Posted on 30 September 2009 with categories: Monthly Summaries

Looking back at the past six months, it’s definitely been an interesting Spring and Summer Season. There weren’t any instant-classics, but still a number of outstanding series. But what I especially like about this season is the huge amount of consistently good series: a lot of series delivered, and a huge share of them did so consistently with nearly every episode.

As for this month, I don’t think I’ve ever had this much trouble picking my monthly number one. While I’m pretty sure about my favourites of the past season at this point, this month showed so many series surpassing themselves in an awesome finale that I really had to take those into account as well. Seriously, all of my top-4 series this month are number-one material, which made choosing the order between them really difficult.

In any case, a sensational month: there were hardly any series that disappointed. With two or three exceptions, every series I watched this month delivered in one way or the other, even though I watched much more anime at the same time than that I usually do!

#29 (29) – Saki – (6,5/10) – The last month was by far my least favourite part of this series, everything was cliché and predictable and I was just hoping for it to finally end, my suspense of disbelief has been completely broken at this point.
#28 (30) – Zan Sayonara Zetsubou-Sensei – (7,25/10) – Thankfully this wasn’t the worst month for this series, and I have to admit that the caveman part was pretty funny. Overall though, Sayonara Zetsubou-Sensei stopped being funny for me a long time ago, and the third season just took too little risks in order to change this.
#27 (28) – Chi’s New Address – (7,5/10) – Granted, as dull as the series was, the finale did was nice enough. It was a bit cheesy, but nevertheless a good idea executed reasonably well. Apart from the ending itself though. Way too melodramatic and overacted.
#26 (24) – Bakemonogatari – (7,5/10) – Episode 12 finally came and properly animated the characters, instead of focusing on just about everything that wasn’t relevant. However, in exchange we also had to sit through the Snake-arc, which was probably the weakest of the entire series…
#25 (26) – Needless – (7,5/10) – The problem with Needless is that it spends too much time talking. Sure there is the obvious fanservice which often reaches the points of abysmal, but this is supposed to be an action series. Too often we see people in the middle of dull exposition about their next strategy. First of all, these dialogues are so mind-numbingly boring that they instantly freeze all opponents that are in the neighbourhood (no, seriously), and second of all these strategies are often so incredibly stupid that it takes a complete idiot to fall for them. But (and this is a big but) occasionally episodes arrive with a truly awesome animation direction (episode 13 for example). These sorts of episodes are awesome to watch and remind me why I still haven’t dropped this bloody show.
#24 (18) – Taishou Yakyuu Musume – (7,75/10) – Well, it was a nice finale. Nothing you wouldn’t expect, but it’s been good, clean fun with this series.
#23 (25) – Hetalia Axis Powers – (8/10) – Nice month for Hetalia. Finally another classic episode appeared with the Christmas episode. This series really is at its best when it pokes fun at cultural differences.
#22 (21) – The Melancholy of Haruhi Suzumiya – (8/10) – The two final episodes of Sigh really made up for the rather boring first three episodes. Episode four made a very good point, while episode five was just enjoyable to watch. All that’s left now is to wait or season three.
#21 (15) – Yoku Wakaru Gendai Mahou – (8/10) – It was a nice finale. It didn’t sacrifice the chemistry between the characters for the sake of building up to that dramatic climax, and the humour was at its best during the final month. I especially liked that brother: he’s a very refreshing only-male-in-moe-show.
#20 (27) – 07-Ghost – (8,25/10) – An exciting finale, because Ayanami for once actually DID something. It’s a shame, he really would have been an awesome villain if the creators actually used him better. Still, a great finish for a rather flawed series.
#19 (19) – Canaan – (8,25/10) – The final episodes of Canaan kicked ass. While Alphard’s end may have been a bit out of character, it definitely redeemed itself as a good action-show, with the cast turning out strong enough to make it more than just a show with pretty pictures.
#18 (22) – Basquash! – (8,25/10) – Great to see that this series is closing off with an enjoyable finale. Gorgeous production-values courtesy of Satelight thankfully didn’t make this series into a waste of time after the first eight episodes.
#17 (16) – Umi Monogatari – (8,25/10) – The finale was a really emotional one, and it worked pretty well. Especially the final episode worked great as an ending that had an emotional impact, yet stayed away from cheese. Definitely the best month for this series.
#16 (14) – Umineko no Naku Koro ni – (8,25/10) – The third arc promises to be even better than the first two. I love these series in which you have no idea what’s going on, and Umineko surely has no intentions to make trying to understand it a walk in the park. This month especially did well in portraying the hopelessness of trying to prove everything without magic. I’m really curious to see how the creators are planning to write themselves out of this one.
#15 (20) – Kuruneko – (8,25/10) – 2009 has really been an awesome year for short series with 5-minute episode. Kuruneko only gets wittier as time goes on and more cats come into the picture. There’s a lot of creativity put into this, despite its simplistic nature.
#14 (6) – Shangri-La – (8,5/10) – Not the best month for Shangri-la. I really liked it the best when it threw buckets of plot twists at the same time that made the setting even more intriguing. The finale instead was solid. Well-built up, although the ending itself was rather lazy. Nevertheless, it remains an excellent series for those who have a big suspense of disbelief.
#13 (7) – Cross Game – (8,5/10) – Really, the only thing about Cross Game that isn’t wonderfully consistent is the very small set of baseball matches that pop up once in a while. Aside from that, the slice of life is so delightfully enjoyable and witty. However, this month was a bit of a step back from previous months, simply because the creators have gotten a bit unsubtle with their hints that Kou and Aoba are into each other.
#12 (13) – Marie & Gali – (8,75/10) – I’m still amazed at how incredibly consistent this series is. Every single episode manages to be absolutely hilarious in the way that it takes simple scientific concepts and drives them to the absurd. It’s a series with an awesome sense of humour and a pool of creativity that still seems nowhere near exhausted at this point. Definitely my favourite comedy during the past half year.
#11 (2) – Kemono no Souja Erin – (8,75/10) – This series just keeps exploring its own borders, doesn’t it? This month may have been a bit of a step down from the previous one, but nevertheless that birth-scene was very impressive, and you can see that it’s still building up.
#10 (11) – Pandora Hearts – (8,75/10)

Pandora ended with an anime-original ending, but that didn’t prevent it from being really good. The story made sense in canon, it closed off with a bang and yet left enough open for a potential second season. It perhaps wasn’t the most intense month for this series, but it was all-around enjoyable, and I really hope for that second season to come.

#9 (4) – Aoi Hana – (8,75/10)

Aoi Hana closed off with a “life goes on”-finale, which was a perfect way to close off the series. It’s a shame that the Noise-timeslot disappeared, because its series have really been consistently awesome in what they did. Here’s to hoping that it’ll return for the Winter-season.

#8 (9) – Full Metal Alchemist – Brotherhood – (8,75/10)

Excellent month for Full Metal Alchemist. The action was very creative and well-written, and on top of that the plot twists just kept coming here. This has really turned into a no-nonsense series, which is so completely different in atmosphere compared to the first series.

#7 (8) – GA: Geijutsuka Art Design Class – (8,75/10)

This month yet again was a very consistent one for GA: it was consistently enjoyable, creative, unpredictable and fun to watch. It definitely stands out as one of the under-watched gems of the Summer Season.

#6 (5) – Spice and Wolf – (9/10)

Spice and Wolf closed off with a very strong finale, which really pushed the characters in a new direction. It’s been a series with drama that combines subtlety with conflict, and it really managed to surpass the first season for me.

#5 (10) – Guin Saga – (9/10)

An excellent finale for a series that has been so under-looked for the past season. The politics and action meshed really well, and just about everything developed. Now where the hell is that second season?

#4 (3) – Tokyo Magnitude 8.0 – (9/10)

The finale was very daring, and completely different from the relatively action-packed first half. Ultimately though, it gave a whole new dimension to this series and it closed off this series with a heart-wrenching finale. This is Noitamina at its finest.

#3 (1) – Phantom – (9/10)

Yeah, so what? I like endings with a twist and it’s not like that ending didn’t fit in the series. Phantom closed off with an excellent ending in my opinion. The finale did provide closure for the entire series, and yet it never abandoned the subtle storytelling that made the rest of the series into my favourite of the past half year. The final twist is definitely controversial one, but I liked it. It perfectly fitted the whole themes of the series.

#2 (17) – Konnichiwa Anne – (9/10)

And this is why I love the World Masterpiece Theatre. This series managed to pick itself back up magnificently this month, with a number of heart-wrenching episodes and a massive amount of character-development. These are things that absolutely no girl of Anne’s age has to go through.

#1 (12) – Shin Mazinger Shougeki! Z-Hen! – (9/10)

That finale was FUCKING EPIC! It knew exactly what it was: action and plot twists, and boy how it delivered on them. This exceeded all of my expectations and you know what, it had the best ending of the season. Now THIS is exactly what an action-series should be! It’s indeed a bit of a strange Top-2 I have this month, but I really wanted to reward these two series who have massively improved themselves since last month, compared to the more consistent #3, #4 and #5, even if I consider those three far superior when looking at their overall picture.

Posted on 28 September 2009 with categories: Top 10 Anime

My previous top 10 was rather badly written and mostly just a fanboy-fest, so I decided to rewrite it from scratch. Because everyone seemed to find it a better idea to just go with a top 20, here is my reworked top list of the 20 anime that I consider to be the best of the best.

Some notable series that didn’t make the list are Toward the Terra (great science fiction plot), Hi no Tori (excellently told remake of Osamu Tezuka’s classic), Mysterious Cities of Gold (old yet awesome children’s adventure) and le Chevalier d’Eon (excellent storytelling in 17th Century France).


#20: Now and Then, Here and There
I’d like to start of this top 20 with what is probably one of the darkest series about a bunch of kids in existence. Now and Then, Here and There isn’t afraid to touch upon what most series consider taboo to show the harsh realities of child abuse and extortion, and it does so magnificently. Its second half may be a bit less impressive than the first, but that first half is an amazingly written story about an at first sight very annoying young kid.


#19: Mushishi
Ever since I finished this series, I’ve kept looking for another series that would match the terrific execution of Mushishi, but it really does seem that it is one of a kind. Every episode shows a different yet deep story about the clash between humans and strange creatures called `Mushi`. There are many different episodic series out there in which the lead character travels around and meets different people with their own problems, but out of all of them I consider Mushishi to be the best. The storytelling is always poignant and yet natural, and it always has a serene atmosphere. There are a bunch of stories near the end that miss the mark a bit, and the quiet pacing is definitely not for those who want action, but this is still a series that very rightfully established itself as a classic.


#18: Figure 17 – Tsubasa & Hikaru
Figure 17 is another very slowly paced series: it really takes its time to slowly let its story evolve, but that really allowed an incredibly in-depth look at the two lead characters. The long and slow slice of life scenes also formed a stark contrast with the action scenes, which were dark and brutal, and put the protagonists against what probably are some of the smartest monsters out there. with a fantastic OP and soundtrack, Figure 17 took various risks and it will be boring to a lot of people, but for me it really worked.


#17: Kaze no Shoujo Emily
Lucy Maud Montgomary has been the most famous for her Anne of Green Gables, which is a very fine story as well, but in my opinion Emily of the New Moon (or Kaze no Shoujo Emily, as it’s called in Japanese) is even better. It may not be as realistic as Anne of Green Gables (but then again, Anne of Green Gables is one of the most realistic anime ever), but it creates a very engaging and heart-warming drama around its four lead characters, who all have their own talents and are struggling to develop them. It’s got these wonderful themes of working towards your dreams, but the best part of this series is its finale, in which the characters all grow up and you get to see exactly what remains of these dreams. It’s a deep and insightful shoujo-series, with a strong yet flawed female lead character Emily.


#16: Mouryou no Hako
Mouryou no Hako is quite possibly one of the smartest anime out there. As a mystery-horror series, it packs an amazingly creative back-story, but it’s really the execution that sets this series apart. With a huge focus on complex dialogues and monologues to flesh out the setting, story and everything around it, the creators were able to build up this series really well until the eventual climax, which ranks among my favourite endings. Obviously this isn’t a series for those who don’t like series with lots of talking. In fact, there are two particular episodes that consist out of nothing but a bunch of people sitting in a room and talking, which can really get on your nerves if you don’t have the patience for it.


#15: Strange Dawn
Fantasy is a popular genre in anime, but Strange Dawn sets itself apart from the others by subverting a ton of clichés and stereotypes that are associated with the genre. It’s got a very strong cast, and it puts a huge amount of detail in just about everything. The chibified characters may lead you to believe that this is going to be a light-hearted adventure, but make no mistake: this series is dark and mature. It’s perhaps a bit too dramatic at times, but it remains a riveting series that continuously plays with your emotions. The characters are incredibly well portrayed and acted, and especially the two lead characters are a joy to watch throughout the entire series.


#14: Les Miserables: Shoujo Cosette
Those who know this blog probably know that I’m a huge fan of the World Masterpiece Theatre. The way these series manage to flesh out and develop their characters is nearly unrivalled. the series that got me into this franchise was Les miserables, and IMO it’s also the best one I’ve seen so far. It starts out like a regular shoujo series about a cute girl that lost her parents, but slowly it turns to a small revolution in the 19th century France. With a huge cast of characters that complement each other extremely well, this ended up as an epic series. Fans of the book do need to get warned though. A lot made it past the censors, but there’s one particular twist that unfortunately didn’t make it. I think you can imagine which one it is, and I agree that it could have made this amazing series even better if it was included.


#13: Fantastic Children
Few people will have any clue about what the hell is going on during the first part of Fantastic Children, but its storyline soon grows into one of epic proportions. It provides a very imaginative setting and does a fantastic job in portraying its characters, who are all in the middle of it. With some of the most amazing plot twists out there, Fantastic Children always kept you guessing at what was going to happen next.


#12: Kaiba
Kaiba really was a show that was its time far ahead. Masaaki Yuasa in front of the direction gave this series an absolutely unique look, and the setting it played with was full of the most creative ideas. In fact, I can hardly remember any idea that wasn’t creative. The way you have no idea what’s going on, and how the story slowly unravels as you go along only makes it better. Kaiba is really an outstanding series in every way, aside from its ending perhaps, which does end up a bit rushed for such an otherwise excellent series.


#11: Bokura no
Bokura no is one of those series that took a huge gamble and went with a different story than the manga it was based on, which turned off a lot of manga-readers. However, from the perspective of someone who hasn’t read the manga, there really is a lot to like about this series. The premise of the whole series is dark and haunting, and the creators make optimal use of this when fleshing out the characters. The graphics are simple, but they fit the series extremely well, resulting in what is in my opinion Gonzo’s prettiest series. The way the plot develops is one that always keeps you guessing, and the series completely switches mood and themes every few episodes or so, while still remaining consistent as a whole. It’s a very varied and engaging series, that even though it apparently lost a bit of depth from the manga, still stands among my favourites.


#10: Birdy the Mighty Decode 2
I’m a HUGE fan of Kazuki Akane, the director. Time and time again, his distinct and powerful style of storytelling gets the utter best out of any premise, and he is my favourite director by far. At first, Birdy the Mighty Decode, a remake of an OVA from the nineties, didn’t seem up the same standard. The first season has a lot of flaws, and is even flat-out horrible for those who hate teenagers in anime. Still, the second season improves on it in every single way. It has a dark and mature storyline that is a joy to watch, from beginning to end. It has some of the best animated action-scenes I’ve seen, and at the same time it manages to flesh out the characters in subtle and believable ways, while also paying attention to bring the city it’s set in come to life, rather than making the characters act among a bunch of cardboard boxes.


#9: Shoujo Kakumei Utena
Well, what is there to say about Utena that hasn’t been said yet? It’s an absolute classic, that takes the concept of weirdness to a whole new level, and somehow makes it awesome. Just about everything in this series is symbolic, even the seemingly endlessly repeated frames that give a strange ritualistic feel to the series. With a rock-solid direction and incredibly deep characters that get explored almost non-stop, this is one of the most unique shoujo series out there and still stands strong as such more than ten years after it originally aired. Heck, I’m not sure whether to call it shoujo at times. It’s got so many different genres put in one, I’m hardly sure what exactly to classify it as.


#8: The Third: Aoi Hitomi no Shoujo
You might wonder why I still put The Third at such a high place in this list. While seemingly random at first, I still consider The Third to be the single best series at fleshing out a single character. Honoka still stands as one of my favourite characters ever, simply because she’s so down to earth, and yet incredibly versatile. This isn’t the series which made my favourites because of an incredibly complex story, or some incredibly emotional or exciting parts. Instead, it is an all around enjoyable series that really manages to bring its cast alive, portraying them as ordinary people rather than a bunch of stereotypes. This series knows when to be subtle, and when to pack a punch and I still gladly remember it, even though it’s been three years since I watched it.


#7: Haibane Renmei
It’s interesting: the more I think back to this series, the better it becomes. Haibane Renmei started off a bit slow, but it closed off with one of the strongest finales I have ever seen. It has both a very imaginative setting, and truly excels at its character-development. This incredibly in-depth look at its main characters is what sold this series for me, and in the end this turned out to be one of the most emotionally intensive series I have ever watched, despite its short length.


#6: Shion no Ou
Shion no Ou: THE series that showed that board games aren’t boring. This series has one of the most addictive pacings I have seen, which especially in its second half gets the best out of the characters. This is a series with a really creative animation director, who makes sure that just about every shot is unique and kicks ass. The Shougi matches in this series are also of the kind that just keep your attention, whether the outcome is predictable or not. At times, the series has a bit of trouble mixing its murder mystery correctly with the Shougi matches, but the end results definitely pay off, with the characters going through memorable changes, and the murder mystery getting enough time to finish with a great conclusion.


#5: .Hack//Sign
The past entries have probably made you suspect that I like a lot of series that take their time in telling their story. The epitome of this effect is of course .Hack//Sign. The pacing is incredibly slow, but it offers an deep and imaginative story in return. I especially like how they took the concept of MMORPGs, and focused on its essence: socializing, while leaving the endless grinding and random battles mostly for what they are. .Hack//Sign was the first anime I watched from fansubs, back when I discovered the wonders of the Internet, and in retrospect I couldn’t have chosen a better series to start with. Deep, philosophical, smart and unfortunately very slow for anyone without patience, I still consider this among my favourites.


#4: Simoun
Simoun: the single best character-study I have ever seen. There are these kinds of series that just can’t be classified in a genre, and Simoun is definitely one of them. It takes a lot of different directions as it explores the lives of the various characters in this series; every single one of them deep, imaginative and impactful. Just about every character in this series left a deep impression on me, and not just the main ones. The plot progression of this series is so incredibly fresh that I have seen nothing like it, even in the years after it there hasn’t been any series that tried to even come close to its brilliance.


#3: Vision of Escaflowne
While a lot of my favourites are slow-paced, my Top 3 consists out of fast-paced and action-packed series that combine fantasy with science-fiction in one way or the other, all linked to a main character that grew up in our “normal” world. It’s perhaps a bit of a formulaic concept because there are lot of series that simply abuse this premise in an uninspired fantasy-series, but these series show the amazing things that you can achieve when this concept is pulled off right. The Visions of Escaflowne is set in a rich and imaginative setting and it has a strong story that only gets better as it goes on. It’s a multi-layered epic with a great action and direction (courtesy of Kazuki Akane) and even though I watched this more than four years ago it still stands among my favourites.


#2: Noein – To Your Other Self
Noein is another series by Kazuki Akane, and out of all of his series this is the one that shows him at his best as a director. It’s got an absolutely unique art style that’s messy, yet very appealing to the eyes and with a selection of some of the most amazing action scenes. It explores issues as time travel, alternative dimensions and more personal ones as distance from the ones you care about. It’s got a cast of very appealing characters, who at the same time remain natural and feel like a couple of real teenagers. Although it does have its share of teenaged angst that might turn off a few people at times, and it also could have used a bit more consistency in its pacing, but with a great characterization and a fascinating plot, this series still stands among my favourites.


#1: Mahou Shoujotai
I guess a lot of people found it strange that this was my number one, especially after that awful fanboyish “review” I wrote about it in one of the early days of this site, but for me Mahou Shoujotai is the series that has made the most impact on me out of all of the series I’ve watched. It’s about a bunch of kids, and tends to be immature, but what I found so amazing about it is its direction and the experimental nature of the series. At the time, it was for as far as I know the first anime that recorded the voices before the animation process, and the neat thing is that you can actually see the creators improve and get better. In the same way, there are tons of ideas stuffed into this series in just about every aspect. The direction made sure to get the best out of the short 8-minute episodes and there were always very creative and immersing camera-angles present. The story explores traditions and customs, and the endless optimism of Alice really stroke a chord with me. But yeah, this endless optimism can get on people’s nerves. The characters in this series are diverse and endearing, but they can easily get on people’s nerves due to their strong beliefs and childish outlooks. Nevertheless, I consider it to be the best anime ever, and I really doubt that any series is going to come and take that place away. Although it would be awesome if I were wrong in this.

So that’s it.These are the 20 anime I consider best at this point. As it’s been a while since I posted my last top 10: what is your current top 10 (or 20, or whatever) Anime?

Posted on with categories: Konnichiwa Anne



I really like the World Masterpiece Theatre, but damn. There are times when it can be so goddamned cruel to its characters. It’s episodes like this that are heart-wrenching, simply because of what the characters have to go through. This was such a powerful episode, but oh my god… it was hard to watch Anne with the situation she’s been thrust in.

So Bert is dead. He left a considerable debt behind due to his drinking problem. Johanna’s parents are willing to pay this debt, take care of her and her four children. Only Anne is left out of the picture and has to be put into an freaking orphanage. Okay, so there turns out to be a guy who’s willing to take Anne in. Johanna is then forced to give Anne over to a TOTAL STRANGER, who’s going to take care of her, provided that she takes care of his children. These children turn out to be two pairs of twins, two older sisters, and another baby that’s about to be born. Suddenly Anne’s life with the Thomas Family is starting to look like a goddamned walk in the park. I knew that this was going to happen because of Anne of Green Gables, but damn. Seeing it actually animated only shows how many tasks are put to such a young girl… The only bright side at this point is that the father looks like a nice guy compared to what a bastard Bert was, however that brings us to another problem: this guy is also going to die, isn’t he?

On top of that, this episode definitively said goodbye to the Thomas family as well. In this episode, finally another reference to Elisa appeared. Seriously, I had totally forgotten about her, but she was the one who gave Anne a happy early childhood (see me talking about this for a character who only is 9 years old? How many others of Anne’s age have received this much depth already?)

Something tells me that the new family is going to be fine. It’s going to be exactly what this series is good at, only much worse than the Thomas Family (who finally grew up, dammit!). I guess that it’s here that Anne goes to school, and with that I have absolutely no idea whether that’s going to turn out all-right or not. It should prove to be great slice of life, provided that the creators can get the characters for Anne’s classmates right, instead of making them into a bunch of stereotypes. And hey, the creators can’t create a worse teacher than Henderson at this point, can they?
Rating: ** (Very hard to watch, but Excellent nonetheless)

Posted on with categories: Anime Reviews, Guin Saga



Guin Saga: epic fantasy done absolutely right. It’s based on a series of light novels, counting in at a whopping 130 volumes, and these 26 episodes animate the first 19 volumes of the story. It’s a terrific combination between classic fantasy and politics, Satelight did a great job in bringing the whole story to life.

There’s a lot of things at which this series stands out, among which is its absolutely HUGE cast of characters. Despite this size, a lot of them still manage to stand out as individuals, with their own roles, motives and purposes. it’s also no wonder that the story in this series is incredibly complex, successfully combining king-level politics together with small-scale battles and fights. A lot of the major characters go through quite a bit of development throughout the series, and especially the developments of Remus and Amnelis, who both start out as the most useless characters of the entire cast, is memorable.

As for the graphics, the story Guin Saga is so epic that you’d need the budget of a Hollywood movie in order to fully do it credit. Satelight obviously didn’t have this, but they definitely tried. Despite the limited budget, this series is full of eye-candy. The graphical designs in this series are absolutely amazing. The architecture and landscapes are incredibly imaginative, the character-designs make every single character unique, even the most insignificant ones that don’t have any dialogue (with the only exception those soldiers that always have their helmets on). On top of that it also has an amazing soundtrack to complement the epic atmosphere, with an OP and ED that I would rank among the best of the past half year.

But yeah, in order to make these amazing graphics possible, sacrifices had to be made. The animation is often jerky and rushed, but this series especially shows its weakest side during the battles between huge armies, which end up just as an onslaught of repeated frames and bad animation that fail to capture the grandeur of such large-scale battles. Thankfully, the creators realize this and as the show goes on they focus more and more on what they’re good at: short and sweet action-scenes, politics and character-development. And they do this really well.

I wouldn’t exactly recommend Guin Saga for those who are looking for just action. There’s Shin Mazinger for those people. Instead, the Guin Saga has a bit of everything: politics, action and character-development. If that sounds interesting to you, then by all means give this series a chance, because it’s one of the most epic shows to have come out in the past year along with the new Mazinger.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: Guin Saga



What an ending. Out of all of the shows that ended in the past weeks that still need a second season (which really are a lot), Guin Saga deserves it the most. This episode only made this series even more intriguing, but at the same time it’s also a bit disheartening that out of all those shows, no second season has been announced at all, apart from a small OVA for GA. I have this fear that in these times of economic crisis, only the series that sell really well end up getting their second season, and that really puts the Guin Saga at a disadvantage.

But yeah, in this episode we get the first real hint that the thing that possessed Remus isn’t going to be an entirely good thing for him. Sure, it made his testicles drop and gave him the much-needed courage, but there has to be a reason for the thing to have done this, and I doubt that it did this for Remus’ sake.

The fight between Istvan and Guin was also very intense. When this series animates one-on-one fights, they really kick ass, and the creators really manage to portray the sheer force of Guin’s strength. I was a bit afraid that Guin was going to remain in Parro after he saved Remus and Linda, but at this point it really looks like the second season, if it’s ever going to show up, is going to focus on him on his own, rather than as Remus and Linda’s bodyguard.

Overall, my top 3 of series that aired during the past spring season is at this point pretty much 1) Phantom 2) Shangri-La 3) Guin Saga, although there are still three strong series that still haven’t finished yet (Konnichiwa Anne, Full Metal Alchemist and Cross Game), and there is a chance that one of these is going to take over one of these places if they manage to finish with a really strong final part, but for now Guin Saga really stands among my favourites of the past half year. It really was nearly everything that epic fantasy should be, save from the large-scale battles.

The ED, which was played in its entirety in this episode, really deserves to stand among the greatest EDs that aired this past half year. The singer really has an amazing voice, and the whole song really complements the epic nature of this series.
Rating: ** (Excellent)

Posted on 27 September 2009 with categories: Anime Reviews



I’m not a big fan of moe, but that doesn’t mean that I don’t give these types of series a chance. I’ve been proven wrong often enough times about these types of shows, and there are plenty of series that may look overly chichéd and stereotypical on the outside, yet turn out to be surprising gems on the inside. I was hoping Saki to be the same, and for a while it indeed looked like this was the case, but in the end it unfortunately ended up too much stuck in its own clichés and stereotypes to really develop into something worthwhile.

There are just too many fundamental problems with this series. This series is about Mah-Jong. In preparation for this series, you can clearly see that the creators read through all of the rules of Mah-Jong, they looked up all of the major strategies that can be used to win, but on the other hand it also becomes so obvious that they’ve never actually sat down to play a game, in order to get the feeling of how a game normally progresses.

And so, the matches in this series aren’t decided by strategy, but instead by pure luck. Matches basically revolve around who can pull the biggest Deus ex Machina near the end of every match. These magical powers enable the characters to cheat in all sorts of ways, like becoming invisible, getting extra luck when the rounds are arranged in a particular way, and even blatantly giving all of your opponent crappy hands so that you can do whatever you please. The creators don’t even make use of this. The matches all end in the most predictable ways, with no attempt whatsoever to spice them up beyond their original set-up (which is just a courtesy of the manga it’s based on anyway).

This would have all been forgiven if the characters made up for it. Unfortunately, there too it ultimately disappoints. This series has about thirty named characters, and nearly all of them just end up being one-dimensional clichés and stereotypes, with the few attempts that are made to develop them being the most predictable and clichéd attempts ever, so that doesn’t really help either.

In the end, there are just three characters that actually resemble characters and don’t exist based on their exaggerated quirks, and those are just a bunch of minor side-characters. They definitely manage to spice up the series when they’re in the focus, but they’re just too overshadowed by the lead characters, Saki and Nodoka who form one of the most obvious lesbian pairings I have ever seen. There’s nothing subtle about their romance at all. It’s just a constant onslaught of blushing and strange looks when these two are near each other.

But by far the worst character in this series has to be the only boy in the entire series. This guy is so incredibly obnoxious that he makes every scene he’s in a pain to sit through. His endless fantasies about Nodoka’s bosom just get worse and worse as time goes by, and overall he remains an utterly pointless character. There’s no reason whatsoever to have him in this series!

I recently (read: half an hour ago) realized that this series is quite similar to Yoku Wakaru Gendai Mahou: both series start out with a flawed premise of lots and lots of moe, seemingly stereotypical characters, magic and huge boobs. And that’s all the more of a shame that YWGM did end up creating something enjoyable with a tongue-in-the-cheek execution and fun chemistry, while Saki kept hanging with a bland and unimaginative execution that always picks the most predictable option to go forward. With one of the most obnoxious soundtracks of the season (I’m not the biggest fan of J-Pop, and it’s music like that that’s exactly the reason why!), it fails to move beyond mediocrity.

Storytelling: 7/10
Characters: 7/10
Production-Values: 7/10
Setting: 7/10
Posted on with categories: Full Metal Alchemist - Brotherhood



Okay, I was wrong last episode: Envy didn’t die, his arm just disintegrated. Should have known. Anyway, this was a pretty exciting episode with a lot of interesting twists. Ed and Lin spend the entire episode inside Gluttony’s “stomach”, along with Envy, but apart from that a lot more interesting stuff went on.

But oh my god, Envy’s true form. I’m not sure who exactly came up with the designs for that… thing, but I can’t seem to think of anything that resembles it. It also turns out that he was the one who triggered the war in Ishbal, which means that the Humonculi actually tried to get rid of Ishbal once. What exactly didn’t they want the Ishbal’s to find out? Does it have to do with the research of Scar’s brother?

Hawkeye also turns out to get reassigned to be the Fuhrer’s assistant, which is a very risky move. If he wanted to use her to find out who’s helping her, he could have just assigned her to one of his allies, and have this ally report to him so that they can later systematically eliminate all of them. Why would he want to put himself at such a risk? Is he that confident that Hawkeye isn’t going to cause a problem for him, or is there more behind it?

And to think that the headquarters of the Humonculi lies right in the middle of Central City. it makes sense, with Bradley in control, it’s a great place to hide out. It also makes me wonder: before Bradley was created was there someone else playing Fuhher?
Rating: ** (Excellent)

Posted on with categories: Cross Game



I do hope that the second half of this series is going to introduce some sort of challenge for Kou, because with this episode, it’s already getting boring to watch these matches in which Kou and Azuma dominate the entire game. I tried to like this series’ baseball matches, but in the end it’s really something that Touch did much, much better.

Now that we’re at the halfway point, it’s about time for Kou and Aoba’s relationship to develop again. In this episode, they again dropped various hints that they’re into each other, including Aoba at last getting impressed by Kou’s pitching-work, but we’ve reached the point at which it’s beginning to get repetitive. We need some more conflict to spice things up.

This episode finally gave us a good look at what may look like two promising rivals, but the creators still need to put a lot of time in them to flesh them out properly. At the moment they’re nothing really special yet.
Rating: (Enjoyable)

Posted on with categories: Anime Reviews



The first season of Sayonara Zetsubou-Sensei was awesome. It had wit, and came across as a really fresh comedy-series. The second season also had a number of hilarious episodes, but at the same time lost its edge, became repetitive and turned stereotypical. Season three in its turn continued to sap away all creativity, turning it into a repetitive bore-fest. It’s the perfect example of why you shouldn’t milk out comedies.

At this point, Sayonara Zetsubou-Sensei has really exhausted all of its good jokes. The first season had me laughing nearly continuously, while your average episode in this season only managed to generate a chuckle out of me once or twice if it was lucky. Episodes are yet again divided into three chapters, each looking at a different type of social commentary, but most of them are just rehashes of some previous chapter, without really adding anything new. The ones that aren’t ripped off are about such a ridiculously obscure part of society that it’s hard to care about them.

The characters aren’t better off. On top of the fact that they still haven’t changed beyond their stereotypes, this season also gives a lot of them some sort of obnoxious catch-phrase that they tend to repeat in nearly every single episodes. There’s the psycho girl with her periods and commas that appear on the screen, the stalker girl with her “you were there? Always”, the foreign girl with her pantyshots, the hikkikomori with her fanservice and the fangirl with her fantasies. On top of that, every episode starts with a nonsensical audio story that just pointlessly goes on and on, and every episode ends with an even more obnoxious drawing game that already got old in the second season.

Granted, the better episodes of this series are near the end, and I have to agree that the cavemen part was pretty funny, but that in no way makes up for the rest of the series. If you’re interested in this series, watch up to episode 6 of the second season. Beyond that, it only gets worse. Still, at least the graphics in this series look as good as ever. The direction and character-designs make this series nice to look at (unlike that other Shaft-show, but more on that once it finishes), but in a season with so many other good comedies, this stands out as an incredibly repetitive series that was already milked out ages ago.

Storytelling: 6/10
Characters: 6/10
Production-Values: 8/10
Setting: 7/10
Posted on 26 September 2009 with categories: Anime Reviews



I love remakes! Believe it or not, but out of all adaptations, (ignoring the obvious recaps as Dragonball Kai, of course), these type of anime nearly always try to find ways to improve on their original series, resulting in some of the most amazing series. The same goes for the new Mazinger: this series knows exactly what it is: epic, mecha and action. And it has been by far my favourite action-series of the past half year.

Do NOT get fooled by the fact that this is based on a cheesy mecha series. The original Mazinger was the series that popularized the mecha genre, and it consisted (for as far as I can assume) out of a bunch of episodic stories in which the titular Mazinger would end up defeating some sort of monster that was set out to destroy the world. Let me say that the plot of the new Mazinger is NOTHING like this. It’s just taken the basic concept, characters, and did something totally different with it. The series is in no single way episodic, and it pays homage to the old series while delivering enough of its own ideas as well.

The creators put a lot of effort into fleshing out the past of this series, for as much impact as possible. They created a complex back-story around ancient Greek myths, science and betrayal. This really allows for a superb cast. Especially the half-male half-female Count Ashura has to be one of the most awesome villains in Giant Robot history, but the rest of the cast also truly shines.

But what really makes this series EPIC is the direction. The action is truly over the top, but for once they get it right and successfully mix it in with the more serious parts of the story. Every episode consistently delivers on the action, while also taking care of the plot, and it finds a really good combination between the two, so that they only strengthen each other. The creators really cleverly throw in all sorts of huge plot twists in the middle of the action in order to spice it up even more, with a number of truly awesome results.

True, this series does have the tendency to pull a lot of things out of its ass, but when you look at the big picture it all still makes sense. And besides, a lot of this is about secret back-up plans that the characters had reserved, which of course gets a bit boring if you have to go through all of them beforehand.

Overall, if you like over the top action you really should give this series a chance. It’s a series that knows exactly what it is, and it delivers as much epic action as possible with an awesome plot that always manages to pull a number of great plot twists. With an ending that I consider to be the single best of 2009 (no seriously, the final episodes in this series completely blew me away), this series exceeded all my expectations. This is a series on which you can always count to be epic.

Storytelling: 10/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
CHANGE USERNAME
Kaiser-Eoghan
*Embarassing
**Here
Kaiser-Eoghan
I also agree about complaints made about the mumbled dialogue when it does occur.
Kaiser-Eoghan
I think thin red line is a good thing to bring up hear as throughout much of Dunkirk I was thinking about how much more Mallick's film did for me, how I should have been re-watching that instead.
Kaiser-Eoghan
Yet at the same time I couldn't connect with it, it became repetitive, disjointed and the shots/Zimmer score towards the end were embaeassing.
Kaiser-Eoghan
There were definitely aspects to praise, to be fair there is no shortage of action, it eschews exposition and tries to visually immerse the viewer to make them feel as if they are present.
Lenlo
Im ready. Reflection comes on tomorrow, so heres hopin its worth it
Anonymous1279803
it was trash. just british propaganda
Vonter
I finished Tales of Berseria. And I'm conflicted. I really liked the story and the characters, essentially a Tales of were the story is told form the perspective of the villains. I also saw the episodes Ufotable made of the beginning of the game, and I want moar. It's was a waste as game, considering the archaic and dull game design. It mainly came up to buying time in regards to things to play.
KTravlos
I also watched it. I thought it was a great war film. Very intense and unrelenting, but still at points the images reminded me of Thin Red Line. My only quip was the end. The film did a great job in getting me to feel the hopelessness the soldiers felt. So great that the attempt at making a "happy" end was forced and fell flat. Beyond that I liked it.
Anonymous1279184
I already lost interest when I saw Inception which I didn't really like. My favorite Nolan movie will always be Memento.
Kaiser-Eoghan
Eh, saw Dunkirk, I think at this point I'm done with giving Nolan any more chances, this like his other works, I can appreciate them to some extent but come away honestly not giving a damn.
SuperMario
and this week's Sakura Quest is damn great as well... This backstory of Chitose and Kadota rocks
SuperMario
Just watching the 2nd episode of Gamers, It was actually pretty good. I can't believe they fleshing out that annoying hot guy into such a relatable guy.
Kaiser-Eoghan
I recall the extent of my interest in Linkin park in my early teens was strictly the breaking the habit video and that was it.
SuperMario
The frontman of Linkin Park commited suicide by hanging himself... sad news. Never been his fan but I feel sad nonetheless
AidanAK47
Actually forgot with all the impressions and whatnot but I do believe we said we would review the Castlevania Netflix series. Now that everything has calmed down I will see if I can do a write up next week.
AidanAK47
I was busy trying to discern whether the story had any point besides "Life is shit"
Kaiser-Eoghan
Again, while I enjoyed punpun, the excessive internal narration, when marathoned, I had to take a break.
Kaiser-Eoghan
Come to think of it, I don't even have a phone that does that, haven't bought a new one since 2004.
Kaiser-Eoghan
Ah, you see I could never force myself to browse/type/use the internet on a phone, too used to using a desktop exclusively for that.
AidanAK47
Oh bloody hell. Stupid phone autocorrect. Yeah I meant Punpun.
Kaiser-Eoghan
@Aidan: Read Freesia.
Kaiser-Eoghan
umi no onnanoko is probably the exact thing ninjarealist would be interested in.
Kaiser-Eoghan
*oyasumi punpun
I found it alot more accessible than nijigahara holograph. deded-demon-destruction while enjoyable, is beneath him. Solanin is probably his easiest work.
Kaiser-Eoghan
I assume you man oyasui punpun. Its been about five years since I read in, the final couple of volumes stay in my mind the most, all the stuff with him, the girl and his uncle also, I love Asano Inios art and the surreal elements but I got lost/bored somewhere in the middle and most of the other side characters and the cult thing I didn't really care about.
AidanAK47
Finished reading Goodnight Pumping. Really not sure on what to think of it. The story kept me reading but it just felt really empty.
Anonymous1276500
There are 2 Nyaa's now. This one is considered the 'real' one: https://nyaa.si
Kaiser-Eoghan
Looks like anirena is down for me. Although it looks like nyaa went back up as this: https://nyaa.pantsu.cat/
SuperMario
Aidan: Fate/Apocrypha, Made in Abyss, Kakegurui
Mario: Princess Principal, 18if, Youkoso
Lenlo: Touken Ranbu, The Reflection
Wooper: Ballroom, Shoukoku no Altair
Helghast: Re:Creators
SuperMario
Note: I'm deciding to take Classroom of the Elite as my third show to cover. So, for this season we are covering 11 shows.
Vonter
Just to end, it kind of shows than even if a story is predictable on where it is going. Characters can make up for that, if they're funny, interesting, and perhaps not agreeing all the time and having different agendas and points of view despite all sharing the same boat.
Vonter
Yet as a game Tales hasn't felt deep since Symphonia, (at least from the ones I've played). I'm wondering if it'll leave me wanting check the anime of Zestiria, since apparently Berseria is a prequel to that game. And many say the anime is better than the game. (I can see why).
Vonter
I also like the reused Tales beats from Phantasia and Berseria. It those have moments like when Lloyd was exiled and Cless had his village attacked. It has clear antagonists unlike Vesperia, and trying harder than the cartoony villains of Graces.
Vonter
I've been playing Tales of Berseria, and it seems to be the anti Tales of Graces. In which I'm caring about the story and characters, but the gameplay is a drag. This is the first time I've been autoplaying an JRPG. But unlike Gravity Rush 2, I'm not dropping it because I'm liking the interactions of these characters even if it gets, campy, overdramatic, or edgy.
Kaiser-Eoghan
I mean I watch anime and films subtitled but sometimes my reading speed can be slow if theres a lot of dialogue.
Kaiser-Eoghan
Eh, I do that sometimes, mostly to check for message updates or on occasion to read reviews of what I am watching or to download more/check downloads.
SuperMario
For instance, I watched Okja yesterday and I had to take 15', 20' minute break in between for snack, surfing webs and playing mobile games...
SuperMario
I watched Fanny and Alexander... don't really remember which version I watched thou. I think it's a TV version since it divides into 4 separate parts
SuperMario
@Kaiser: it just that... my attention span has shortened greatly and I just can't stay focus on movies over an hour mark. In cinema, it's alright since you can't move anywhere but now it's abig task to finish a 2 hour and a half movie for me
Kaiser-Eoghan
And is good enough to keep up the quality for that long.
Kaiser-Eoghan
I'll say this, for every medium, to me the length of something isn't so much the issue, if you have a writer good enough to keep something going for ages then the length shouldn't be an issue.
Kaiser-Eoghan
@Mario: If something goes over three hours I treat it as a miniseries and watch one hour or two a day.
Kaiser-Eoghan
@Mario: lol if you thought thats long, have you seen the extended versions of scenes from a marriage and fanny & alexander by Bergman? I can't wait to get my hands on the tv versions I hear they're completely different.
SuperMario
Okja is pretty entertaining with pointed social commentary. I don't really feel Tilda Swinton's double roles add up much but everything else is great. Bong has never disappointed me
SuperMario
@Kaiser: good luck with Satantango then. I guess now if I watch an 8-hour long film it would take me a whole week to finish it :/
Kaiser-Eoghan
Made in abyss and vatican keep staring at me. Although I'm not chancing them yet or anything else until I hear a bit more.
Kaiser-Eoghan
My once massive film backlog is nearly cleared. I can try watching stuff this season hopefully.
K-Off
Same boat here. For the first time in a long time I spent almost half the day catching up on all of my manga.
Kaiser-Eoghan
@Mario: I'll have two weeks leave, I will finally watch Satantango, all eight hours of that film.
AidanAK47
I did a double take when I saw this. One of these things is not like the other.... http://gematsu.com/2017/07/blazblue-cross-tag-battle-announced
SuperMario
Well, finally have a bit of precious free time to watch something else and I have too much things to watch. Castlevania, the final Kizumonogatari movie, live-action Okja and some books planned to read... I guess I'll go with Okja today
Ninja
Looking forward to that Dies review
Lenlo
Yaaay! Time to enjoy your blogging time
AidanAK47
And now we are up to date. Just need to finally get that Dies Irae Review posted.
Kaiser-Eoghan
Then again I'll watch almost every horror film I can, don't even mind the awful acting most have.
Kaiser-Eoghan
Pet cemetary was a guilty pleasure of mine when I was a teenager.
Kaiser-Eoghan
I don't know how I'd feel if I rewatched salems lot, although a positive is that it did have James Mason in it and it was done in that 70s style of slow burn horror that I love.
Kaiser-Eoghan
The IT film has aged horribly and thats one case where I would advocate a remake.
Kaiser-Eoghan
Stand by me was a perftly watchable coming of age film and it surprised me, seeing a non-horror King story.
Kaiser-Eoghan
Okay theres one way to settle this =P Lovecraft > all of them ;) I have actually enjoyed some King adaptations even though I know the Shining took liberties , I also enjoyed Carrie and Apt Pupil.
Lenlo
@Kaiser, please. Early King > Richard Matheson > Modern King. Kings early works were good.
Lenlo
@Aidan, its true that Monty was the mind behind the fights. Sad, but I think the other directors are starting to come into their own instead of trying to copy Monty.
Kaiser-Eoghan
But we all know Richard Matheson > King.
Kaiser-Eoghan
He did some collabs with Stephen King I believe.
Kaiser-Eoghan
Like the dead films he's trying to be thematic, although this one is clumsily put together, I kind of like how it hybridizes the 50s with 70s style exploitation, it has its moments.
Kaiser-Eoghan
hmmm the only non Dead trilogy film I've seen by Romero is the Crazies, feels like he's still finding his voice with it.
AidanAK47
@Lenlo, Part of the reason is that they started using better animation software. But despite that there was a downgrade in fight chorgraphy when Monty died. Though the story I find is getting better.
AidanAK47
@Kinseryu, I think it's ridiculous to everyone but there are those that choose to ignore it.
@Anon, That's a bit harsh. It is true that his later works never truly panned out but he did pretty much popularise the zombie apoc. Even if Day of the Triffids did it before him.
Lenlo
Every season RWBY gets just a little bit prettier. Rooster Teeth really does have some of the better 3D animation skills out there.
Anonymous1272531
goerge romero was a hack trying desperate to stay relevant.
Kinseryu
Tenshi3P... I thought it was just me that this show was just ridiculous by putting three ten years old girl that knows how to play electrical instruments. They are insulting the people who plays these. But good thing I found this site with your first impression. I laughed and I feel better. Lol.
SuperMario
@Kaiser: he passed away? damn. He was the Father of Zombie genre. So like him or hate him, he was influential to say the least. RIP.
Kaiser_Eoghan
...holy shit George A Romero died? Now I have to watch the rest of his films.
Kaiser_Eoghan
Rei Hiroe is really dicking around with black lagoon lately, he's still releasing wasted chapters, just like re:creators, the most recent chapter of black lagoon was a slog.
Kaiser_Eoghan
Maybe the conversation and lives of others could sort of count as espionage stories to an extent.
Kaiser_Eoghan
If you're interested in spy fiction, Spy who came in from the cold, most wanted man, Smiley's people, deadly affair and tinker tailor soldier spy are your best bet.
SuperMario
@Travlos (regarding yoir earlier comment): yeah, it hit me as well that most of regular readers have been here even longer than myself. So thanks for sticking around mates
SuperMario
@Travlos: playing catch up with both Re:Creators and Virgin Soul yesterday. Agreed that last week's Re:Creators was weak because it focused on the Creators (they're not good) but last episode was on par again. Virgin Soul, I loved that episode that the girls go bacl to Nina's hometown
SuperMario
@anon1272074: I still haven't had the time to watch Pripri yet (probably in few more hours), but you bet I'm looking forward to it
Anonymous1272074
Then again, James Bond does count as a spy. I meant not a realistic one.
Anonymous1272074
Princess Principal 2 was pretty good. Still more James Bond via little girls than spies, but this episode was more about intrigue and stuff than action.
Lenlo
Started catching up with Kakegurui. The OP is the sort of mind games I remember from Mob Psycho. Dunno what that means for the show, but I like it.
KTravlos
Quite happy with this week's RE:Creators. Blitz is cool, Aliceteria looked so scary. It washed out the taste of last week's episode.

Bahamut is going interesting places.
BTW. Speaking of spies from Princess Principal. I watch TURN. That is a good spy show.
KTravlos
I mean you see the use of those heavy revolvers as clubs in westerns. Mythbusters did a experiment, and being hit by one could kill you just fine. But in anime, I do not remember seeing it often
AidanAK47
Homura used Gun-kata in the fight against Mami in Rebellion. Can't think of anyone who exclusively uses it though. After all Gun-Kata is more or less a flashy art that has no real benefit.
Anonymous1270604
amazing!
Vonter
Is Gun Kata the fighting style of Noel Vermillion from BlazBlue? I suppose I'm mainly thinking about how guns are handled in fighting games. Where the shots are mainly concussive. I suppose those are mainly energy blasts.
Lenlo
Ranbu took a step in the right direction I feel. Used the morals of whether or not to change history and it focused in on one of its characters.
Lenlo
Final Fantasy has had some gun swords. Cant think of any with guns in melee though. There are some with gun-kata like cowboy bebop though
Vonter
Just for curiosity, have anyone watched an anime, movie or game that uses a gun as a melee weapon. Or one in which the gun is mainly concussive but still has impact?
Spike
18if ep2 was a bit wacky... main character seems to be off his rocker.
AidanAK47
Alright. Time to finally play catch up with those series I need to blog.
Kaiser-Eoghan
But at the same time acknowledging love for creativity is more important in the end than making a profit.
Kaiser-Eoghan
I think I was using death of artist/deceased artist as a term to suggest peoples careers in the area are too often killed before they get a chance.
Kaiser-Eoghan
Moreso also to save the guy the embarrassment of misinterpreting it so awkwardly.
Kaiser-Eoghan
@Puran: Nothing too extreme , moreso that the piece itself feels inappropriate/tainted to have up/leave around/submit. Ended up taking it down out of taste.
Puran
Did that change how you feel about your writing? I had a somewhat similar experience, where something I was writing was similar to a real situation some I knew was going through. After I found out I stopped writing it. Not sure why.
Kaiser-Eoghan
I wasn't all that close to either of them much but yeah, weird coincidence.
Kaiser-Eoghan
He thought I already knew the guy was dead.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
Its all okay now...but fuck that was was awkward.
Kaiser-Eoghan
....Oh jesus christ...oh christ this is a creepy creepy coincidence...I showed an acquaintance a bit of writing I did early, it mentions death of an artist, thing is I was writing something based on a conversation with my editor friend, turns out said acquaintance's artist friend died (who he knows that I've spoken to in the past) and he thought the piece I showed him was about the dead guy.
Kaiser-Eoghan
I believe I began visiting this site in 2008.
As for humanity has declined, I found it bizzare and darkly funny for a while but felt it ran dry in its second half and I kind of fell out of following it.
KTravlos
You know it hit me. I think I have been following this blog for a decade now, perhaps more. Cool that it is still around.
Lenlo
I do agree it had alot more western influence than eastern though
Lenlo
Eh nothing wrong with that I think. Astro boy was very much the same after all
AidanAK47
@Lenlo, I personally saw it as more of a Saturday morning cartoon than an anime.
Lenlo
@Masky, Heroman was a decent giant robot show. It looked and sounded good, though the acting was off in places. Alot of people panned it thinking it was the West invading the east when really it was trying to bridge that gap
SuperWooper
@Kaiser: Hey, Humanity Has Declined was great.
KTravlos
need not be

not

need to be
KTravlos
Masky it was not an issue of writing about politics. It is an issue of writing just about your preferred politics. A good political work need to be politicized if you understand what I mean.
Kaiser-Eoghan
...what the hell tsuki ga kirei was directed by Seiji Kishi? He was actually capable of making a good anime?
Masky
Anyhoo, lol. Haven't mentioned Jitsu wa watashi wa in long time, but I really find it hilarious that its only actually evil character's competence is just "they aren't a idiot" xD As in, they don't even seem that diabolically intelligent, they just don't get wrapped into hijinxs.
Masky
@KTravlos: Well, depends on your views. Some people think artists should have their work speak about politics and world instead of just good stories. I'm kinda neutral about that since while stories about nature of world can be great, most of them don't really teach anyone anything new or change anyone
Masky
Huh, another anime work with Stan Lee being involved? I wonder how well Heroman did
KTravlos
Yup. A mangaka that could had been another Urasaw imho is Kawaguchi Kaiji. I really like his art, and it evokes some of the elements that I love in Urasawa. He also has interesting stories. But I fear he has let his political and ideological prejudices get the better of him. Which is a pity. Definitely a missed chance.
Masky
Did Urasawa do that billy bat manga?
SuperMario
As for Urasawa, I mentioned here before but I read 20th Century Boys few months ago and the manga was a straight out masterpiece. Fillers, yes but they are still in service for the main plot. Although out of his work my favorite's still Monster
AidanAK47
Alright. Only one more. Though the two superhero shows won't air for another week. Seeing as one is reflectiona nd the other is that marvel kids show maybe we shouldn't bother covering them in the impressions.
SuperMario
@Amagi: agree with you on the Friday's anime (well, for me it's technically Saturday) but Kakegurui, Fate and Princess Principal are worth following as well
SuperMario
@Kaiser: if you're still deciding if you should check out the manga or novel then I say novel since it's the novel that was influential, not the manga
Kaiser-Eoghan
So based on that fantasy itch I had thought about Altair, but hesitated because it was labeled as a shounen action show.
Kaiser-Eoghan
There was a time where I was hugely into the shoujo fantasy/historical thing. I've actually been thinking of out of curiousity looking into some old obscure ovas such as Books of Y and Crystania.
Amagi
Man as much as I love the Friday's anime this time, and whenever Altair airs, but the rest of the working-week is weak as hell. At least now I will finally have more time for games, VNs and creative stuff I guess.
Kaiser-Eoghan
It was kind of nice to hear an announcer coming in before Genocidal organ started, mentioning that for a few months their cinema will be playing anime and Japanese films.
Kaiser-Eoghan
Surprised to see an anime reference Kafka and Katyn.
Kaiser-Eoghan
I have not yet checked out empire of corpses.
Kaiser-Eoghan
Now, I'll have to consider the manga or the novel as I heard some of the philosophical stuff got chopped. This was however a more successful and accessible film for me than Harmony.
Kaiser-Eoghan
Manglobe was always a bit mediocre when it came to animation and voice actor direction, but this wasn’t a bad film for them to go out on.
It lives up to its name, it gets quite visceral with the action that’s there, if you don’t like seeing child soldiers getting slaughtered there’s your warning, but I appreciated getting this kind of violence I want to see more of again in anime/manga.
Kaiser-Eoghan
I just got back from my local arthouse cinema, from watching a special screening of that anime film, Genocidal organ, this is the sort of thing where you do wish that it had more time to explore its thematics but they at least offer a good enough flavouring to a solid man on a mission scifi thriller.
Kaiser-Eoghan
Just to state I don't hate Urasawa's work, rather I find it sort of difficult , I could say the same about Asano Inio regarding oyasumi punpun.
KTravlos
Urasawa is supposed to be working on Master Keaton Remastered. But it seems to be on hiatus. A pity because I loved Master Keaton (I adore Monster)-in general I love this person's work.
Amagi
20thCB would be my favorite Urasawa I think but I can't imagine it as an adaption. Kinda want to know what Urasawa will do next. He already announced that he's working on a new series months ago.
Amagi
I am really looking forward to the Pluto anime. I wanted this one the most, there is a serious lack of good sci-fi anime out there.
Kaiser-Eoghan
...billy bat is....scattered and directionaless fro what I read but shows interesting historical scenarios.
Kaiser-Eoghan
Pluto was reasonably short, so this wasn't much of a problem.
Kaiser-Eoghan
And while from the film adaptations I could tell that the original manga for 20th century boys likely had a very good storyline , I couldn't get through the manga.
Kaiser-Eoghan
Despite watching monster a few times I feel I've missed or forgotten things about it, largely because although I understand its importance and did like it, its length and pace always made me watch it on and off with gaps in between.
Kaiser-Eoghan
I was surprised by how attached I got to Grimmer.
Kaiser-Eoghan
Monster is a good example of slow burn tension done right and has one of the most memorable villains out there. Though it isn't without its fillers.
Lenlo
You want a mystery, I heartily recommend Monster.
Kaiser-Eoghan
And I also sometimes write impressions/reviews in my spare time, its hard.
Kaiser-Eoghan
Although the first season probably did have just that bit better atmosphere.
Kaiser-Eoghan
I think I may have been one of the few who enjoyed true detective season 2 as much as the first however.
Kaiser-Eoghan
I'm not sure anymore if I'm entirely happy or not with having less time now , yes I can see the frustration, but at the same time it stops me from filling in dead moments with terrible shows/films when there ends up being literally nothing else to do.
Kaiser-Eoghan
Then again I can only enjoy a select crime/mystery things .
Kaiser-Eoghan
It would take a very good writer to make case of the week episodes work, a mystery wrapped up in one or two episodes can just stop it from unfolding naturally or organically.
Kaiser-Eoghan
As I've probably mentioned a few times, I pretty much go by what I'm told to watch and not watch , mostly to play it safe.
Amagi
@Aidan: Same here. If the supernatural feeling is part of a series it's better if it's rather just hinted at to retain the aura of mystery but that the actual cases are just involving "normal" crimes that get resolved by detective work. Something like True Detective or Name of the Rose.
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