Posted by psgels on 14 September 2009 with categories: Anime Reviews, Shangri-La



Well, this is going to be my hardest review to write this season: explaining why the heck I considered Shangri-La among my favourites for the past half year. Even though there is a lot to dislike this series for, it’s really a series that proves to be very solid entertainment for those willing to suspend their disbelief.

I think it’s best explained as follows: imagine a series with a straightforward story, a simple and small cast and a slow pacing. Now imagine a series with a huge setting, a large and diverse cast of characters who all have their own motives and stance, a multi-layered story with a fast pacing that delivers buckets of plot twists each episode. Now, which of these two is likely to have more plotholes? And which one is probably going to be more exciting?

That’s basically the thing with Shangri-La. Granted, throughout the series Kuniko does a number of things that are rather hard to suspend your disbelief at (including breaking the laws of physics), and plotholes are also pretty common for those who pay attention. But at the same time, it had just about everything I look for in an anime.

The concept of Carbon Trading might seem weird at first, but it’s a pretty neat idea for this series to work with, and the setting that this series built around this concept is rich and imaginative. There are lots of different parties with all different priorities, morals and values, and the same goes for the cast: there are a lot of characters, and yet there are hardly two characters with the same outlook on life: everyone feels like an individual, and is interesting to watch and develop. My personal favourite was Karin, who gets the most development in this series.

My favourite part of this series was the plot, though. Throughout the majority of the series, you’re never going to know what to expect. Especially a good portion of the middle part of this series is features an truly excellent mystery plot, in which every revelation only makes the setting even more intriguing than it already was. Every character has so his or her own secrets, that together form a multi-layered storyline that just keeps delivering.

Unfortunately, this series plays the “lazy”-card right at its ending, which is without a doubt rushed. I’m not sure why there are only 24 episodes for this series because it definitely could have used two more episodes to wrap up the story better. The story right now just wants a happy ending a little too badly, even though it has to use lots of deus ex machina to get there. A shame.

The visuals for this series are an interesting beast. They range from rushed to absolutely gorgeous. Especially the first couple of episodes suffer from a collection of rushed shots and drawings, but at the same time some episodes feature the single most visually pleasing shots that I have seen for the past half year. The animation also picks itself up very nicely in the second half, and delivers some really good use of CG and shading to make this a very aesthetically pleasing series. The soundtrack of this series is also among my three favourite soundtracks of the past half year (with the other two belonging to Phantom and the Guin Saga).

So yes, you’re going to have to bring a cup of suspense of disbelief when you want to watch this series, and if you’re not trying to turn over every stone in search of a flaw you’ll be rewarded by a great story with a great setting that always manages to bring something new to the table, instead of dragging at the same point over and over. It’s a fun and diverse series, but I can understand why many hate the plotholes with passion.

Storytelling: 9/10
Characters: 8/10
Production-Values: 9/10
Setting: 9/10

19 Responses

  1. Meep says:

    I’ve waiting for this review since last night, and I’m pretty satisfied with your review. You really enjoyed the series while acknowleding its many weaknesses, something I wish I could have done for Shangri-La.

    You made me appreciate the characters more. You’re right, none of them are exactly alike, and they’re certainly not like characters I’ve seen anywhere else (except Ryoko and Kuniko). In fact, they’re all VERY different, and some of their quirks make them special stand-out characters…definitely memorable.

    My hard time with Shangri-La was suspending my disbelief. I’ve watched a lot of fantasy anime where I’ve managed to get over that, and get sucked into the world the characters live in. But with Shangri-La, it just wasn’t happening.

    Before this turns into another rant, I just wanna say awesome job on your review. =] As always.

    ~Meep

  2. supertauren says:

    The thing about this series is it has most of the elements that I absolutely hate about anime in it. You know, the little kid somehow beating up an adult or the little kid somehow being smarter than all the adults. It’s bullshit, and I hate it. Also, as you pointed out, lots of things in this series just defy common sense and scientific knowledge.

    However, this show obviously isn’t trying to be smart or realistic I think. Once you accept that, this show is pretty enjoyable. I marathoned most of the episodes after reading a few of your reviews for some of the episodes and I’m glad I did because I enjoyed watching this series. Sure there are flaws but it’s entertainment and I was definitely entertained watching this series.

    Maybe it was just the absolutely ridiculousness of this show that made it so entertaining for me. I mean if you just think about the cast it sounds interesting. A boomerang wielding girl, a tranny, greedy genius lolicon, uptight what what in the butt soldiers, crazy evil super computer villain, etc.

    Oh well, I’m sure there are a lot of people that will hate this show and it’s really understandable because there is a lot to hate about this show. But then again, there’s a lot to hate about Picasso, he painted shit, but people still love him and his work.

  3. RE says:

    Storytelling: 7/10
    Characters: 6/10
    Production-Values: 4/10
    Setting: 7/10

    Without Mikuni, this is nothing!

  4. blah says:

    Crap series -> crap ending. How could people expect anything different?

  5. Rex says:

    I will just make this short even though i could write pages about it:

    Shangri-La was an OK series. not good, but not bad either. The setting, the premise, the plot, the characters all felt fresh and interesting. But it had a horrible execution and direction, and was only saved because of the aforementioned positive points.
    This series could EASILY have been a fantastic anime had it been made with a bigger budget or an entirely different team altogether. Had it been made with the same amount of quality as Gonzo’s previous work like “Last Exile”, woah! Just thinking about it makes me dislike Shangri-La even more as it is now.
    But still, it was alright.

  6. skchai says:

    The plotholes come almost entirely from trying to cram a very complex, not-so-light (nearly 600 page) science fiction novel into 25 episodes. So the Atlas, Metalage/Nagiko, Digma stories are told in such a perfunctory way that you can never quite figure out what happened, much less get drawn into them. The numerous deux ex machina similarly having to bring story arcs to conclusion fast without all the development of the novel.

    Gonzo had a lot of balls going for a self-financed science fictioner when it’s on the brink of bankruptcy. moreover one that lacks the usual surefire anime tropes and tackles complex subjects like carbon trading. On top of this, or to compensate for this, they splurged on Range Murata character designs. But the execution was uneven – not horrible, but bad enough at times to doom whatever chance the show had of commercial success. The crucial first five episodes, which had to draw in a not-ready-made audience, including some of most poorly animated of the entire series, and unfortunately Kuniko and her fellow female characters suffered the most from this, often coming across as boxy and crudely drawn. So much for the otaku market.

    Given the resources (and the future of a company) invested in it, Shangri-La must go down in history as one of the most epic commercial failures in TV anime history. The R2 DVD #1 sold a pathetic

  7. skchai says:

    Oop’s now I realized I enclosed the last part in tags (please delete the repeat posts, sorry):

    Given the resources (and the future of a company) invested in it, Shangri-La must go down in history as one of the most epic commercial failures in TV anime history. The R2 DVD 1 sold a pathetic several hundred its first week, and I just hope this is not Gonzo’s death knell. Saki was the hit of the season but it was a piecework contract with Kadokawa, so Gonzo won’t reap much of the profits. I know a lot of people enjoy bashing on Gonzo, but it is one of the few studios that seems to enjoy taking chances on risky non-genre material (albeit balancing it off with its share of service-oriented shows). I’m afraid that the lesson of this season will be to stick to genre and avoid any complicated.

  8. chounokoe says:

    I must say I nearly completely agree with you on Shangri La, now I could finally finish it after escaping the terror of 56k Internet.
    Nearly, because I liked the final episode very much, because it was so heaviliy Japanese in many terms that it just made my student-heart jump.

    In the end it is sad, that a series like Shangri La, which really tried something different (on todays standards of anime), failed so heavily on a commercial base. I can also only hope Gonzo will not go down with this one, because after this series I have hopes to see something interesting from them again in the future.

    I understand how many people can have issues with this series, because sometimes it just draws on so many strings (Japaneseness, ridiculing clichés, etc.) that you just have to know some stuff to really get what they are trying to imply.
    They had time issues and they had financial issues, but I loved the series and I’m glad there’s someone out there who likes it too.

  9. Solaris says:

    I don’t know what to say about Shangri La. Did i like it or not? At first i liked it, but i must say there are issues here!
    The complex story and the beautiful scenery are indeed a win, but something wasn’t all right.
    Some comments cleared up my mind better.
    Too many deux ex machina and clichees hindered this show’s success.
    I mean, why the hell it takes a bunch of little girls to save the world, handle supercomputers or being powerful expers?
    Why the third AAA character, the only one who could at least balance the man’s pride in this show, was left so much out of the story? Indeed the cast semmed to have been written by feminists: females chars are the only righteous, in the good or in the bad, despite men are all flawed chars, they’re at least traitors or weak, if not puppets in the hands of some leading girl. Aww too bad.
    Anyhow, despite the many flaws i liked this anime and am going to rewatch the entire show for better understanding.

  10. Robhiengler says:

    There is suspending disbelief then there is bullshitting straight off the bat. What I most dislike is the utter pretentiousness and callous disregard for anything factual in the entire series i.e. scientific, mythology, historical.

    Condensing the entire 536 page novel into 24 episodes wasn’t the reason for the major plotholes – the source material itself is responsible as well as the fact that most of the episodes were spent doing nothing, not even developing the characters or filling in the setting.

    This resulted in the story-telling itself “rambling”: the characters being undeveloped and paper-thin as well as their motivations. In fact by the end of it several main characters were utterly superfluous to the story.

    The only redeeming feature was reasonable backgrounds and premise of a dystopian global-warming future.

    Storytelling: 1/10
    Characters: 2/10
    Production-Values: 7/10
    Setting: 5/10

    Note to self: pay more attention to comments under review.

  11. chounokoe says:

    While everyone’s personal opinion is valid and all that, I have to disagree with some of your points there.

    While I can’t say anything about the scientific accuracy of the plot, because I have no actuall interest in that to be honest, there is nothing wrong in using certain mythological items and interpreting them in a new way…or is there?
    Mythological characters, places and items are nothing more than images, which represent certain factors and stances…and this is exactly what Shangri La used them for.

    I would assume you read the source novel if you say it is ridden with plotholes, too, were it not for the fact that you already got the pages wrong (it’s 592 pages…at least in my version).
    You should not really try comparing the finale of the novel and the anime. For anyone who is interested, the basic premise of the novel-finale is as follows:

    —–Spoiler for source-novel—–

    Kuniko is ordered by Zeus’ voice to find the holy items of Japan (sword, mirror and jewel) and learns, that she was created to become one of the possible future emperor’s of Japan.
    In the end she encounters Nagiko in the central controlroom of Atlas, where Nagiko reveals herself to be one of the last people of the Yamato-clan and that she originally started the Atlas project under a different name.
    It was planned to become the new Ame no Mihashira (The pillar of heaven) and to connect the land back to the gods. Kuniko herself is a clone of the Jimmu Tennô, the first emperor of Japan and grandson of Amaterasu. The mummy of that emperor lies at the center of the old palace, on the deepest floor of Atlas (there is no Himiko in the novel). Tarshan gave that plan codenames, for example Ame no Mihashira became Atlas.

    Nagiko summons the spirit of Jimmu from the mainframe of Zeus (through which it controlled Atlas), the mummy revives and announces his plan to destroy Japan, save a small ammount of worthy people with Atlas and form a new homeland, with the 4th holy item, the Amenonuboko (the heavenly spear), which is described as a plasma weapon.

    In the end Hiruko destroys the mummy of Jimmu and takes his spirit into his vessel, to claim his place as a god which was taken from him by birth. But Kuniko and Mikuni destroy him with Ame no Nuboko.

    ————–

    The whole plot is quite different to that of the anime from the point where Miiko enters the service of Mikuni.
    But still I liked the anime’s plot quite a lot, the only thing that lacked was a really consistent finale, because Ryouko was just never meant to be Zeus in the first place.
    I do not exactly understand what exactly your problem with the characters was, as I would not call them paper-thin.

    It’s of course up to you, to like or dislike certain anime…but at certain points you make things out to be a weakpoint, when it is just personal opinion.

  12. Robhiengler says:

    chounokoe WHICH POINTS HAVE I MADE THAT ARE WEAK?

    You cannot make that claim then not back it up!

    I would also refer you to my posts UNDER EPISODE 20-24 regarding weakness of characters.

    Well you’ll have to take it from me that the science and economics are utter bullshit, please read every episode post as I have gone into detail. Its just LAZINESS on the part of the writers.
    ———————————————–

    chounokoe/SHANGRI-LA WEAK POINT 1
    First of all Izanagi and Izanami decended FROM heaven via Amenoukihashi (“Floating Bridge of Heaven”).

    The pillar called Amenomihashira was created as part of a ritual so they can mate: it has nothing to do with connecting earth and heaven. So Shangri-La and you AREN’T REINTERPRETING mythology, you got it completely utterly wrong. It’s very basic immutable concepts we are talking about.

    ———————————————–

    chounokoe/SHANGRI-LA WEAK POINT 2

    Emperor Jimmu – First of all his misasagi, or tomb, can be found in Kashihara in Nara prefecture, a short distance from Kashihara Shrine NOT FUCKING CENTRAL TOKYO! Again bare-faced bullshit from Shangri-La. Secondly I doubt he is a mummy. Thirdly you cannot clone women from Male DNA and Vice-versa. Fourthly Jimmu was never a god, perhaps divinely decended but not a god. Don’t they teach you history in Japan?

    ———————————————–

    chounokoe/SHANGRI-LA WEAK POINT 3

    Amenonuboko (the heavenly spear) is not part of the Three Sacred Treasures of Japan and have nothing to do with the enthronement ceremony. They are meant to represent sun, moon and STARS (not wind) or Power, knowledge and wealth. In addition a PLASMA weapon – this is meant to be a DIVINE MAGICAL WEAPON which created the first land in Japan not a scifi toy.

    ———————————————–

    chounokoe/SHANGRI-LA WEAK POINT 4

    Greek References have nothing to do with their Mythological counterparts.

    Zeus – Head God of olympus, but NOT all powerful or all knowing certainly he doesn’t rule the sea or the underworld ever hear of Posiedon & Hades? – how is this related to a DNA computer? What is the symbolism here?

    Atlas – was a primordial Titan who HELD UP the heavens NOT CONNECTED them to earth. Also in this case the tower is more suitably represent the Hakko-Ichiu Monument as mentioned in the anime it was built to rule the world essentially in racial imperialistic terms.

    MEDUSA – a chthonic female monster called a gorgon with snakes for hair. The program was a snake? or not but that’s where the similarities end. Did it represent feminine rage or male castration? – no. Turn anything to stone? – no. It would have been better to call it HYDRA or PYTHON.

    ———————————————–

    SHANGRI-LA OTHER WEAK POINTS

    See Comments under episode 24

    So what’s the DANGER of HACK & SLASHING Mythology – it profoundly distorts any understanding or appreciation of the rich cultural heritage of nations and in this case it was used at the most trivial and superficial level to make it appear that the plot was deeper and more profound than it actually is. My point is have some decency to do it properly and not RAPE and disregard the source material to suit your plot – its not clever and quite frankly insults the intelligence.

  13. chounokoe says:

    So yes, you mainly answered my question about you, wether you like interpretations or not…you just don’t.
    Well that is you’re opinion, but bending the rules of a mythological item does not make it a false representation. It is merely taking it’s symbolic meaning and transferring it to another object, using the name, which calls upon a certain image or convention in the reader’s/viewer’s mind.

    So I also assume you really have not read the source material and preferred to stay silent about it.

    About weakpoint 1:
    Ame no Mihashira, as the name implies, was a pillar erected on the first island, which was meant to symbolize the connection between the new homeland and the heavens from which Izanami and Izanagi descended.
    This is merely an interpretation of the pillars function within the creation myth, as it was a pivotal object in the creation of Japan.

    About weakpoint 2:
    We are not talking about the human (or humans) who was later fabricated into the representation of the Jimmu Tennô.
    Shangri La refers to the mythical figure in the Kôjiki or Nihonshôki. He was a descendant of the sun goddess Amaterasu and by her command became the first emperor of Japan. She bestowed upon him the three treasures (the sword to conquer, the jewel to symbolize and the mirror to see her image in himself) and he claimed the throne of Japan, as the link between gods and humans.
    It is assumed that an emperor like that (even without the mythical part) never existed, but that he was fabricated, a collective persona of the first rulers of Japan.

    About weakpoint 3:
    Of course Ame no Nuboko is NOT a mythical treasure, that is the whole point.
    The spear was never mentioned again in mythological records, but in Shangri La’s plot it was left on earth to the clan of Yamato.
    In the creation myth it was that spear which stired up the Japanese ocean and the droplets from it’s tip formed the Japanese islands. In the novel this is an ancient interpretation of a device to reform matter.

    About weak point 4:
    It is not about 1:1 direct compatibility, but about the basic universal concepts that those items represent.
    For example Zeus was a descendant of the first gods, who was made out to rule over humanity, while not being one himself. This category can be translated unto the function of the Jimmu Tennô in mythological records.

    The Atlas who is referred to mostly was (in Greek mythology) a titan who had to keep the heavenly sphere and the earthly sphere from touching, so that Gaia and Ouranos did not return to the mass of chaos.
    Ame no Mihashira was a pillar that represented the connection of the land and the heavens, but also the fact that those two were not one.

    Medusa has several interpretations. I think the one that Ikegami was aiming for was that Medusa angered the god by aspiring to be as beautiful (and thus powerful) as them and was turned into her monstrous shape as punishment.
    Karin tried to break into the divine realm without actually having knowledge about it, but was punished anyway.

    ——

    My point is, that you should maybe think about the function of certain mythological conventions and beliefs some more. It is not about representing them without change, it is about staying true to their basic meaning.
    Cultural heritage should not be considered a solid object, but a mass which can be reformed and used both in a classical as in a modern sense. If we are not able to do that, then Campbell is actually right and myths ARE doomed to vanish completely.

    If you of course only LIKE the classical approach, then that is up to you alone, but you should really stay open towards the potential of literature and media as it can open some really interesting views.

  14. Robhiengler says:

    Actually I’m fine with reinterpretations or even referencing.
    Let me see Gilgamesh for instance, Ragnarok, Dragon Ball Z, Heroic Age or Souten Kouro.

    The difference is they didn’t slaughter the source material or pretend it to be something it wasn’t did they you ignorant fuck. So do I mind re-interpretations NO? Do I mind shit stories with no regard for the source material they RAPE – yes! That isn’t staying TRUE to the basic meaning is IT now?

    Are YOU a twat who actually doesn’t answer my questions regarding the anime series then makes a defence saying you have to read the LIGHT NOVEL as a pretense to be pseudo-intellectual and actually know anything about mythology – I guess so.

    Is the Novel available IN ENGLISH? If it is provide me a link; that’s why I asked YOU the questions about it. IN ADDITION, MY criticism is mainly of the ANIME or are YOU THAT DENSE!?

    What you’ve just pointed out “BENDING THE RULES” just means you agree they’ve assigned a completely different meaning or symbolism from the original so your statement:

    “certain image or convention in the reader’s/viewer’s mind.”

    IS UTTERLY FALSE! The symbolism has utterly changed or been fabricated.

    For example:

    ———————————————–

    About weakpoint 2:

    The three items were given by Amaterasu to her grand-son Ninigi-no-Mikoto the person in question. I am familiar with the story; more so than you. Ninigi’s his line are cursed with mortality as he rejects Iwa-Naga-Hime, therefore Jimmu was a never god and could never be a god.

    SOURCE: Kojiki 1:41
    http://www.sacred-texts.com/shi/kj/kj044.htm

    Again you also fail to address the point OF THE CRITICISM that Emperor Jimmu’s tomb IS NOT IN TOKYO! Considering this story is meant to take place in a dystopoian future based in this reality!

    ———————————————–

    About weakpoint 3:
    Ancient device to reform matter now is it. I thought it was PLASMA Spear as YOU SAID. So is it science or is occult/magic? It can’t be both. In addition the spear has nothing to do with the concept of divine right to rule. Therefore symbolically is meaningless as japan already exists. Again FAILED to address the POINT!

    ———————————————–

    About weak point 4:
    Actually you’ll find that Zeus wasn’t MADE to rule humanity at all. Again this SHOWS YOUR UTTER LACK OF KNOWLEDGE. Zeus overthrew the Titans and seized power. Zeus shared the world with his elder brothers, Poseidon and Hades, by drawing lots: Zeus got the sky and air, Poseidon the waters, and Hades the world of the dead (the underworld). Zeus had to also fight creatures Gaia created Typhon and Echidna: so his rule was NOT destined or by divine right either.

    Wasn’t Jimmu Tennô given the divine right to rule Japan ALONE – huge difference. See your comparisons are utterly superficial.

    ATLAS: he was there to HOLD Gaia and Ouranus APART not connect them as his punishment. You do realise that Gaia and Ouranus are primordial deities and as such do not relate to the concept of heaven and earth as in Japanese mythology!? Ever hear of Elysium and Tartarus (Heaven and Hell)? The Gods as well reside in Olympus not YOURANUS.

    MEDUSA: I’m sorry in what way was the program MEDUSA trying to be beautiful? Now you’re grasping at straws here. Karin was trying to break into the divine realm how exactly, in so far as making money?

    ———————————————–

    WEAKPOINT 1

    Ame-no-Mihashira Again you are trying to change your argument. First it was meant to bridge heaven and earth. Now its a symbol of a symbolic connection? Actually I’ll think you’ll find the symbolism that the pillar represents is that “its the centre of the world”: the cosmic axis, which is all the anime got right with regards to ley-lines. It certainly doesn’t have anything to do with connecting heaven and earth as you claim.

    Oh I read a lot of literature perhaps you should actually do some reading yourself as you clearly have a utter disregard for science, mythology or history. Maybe look up R.E. Howard and I.P. Lovecraft as examples of how to create a Mythos from pre-existing ideas without raping the source material.

    Additionally Joseph Campbell never said take mythology and rape it at a superficial level so it utterly fails to resemble the original material.

    When did he ever say that “Myths ARE doomed to vanish completely?” Provide your source: That sounds like an outright LIE you’ve provided.

    Joseph Campbell did claim:

    “modern society lacks the stability it previously derived from being educated in the mythology and legends of the Greek and Roman classics”

    and

    there is no effective mythology in modern society by which individuals can relate to their role in the world

    Comments about society, nothing about Myths dying out. Let’s face it with the number of fantasy films its hardly going to happen. Shangri-La for me is the equivalent of the Twilight series – raping a pre-existent mythos and facts so it barely resembles the original source material i.e. utter rubbish.

    Sounds like you’re living in the myth chounokoe that Shangri-La is actually a good piece of literature and not toilet paper.

  15. chounokoe says:

    The fact that you took the liberty of being insulting shows that you’re not exactly what one could call a reasonable partner in a discussion…so I’ll just make it short.

    2: Yes I actually forgot it was Ninigi whom Amaterasu gave the items to. So they were just inherited by Jimmu.
    Yet the fact that his actual tomb is not in Tokyo, the same goes for Himiko in the anime, may be a historical inaccuracy but it is questionable if the tomb that is regarded as Jimmu’s grave today is actually the resting place of that mythical person who is referred to in the Kojiki.

    3: Why can’t it be both? It is quite possible to explain ancient myths as a simple explanation of more complicated scientific principles.
    The spear is supposed to be used to reform matter through a plasma beam (don’t know in how far that is techno-babble or actually possible), so it is not about creating Japan, but about recreating Japan. That plot was widely dropped in the anime, which was a bit sad, because the reason for Ame no Nuboko to be there became nonexistent.
    In the novel Nagiko wanted to give the rule back to the ancient tribe of Yamato, by forming a new Japan and channeling Jimmu’s spirit into Kuniko, who was to become the new emperor.

    4. I’ll admit that my knowledge of Greek mythology is rather rudimentary, so I don’t know every aspect of it.
    Japanese mythology also proves much more difficult, so it is obvious that some corners have to be cut. Yet it is more about the position of creating order in a world that is perceived as chaotic, which connects Jimmu and Zeus at a certain point.
    In the anime it was a bit less obvious with the mummy being Himiko, who, while supposedly being an important empress, did not play a very prominent role in Japanese history.

    Atlas held them apart, I said nothing else.
    Yet due to the act of serving as a pillar he also connected them.

    Medusa was designed to be strong enough to controll the world via it’s network systems. In the end Karin’s attempt failed and she lost control over Medusa.

    1: I wasn’t saying it was bridging heaven and earth but that it was connecting them in a symbolic sense.

    You assume that a work referring to mythological concepts has to copy their structure to have a right to display them, I don’t.

    Well, I prefer to end it here. A person who was to resort to insult is someone I do not want to discuss with.

  16. Robhiengler says:

    Well let’s not forget you insulted me and essentially everything I wrote by claiming:

    “wether you like interpretations or not…you just don’t.

    so if you’re not going to bother to read my reply and put words in my mouth I call that VERY UNREASONABLE. The other point is I don’t like to be condescended by someone who takes the stance that I must know nothing of Oriental Mythology purely because I have a western name – that is just downright racist.

    2: Questionable by who? I would say there is more evidence to support this than there is for what the anime/book claims to be in Tokyo.

    3: Yes it is Technobabble. Also if you choose to explain the spear in scientific terms then that has to extend to everything occult/magic as well not to mention an explanation for deities. You can’t have it both ways.

    Considering the Japanese monarchy allegedly has a 1500 years unbroken line of sucession where was the present emperor why did they feel the need to get Jimmu back? Why was Kuniko made a girl if she was intended to be Jimmu’s vessel?

    4: So now its about law and order now? I think you’ll find that under whatever ruler you’ll have law and order of some form. Emperor Jimmu’s emphasis is on unification of the world under his sacred rule not on law and order. Strawman argument you’ve put forward, essentially substitute Zeus with any head-deity.

    Himiko was the shaman empress of Yamataikoku; quite honestly she was clearly there for the occult angle – clue is the shaman bit.

    Medusa was created as a market program to make Karin money. Maybe wealth=power? It was only when Zeus hacked it at least in the anime then it tried to take over the world nuclear systems, something which Karin hadn’t anything to do with.

    As regards to Atlas you compared it to Ame no Mihashira: my point is they serve utterly different purposes symbolically and practically therefore you cannot make comparisons.

    and Atlas connects Earth to sky in a very PRACTICAL sense not symbolically.

    You would have been better off calling it Mount Olympus or axis mundi or Jacob’s Ladder.

    ———————————————–

    Finally I don’t assume anything. IF you are going to use mythological concepts then you have to honor the framework of the original material. You cannot just go making up things which go completely against the facts or has such a superficial connection as to be non-existent, ESPECIALLY if your trying to pass yourself off as profound intellectual anime. It really is an insult to the audience.

    If you want to see an anime which does this referencing of mythology acceptably WELL then I suggest you watch Heroic age.

    Also I’m still waiting for your Joseph Campbell source.

    • Reaper says:

      Pardon my french but u are an asshole.

    • cras says:

      I don’t see why the writers can’t use the “names” of Greek Gods for their own purposes. You just don’t like the fact that it’s not according to what we know, well I haven’t even watched the series, but I’m not against having “Zeus” referred to as something else.

      Also, why are you so mad? lol
      This discussion was quite enjoyable until you started being insulting, which make your posts unreadable.

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SuperMario
@Amagi: they better have a second season. The way it ends now I don't even have any motivation to write a full review. I'm not really optimistic over it having a second cour because if the producers were confident about its chance, they would've greenlit it already.
Amagi
@SuperMario: Seems like the official radio confirmed PriPri might get a second season if the BD and/or game sales are good enough. - BD sales seem to be around 7k at the moment, but it looks like many only ordered them now, after the last episode, so it might be more.
KTravlos
@Aidan. Oh I did. Thank you for reminding me. I will write the review.
AidanAK47
@Travlos, Just in case you missed it, there is a reply to you earlier in the chatbox.
KTravlos
Kakeguiri also ended. In the end the anime original ending was not really an ending, but just a fan pleasing excursion. The integrity of the manga story remains. It was a good adaption, and I liked it as it brought to life the parts of the manga that make it interesting to me. Also a great Opening and Ending. Good show.
KTravlos
And to sum it up. I think this was a great series. All its episodes were good.
KTravlos
I actually am ok with the PP ending. The 12 episode series is self contained. Sure there are many future potential stories to pursue, but I felt there was enough closure to make the series a good series. This is because the next step of the narrative is really so long term as being more LOGH material than PP (the story of the ascension of Princesss to the throne, and then the story of her reforms)
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
Total users: 25

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So…what am i supposed to say here? Yumeko wins, the treasurer loses and now the show looks to be teasing a matchup between the Student council President and Yumeko. I would say it’s a good thing this shows end looms near as my interest in it has just about petered out. I love seeing smug […]

Made in Abyss – 11[Nanachi]

It’s been an issue I have wanted to bring up before but the previous episode recaps of this series are rather long. Today’s was the biggest offender as the first three and a half minutes was just footage from the previous episode. While these kinds of recaps are handy for those watching weekly to catch […]

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