Posted by psgels on 17 August 2009 with categories: Anime Reviews



Sunrise and mechas go together like cheesecake and… well, cheese. They’ve been producing their mecha-epics for decades now, ranging from the immensely popular Gundam and Code Geass to the lesser known Overman King Gainer and Zegapain. Still; call me crazy, but out of all their mecha-epics I’ve seen so far (barring Escaflowne, if that one also falls under the genre), my favourite is this rather obscure game adaptation of the Zone of the Enders.

I’m surprised as well to see how well this series turned out. It’s in no way the most sophisticated series out there, but it really does a lot of things right where a lot of the other Sunrise shows have fallen horribly. It’s some good old-fashioned entertainment that hardly ever has a weak or dull moment, never drags and provides plenty of interesting situations, action and characters.

What stands out the most is the cast of characters. Anyone who has been bothered by the immense amount of shows that star whiny teenagers will rejoice: FOR ONCE we have a series in which the lead characters isn’t in his teens, twenties or even thirties! James Links is 49 years old, and even his kids are fully grown adults with their own careers now. I believe that the amount of series that can boast the same can be counted on one hand.

The creators really make use of this opportunity to develop the lead cast into a varied and lovable cast of characters. The story here is about a bunch of characters who are involved into the main plot because they were dragged into it, but because they all had different jobs at the start of the series, they all stand out in their unique talents and the series really makes use of every characters’ specializations and experiences. The lead cast, because they’re all adults, also have rich and inspired backgrounds and this makes it very easy to relate to them in the decisions they make throughout the series.

This series also has a lot to offer in terms of science fiction. This show takes place in a setting in which Mars has been colonized, and the creators don’t forget to spend enough time to flesh this setting out a bit, like explaining how the politics work between the Earth and Mars, how people grow food, what’s up with the atmosphere, the smaller gravity and how people travel between the two worlds. It’s not ridiculously complex, but it is believable and really gives this series a great backdrop to work with. And really, this was the first series I’ve seen that took care to address the matter of deceleration when it comes to high-speed outer-space travel. That definitely was a nice touch.

And the soundtrack! While the OP is a bit… weird (DANGAAAA! Give me more DANGAAAAAA!), the rest of the soundtrack is truly excellent. It was composed by Hikaru Nanase, who most people will probably recognize as the woman who made the soundtracks behind Noein and Requiem of the Phantom, and she again works her magic in this series, with especially one of the best EDs I’ve listened to in a long while. The animation is nothing special, but it does enough to bring the characters alive and not get in the way of anything.

There are a few small flaws here and there, but nothing that really should get annoying. The creators did a wonderful job of keeping the cheese under control, but there are a number of minor scenes in which the cheese becomes a bit too aggravating. A few of the characters are a bit too stereotypical and lack depth, but these cases are mostly about minor characters and scenes. The main storyline is a strong and entertaining one, and even the final battle is a very engaging one, rather than your typical dull Sunrise ending. Zone of the Enders is yet another example of why game adaptations don’t suck.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 9/10

5 Responses

  1. Camario says:

    I’ve never heard of this one, but you’re certainly doing a good job at seeling it. I’l check this one out.

  2. Elvenwarrior says:

    Oh man, I really enjoyed this show when I watched it a while back.

    The characters were just so much fun and the mecha action and drama was good so I also enjoyed the action.

    I really liked all of the characters especially the main family and Rebecca and the main character in the trucker father is still one of the most memorable characters out there given his age and the unique type of story they can tell with him due to it and still make him a cool lively action character.

    The scenes where he’s got the parenting book that reads like one of those old Goofy instruction manual cartoons (like the ones for driving used by a lot of driving schools, or the ones that aired during cartoons for all sorts of activities or multimedia system setups) were classic and utterly hilarious.

  3. what's this says:

    Excellent series. Made me cry. *sob*

  4. tazman0208 says:

    Haha I can see what you mean about the cheese. In episode 23 the cheese gets a little out of control, heck if pople knew all it took was a badass speech to stop a war they would be teaching military commanders how to give’em at the academy.

  5. weez says:

    I almost quit after ep 4, but the prequel to 5 showing that tool of a son finally getting his head caved in kept me watching. Basically was that way the whole series rooting for the badguys to kill off a family of borderline retards. Also, cop cars and sewers in an orbital space station really? I mean seriously this isn’t TMNT in NY it’s a freaking space station…Most of the robot fights involve the bot expositioning exactly whats going on and the moron in the driver’s seat parroting the computer like he’s playing jeopardy or something and the viewer wondering if that guy is def/blind as well as retarded.

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  • SuperMario
    (Tuesday, May 3. 2016 12:46 PM)
    @Bam: yeah, that sounds good. I will watch it and tell you how I think (hope my taste is not that weird ^^)
  • SuperMario
    (Tuesday, May 3. 2016 12:45 PM)
    @Bam: for some weird reasons I prefer Inherent Vice as it as, if the film was better or the plot was tigher I would think Anderson as a more calculated director. This version of Injerent Vice is wild and more crazy that actually make me think more fondly of him.
  • Bam
    (Tuesday, May 3. 2016 12:27 PM)
    @SuperMario: Neighbouring Sounds was great. Judging from what I gathered of your taste, my money’s on you digging it as well.
  • Bam
    (Tuesday, May 3. 2016 12:23 PM)
    @SuperMario: as I said I really liked the tone and the atmosphere and the atmosphere in Inherent Vice, but the overarcing plot is thin and True Dtectige season 2’s level of self-importance. A lot of scenes serve as mere venues for the great actors just cheering the secondary. A.tighter script and a little less directorial indulgence would’ve made it a lot better. Punch-Drunk Love is one such great example.
  • Bam
    (Tuesday, May 3. 2016 12:16 PM)
    @Kaiser: the Master is brilliant, and I liked Boogie Nights, but others have much more love for it than me.
  • SuperMario
    (Tuesday, May 3. 2016 11:59 AM)
    Btw, in preparation for Cannes, I plan to watch Kleber Mendonça Filho’s previous work Neighbouring Sound. Have any of you watched the movie yet?
  • SuperMario
    (Tuesday, May 3. 2016 11:31 AM)
    I think P.T Anderson is one of the rare director who doesn’t go wrong with his works. There will be blood and the master as his masterpiece but I do really enjoy the tone of Inherent Vice and Punch drunk love actually keepps getting better for me
  • Kaiser Eoghan
    (Tuesday, May 3. 2016 11:19 AM)
    There was a found footage horror film with a hunter s Thompson inspired character, had a lovecraftian element to, Banshee chapter, utter hokum/nonsense but in an interesting vein.
  • Kaiser Eoghan
    (Tuesday, May 3. 2016 11:14 AM)
    Paul Thomas Anderson must be one heck of an director of actors though, given he actually managed to make good use of Adam Sandler…
  • Kaiser Eoghan
    (Tuesday, May 3. 2016 11:10 AM)
    On Wes Anderson I loved how whimsical Moonrise kingdom was and Darjeeling limited had a genuine heart to it.
    Fantastic Mr fox I can take or leave, its pretty much a childrens film. Budapest and life aquatic didn’t jive with med comedically.

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