Posted by psgels on 18 August 2009 with categories: GA Geijutsuka Art Design Class



As if this series didn’t already have enough characters, this episode introduces even more of them! Is that a bad thing? Not really. It really goes along with the notion that you can really meet a lot of people at school, rather than only talk to four or five people and ignore just about everyone else like what you see in most anime. Anyway, this episode was about exhibitions, in which the lead cast visits two art exhibitions. And really, there was lots and lots of dialogue this time, including some pretty in-depth stuff about art…

But first the episode plays around with perspectives a bit. First we switch to the Art Club, who had to make a large drawing assignment that consists out of several sheets taped together. Awara and some mysterious new character created a surprisingly convincing drawing of a corridor which took me a few seconds to realize that it was actually drawn. You have to love how this series makes use of the fact that it’s an anime.

The rest of the episode is about the members of the Art Design, which carries further on the Trompe L’oeil technique that plays around with optical illusions (on a side-note, I keep getting surprised at how bad the Japanese meshes with French… if you thought Engrish was bad, try listening to a Japanese who’s trying to read something French…). Anyway, Miyabi comes with a bunch of examples of this, for example a painting of someone looking at a painting, or a painting of a corridor.

Then comes another new character named Yoshikawa, who seems to have invited Miyabi to a visit to an exhibition, and the rest of the club tags along with them. I’m not knowledgeable about paintings, so I unfortunately can’t name all of the famous works that they run into, but the topic then becomes realism in art, which then thanks to Tomokane then switches over to nudity in art, which was prevalent even in the Greek and Mesopotamian eras, since the nude skin was supposed to be closest to the gods. Over the years as art started to evolve, it seems that these paintings became more and more human and nothing like God, so the need to show skin also dropped.

Anyway, it seems that Yoshikawa and her classmates also contributed in the exhibition, and her work seems to be something abstract, with a bunch of cubes and white stripes. Since it’s quite a big painting, Namiko wonders how she carried it to and from the exhibition, and that turns out to have been the reason why she invited Miyabi, to help her carry such a big thing in public.

The next subject is about touching paintings, presumably to confirm whether or not they’re real (if I understood correctly) and Tomokane comes up with the rather silly theory that they forbid people to touch paintings because of secret holes and passageways that lie behind them. All she can find with the picture in question is a bunch of strange Chinese seals…

Yamaguchi meanwhile wandered off in her own world, even when Yoshikawa tried to call her out. She then becomes a bit embarrassed over her fascination over paintings, but the others reassure her that it’s nothing to be worried about. When they’re about to leave, Yoshikawa then shows Yamaguchi one final thing, which brings us back to the Trompe l’Oeil when Yoshikawa ends up tricking everyone while she makes it seem that Yoshikawa suddenly has been swallowed by a painting. I’d love to see such a thing in real life, by the way.

In the second half we suddenly get greeted by Noda with a different hairstyle (took me a while to figure out), who laments the fact that she really doesn’t know much about famous artworks when her mother asked her about it. Because of that, Yamaguchi suggests to visit another exhibition, this time with professional art.

Yamaguchi and Noda nearly get distracted by the kids’ zone (bunnies!), before they enter the real exhibition. In there, Noda progresses through the paintings in a much faster way than everyone else, so Yamaguchi questions whether she’s actually looking at them. What follows is a great joke in which Noda notices that she could have gotten one of those headphones that explains each painting, so in order to make up for it Miyabi borrows Tomokane’s headphones and narrates for her. :P

Kisaragi then runs into a picture that she once saw before in a house of an uncle of hers. They then run into a bunch of pictures that may look impressive, but they figure that they also could have made them themselves. They then continue to give their impressions (as in live, not painted) of famous artworks, like The Thinker, Michelangelo’s Pieta, three sculptures of three people who all are surprisingly similar to each other, Manet’s Young Flautist, The Scream and Raphael.

Next up they meet Usami, who is quite surprised to find out that students are visiting a museum. They talk a bit and then say goodbye, after which they, intimidated by all the quality works of art, inspire themselves a bit by the children’s corner. They then meet Takuma, who also happened to be there.

Okay, so today I got the inspired idea to watch and review this episode late at night… which may not have been the best idea ever… This is one of these series that needs to be watched in broad daylight, not at midnight.

Anyway, despite this we had another fun episode this time, I especially liked the idea of Trompe l’Oeil and the illusions they create. A problem with a lot of comedies for me is that when they stop being funny, they get really dull if they don’t have anything else to offer. GA solves this wonderfully when it has both the slice of life and the attention to art to keep itself interesting when it’s not funny, and because of this I’m not watching this show just to get to the next good joke, like what I notice with most comedies.
Rating: * (Good)

One Response

  1. astrocurrent says:

    As an art student, I really like the way this show approaches Art. People don’t go to museum often, and for some reason they think of Art as distant and unattainable. But in GA, when Noda and Tomokane see those art works in the museum, they think they can do that too. In fact, that’s what it really is. Art is nothing special. If you want to do it, you can. It is the heart that eagers to make something and what you want to make that makes the art piece special. The scene that those girls review and critique those children’s work is hilarious also, not to mention how they try to recreate those master pieces. They really love and enjoy being in the preocess of creating something. And that’s what it counts.

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  • Bam
    (Friday, Sep 4. 2015 09:28 AM)
    if Eva is so predictable then speculate for me what’s gonna happen in the last rebuild film, and please don’t spare the details:
  • Bam
    (Friday, Sep 4. 2015 09:27 AM)
    And predictable? Who expected the show to end with a mindfuck stream of consciousness episode that only hints at the action off screen and ends with a standing ovation on a stage?
  • Bam
    (Friday, Sep 4. 2015 08:42 AM)
    Evangelion had a plethora of issues. The budget was slim, last minute plot revisions made development a hell. The director Anno became clinically depressed and disinfatuated with the entirety of the industry, and the result was a refreshing unpredictable and glorious mess that moved millions of people.
  • Bam
    (Friday, Sep 4. 2015 08:35 AM)
    @jerkocaust: Eva was mad significant when it aired and remain relevant to this day. You can dislike Eva as much as you want, that doesn’t reduce its place in history or the legacy it left behind. The style influenced the industry and that is a fact way above either of our opinion.
  • Kevin
    (Friday, Sep 4. 2015 08:11 AM)
    Why do you losers keep talking like your opinions matter. Like you all think you’re professional critics or something?
  • jerkocaust
    (Friday, Sep 4. 2015 06:21 AM)
    and its not sure if it wants to be a mecha shonen with the shouty action, tsubdere, kuudere, while it pulls stupid wannabe seinen shit. So you have a story that acts like a 12 year old trying to buy alcohol with an obviously fake ID
  • jerkocaust
    (Friday, Sep 4. 2015 06:13 AM)
    What, when was eva relevant again? Both versions had bad static characters and a story that sounded like a 7th grader wrote it. Predictable at every turn and it thinks its sophisticated enough to half ass some religious symbolisms like it’s some deep story lr something lol what a joke
  • Bam
    (Friday, Sep 4. 2015 05:32 AM)
    [WARNING] incoming Eva rant inbound.
  • Bam
    (Friday, Sep 4. 2015 05:31 AM)
    @Kaiser: welcome to the light.
  • Kaiser Eoghan
    (Friday, Sep 4. 2015 01:58 AM)
    Yes you heard it here, Kaiser admitted to this. Fully watching the films I thought they were alright. And I even liked the direction the third film went and consider it the best thing to happen to the franchise. The plot felt more accessible and easier to follow. It feels more tight and compressed and benefits from animation upgrade. I still think Mari is pretty worthless though and as much as I still hate Asuka and Shinji, their more tolerable here.

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