Posted by psgels on 10 August 2009 with categories: Shangri-La



Hehe, and here I thought that the creators were going to save the bombing of Tokyo for the grand finale of this series. It seems that there’s still much more that’s going to happen after it: there are still so many problems that are left to be solved, not to mention that the creators still don’t seem to have played all of their trumps for this series!

The way this episode was executed was also something I really didn’t expect. With the entire city of Tokyo burning down, you’d expect them to create a huge action-packed spectacle out of it, but instead this episode had a much more melancholic atmosphere. It’s something completely different from what we’ve seen of this series so far, and it really works. That’s yet another reason why I’ve grown to be such a fan of this series: you’re never going to know what to expect.

This episode was surprisingly slow paced for this series, but because of that the impact on Kuniko, having to burn down the place she grew up in really made an impact. Her emotions were handled very subtly here: she didn’t break down crying, or she didn’t refuse to drop the bomb at the last possible moment like your average anime lead. She knew very well what she had to do to save the ones around her, because otherwise they’d just be overthrown by the Daedalus. This episode portrayed that feeling of saying goodbye really well. Kuniko might seem like nothing special at first sight, but you don’t often see a main character who has to serve as a leader like her.

Oh, and the eye candy! While not as gorgeous as episode 13, the visuals were nevertheless gorgeous as they showed Duomo going up in flames. You could see that especially the background artists were on fire in this episode (not literally of course), but also the CG looked really good during the fiery bits.

Now, the question is going to be: how are the creators planning on filling up the final quarter of this series. The Daedalus hasn’t fully disappeared: it’s still inside Atlas because that’s a part that can’t exactly be burned down. At the same time, the end of this episode shows Medusa finally losing control of itself, after Karin pushed him too far in her attempts to take advantage of the huge carbon emissions from the forest fires. and to think that for a moment she was like the richest person in the world. She was bound to overstep her borders at one point, but I still wonder what the creators plan to do with Medusa going out of control: is she simply going to lose Medusa, or is her entire fortune coming along with it?

It’s very interesting: for most series at this point, you’re going to have a good idea what its finale is going to be about: what the main goal is going to be to overcome. With Shangri-la, I have no bloody clue. Sure, there is busting Ryoko from Atlas, people are going to have to rebuild their homes, Karin is going to have to cope with Medusa, but which one is going to be taking the main focus? What is Ryouko going to do now after cooperating with Kuniko? There are still so many questions left open.

At this point, there are five episodes left. That’s enough for this series to wrap up everything with a conclusion, and let’s hope that everything isn’t going to end up rushed!
Rating: ** (Excellent)

14 Responses

  1. Guitar says:

    Wow, a lot of variety in those screenshots. They certainly caught my attention though.

  2. Shounen A says:

    It should be obvious what the main goal is: a Digma inherits ATLAS. (I’m betting on four Digmas jointly inheriting ATLAS.) Now if we just knew what that meant … ^_^;;

  3. chounokoe says:

    After the legend of Izanami and Izanagi came in this episode I think we’re looking forward to another little twist here…maybe the Digma are the ‘children of the Gods’ and Hiruko was a failed first experiment.
    Just curious because names were already thrown around if Nagiko (Nagi-Ko) would have a real reason for her name…well I’m starting to get worried that they maybe throw too much into the twist at the end….but well

  4. haha says:

    This show sucks (I only watch it for laughs), but it was worth it to see that idiotic Duomo place go up in flames. What a bunch of morons, no wonder they’d have a megafool like Kuniko as their leader.

  5. Robhiengler says:

    I completely agree haha, bunch of complete idiots! They should figured something out when she failed on their assault of Atlas. Now she personally blew up Duomo.

    Small nitpick bombs are released before the target due to horizontal motion inferred from the aircraft, that would have missed Duomo but anyway. Guess what this all could have been avoided it they used a defoliant (herbicide).

    What the F was that with the burning sugar over the cup of tea!? No-one does that!? The only time you might see that happen if you’re getting absinthe incorrectly made for you. More horse-dung nonsense.

    The hilarious thing is if people started fires this would result in the collapse of the “carbon market”, who would invest in such a fragile market in the first place? One which could collapse at a mere forest fire – entirely ridiculous.

    Secondly why isn’t Daedaelus spread all over Japan? Are the only forests in Tokyo?

    Thirdly Karin what you’re doing is insider trading or market manipulation – highly illegal. Secondly the UN pass an anti-MEDUSA law in minutes, yeah right.

    Unfortunately chounokoe this really has little to do with the legend of Izanami and Izanagi. As I recall Izanami had “died” already and was in Yomi so exactly how Atlas could be related to Onogoro (which btw Motoori Norinaga asserts is one of the islands near Awajishima not Tokyo)which was formed before Japan’s 8 great islands who were formed from their offspring, when clearly this is based after all that.

    The Leech child Hiruko as well was a HE not a SHE and became Ebisu mirthful and auspicious “The Laughing God” not some bound up weirdo with sharp teeth. Ebisu was also the God of fishermen, good luck, and workingmen, as well as the guardian of the health of small children. Note the last part, at what point does possessing small girls as a vessel denote protectorship or good health at all? IF they decide to butcher Greek Mythology, why bother to get their own Japanese mythology right – am I right!

    * – barely watchable – only because we get to see Doumo burn!

  6. chounokoe says:

    You really do not like interpretations, do you?
    If you would try to look behind what certain things are trying to represent in the context of the story it would be easier to accept Hiruko’s role within it, at least that is what I think.

    Hiruko is only a she, because the miko that are given to him as a vessel are female…you could also through a donkey into the ritual, then Hiruko would be an animal.

    And Hiruko did not BECOME Ebisu, it is merely assumed that ancient sects close to the ocean revered Hiruko, but that his name was changed to an alternate reading and therefore became close to another kami, namely Ebisu. They are not the same entity, they fused into one deity over a period of time.
    The Hiruko within the context of the Japanese creation myth was lost when he was cast away from Onogoro and it was disputed wether he was actually never mentioned again or if every chapter dealing with him was removed from the texts over time.

    Changing Atlas into a recreation of Onogoro WAS one of the major flaws of the anime’s finale, I would agree there.
    In the novel it is a recreation of the mythical Ame no Mihashira, planned by the novel’s antagonist, who is different from the anime’s antagonist, too.

    Still the death of Izanami and her confinement to Yomi in the legend does not contradict the creation of Atlas within the story…I do not exactly see you’re point there. But maybe that will clear up once you move on in the series.

  7. Robhiengler says:

    Hiruko DID BECOME Ebisu – The fact is that is one account and NOT ASSUMED – also no accounts to the contrary to actually say what became of him. Whether it is a fusion of deities is beside the point, that IS the prevailing mythology.

    Either way Hiruko and Ebisu aren’t fucked-up little kids with sharp teeth who require human sacrifices – SO YOUR POINT WAS?

    In addition when the child becomes possessed their body changes to that of “Hiruko” IF you chucked in a donkey it would change to look like “Hiruko” otherwise when they threw in Miko we didn’t get a fat man did we.

    Here are my sources:

    http://www.sacred-texts.com/shi/kojiki.htm

    http://books.google.co.uk/books?id=dZQ4zqV88V4C&pg=PA97&dq=Hiruko&hl=en&ei=IL7JS9upJZTw-QaR77nxBA&sa=X&oi=book_result&ct=result&resnum=6&ved=0CEsQ6AEwBQ#v=onepage&q=Hiruko&f=false

    http://books.google.co.uk/books?id=XqHWAAAAMAAJ&q=Hiruko&dq=Hiruko&hl=en&ei=Pr7JS67cH8LS-Qb-mMX6BA&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDwQ6AEwAjgK

    http://books.google.co.uk/books?id=jEcpkWjYOZQC&pg=PA220&dq=Hiruko&hl=en&ei=Pr7JS67cH8LS-Qb-mMX6BA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDIQ6AEwADgK#v=onepage&q=Hiruko&f=false

    http://books.google.co.uk/books?id=TGtLVJWKlCYC&pg=RA1-PA60&dq=Hiruko&hl=en&ei=Pr7JS67cH8LS-Qb-mMX6BA&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDcQ6AEwATgK#v=onepage&q=Hiruko&f=false

    http://www.britannica.com/EBchecked/topic/266885/Hiruko

    Where are yours chounokoe which says Hiruko was an evil fucked-up kid who possesses the body of little girls and fortune tells the future? Its not even close to any of the versions in mythology.

    “if every chapter dealing with him was removed from the texts over time. ”

    What now there was a conspiracy that every reference was removed. Come on if you can’t see that is actually an utterly impossible conspiracy.

    Actually the legend does contradict the creation of Atlas: if Atlas in the series was meant to connect heaven to earth as I’ve said the pillar of heaven was merely part of Izanagi and Izanami’s mating ritual – nothing more.

  8. chounokoe says:

    @Rob: May I quote from the source you have given?
    “Our Leech Child [Hiruko], however, does not return. No further mention is made of him in either the Kojiki or Nihonshoki.” (p.96)

    or

    “It is interesting to remark how some Japanese scholars have interpreted the image of Hiruko. One said he must be an evil spirit, while another has taken the opposite view that he is a great god who would give the whole of Japan a new orientation.”(p.97)

    Concerning his fusing with Ebisu:
    “The identification of Hiruko with Ebisu is mentioned in the literature as early as the twelfth century, but it is hard to say exactly when and how it occured.”(p.99)

    I have dealt with Kawai Hayao (the author of the book) to a great deal in university and he is generally someone who approves the flexibility of cultural and mythological heritage.

    I honestly forgot the fact that Miiko’s body changes when he is possessed by Hiruko…well okay, this is something the anime definitely did on their own.
    But still the represantation of Hiruko as a child, when interpreted as an evil deity, is quite common and the sharp teeth were used to show his deformity.

    The possession of a vessel is also quite common in ancient Shinto rituals and is not considered ‘possession’ in a judeo-christian sense, but is needed for a kami to actually manifest within our world.
    I don’t quite remember wether the priest in the anime also used a Shinto spell to call the spirit of Hiruko into the vessel. But it is actually a ritual that existed at one point.
    From a certain point on the use of humans as yorishiro (which mostly involved drug use) was forbidden, but there are still prominent examples of such ‘vessels’ around.

    The Hiruko here is also not meant to be a represantion of his godly qualities (which do not exist in textual form, because he never showed them), but he is representing the smybol of an enraged child, who was cast out of his home, because he did not fit into it.

    Hiruko (in Shangri La) is not actually driving the project forward, but trying to reach a point so he could take revenge on the gods (by fighting their representative Jimmu) for being cast out of the pantheon.

  9. Robhiengler says:

    chounokoe oh really have you dealt with Kawai Hayao? So if he is approves the flexibility of cultural and mythological heritage then he would support Hiruko = Ebisu as it is generally accepted. The fact that he doesn’t re-appear in Kojiki or Nihonshoki is beside the point as they are NOT the only source of Japanese Mythology.

    You ALSO failed to make the full quote again cherry picking for your own argument:

    “It is interesting to remark how some Japanese scholars have interpreted the image of Hiruko. One said he must be an evil spirit, while another has taken the opposite view that he is a great god who would give the whole of Japan a new orientation.”

    The bit YOU PURPOSEFULLY MISSED OUT

    “These projected images are particularly applicable insofar as they both express aspects of Hiruko. He appears evil from the standpoint of the Moon God.”

    (pg97)

    Therefore Hiruko is only evil from the Moon God’s perspective. Therefore not EVIL per se. Answer why do you disregard the other sources which categorically state: Hiruko=Ebisu?

    Also would YOU validate WITH SOURCES:

    “But still the represantation of Hiruko as a child, when interpreted as an evil deity, is quite common and the sharp teeth were used to show his deformity.”

    Never seen that at all to represent Hiruko. How does sharp teeth indicate his deformity is that he’s crippled with no bones? It doesn’t – Grasping straws here aren’t you.

    How is the possession of a yorimashi that different than that of the Judeo-Christian concept? Clearly in the anime they weren’t yorimashi and I would say the anime was more to the latter as the posession was forced and permanant resulting in the displacement of the original person. If it was yorimashi then why were vessels consumed as sacrifices? There wasn’t really a ritual apart from paper sigils and certainly Miiko was just pushed in.

    http://eos.kokugakuin.ac.jp/modules/xwords/entry.php?entryID=296

    Again you STILL haven’t explained:

    HOW Hiruko was in Atlas in the first place?
    HOW or EVEN WHY he was stopping the oscillations? If he didn’t then Atlas would crumble and Jimmu would perish – the story would end.
    HOW he could fortune tell if he had no powers?

  10. chounokoe says:

    Okay you were not insulting here, so I’ll answer.

    While the Nihonshoki and Kojiki are not the only sources of mythology they are the oldest passed on documents of Japanese mythology.
    Everything that came after that is most likely interpretation of those sources.

    I did not further quote this part, because it did not seem important to the actual question.
    Wasn’t he just interpreted as evil towards the Moon Deity, because Hiruko was the original representation of the sun and was still cast out?
    It is still questionable what happened to the actual mythological figure of Hiruko and it is not fully unlikely, that he would hold a grudge against the gods for casting him out.

    I did not disregard the sources which claim Hiruko to be Ebisu, as they only state that over time they fused into one deity.
    Ebisu, being one of the seven gods of fortune, brought to Japan was revered in locations near the ocean, where shrines for Hiruko were thought to be, how and why exactly they became one is still not proven.

    They were yorishiro (or yorimashi) in the anime, as they were miko (priestesses) used to give the spirit of Hiruko a form within this world.
    Kami are often without an actuall body and need a vessel to speak to the people revering them. Often the body would be weakened and driven to it’s limits through those rituals, as it was considered to be hard on the body to contain a spirit (while in reality they were most likely infused with heavy drugs and poisons).
    The sigils that attached to the body were part of the ritual, being prayers that called upon a certain god. But yes, this is more mysticism than actuall religion…but within Shinto the boarders started to blur heavily over time.

    Hiruko was in Atlas because he appeared before the priests who served the head of Atlas. Addmitedly, the anime did rather poor in explaining their function.
    The oscillation was stopped due to the ritual in which sacrifices were made at 4 important places in the 4 heavenly directions…this was also touched upon in the anime. It was their interpretation of Hiruko’s gibberish.
    He did not exactly tell fortune, he just guided the people of Atlas along to make it possible to get revenge on the gods. He never actually told something exact but just gave them general ideas that they would interpret in their own way.
    ‘Sun and moon will meet and one will rule the earth’ is a rather broad statement…there is actually nothing refering to a certain person in it.

    It was the point that the gods had no actual power to make anything better, they just drove their own plans forward and used humanity as pawns to reach their goal.

  11. Robhiengler says:

    See you haven’t stopped being condescending though chounokoe.

    Now I know regarding Nihonshoki and Kojiki that your statement:

    “Everything that came after that is most likely interpretation of those sources.”

    is utterly ridiculous. Considering the fact remains that the Japanese have imported at deities from foreign countries such as China – Hotei, Jurōjin, Fukurokuju, Bishamonten, Benzaiten, Daikokuten, Ebisu. Note the last one hey.

    The fact they are imported doesn’t they’re any less valid. If people have decided that Hiruko became Ebisu, its not exactly going against what is written in the Nihonshoki and Kojiki nor is it rewriting anything.

    In addition the last part of the quote was important, as you made out Hiruko was evil to suit the agenda of Shangri-La, when in fact he was only considered evil from one god’s perspective. In addition if Hiruko doesn’t become Ebisu; as he is not mentioned again, we don’t hear of him dying do we, why would he still be a child?

    As for yorimashi & kami the point is your body doesn’t change you merely becoming the conduit rather like a psychic medium – it is also temporary not permanent.

    Ok so the novel says its yorishiro – I’ll accept that, its a minor point:

    1)How then did Hiruko appear to the priests in Atlas in the first place without a yorimashi?

    I presume you are saying Hiruko had nothing to do with stopping the oscillations? In that case I’m sure why the Shinto priests would want him to be manifested? What benefit is he? What role does he play apart from his own revenge?

    2) In the anime it says Atlas connects heaven & earth (Episode 20 9:30) because of the special ley lines focus of earth-chi. Built Atlas, found it oscillated for some reason.

    why did it oscillate in the book?

    also that’s why they were sacrificing the little girls to Hiruko (Episode 17 3:30) & (Episode 20 10:50). Nothing about

    “sacrifices were made at 4 important places in the 4 heavenly directions”

    BUT I presume you refer to Hitobashira which usually only requires one sacrifice, besides is this even a religious Shinto element? Certainly no precedent in Japanese mythology.

    http://pinktentacle.com/2010/03/human-pillars/

    It also Begs the question WHO or what were they sacrificing to?

    The anime states that it was the spear TOO that stopped the oscillations (episode 23 12:00).

    See my point? The anime cannot make up its mind what is going on here nor give a concise explanation.

    I have to disagree on that last point. the god’s had power they just chose not to use it to benefit mankind. i.e. telekenesis, super strength, agility, speed, time-freeze etc.

  12. chounokoe says:

    Of course them being imported does not lessen their impact on history and evolution of the Japanese myth, I never tried to say that.
    What I wanted to express is that there is no written record that states that the mythological character Hiruko became the mythological character Ebisu. It was just an evolution within mythological perception that came about during the centuries.
    Like through the centuries and translations many angels were removed from christian lore or had duties of other angels assigned to them, they did not change into another character they were merely rewritten…you could call it a plothole within myths.

    The Ebisu that is revered in those Shinto shrines along the coast has no further connection towards the Hiruko from the creation myth apart from the writing of his name. It is merely the character that was imported from China, showing in writing how originally another god had been enshrined there.

    Hiruko being evil is not only a question of this one paragraph, but also questioned concerning his further fate after he was shipped away from Onogoro. It is not only Shangri La which had displayed him in the role of an angry god over time.

    Concerning Yorimashi, it is questionable in how far being possessed changes the appearance of a person.
    Sure, the anime was a little bit hard to believe, with every character actually changing into the exact same form. I think they were rather going for an effect similar to several accounts of possession, describing the person gaining inhuman features.

    1) After Nagiko found the remains of the ancient Yamato culture, they used whatever they found there to restore Nippon’s glory.
    Hiruko was the one they summoned and because he gave them what they asked for (or gave them the idea that he did) they made him into an important part of the project.

    In the novel he was also described as the CEO in charge of the development of ATLAS. They consulted him every time they were about to execute something important. So they were trapped in ancient methods, trying to go into the past and the future simultaneously.

    2) The anime sure was a bit undecisive about Atlas possible function. Maybe they planned to make it run longer and they ran out of money, or maybe they just messed up at putting all the information in there.
    Atlas was supported by the power of the 4 heavenly directions and sacrifices had to be made to support it.
    It was also build on human pillars.

    How far human pillars were actually a part of Shinto religion is highly discussed, because originally human sacrifices were a taboo (being impure and all). Still they were used to keep important buildings safe from floods and earthquakes…so it is probably a bigger part of mysticism than it is an actual part of religion.

    They sacrificed not to a certain god, but just as a way to ballance out the spiritual forces that kept Atlas floating until the heir of Yamato and the Ame no Nuboko was found.

    By the ‘sacrifices’ to Hiruko, I think you are referring to the miko who act as the yorimashi, right?
    They were just a constant way to keep his spirit within Atlas. His spirit was too strong for a simple human body to support over a long period, so they had to have a miko ready in case the old body expired and died.

    I agree that, concerning the mythology behind Atlas, the anime seems to have made some more mistakes than I actually remembered.
    The only really big flaw was letting the Ame no Nuboko be in Atlas already, as it destroyed one important plot of the story and also made the sacrifices unneccessary.
    I highly assume they planned for the anime to run for more than it’s 24 episodes but ran out of money as is the case with many adaptions these days.

    And concerning the gods. Let’s say they had abilities, but no actual power as was promised in myths. In the end they were as unable to create a paradise as humanity itself.

  13. Robhiengler says:

    “no written record that states that the mythological character Hiruko became the mythological character Ebisu.”

    See this is exactly what I mean when I refer to condescending and NOT READING ANYTHING I’ve WRITTEN. Again YOU ARE WRONG and I Shall prove it!

    Ask your good friend “Hayao Kawai” (as you claim – problem is he’s dead but you didn’t know that so I suspect you entirely fabricated this university story as clearly you have failed to read HIS book) about what he wrote on page 99 of his book because HE EXPLICITLY WRITES:

    “The identification of Hiruko with Ebisu is mentioned in the literature as early as the twelfth century but it is hard to say when and how this occurred.”

    http://books.google.co.uk/books?id=dZQ4zqV88V4C&printsec=frontcover&dq=Dreams,+Myths+and+Fairy+Tales+in+Japan&source=bl&ots=LEAuO2C935&sig=uMlsO_at1OZcFUsQ1-EpHoQwaf0&hl=en&ei=CQvLS8vNGYmnsAat1NiGAw&sa=X&oi=book_result&ct=result&resnum=2&ved=0CAsQ6AEwAQ#v=onepage&q&f=false

    SO IT HAS BEEN WRITTEN DOWN! and its is not a interpretation of Nihonshoki and Kojiki but a CONTINUATION.

    So the question is WHY ARE YOU LYING!? Besides even if it was oral tradition does that make it any less valid? In fact like Shangri-La you have exhibited the very characteristics I dislike:

    -Superficial understanding
    -Condescending attitude
    -Outright fabrications

    As for Angels being reassigned or rewritten that is a strawman argument right there. Plus provide EVIDENCE or at least state an example of which ones – something YOU HAVE FAILED TO DO TIME & TIME AGAIN.

    Specifically Hiruko from the creation myths grows up into Ebisu. HUGE DIFFERENCE, this isn’t some reassignment of qualities or replacement. For example the reassignment of Hermes/Mercury = Archangel Gabriel regardless of the mythological differences in background.

    The difference is Hiruko SPECIFICALLY returns overcomes his disability grows up and becomes Ebisu. Understand!? That is a CONTIGUOUS NARRATIVE that is more than one God replacing another – this is a POPULAR and accepted story. Also I stand corrected ALL BUT Ebisu in the 7 lucky gods originate from China. Ebisu originates solely from Japan.

    Angry vs. Evil is very different. Jehova in the Old Testament is seen to be a Wrathful god, are you saying he’s evil? Another strawman you’ve provided. Who else has portrayed Hiruko as EVIL!? SOURCES PLEASE!

    ———————————————–

    1:

    What did they ask Hiruko for exactly?

    If he was CEO of Atlas why did they need Zeus if he was giving them what they want?

    Why didn’t he just occupy Jimmu’s position? Presumably if the Jimmu’s vessel could hold his spirit then it could hold Hiruko’s instead plus he could fufill his revenge?

    ———————————————–

    2:

    If we’re talking about the “Shitenno” here regarding the “4 heavenly directions”. This originates from Buddhism: they are also fighters of evil: therefore the evil perpetrated by the sacrifices would have made things worse. In addition there is no precedent in oriental mythology for human sacrifice regarding this. So another utter fabrication of the authors.

    I would go as far to say that is libel and utter misrepresentation of Buddhism.

    ———————————————-

    3: I think there were some serious flaws beyond just the heavenly tower being already present as I mentioned before.

    I also wouldn’t regard that they expected it would run more than 24 episodes as an excuse for very very poor narrative.

    Were the initial episodes following the book precisely? If they were then them expecting more than 24 episodes is valid. However this raises questions about the original source material being poor as the first 4 episodes jumped everywhere.

    Was utopia ever mentioned by the god’s in Nihonshoki and Kojiki? I think it was the failure of humanity to harness the god’s power not the failure of the god’s themselves. which is to say humanity even with great power would still fail to create utopia – not a very positive message.

  14. chounokoe says:

    It’s interesting how you immediatly feel condescended as soon as I don’t agree with you.
    To level with you for a minute: Take a chill pill, dude.

    I never said I knew Kawai Hayao, I said I’ve dealt with him in university…meaning I’ve dealt his book doing research on the connection between the Japanese and their myths. So sorry, English is not my first language.

    Concerning Ebisu and Hiruko, I looked it up again. In his book 神話と日本人の心 he wrote, that there are folk tales along the coastal areas of Japan, that Hiruko was washed ashore and secretly ‘rebirthed himself’ into the kami Ebisu.
    Still the only hint to those tales is the fact, that many areas around that coast line have places called 蛭子町 (which would normally be read Hiruko-Chou) bis is read エビス町 (Ebisu-Chou).
    (p.325, 第12章 日本神話の構造と課題)

    What I wanted to say is, that the rebirth of Hiruko into Ebisu is no part of the Japanese creation myth. Automatically additions to it are a step below that original myth, as there are many variations to each particular myth to each region of Japan.
    Of course it is a contiguous narrative, but also because it is a branch-narrative it may be popular but not accepted as part of the main-narrative in all regions of Japan.

    You are right, Ebisu is the only out of the seven lucky gods who seems to not have been imported from outside of Japan.
    Still this does not prove him to be part of the Japanese national myth. The seven lucky gods are believed to be only incorporated into Japanese legends around the end of the Muromachi period (middle to end of the 16th century).

    1: Hiruko’s aim was to get revenge on the gods, therefore he controlled the people behind the Atlas project to carry out his plans. Without the rebirth of Jimmu he can’t act out his revenge.

    2: No, you misunderstood me. It is just the reveration of the 4 heavenly directions, modeled after the 4 holy animals in Chinese mythology (Suzaku, Genbu, Seiryuu and Byakko).
    It is a part of Onmyôdô, an occult method introduced to Japan during the Heian Period and largely based on Chinese principles.

    The fact that it is a warped principle (with human sacrifices) in Shangri La is voluntary, as Hiruko planned for the Atlas project to go into a wrong direction from the very start.

    3. The first episodes were following the book at least concerning content. They were jumping around in the range of the first 100 pages I would say…okay and almost everything about Ryôko was anime-only from the start.

    I wouldn’t say Shangri La’s message was negative. It is impossible to create a utopia and an ‘age of paradise’ is impossible to reach, even for gods.
    It is about doing the best with what you have and trying to make the world a good place in the present. Men have the power to live on their own and don’t need heavenly intervention to exist.

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Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
Lenlo
I dont think "enjoyed" is the right word for this kind of show, but I do know im going to finish it.

Also, can the milk be chocolate?
Anonymous1015350
@Lenlo: That's true, but I also feel like everyone here needs some milk. And I've been reading the Scum's Wish manga and can't decide if it'll be worth it to watch the anime.
Lenlo
Scums Wish, 4 episodes in, has been the perfect little dose of depression I crave from each anime season.
Lenlo
I have to say, its a pretty fun break from super srs anime discussion sometimes
Anonymous1014938
There's so much sass in this chatbox sometimes I can't even. :.D
AidanAK47
Also please note that if data gathering results do not support your hypothesis that there will be no refunds
AidanAK47
I will have you know my data gathering services are quite expensive and I don't operate until paid.
Anonymous1014125
Aidan is providing the data for us.
Lenlo
You do know that for the scientific method, you make a hypothesis and then you run experiments to produce data to prove or disprove said hypothesis. It cant just sit in limbo and then you go "I was right". You have to provide data at some point. At this point, you have yet to provide any data to support what you say.
Sir Robin
You seem to have never heard of the scientific method then Aidan. You don't need proof before you formulate an hypothesis. Fortunately this most recent development of you being wrong supports it.
AidanAK47
I am sure Sir Robin would be delighted to hear this but I think I was wrong in my assessment of SukaSuka(Shūmatsu Nani Shitemasu ka? Isogashii Desu ka? Sukutte Moratte Ii Desu ka?) That insert song at the begining of the episode was masterful and a number of things have changed my mind about it. It may be more interesting than I first expected. First novel was still pretty boring though.
AidanAK47
Should have another impressions post up today. As for what I am covering that's Little Witch Academia, Attack on Titan and Sekaisuru Kado.
AidanAK47
At least we never have to fight tooth and nail to cover something as what we want to cover never clashes.
SuperMario
Which mean 2 PA Works, 2 original shows and 3 slice-of-life shows. Well done Mario for being predictable and consistently boring as ever
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The Eccentric Family becomes increasingly eccentric this week, with all the business about bear running wild and a strong reference to hell (who would’ve thought that?). But first, I’m delighted with two new returns this week. The first “return” is the OP that were sorely missing last week, in which we have the opening song […]

Latest Reviews

Kobayashi-san chi no Maid Dragon (Winter 2017) Review – 74/100

I remember back in the first impression of last Winter season, I regarded Demi-chan as a better Monster Girls slice of life subgenre over this one. But as the season progressed, while Demi-chan run out of its steam quickly, this one picked up its pace after an underwhelming first episode to become a much more […]

Scum’s Wish (Winter 2017) Review – 80/100

I remember after watched a movie called “Requiem for a Dream” a few years back, I felt devastated for an entire week. The ending hit me so hard that after finished that movie I had to walk around my area for 2 hours in the middle of night to settle my feeling and I thought […]

Shouwa Genroku Rakugo Shinjuu Review – 90/100

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo […]

Youjo Senki Saga of Tanya the Evil Review – 80/100

Isekai stories have become somewhat of a tiresome genre as of late. There have been many stories of people being transported/reincarnated into other worlds where they shed their once pitiful exterior and become some legendary figure in another world. In most cases it’s trit, balant childish wish fulfilment and the stories often become tiresome when […]

ACCA: 13-Territory Inspection Dept. (Winter 2017) Review – 83/100

Imagine my utmost amazement when a show that I wasn’t that confident on taking in the beginning turned out to be one of the most solid offering this season had to offer. ACCA is the most recent anime adaptation from mangaka Natsume Omo, which despite isn’t a household name, many of her works (6 titles […]

Demi-chan wa Kataritai (Winter 2017) Review – 62/100

Demi-chan is one of the newest addition to the monster girl subgenre, which usually feature a human helpless male lead get stuck in a harem of mythical creatures, in form of oversized boob girls of course (why usually those monsters are in female forms anyways? Aren’t they sexless?). In this case, we have monster girls […]

Seiren (Winter 2017) Review – 51/100

Let me say this out front, Seiren is NOT a good show, it’s a highly uneven one. Throughout its run, I can see some solid moments and fresh ideas that could potentially raise it above the bar, but ultimately, view it as a whole, Seiren is a show that isn’t worth recommending. At first, I’m […]

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]