Oh, the soundtrack for this series rocks. I consider it to be even better than the one from the first season. What I only noticed right now however is that Yoko Kanno didn’t write it this time. Instead, it seems to have been composed by a voice-actor, of all people. It’s the guy who voiced Hamdo in Now and Then, Here and There and Shou Taishi in Saiunkoku Monogatari, among many others. I’m really not sure where he got the idea of composing a soundtrack from, but he did a bloody brilliant job at it.
In any case, this episode yet again showed off this series’ wonderful style of storytelling, which is brutally direct, and also creative and very exciting during the action-scenes, even though the action itself is in no way over the top. In Darker than Black, fights rarely end with everyone retreating with minor wounds. In this series, battles are fought with the intent to kill. Take that, shounen-series!
But seriously though, I didn’t quite think that even Tanya was no exception to this rule. Here I thought that the creators were saving her for the big climax in which Suou manages to settle their differences, despite being contractors… and here this episode just unceremoniously kills them off. Her death wasn’t in vain, though: it was a great opportunity to show that teenaged contractors indeed have bugs inside of them. This series has mentioned it before, and it’s an interesting concept that in the world of contractors, there also still exist contractors that need to grow up. it also fits really well in the development between Hei and Suou, and you can see that the creators spend some time into this.
On top of that, the mystery has also thickened. What the heck was Shion doing there? I this some kind of double red herring? That their father needed Suou the most so he pretended that Shion was the most important one so that she wouldn’t catch suspension? Heh, some father.
Also, why does Misaki have a portrait of a black cat hanging on her wall?
Rating: ** (Excellent)