by about two dozen of these guys. And yet they let them go. They don’t arrest a criminal who is wanted for committing multiple crimes and who even is notorious enough to have entire billboards full of wanted posters. Yes.
– Also, check this picture of Rouge as she’s lying under some medical thingy. What the hell is up with that waste? I mean, anorexia is one thing, but this is just ridiculous.
– Later in the episode, Dan and Flora get themselves surrounded yet again. All these soldiers are armed with guns. Dan fights them off… with a basketball. A freaking basketball. Versus dozens of guards. And he actually wins.
– To make matters even more ridiculous, Flora finds this a good moment to show her real identity. She pulls off her clothes, under which her full princess outfit was hidden.
– The only thing that all of the guards are able to do is kneel and make weird puking noises. No seriously, what was up with those yelps of pain as they kneeled before the princess?
– Flora uses her authority to stop Dan’s arrest. Yes, being a princess is fun!

But yeah, on the other hand: who cares? I think that we all should have seen this point coming, right when it became clear that the director of Kiss Dum was going to take over this series. In the end, all I’m asking from this series is an entertaining finale. I remember that last year at this point, Macross Frontier did the complete opposite and delivered an incredibly generic and boring finale for me, so my big hope here is that Satelight is able to avoid this and end the series on a high note, rather than with a disappointment. You can see that this series is still building up at this point, so it really can go anywhere at this point.

And for all the stupidity, I also have to admit that this episode was fun to watch. Sure, it didn’t make any sense, but setting aside the newly developed romance it was fun to see Dan and Flora together, and especially Dan’s dress rocked. The new soundtrack of this series is also really good. And finally we have a Kawamori-series with a soundtrack that isn’t based around j-pop.
Rating: (Enjoyable)

Watashi ga Motete Dōsunda ripped off this
Damn fujoshi fuel, but behind all the gay sure Yuri on Ice!!! is a great series.
Yeah, This weeks Flip Flappers disappointed me. Maybe because there was no Pure illusion this week.
@lenlo: Flip Flappers is one the most original anime out of this season, in both good and bad terms. You could try the first episode to see if it's your thing.
@anon381106: I actually found this week's Flip Flappers to be my least favorite episode so far.
How is flip flappers? Only things ive really started watching this season are Yuri!!! on Ice and Drifers
Flip Flappers episode 4 was just lovely.
Also real dickish that she has an attack in her last form that specifically counters shields. Maybe the whole problem is that I just picked the wrong kind of style for the fight but Zeiwhander and shield has never failed me before.
However any time I got trapped in the corner it was because she was just constantly attacking without pulling back. Rolling was dodgy as you could be easily caught in her next attack. Blocking does no real good either as she's still draining your stamina, health and pushing you back.
@Lenlo, yeah I started aiming for him to get through it but then I was still getting blindsided by her. My build is strength based and I was using a zeiwhander and shield. I couldn't wail on the big guy hard or else I would be in a attack animation when the girl lays down the ice.
See, I never had a problem with the second form because the large guy is so easy to hit and will simply miss you if you stay close to him. I think the one gripe I have with the fight is the heal, because with 2 bosses, you cant stop it alot of the time. I would argue that not getting trapped in a corner though is a skill you cultivate and is more the players fault than the bosses.
Though I actually was happy when they went invisible as that's when I can shave off a heavy chunk of their HP. Still if you happen to miss the small sign of where they jumped then you are screwed on that.
Healing, huge area of effect attacks, grab moves with barely any windup, freeze weapon effects that slow down attack animations, three goddamn forms, can turn invisible, long ass combos leaving little counterattack room and having to fight two bosses at the same time. Honestly, my victory here really depended in them not using certain attacks.
@Lenlo, I liked the visual design and the idea of it. However they gave it far too many cheap attacks. The second form is way to chaotic and depending on how they attack can put you in a position where you really can't do anything. Like when one breaths fire while the other starts healing, then you can't stop it. The final form as well, the minute they get you into a corner, you are done.
Whaaat? I loved that last boss.
Took me 2 and half hours to see everything in the DLC. Took me another 3 hours to beat the boss. Damn that boss had me in the zone. I think its was a serious bullshit artifical difficultly boss but man...beating that bullshit boss solo...felt good.
@Mario, starting to think I didn't need my help after all. I hope they make something worthwhile.
On a unrelated note the Dark Souls 3 DLC boss is serious bullshit.
Hey Aidan, thqt Kickstarter project Mecha-ude has passed its goal (nearly double now with 10 more days to go). Seems like people getting real hype for it
Wonder if Bam has played the new Dark Souls DLC. Found it rather lacking when compared to previous DLC from the last games.
@Anon, it's just a video of a still image of anime girls in bikini's with a red circle around one of their chests. Seeing as this thing has no views or subscribers my guess is someones is fishing for views. To which i say...what really is the point of making videos if this is the only way you can get people to watch them?
[link src="
I"] hate this crap that they corrupt anime with (crappy video that insults anime)
So RWBY's back. I actually miss the whole RWBY team. Still prefer Ruby's old custom more. Nora looks cool.
With the fourth episode, Vivid Strike seems to have crossed an invisible line that makes it more like the original Nanoha shows rather than Vivid. The kind of brutal beatdown delivered by the co-protagonist and the build up to it is something quite alien to a normal SoL/Sports anime show.
Ep. 4 of Tiger Mask was a lot better than the last 3, quite a hyped fight that was a full 6mins long. Will continue watching in hope of an awesomely long final fight.
Kaiser Eoghan
Kaiser Eoghan
Going back to the fanservice topic, its very easy to complain about it in anything but then something actually comes along that actually does it for you. I mean I always say that I don't watch a show/movie for its fanservice elements and stick with pictures on image boards, but then I ended up seeing a film where I actually got something out of the fanservice while watching the film its.
Kaiser Eoghan
The oujia prequel was competent genre fare, the director cared about the characters and every now and the built up a decent mood. Although jump Scares are there . And I always appreciate a horror film having a mean spirited ending. One of the rare cases where the young actors do well in a horror film. The pace is a bit uneven, rushed and a bit laggy .
Kaiser Eoghan
In the sense of how messed up/especially bleak those two episodes were.
Kaiser Eoghan
There was the sense too with both those episodes of "Jesus...I wasn't ready for that...."
Kaiser Eoghan
Though the first episode of the first season and the third episode of season 3 are very hard to beat. Adding to what I thought of s3 ep3 I felt that one hit me on the same level as s1 ep1 did so.
Though in previous seasons I generally only really liked 2 out of the 3.
@Kaiser, though the previous seasons where only 3 episodes long and you enjoyed 3 out of 6 in this season. So yo essentially get the same amount of enjoyment as previous seasons.
Kaiser Eoghan
Based on my comments, it looks like I had a mixed reaction to the third season. Three out of six, but the great was was great and forgives it but I still feel that there was more of a consistentancy in quality in the other seasons. I enjoyed every story in seasons 1 and 2.
Kaiser Eoghan
The final episode felt like a movie all on its own, I'd have gladly watched another thirty minutes of it, ending was a nice punch in the gut.
Just finished black mirror season 3. I hear people basically complaining that it's not as strong as the previous two season but I disagree. I really enjoyed this and this is a show that deserves much more episodes. Personal favorite is between shut up and dance and hated in the nation. Worst I thought was San Junipero. Overall thought each episode was interesting.
Kaiser Eoghan
On the upside I loved black mirrors fifth episode, I'm a sucker for war/action-dramas and I particularly liked the tech in this one.
Kaiser Eoghan
Yeah this is impossible for me to sit through, the romance part is also rather dull.
Kaiser Eoghan
Eh, this fourth episode is plodding and trite, feels like a bad, poorly dated 90s film.
Kaiser Eoghan
@Aidan: Third episode also instilled a great sense of paranoia.
@Kaiser: thanks for that mate. I have too much to say for Flipflappers but to put them all in coherent flow is goddamn hard. And like I said I still fell I left many details out: that gung-ho potato or Yayaka and the twins
@Friend: jugding from the last convention I went to, people loved Re:Zero customs (Emilia and Rem, Ram were highlights. Or you could try RWBY characters (I for once love to see someone cosplay Pirrha Nikos or Velvet Scarlatina)
Kaiser Eoghan
@Aidan: Didn't care much for new black mirrors second episode, then again I'm not really the target for that story. The third episode while a bit heavyhanded and predictable was suspenseful, nasty/mean and I liked that about it, did in 50 minutes what some thrillers fail to achieve in two hours.
Holo is a good one :0
Materials aren't a problem at all for the most part, except for anything too crazy like working in brass. I'd prefer it to be characters I'm familiar with.
Does it matter to you that they're from shows that you like, or are you just in it for the challenge?
@Friend Aidan has some good ones there. I'd also give the cast of Akame ga Kiru a shot, I don't like the series but it has a lot of neat character designs.
I was thinking simple as I didn't know what kind of materials you got on hand. I was also thinking of Holo from spice and wolf or Kino from Kinos journey either.
Mm, Tatsumaki might be not challenging enough to design for. Doesn't Shiki simply wear either a coat or Japanese kimono? I do work in set design and not in character prop design, but I'd love to try something that would let me reasonably challenge myself.
@Friend, Spit balling here but Tatsumaki from One Punch Man? I know the costume for that one would be simple enough. Or maybe Shiki from Kara No Kyoukai?
*I don't want to do anything too complex for my first try, but I also don't want to do anything boring. Boring would be a character like Rukia or Celty. Any ideas?
I remember talking about this with Emma/Kaiser before, but has anyone here gone cosplaying at an expo before? I thought it would be neat to try designing my own costume and try something else beside drawing on a computer.
@Kaiser, I am up to episode 4. 3 has been the best one so far.Though in all these episodes I pretty much figured out the twist from the get go. Still this shows always tends to get you thinking.
Kaiser Eoghan
I think the roles/identity thing with flipflappers, at least with the protaganist does fit in well with adolescence.
Kaiser Eoghan
@Aidan: I've only seen the first episode so far. I felt the acting was intentional and reflected the satire Brooker was going for on the shallow nature of society. Bleak as ever but gloriously grotesque.
Kaiser Eoghan
@Mario:Good in depth reviewing there Mario of flipflappers episode three.
Good god this first episode of black mirror is hard to watch. I know exactly how it's going to turn out but it's just so damn painful to watch.
Well, tbh up to where I've seen there's not much explicit yaoi in yuri on ice, only a lot of fujoshi fuel.
@Kaiser. thanks for the torrent. Gonna blaze through this today.
@Topgavin, as someone who watches a metric ton of anime I am rather surprised at that estimate that 90% of it contains Yuri.
My god those gay scenes in Yuri on Ice are hard to watch for me. Wonder if this is how it feels to be a girl watching 90% of normal anime nowadays.
okay, Flip Flappers episodic review was up. This is my lengthiest weekly review so far and I still feel I missed a lot of points. Damn you Flip Flappers
Kaiser Eoghan
You have seen the light, not needing to know everything thats happening to enjoy something ^_^
Kaiser Eoghan
I've given some consideration to reviewing that oujia film followup.
Whether you see one or the other is entirely up to your preferences, so it makes no difference to me which is worse. I have gotten very tired of generic character types, but again that's just because of the things I decide to regularly follow.
I will say if it must come down to either unnatural dialogue or unnatural character types, at leas the character type is speaking their own words and not the words of the script writer.
Or was that a black and white fallacy? Maybe it was a little of both.
@Realjustified, K-Off wasn't agreeing with me. That's a Moving the Goal Posts logical Fallacy but well I will answer regardless. Honestly it's preferable to have neither. The big mistake you are making here is that you are putting down a condiction that a show must have one or the other. But both cartoons and anime can have both. I just think it's a lot more prominent in cartoons than anime.
Like, having read hundreds of harem manga over the years, a majority of the ultimate love interest always happens to be the first girl the protagonist meets.
Wait wait wait wait. Aidan and K-Off. I get that dialogue in cartoon can seem like it was written by a script writer, but at the same time, lots of anime have characters whose sole purpose is entirely scripted. The whole spectrum of "deres" and everything. What do you think is worse? Unnatural dialogue, or unnatural character types?
You guys should really go fuck yourself, it's a solution and it's nothing short of great!
You guys should really watch the first 4 episodes of Bungo, it's a prequel and it was nothing short of great!
omg!! I just realized To be Hero was one of the show that I reviewed its 1st episode back in Chinese Animation post. I watched raw then though
forgive me if I'm a bit too overwhelmed by Flip Flappers... For this episode alone I took like 25 screenshots...trying to write a review now...
I have absolutely no idea what is going on in Flip Flappers plot. And yet for some reason I am OK with that.
Anyone out there that's a fan of crude humor should go watch ep.3 of To Be Hero. Certinately stepped it up a notch from the last two humor-wise.
One downside I can think of already is that I'm bound to lose or break one of the detachable controllers. The cost for those pieces is what I'm most interested in.
Nintendo Switch hmm? Honestly it looks too good to be true. I expect some major downsides to this thing.
I like cartoons, don't get me wrong. Certainly good for a change of pace. But there is something about the way they are written that I find rather distracting.
I don't know, maybe if I said it's like the difference from how characters talk in movie vs how characters talk in a sitcom?
@K-Off, I said one liner's or jokes. Not one liner jokes. It's hard to explain. Basically when I hear a conversation in anime even if it is based in stereotypes, it at least feels like a conversation that's being had in the moment. In cartoons however there is a layer of artificiality and it feels like characters know what a person is going to say and has a response prepared.
That's probably why some of my favorite anime in recent years haven't been very heavy on character archetypes, or were either parodies of it.
Comedic dialogue with anime in recent years have leaned too much on the idea of playing off character archetypes. The collected character vs the energetic character, for one. I'd like to see more variety. Some more word play, hyperbolic humor, body humor, etc etc.
@Aidan Not quite sure what you mean by that, because it's certainly not even a majority of cartoons that rely on cheap one liner jokes. I suppose it's entirely up to taste, but I can appreciate the energy in cartoons like Steven Universe or Regular Show when compared to the increasingly repetitive dialogue found in some recent anime.
@Topgavin: I just read that review and his main reason being Shelter is pretentious. oh well! Can't never please anyone.
Thought I'd check out the reviews for Shelter on MAl and the top review is a 1/10. Apparently because it's a cute girl we sympathise with her more, which is bad because reasons. I mean.. what? MAL never ceases to amaze me
@Mario, no. It's more that the dialogue keeps trying to push out one liners or jokes regardless of whose talking.
@Aidan: maybe because they spoke in your native language do you can feel that it's artificial, ya know? I know I have the same problem with Vietnamese drama/ cartoon and maybe Japanese people have that same issues with anime?
By which I mean, the way characters talk in cartoons is very...artificial. Like you can tell that the dialgoue was clearly written beforehand and it never really sounds natural. At least to me.
@Anon, I wouldn't. The writing and structure are too cartoon. What with the episodic nature and dialogue that generally pushes for a comedic tone.
Kaiser Eoghan
Flanagan also directed absentia which I haven't seen yet but I think someone I came across of 4chan linked it to being lovecraftian?
Kaiser Eoghan
Oculus was a film of two halves for me. Hush was a pretty standard home invasion thriller, making the victim deaf was an interesting twist but not as unique as you might think, still suspenseful though.
Kaiser Eoghan
I never saw the first oujia film. Though Mike Flanagan who did the sequel, he's never made a bad movie but he's never really made a great one either.
Kaiser Eoghan
I stick to the firm belief that cartoons and anime, visually should do and be their own thing. I'll prefer a western artstyle for cartoons rather than one pretending to look like anime style.
But this is a good topic and I'm sure everyone has their own opinions so I'm looking to hear some more arguments
@anon352392: no they aren't. For me not because of where their production based, nor their intended audience, but rather their styles, both visually and storytelling-ly, are different
Anime,” they assert, is not a “style” of illustration or animation.
That's where I differ to those guys. For me, anime is a style. In that sense, I consider RWBY, and Canadian-produced short Flutter as an anime. Thunderbolt Fantasy is not and anime-influence shows/movies that are intented for Western audience like AniMatrix or Afro Samurai are anime
@Anon nah they wouldn't be because they aren't made by a japanese producer for the japanese market. Quality isn't the question, production is
NX and Red Dead Redemption 2 trailers tomorrow.
They are good series and i honestly like them alot more than most anime series, would their quality make them anime?
What about cartoons like Steven Universe, Gravity Falls, Wander Over Yonder, Star Vs The Forces Of Evil?
In other news a sequel to an absolutely terrible horror movie called Ouija is out and it's...actually pretty good? Wondering if critics were paid off or it is legit good. Well it did have the guy who was behind Oculus and that was a pretty good movie.
Simplify the term down enough and anime is literally anything animated but the whole point of the term is to distinguish it. For to call Spongebob an anime makes me want to projectile vomit. Point is this, you say you watched a cartoon, people think Tom and jerry, Scooby doo etc. You say you watched an anime, people think Cowboy bebop, Attack on titan, etc. Whole point of the term.
For example, I don't consider Avatar or RWBY to be anime for while they use anime style, the writing is fundamentally structured like an American cartoon. Through I would consider Bloodivores an anime even though it was made by a Chinese animation company, making it technically a Chinese cartoon.
As far as what is and isn't anime I honestly think of the term as a means of distinguishing it from cartoon which gives the impression of being for children. It's like Graphic novel is to comic book. Though techically graphic novels are issues of comics bound in book form, the term Graphic novel is often used to distinguish works that go above superhero comics and whatnot.
Basically I think it was due to Porter Robinsons involvement that they didn't consider it anime.
@Aidan: Did the mods give any concrete reasons why they didn't consider it an anime?
@Mario, It wasn't the community that had the problem. It was the mods. The community made it pretty clear that they considered it anime.
So despite the art style is obviously anime, the character speaks in Japanese, and the production was animated by A1 Studios, it's not an anime? Sometimes I feel sad that the anime community keeps limiting themselves with such fixed minds.
I saw it yesterday and yes it was good. For a 5-minute story, they don't make it too overwhelme with details, and still pack an emotional punch. Moreover it elevates the song. Good stuffs.
Shelter was quite good though. It works well and the animation was beautiful. Song is not bad either. It's got a nice emotional punch to it though it's a bit simple a story.
Well anyway I only saw all this because I checked out the video for the first time and wanted to see how others thought of it with a quick scan through reddit. And I get this shitshow instead.
Playing the victim is the one really pisses off the internet. For refusing to admit you f*cked up only encourages people to shove how you f*cked up into your face. That's what really grinds peoples gears.
Yep, seen that too. The mods even put up another tread about the video and tried to guilt trip people by saying they got death threats. Look, internet rules 101. If you said or did something stupid admit to it and just walk away. Do not try to deflect blame or play the victim, that only adds fuel to the fire.
@Aidan oh yeah saw that live lol. Porter himself even commented on twitter about it, gotta love internet drama
So did anyone happen to catch the big old shitstorm of that Shelter music music when a mod of the Anime subreddit decided it wasn't "Anime" enough and removed the discussion post about it? Oh internet drama...what silly nonsense.
Finally caught up with JoJo. Diamond is Unbreakable has turned out to be much better than Stardust Crusaders. Should have waited for the season to finish through as I really loved marathoning it.
I had a feeling that might be the case considering the source materail for luger.
@Mario Oh I watched that, certinately worth it. Packed more story that some 12-episode shows do nowadays and gorgeous animation.
and I will check out "Shelter" music video to see what all the fuss is about
*this weekend to be exact.
Sounds like Luger Code 1951 is an OVA that will air next week, the same air date with "my" Zaregoto OVA.
@Mario: doesn't sound real at all to me lol
@Mario, I might be able to manage. If all else fails I can talk about the past of these historical figures.
While I don't mind watchinng Drifters, I swaer if I had to cover that show, I couldn't come up with anything to say.
Do you guys know what language the fairies speak in Drifters? It does sound like a genuine language
@topgavin: humanity has declined is a great show. It has good writing and dark, witty sense of humor. I could talk about it in length but psgels pretty much covered it all. He was really impressed by that show however.
That should be me covered till the weekend. Why do all my shows air on the weekend...
@Mario nah I've watched the whole thing but I'd heard about it at the start of this year and put it off. The dialogue between her and the fairies was great stuff, probably gonna rewatch it this weekend now that you mention it
Alright, I got three posts written up and will be throwing them out in about two hours or do.
I thought you've finished it. Yeah I love her character a lot, so cynical but witty. My favorite moment was when she read about fairy's plan to invent religions. She was like "so religions are invented?" (beat) "I've learn something new today". Priceless
@Mario Oh nice, it was one that I had heard about but never got round to. To put it in simple anime terms, Watashi is best girl
@topgavin: I just finished the series yo mentioned the other day: humanity is declined. Man, I love it. I know now I have a thing for dark twisted absurdist anime
@Ano340004: the name is Watashi ga Motete Dousunda, or to put it short Motete. I have fun with it but i'm not that enthuastic
@anon the english name is Kiss him, not me. Search through the first impressions if you need the jap name.
then that girl really loves BL (boy love)
what is the name of the anime that the girl is fat and then she got depressed because her favorite boy anime died then she got thin?
Season 7 is awesome so far too. It feels like the tone of the show is finally back to normal and it feels like Adventure Time again.
Whew, I binged all seasons of Adventure Time this weekend. The show hit a low spot in Season 6 but I think it needed to happen...Poor Finn needed the serious character development after what he did to FP.
You guys are too hard on it
Motete is very funny
Kaiser Eoghan
When it comes to gag manga and four-koma, I just eventually reach a stopping point with a comedy series in that format. Even with hidamari sketch.
I think it was typical light novel trash based on what was in the PV. I laughed that despite it being horrible that the crowd still cheered anyway, likely because it had a bath clip in it.
Total users: 36

Featured Posts

Sound Eupho 2 04c

Sound! Euphonium 2 – 04 [Awakening Oboe]

This week Sound Eupho goes full-blown drama, exploring the struggles from Yoroizuka towards Nozomi. As a result, this episode is the show’s most emotional resonance, but at the same time is the show’s most straight-forwards in terms of plot. What you see is what you get, but the drama is resolved so well that I’m […]


Occultic:Nine – 03[She Cracked]

This week on Occultic;Nine…stuff happens I guess? In watching this i am getting reminders of Chaos;Head in a lot of ways. Now the Chaos;Head anime was a mess but the visual novel actually started really well with a lot of intrigue before D-swords were introduced and the whole narrative just became a giant nonsensical mess. […]


Magical Girl Raising Project – 04[Add More Friends!]

Guess I gave Ruler a bit too much credit than she deserved. I still think in her own way she did care about her team but she had a much bigger ego than expected when you see her real self. Ruler has the problematic nature of overestimating her own worth and in doing so pushes […]


Drifters – 03[Army of Ours–Sortie at Dawn]

After two episodes of pretty solid quality I happen to notice this episode took a bit of a downturn in animation. Though to be fair this was the most action focused episode yet which strangely didn’t feature our main trio. Instead we get introduced to the other protagonists and our main antagonists. We also get […]

3-gatsu no Lion 3d

3-gatsu no Lion – 03 [Harunobu – Beyond the Night Sky]

Another week, another touching little stories from Rei and his friends. Still follow the same structure as previous 2 weeks, we have the first half of Rei competing against Harunobu, his lifelong rivalry (or so that guy thought), and the remaining half of Rei visiting the three sisters on the last day of Obon festival. […]

Flip Flappers 03d

Flip Flappers – 03 [Pure XLR]

Flip Flappers again raises the bar of what is expected of them, as this week the show goes even much trippier than the previous two weeks, and much darker too. They break out even their own formula, starting this episode right in the middle of desert wasteland. While this episode certainly reminds you a lot […]

Sound Eupho 2 03a

Sound! Euphonium 2 – 03 [Troubled Nocturnes]

This week, we follow an almost 24 hours of Kumiko practicing music, Kumiko interacting with other members, Kumiko having a sleepless night in a band camp, and that’s basically it. In a very Sound Eupho’s way of storytelling, there seems to be not much going on, but this episode actually lays a lot of groundworks […]


Occultic;Nine – 02 [My Cold Dimension]

After a disastrous first episode that has likely pushed away a number of viewers, Occultic;Nine decides to slow down it’s pacing to a more acceptable degree which is a good move. This does make the show much more watchable as the dialogue isn’t running off like a machine gun and we can actually take a […]


Magical Girl Raising Project – 03 [Update Notice!]

Mahou Keikaku continues steady ahead though it’s writing still leaves something to be desired. In particular I was surprised as to just how lackluster the reveal was that whoever drops out is killed. The previous episode made it seem as though Fav was intentionally keeping that aspect in the dark with how he removed the […]

Latest Reviews

Orange - 01 2

orange Review – 73/100

What would you do if you receive letters from your future-self saying that you can change your future? That’s exactly what Naho experienced as she obtains ones from herself 10 years later that urge her to look after her new friend and prevent him from committing suicide. The premise, I agree, is hardly anything groundbreaking, […]

91 Days - 07 4

91 Days Review – 68/100

When taking up the job of checking out every anime season you really can starve for something different. Variety is the spice of life and yet the entertainment industry seems determined to give us more of the same. So in the sea of average high school students gaining superpowers and harems I see an anime […]

Mob Psycho 100 - 03 3

Mob Psycho 100 Review – 80/100

After the explosive popularity of One Punch Man it really was a high bar that another work of the author ONE had to reach. While it didn’t quite manage that it still differentiated itself enough to allow it to be a worthy anime of it’s own right. But admittedly that will depend on whether this […]

[HorribleSubs] Re Zero kara Hajimeru Isekai Seikatsu - 18 [480p].mkv_002253.373

Re:Zero -Starting Life in Another World Review – 91/100

I will be the first to admit that this is very much a biased review as I have come to love this series very dearly and will now proceed to devour every piece of entertainment related to it that I can find until the day a second season is confirmed. The story involves a boy […]


The House in Fata Morgana Video Game Review – 83/100

Well I promised I would do a review of this visual novel quite a while ago and believe it or not I only just got around to finishing it. If the fellow who requested it is still here then here you go, I kept my word. Anyway it has been a while since my last […]


Tokyo Mirage Sessions ♯FE Review – 65/100

The title of this game rather says everything you need to know about my initial reaction, and I’m still all around puzzled at the mixed bag that this turned out to be – it IS just a standard mashup while having a bit of fun with some experimentation, but the game itself is actually a […]

vlcsKizumonogatary 01b

Kizumonogatari Part 1: Tekketsu-hen (2016) Movie Review – 85/100

Just a quick note that I originally intended this week’s review to be about Miss Hokusai. But because of the DVD release of this Kizumonogatari (with good subtitle to boost), I decided to bump this up and review it instead. Monogatari series has been among one of my favorite series, and certainly the one that […]

The Murder Case of Hana & Alice a

The Murder Case of Hana & Alice (2015) Movie Review – 85/100

Welcome to the third installment of World Animation section, but this time we head back to Japan for my favorite anime movie out of last year. If anything, I have always wanted those reviews to be a recommendation if you want to look for something different. So if there is anyone who would check out […]


Legend of Legacy Review – 80/100

Oh Square Enix, this is the kind of avant-garde work you need to do. Developed by Furyu with the people behind SaGa, and written by Masato Kato of Chrono Trigger, I knew I was in for a unique game right from the start. But its gameplay is certainly divisive and for good reason, as this […]