Posted by psgels on 10 August 2009 with categories: Shangri-La



Hehe, and here I thought that the creators were going to save the bombing of Tokyo for the grand finale of this series. It seems that there’s still much more that’s going to happen after it: there are still so many problems that are left to be solved, not to mention that the creators still don’t seem to have played all of their trumps for this series!

The way this episode was executed was also something I really didn’t expect. With the entire city of Tokyo burning down, you’d expect them to create a huge action-packed spectacle out of it, but instead this episode had a much more melancholic atmosphere. It’s something completely different from what we’ve seen of this series so far, and it really works. That’s yet another reason why I’ve grown to be such a fan of this series: you’re never going to know what to expect.

This episode was surprisingly slow paced for this series, but because of that the impact on Kuniko, having to burn down the place she grew up in really made an impact. Her emotions were handled very subtly here: she didn’t break down crying, or she didn’t refuse to drop the bomb at the last possible moment like your average anime lead. She knew very well what she had to do to save the ones around her, because otherwise they’d just be overthrown by the Daedalus. This episode portrayed that feeling of saying goodbye really well. Kuniko might seem like nothing special at first sight, but you don’t often see a main character who has to serve as a leader like her.

Oh, and the eye candy! While not as gorgeous as episode 13, the visuals were nevertheless gorgeous as they showed Duomo going up in flames. You could see that especially the background artists were on fire in this episode (not literally of course), but also the CG looked really good during the fiery bits.

Now, the question is going to be: how are the creators planning on filling up the final quarter of this series. The Daedalus hasn’t fully disappeared: it’s still inside Atlas because that’s a part that can’t exactly be burned down. At the same time, the end of this episode shows Medusa finally losing control of itself, after Karin pushed him too far in her attempts to take advantage of the huge carbon emissions from the forest fires. and to think that for a moment she was like the richest person in the world. She was bound to overstep her borders at one point, but I still wonder what the creators plan to do with Medusa going out of control: is she simply going to lose Medusa, or is her entire fortune coming along with it?

It’s very interesting: for most series at this point, you’re going to have a good idea what its finale is going to be about: what the main goal is going to be to overcome. With Shangri-la, I have no bloody clue. Sure, there is busting Ryoko from Atlas, people are going to have to rebuild their homes, Karin is going to have to cope with Medusa, but which one is going to be taking the main focus? What is Ryouko going to do now after cooperating with Kuniko? There are still so many questions left open.

At this point, there are five episodes left. That’s enough for this series to wrap up everything with a conclusion, and let’s hope that everything isn’t going to end up rushed!
Rating: ** (Excellent)

14 Responses

  1. Guitar says:

    Wow, a lot of variety in those screenshots. They certainly caught my attention though.

  2. Shounen A says:

    It should be obvious what the main goal is: a Digma inherits ATLAS. (I’m betting on four Digmas jointly inheriting ATLAS.) Now if we just knew what that meant … ^_^;;

  3. chounokoe says:

    After the legend of Izanami and Izanagi came in this episode I think we’re looking forward to another little twist here…maybe the Digma are the ‘children of the Gods’ and Hiruko was a failed first experiment.
    Just curious because names were already thrown around if Nagiko (Nagi-Ko) would have a real reason for her name…well I’m starting to get worried that they maybe throw too much into the twist at the end….but well

  4. haha says:

    This show sucks (I only watch it for laughs), but it was worth it to see that idiotic Duomo place go up in flames. What a bunch of morons, no wonder they’d have a megafool like Kuniko as their leader.

  5. Robhiengler says:

    I completely agree haha, bunch of complete idiots! They should figured something out when she failed on their assault of Atlas. Now she personally blew up Duomo.

    Small nitpick bombs are released before the target due to horizontal motion inferred from the aircraft, that would have missed Duomo but anyway. Guess what this all could have been avoided it they used a defoliant (herbicide).

    What the F was that with the burning sugar over the cup of tea!? No-one does that!? The only time you might see that happen if you’re getting absinthe incorrectly made for you. More horse-dung nonsense.

    The hilarious thing is if people started fires this would result in the collapse of the “carbon market”, who would invest in such a fragile market in the first place? One which could collapse at a mere forest fire – entirely ridiculous.

    Secondly why isn’t Daedaelus spread all over Japan? Are the only forests in Tokyo?

    Thirdly Karin what you’re doing is insider trading or market manipulation – highly illegal. Secondly the UN pass an anti-MEDUSA law in minutes, yeah right.

    Unfortunately chounokoe this really has little to do with the legend of Izanami and Izanagi. As I recall Izanami had “died” already and was in Yomi so exactly how Atlas could be related to Onogoro (which btw Motoori Norinaga asserts is one of the islands near Awajishima not Tokyo)which was formed before Japan’s 8 great islands who were formed from their offspring, when clearly this is based after all that.

    The Leech child Hiruko as well was a HE not a SHE and became Ebisu mirthful and auspicious “The Laughing God” not some bound up weirdo with sharp teeth. Ebisu was also the God of fishermen, good luck, and workingmen, as well as the guardian of the health of small children. Note the last part, at what point does possessing small girls as a vessel denote protectorship or good health at all? IF they decide to butcher Greek Mythology, why bother to get their own Japanese mythology right – am I right!

    * – barely watchable – only because we get to see Doumo burn!

  6. chounokoe says:

    You really do not like interpretations, do you?
    If you would try to look behind what certain things are trying to represent in the context of the story it would be easier to accept Hiruko’s role within it, at least that is what I think.

    Hiruko is only a she, because the miko that are given to him as a vessel are female…you could also through a donkey into the ritual, then Hiruko would be an animal.

    And Hiruko did not BECOME Ebisu, it is merely assumed that ancient sects close to the ocean revered Hiruko, but that his name was changed to an alternate reading and therefore became close to another kami, namely Ebisu. They are not the same entity, they fused into one deity over a period of time.
    The Hiruko within the context of the Japanese creation myth was lost when he was cast away from Onogoro and it was disputed wether he was actually never mentioned again or if every chapter dealing with him was removed from the texts over time.

    Changing Atlas into a recreation of Onogoro WAS one of the major flaws of the anime’s finale, I would agree there.
    In the novel it is a recreation of the mythical Ame no Mihashira, planned by the novel’s antagonist, who is different from the anime’s antagonist, too.

    Still the death of Izanami and her confinement to Yomi in the legend does not contradict the creation of Atlas within the story…I do not exactly see you’re point there. But maybe that will clear up once you move on in the series.

  7. Robhiengler says:

    Hiruko DID BECOME Ebisu – The fact is that is one account and NOT ASSUMED – also no accounts to the contrary to actually say what became of him. Whether it is a fusion of deities is beside the point, that IS the prevailing mythology.

    Either way Hiruko and Ebisu aren’t fucked-up little kids with sharp teeth who require human sacrifices – SO YOUR POINT WAS?

    In addition when the child becomes possessed their body changes to that of “Hiruko” IF you chucked in a donkey it would change to look like “Hiruko” otherwise when they threw in Miko we didn’t get a fat man did we.

    Here are my sources:

    http://www.sacred-texts.com/shi/kojiki.htm

    http://books.google.co.uk/books?id=dZQ4zqV88V4C&pg=PA97&dq=Hiruko&hl=en&ei=IL7JS9upJZTw-QaR77nxBA&sa=X&oi=book_result&ct=result&resnum=6&ved=0CEsQ6AEwBQ#v=onepage&q=Hiruko&f=false

    http://books.google.co.uk/books?id=XqHWAAAAMAAJ&q=Hiruko&dq=Hiruko&hl=en&ei=Pr7JS67cH8LS-Qb-mMX6BA&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDwQ6AEwAjgK

    http://books.google.co.uk/books?id=jEcpkWjYOZQC&pg=PA220&dq=Hiruko&hl=en&ei=Pr7JS67cH8LS-Qb-mMX6BA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDIQ6AEwADgK#v=onepage&q=Hiruko&f=false

    http://books.google.co.uk/books?id=TGtLVJWKlCYC&pg=RA1-PA60&dq=Hiruko&hl=en&ei=Pr7JS67cH8LS-Qb-mMX6BA&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDcQ6AEwATgK#v=onepage&q=Hiruko&f=false

    http://www.britannica.com/EBchecked/topic/266885/Hiruko

    Where are yours chounokoe which says Hiruko was an evil fucked-up kid who possesses the body of little girls and fortune tells the future? Its not even close to any of the versions in mythology.

    “if every chapter dealing with him was removed from the texts over time. ”

    What now there was a conspiracy that every reference was removed. Come on if you can’t see that is actually an utterly impossible conspiracy.

    Actually the legend does contradict the creation of Atlas: if Atlas in the series was meant to connect heaven to earth as I’ve said the pillar of heaven was merely part of Izanagi and Izanami’s mating ritual – nothing more.

  8. chounokoe says:

    @Rob: May I quote from the source you have given?
    “Our Leech Child [Hiruko], however, does not return. No further mention is made of him in either the Kojiki or Nihonshoki.” (p.96)

    or

    “It is interesting to remark how some Japanese scholars have interpreted the image of Hiruko. One said he must be an evil spirit, while another has taken the opposite view that he is a great god who would give the whole of Japan a new orientation.”(p.97)

    Concerning his fusing with Ebisu:
    “The identification of Hiruko with Ebisu is mentioned in the literature as early as the twelfth century, but it is hard to say exactly when and how it occured.”(p.99)

    I have dealt with Kawai Hayao (the author of the book) to a great deal in university and he is generally someone who approves the flexibility of cultural and mythological heritage.

    I honestly forgot the fact that Miiko’s body changes when he is possessed by Hiruko…well okay, this is something the anime definitely did on their own.
    But still the represantation of Hiruko as a child, when interpreted as an evil deity, is quite common and the sharp teeth were used to show his deformity.

    The possession of a vessel is also quite common in ancient Shinto rituals and is not considered ‘possession’ in a judeo-christian sense, but is needed for a kami to actually manifest within our world.
    I don’t quite remember wether the priest in the anime also used a Shinto spell to call the spirit of Hiruko into the vessel. But it is actually a ritual that existed at one point.
    From a certain point on the use of humans as yorishiro (which mostly involved drug use) was forbidden, but there are still prominent examples of such ‘vessels’ around.

    The Hiruko here is also not meant to be a represantion of his godly qualities (which do not exist in textual form, because he never showed them), but he is representing the smybol of an enraged child, who was cast out of his home, because he did not fit into it.

    Hiruko (in Shangri La) is not actually driving the project forward, but trying to reach a point so he could take revenge on the gods (by fighting their representative Jimmu) for being cast out of the pantheon.

  9. Robhiengler says:

    chounokoe oh really have you dealt with Kawai Hayao? So if he is approves the flexibility of cultural and mythological heritage then he would support Hiruko = Ebisu as it is generally accepted. The fact that he doesn’t re-appear in Kojiki or Nihonshoki is beside the point as they are NOT the only source of Japanese Mythology.

    You ALSO failed to make the full quote again cherry picking for your own argument:

    “It is interesting to remark how some Japanese scholars have interpreted the image of Hiruko. One said he must be an evil spirit, while another has taken the opposite view that he is a great god who would give the whole of Japan a new orientation.”

    The bit YOU PURPOSEFULLY MISSED OUT

    “These projected images are particularly applicable insofar as they both express aspects of Hiruko. He appears evil from the standpoint of the Moon God.”

    (pg97)

    Therefore Hiruko is only evil from the Moon God’s perspective. Therefore not EVIL per se. Answer why do you disregard the other sources which categorically state: Hiruko=Ebisu?

    Also would YOU validate WITH SOURCES:

    “But still the represantation of Hiruko as a child, when interpreted as an evil deity, is quite common and the sharp teeth were used to show his deformity.”

    Never seen that at all to represent Hiruko. How does sharp teeth indicate his deformity is that he’s crippled with no bones? It doesn’t – Grasping straws here aren’t you.

    How is the possession of a yorimashi that different than that of the Judeo-Christian concept? Clearly in the anime they weren’t yorimashi and I would say the anime was more to the latter as the posession was forced and permanant resulting in the displacement of the original person. If it was yorimashi then why were vessels consumed as sacrifices? There wasn’t really a ritual apart from paper sigils and certainly Miiko was just pushed in.

    http://eos.kokugakuin.ac.jp/modules/xwords/entry.php?entryID=296

    Again you STILL haven’t explained:

    HOW Hiruko was in Atlas in the first place?
    HOW or EVEN WHY he was stopping the oscillations? If he didn’t then Atlas would crumble and Jimmu would perish – the story would end.
    HOW he could fortune tell if he had no powers?

  10. chounokoe says:

    Okay you were not insulting here, so I’ll answer.

    While the Nihonshoki and Kojiki are not the only sources of mythology they are the oldest passed on documents of Japanese mythology.
    Everything that came after that is most likely interpretation of those sources.

    I did not further quote this part, because it did not seem important to the actual question.
    Wasn’t he just interpreted as evil towards the Moon Deity, because Hiruko was the original representation of the sun and was still cast out?
    It is still questionable what happened to the actual mythological figure of Hiruko and it is not fully unlikely, that he would hold a grudge against the gods for casting him out.

    I did not disregard the sources which claim Hiruko to be Ebisu, as they only state that over time they fused into one deity.
    Ebisu, being one of the seven gods of fortune, brought to Japan was revered in locations near the ocean, where shrines for Hiruko were thought to be, how and why exactly they became one is still not proven.

    They were yorishiro (or yorimashi) in the anime, as they were miko (priestesses) used to give the spirit of Hiruko a form within this world.
    Kami are often without an actuall body and need a vessel to speak to the people revering them. Often the body would be weakened and driven to it’s limits through those rituals, as it was considered to be hard on the body to contain a spirit (while in reality they were most likely infused with heavy drugs and poisons).
    The sigils that attached to the body were part of the ritual, being prayers that called upon a certain god. But yes, this is more mysticism than actuall religion…but within Shinto the boarders started to blur heavily over time.

    Hiruko was in Atlas because he appeared before the priests who served the head of Atlas. Addmitedly, the anime did rather poor in explaining their function.
    The oscillation was stopped due to the ritual in which sacrifices were made at 4 important places in the 4 heavenly directions…this was also touched upon in the anime. It was their interpretation of Hiruko’s gibberish.
    He did not exactly tell fortune, he just guided the people of Atlas along to make it possible to get revenge on the gods. He never actually told something exact but just gave them general ideas that they would interpret in their own way.
    ‘Sun and moon will meet and one will rule the earth’ is a rather broad statement…there is actually nothing refering to a certain person in it.

    It was the point that the gods had no actual power to make anything better, they just drove their own plans forward and used humanity as pawns to reach their goal.

  11. Robhiengler says:

    See you haven’t stopped being condescending though chounokoe.

    Now I know regarding Nihonshoki and Kojiki that your statement:

    “Everything that came after that is most likely interpretation of those sources.”

    is utterly ridiculous. Considering the fact remains that the Japanese have imported at deities from foreign countries such as China – Hotei, Jurōjin, Fukurokuju, Bishamonten, Benzaiten, Daikokuten, Ebisu. Note the last one hey.

    The fact they are imported doesn’t they’re any less valid. If people have decided that Hiruko became Ebisu, its not exactly going against what is written in the Nihonshoki and Kojiki nor is it rewriting anything.

    In addition the last part of the quote was important, as you made out Hiruko was evil to suit the agenda of Shangri-La, when in fact he was only considered evil from one god’s perspective. In addition if Hiruko doesn’t become Ebisu; as he is not mentioned again, we don’t hear of him dying do we, why would he still be a child?

    As for yorimashi & kami the point is your body doesn’t change you merely becoming the conduit rather like a psychic medium – it is also temporary not permanent.

    Ok so the novel says its yorishiro – I’ll accept that, its a minor point:

    1)How then did Hiruko appear to the priests in Atlas in the first place without a yorimashi?

    I presume you are saying Hiruko had nothing to do with stopping the oscillations? In that case I’m sure why the Shinto priests would want him to be manifested? What benefit is he? What role does he play apart from his own revenge?

    2) In the anime it says Atlas connects heaven & earth (Episode 20 9:30) because of the special ley lines focus of earth-chi. Built Atlas, found it oscillated for some reason.

    why did it oscillate in the book?

    also that’s why they were sacrificing the little girls to Hiruko (Episode 17 3:30) & (Episode 20 10:50). Nothing about

    “sacrifices were made at 4 important places in the 4 heavenly directions”

    BUT I presume you refer to Hitobashira which usually only requires one sacrifice, besides is this even a religious Shinto element? Certainly no precedent in Japanese mythology.

    http://pinktentacle.com/2010/03/human-pillars/

    It also Begs the question WHO or what were they sacrificing to?

    The anime states that it was the spear TOO that stopped the oscillations (episode 23 12:00).

    See my point? The anime cannot make up its mind what is going on here nor give a concise explanation.

    I have to disagree on that last point. the god’s had power they just chose not to use it to benefit mankind. i.e. telekenesis, super strength, agility, speed, time-freeze etc.

  12. chounokoe says:

    Of course them being imported does not lessen their impact on history and evolution of the Japanese myth, I never tried to say that.
    What I wanted to express is that there is no written record that states that the mythological character Hiruko became the mythological character Ebisu. It was just an evolution within mythological perception that came about during the centuries.
    Like through the centuries and translations many angels were removed from christian lore or had duties of other angels assigned to them, they did not change into another character they were merely rewritten…you could call it a plothole within myths.

    The Ebisu that is revered in those Shinto shrines along the coast has no further connection towards the Hiruko from the creation myth apart from the writing of his name. It is merely the character that was imported from China, showing in writing how originally another god had been enshrined there.

    Hiruko being evil is not only a question of this one paragraph, but also questioned concerning his further fate after he was shipped away from Onogoro. It is not only Shangri La which had displayed him in the role of an angry god over time.

    Concerning Yorimashi, it is questionable in how far being possessed changes the appearance of a person.
    Sure, the anime was a little bit hard to believe, with every character actually changing into the exact same form. I think they were rather going for an effect similar to several accounts of possession, describing the person gaining inhuman features.

    1) After Nagiko found the remains of the ancient Yamato culture, they used whatever they found there to restore Nippon’s glory.
    Hiruko was the one they summoned and because he gave them what they asked for (or gave them the idea that he did) they made him into an important part of the project.

    In the novel he was also described as the CEO in charge of the development of ATLAS. They consulted him every time they were about to execute something important. So they were trapped in ancient methods, trying to go into the past and the future simultaneously.

    2) The anime sure was a bit undecisive about Atlas possible function. Maybe they planned to make it run longer and they ran out of money, or maybe they just messed up at putting all the information in there.
    Atlas was supported by the power of the 4 heavenly directions and sacrifices had to be made to support it.
    It was also build on human pillars.

    How far human pillars were actually a part of Shinto religion is highly discussed, because originally human sacrifices were a taboo (being impure and all). Still they were used to keep important buildings safe from floods and earthquakes…so it is probably a bigger part of mysticism than it is an actual part of religion.

    They sacrificed not to a certain god, but just as a way to ballance out the spiritual forces that kept Atlas floating until the heir of Yamato and the Ame no Nuboko was found.

    By the ‘sacrifices’ to Hiruko, I think you are referring to the miko who act as the yorimashi, right?
    They were just a constant way to keep his spirit within Atlas. His spirit was too strong for a simple human body to support over a long period, so they had to have a miko ready in case the old body expired and died.

    I agree that, concerning the mythology behind Atlas, the anime seems to have made some more mistakes than I actually remembered.
    The only really big flaw was letting the Ame no Nuboko be in Atlas already, as it destroyed one important plot of the story and also made the sacrifices unneccessary.
    I highly assume they planned for the anime to run for more than it’s 24 episodes but ran out of money as is the case with many adaptions these days.

    And concerning the gods. Let’s say they had abilities, but no actual power as was promised in myths. In the end they were as unable to create a paradise as humanity itself.

  13. Robhiengler says:

    “no written record that states that the mythological character Hiruko became the mythological character Ebisu.”

    See this is exactly what I mean when I refer to condescending and NOT READING ANYTHING I’ve WRITTEN. Again YOU ARE WRONG and I Shall prove it!

    Ask your good friend “Hayao Kawai” (as you claim – problem is he’s dead but you didn’t know that so I suspect you entirely fabricated this university story as clearly you have failed to read HIS book) about what he wrote on page 99 of his book because HE EXPLICITLY WRITES:

    “The identification of Hiruko with Ebisu is mentioned in the literature as early as the twelfth century but it is hard to say when and how this occurred.”

    http://books.google.co.uk/books?id=dZQ4zqV88V4C&printsec=frontcover&dq=Dreams,+Myths+and+Fairy+Tales+in+Japan&source=bl&ots=LEAuO2C935&sig=uMlsO_at1OZcFUsQ1-EpHoQwaf0&hl=en&ei=CQvLS8vNGYmnsAat1NiGAw&sa=X&oi=book_result&ct=result&resnum=2&ved=0CAsQ6AEwAQ#v=onepage&q&f=false

    SO IT HAS BEEN WRITTEN DOWN! and its is not a interpretation of Nihonshoki and Kojiki but a CONTINUATION.

    So the question is WHY ARE YOU LYING!? Besides even if it was oral tradition does that make it any less valid? In fact like Shangri-La you have exhibited the very characteristics I dislike:

    -Superficial understanding
    -Condescending attitude
    -Outright fabrications

    As for Angels being reassigned or rewritten that is a strawman argument right there. Plus provide EVIDENCE or at least state an example of which ones – something YOU HAVE FAILED TO DO TIME & TIME AGAIN.

    Specifically Hiruko from the creation myths grows up into Ebisu. HUGE DIFFERENCE, this isn’t some reassignment of qualities or replacement. For example the reassignment of Hermes/Mercury = Archangel Gabriel regardless of the mythological differences in background.

    The difference is Hiruko SPECIFICALLY returns overcomes his disability grows up and becomes Ebisu. Understand!? That is a CONTIGUOUS NARRATIVE that is more than one God replacing another – this is a POPULAR and accepted story. Also I stand corrected ALL BUT Ebisu in the 7 lucky gods originate from China. Ebisu originates solely from Japan.

    Angry vs. Evil is very different. Jehova in the Old Testament is seen to be a Wrathful god, are you saying he’s evil? Another strawman you’ve provided. Who else has portrayed Hiruko as EVIL!? SOURCES PLEASE!

    ———————————————–

    1:

    What did they ask Hiruko for exactly?

    If he was CEO of Atlas why did they need Zeus if he was giving them what they want?

    Why didn’t he just occupy Jimmu’s position? Presumably if the Jimmu’s vessel could hold his spirit then it could hold Hiruko’s instead plus he could fufill his revenge?

    ———————————————–

    2:

    If we’re talking about the “Shitenno” here regarding the “4 heavenly directions”. This originates from Buddhism: they are also fighters of evil: therefore the evil perpetrated by the sacrifices would have made things worse. In addition there is no precedent in oriental mythology for human sacrifice regarding this. So another utter fabrication of the authors.

    I would go as far to say that is libel and utter misrepresentation of Buddhism.

    ———————————————-

    3: I think there were some serious flaws beyond just the heavenly tower being already present as I mentioned before.

    I also wouldn’t regard that they expected it would run more than 24 episodes as an excuse for very very poor narrative.

    Were the initial episodes following the book precisely? If they were then them expecting more than 24 episodes is valid. However this raises questions about the original source material being poor as the first 4 episodes jumped everywhere.

    Was utopia ever mentioned by the god’s in Nihonshoki and Kojiki? I think it was the failure of humanity to harness the god’s power not the failure of the god’s themselves. which is to say humanity even with great power would still fail to create utopia – not a very positive message.

  14. chounokoe says:

    It’s interesting how you immediatly feel condescended as soon as I don’t agree with you.
    To level with you for a minute: Take a chill pill, dude.

    I never said I knew Kawai Hayao, I said I’ve dealt with him in university…meaning I’ve dealt his book doing research on the connection between the Japanese and their myths. So sorry, English is not my first language.

    Concerning Ebisu and Hiruko, I looked it up again. In his book 神話と日本人の心 he wrote, that there are folk tales along the coastal areas of Japan, that Hiruko was washed ashore and secretly ‘rebirthed himself’ into the kami Ebisu.
    Still the only hint to those tales is the fact, that many areas around that coast line have places called 蛭子町 (which would normally be read Hiruko-Chou) bis is read エビス町 (Ebisu-Chou).
    (p.325, 第12章 日本神話の構造と課題)

    What I wanted to say is, that the rebirth of Hiruko into Ebisu is no part of the Japanese creation myth. Automatically additions to it are a step below that original myth, as there are many variations to each particular myth to each region of Japan.
    Of course it is a contiguous narrative, but also because it is a branch-narrative it may be popular but not accepted as part of the main-narrative in all regions of Japan.

    You are right, Ebisu is the only out of the seven lucky gods who seems to not have been imported from outside of Japan.
    Still this does not prove him to be part of the Japanese national myth. The seven lucky gods are believed to be only incorporated into Japanese legends around the end of the Muromachi period (middle to end of the 16th century).

    1: Hiruko’s aim was to get revenge on the gods, therefore he controlled the people behind the Atlas project to carry out his plans. Without the rebirth of Jimmu he can’t act out his revenge.

    2: No, you misunderstood me. It is just the reveration of the 4 heavenly directions, modeled after the 4 holy animals in Chinese mythology (Suzaku, Genbu, Seiryuu and Byakko).
    It is a part of Onmyôdô, an occult method introduced to Japan during the Heian Period and largely based on Chinese principles.

    The fact that it is a warped principle (with human sacrifices) in Shangri La is voluntary, as Hiruko planned for the Atlas project to go into a wrong direction from the very start.

    3. The first episodes were following the book at least concerning content. They were jumping around in the range of the first 100 pages I would say…okay and almost everything about Ryôko was anime-only from the start.

    I wouldn’t say Shangri La’s message was negative. It is impossible to create a utopia and an ‘age of paradise’ is impossible to reach, even for gods.
    It is about doing the best with what you have and trying to make the world a good place in the present. Men have the power to live on their own and don’t need heavenly intervention to exist.

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  • Bam
    (Thursday, Oct 2. 2014 08:47 AM)
    I wonder how far a show about Gotham can stand on its own feet, without the caped crusader.
  • Bam
    (Thursday, Oct 2. 2014 08:46 AM)
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  • Emma
    (Thursday, Oct 2. 2014 08:33 AM)
    I’ll be satisfied with my Batman year one comic, for a satisfactory Gordon plot.
    Gotham, not sure I’m interested in it, it could end up just another cop show.
  • Bam
    (Thursday, Oct 2. 2014 08:13 AM)
    Where is Fox going with this Gotham series? The tone and presentation is inconsistent, and from what I’ve seen so far I doubt it will mount up to anything.
  • Bam
    (Thursday, Oct 2. 2014 07:34 AM)
    @K-off: true, I bet Eastwood has never been a cowboy either :D
    The magic of cinema I guess.
  • k-off
    (Thursday, Oct 2. 2014 07:33 AM)
    Therefore, one is not truly better than the other.
  • k-off
    (Thursday, Oct 2. 2014 07:32 AM)
    That, is fact, no one can argue. But both actors have played their own iconic roles, and Wayne is the quintessential icon as a soldier (though he’s never even fucking been in the Army) while Clint Eastwood is the icon in his own genre.
  • Bam
    (Thursday, Oct 2. 2014 07:27 AM)
    @K-off: well that’s subjective, but I’m saying from a historic global perspective the Man With No Name is the quintessential Western icon.
  • k-off
    (Thursday, Oct 2. 2014 07:26 AM)
    Also, I’d like to mention the fact that Wayne possibly had a much more prosperous career. He’s taken part in 170+ films, whereas Clint Eastwood contributed in 50+ films. Not really important at all, just throwing that out there.
  • k-off
    (Thursday, Oct 2. 2014 07:20 AM)
    Again, Clint Eastwood’s movies weren’t any better or worse; they merely had attributes that stuck with modern audiences better than say, Wayne’s films about duty&love of country.

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Featured Posts

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Mushishi – 07

Now this was such a beautiful episode. We often see Mushi portrayed as parasites. In fact, they are pretty much based on the insects and viruses of their world. There probably are enough real viruses and insects living in the Mushishi world, but they just aren’t the focus of the series. Anyway, what they did […]

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Jojo’s Bizarre Adventure – Stardust Crusaders – 06 & 07

This is where this arc gets weird. We’re still in adventure modus, however in these two episodes Jotaro not only meets some of the most bizarre Stand users, it’s also done in the most camp way possible. You can see a clear difference with the first two seasons of Jojo: there it was all about […]

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Ping Pong – 05 & 06

Episodes 05 and 06 are dedicated to character-development. It’s here where Ping Pong shows that it also knows its stuff in terms of storytelling; the develoment doesn’t start too early or too late, and these two episodes really added depth to all of the different characters, despite that there were no big matches. I’m currently […]

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Mushishi – 03 – 06

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling. I now […]

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Jojo’s Bizarre Adventure – 03 – 05

Jojo really is not kind to its females. Every time a hint is even dropped to a girl kicking ass here, it comes with this weird plot-twist that undermines any fighting potential of them. In this arc, it’s the rule that says that your stand will kill you if youaren’t strong enough. And so, Joseph’s […]

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Ping Pong – 03 & 04

The opening of Ping Pong wasn’t done in time, so the first two episodes showed a sortof montage as a placeholder. Now we know why, with episode 03 and 04. The creators actually got the single best animator currently in the business to oversee it: Shinya Ohira. This guy understands animation like no other. The […]

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Ping Pong – 02

Yes, I know that more people here were involved in making this series beyond Masaaki Yuasa. It’s written by the creator of Tekkon Kinkreet, Taiyo Mashimoto. That guy is awesome. And the combination between those two makes this series even better. Because here’s the thing: anime is significantly different from manga or light novels. Beyond […]

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Jojo’s Bizarre Adventure – Stardust Crusaders – 02

We can never quite get rid of magic fights at a school, now can we, Jojo. Ah well, I forgive it this time, just due to how hilarious it looks seeing these ridiculously bulky men walk around pretending to be high school students. It’s just so over the top, and yet Jojo sets itself apart […]

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Mushishi Season 2 – 02

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode. I still can’t believe how authentic this series is. The thing is, when I […]

Latest Reviews

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Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

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Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

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Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

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Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

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Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]