Posted by psgels on 29 November 2009 with categories: Aoi Bungaku



This is it: THE chance for the director of Mouyou no Hako to show that he’s not just a one-trick-pony, but instead an incredible director. And oh my god, he really showed the latter. Madhouse have truly truck gold when they found this guy, because this episode was one of the best episodes of Aoi Bungaku yet!

You can really see his style from Mouryou no Hako flow through into Hashire Melos, the work he’s adapting. The sakura trees are there, the heavy use of lighting, and the protagonists also are quite similar in appearance, and both novel authors. Heck, it even has the same soundtrack as Mouryou no Hako. This episode satisfied my inner Mouryou no Hako-fanboy, while delivering its own strong story that aside from these things, doesn’t rip it off in the slightest and stands strong as a gripping episode.

The scenes in the theatre were a very nice twist: basically this episode told two stories: one story about the author of a novel and his best friend, an actor, and one story, which he’s currently writing. Interestingly enough, Masato Sakai who has been voicing all of the leads of Aoi Bungaku so far, ends up voicing Melos: the lead character of the play. I love how in this way, the creators are playing around with the concepts of “lead characters”.

But yeah, what makes this episode stand out is its sense of dialogue. It’s passionate, detailed and brings out the best of the characters. There’s so much emotion put into it, yet none of the lines are delivered cheesily.

And then the animation! It’s by far the best animation of Aoi Bungaku yet, and that in an already excellently animated series. This episode doesn’t have the best eye-candy, that’s for In the Forest. Instead, the characters move SO incredibly fluently. when they move, their entire bodies move, rather than just a limb, or some very minimal movement during just a short scene. The animation here is detailed and really brings the cast of characters to life.

There was one scene though in which this didn’t apply. I’m not exactly sure what happened there, but the part in which the lead characters’ friend comes crawling from under the bed lacks this detail, and therefore ends up a bit weird.

I’m not sure whether I understood everything in this episode, but the main storyline seems to talk about two friends who live together: one is a scriptwriter, the other is an actor. The scriptwriter is seen writing the story of Melos, the lead character of the play. At a certain point, his friend suggests to go to Tokyo, because his father would not allow him to continue acting. When the lead character is boarding the train, however, he is betrayed. The episode ended a bit too soon for me to actually make out how and why, but I expect the next episode to delve into that one.
Rating: *** (Awesome)

7 Responses

  1. marebito says:

    Well the actual tragic aspect is that the events with his friend happened in the past and he lost the ability to write something himself after he went to Tokyo but even now that he gets this script and begins writing ‘hashire melos’ he is reminded of his past and his friend and sublimates his thoughts about what happened. At least that’s how I understood the episode, I haven’t read the novel yet.

  2. chounokoe says:

    Yeah, as far as I made it out his editor approaches him with the basic idea of 走れメロス about which he ends up writing…I don’t know if they are actually supposed to have put the story on stage back in school or if it’s just a metaphor, but he starts mixing up reality and the story that he writes more and more, starting to be angry about the fact that his friendship was never this ideal (although we are yet to know why his friend didn’t board the train).
    I think it showed nicely in the scene where he remembered the day when he went to Tokyo and actually starts writing that down instead of the story of Melos and Senuntius.

    I’m really eager to know how the framestory of them will continue…if it is supposed to end like the original story or if they make a contrast out of it a’la ‘ideal friendship exists only in legends’.

  3. m says:

    I have to agree that this was a really attractive episode. There was a congruence between a lot of the character designs (which didn’t all look quite like mutant elves, which Konomi Takeshia’s characters usually make me think of) and the two settings that we haven’t had since Ningen Shikkaku, and the deftness with which they animated all of the motion impressed me. The subtle use of the soundtrack to direct the viewer (Aoi Bungaku has used music well throughout), and the effectiveness of lighting was also great. Even the idea of making Hashire Merosu into a play is carried through with little details. It’s also interesting how the lighting and appearance of the author’s friend changes with the way that the author views him. Or maybe I imagined that.
    I am a little curious about the motivation for the exterior story. Dazai’s story is really short, so it is possible that it exists to provide sufficient material. However, I am curious if it is a reference to Dazai’s writing style, if it serves to relate to the viewer’s experiences better, or if it stands in contrast to the original story.

    I’ll just have to wait to see the conclusion to really get a better picture of everything.

  4. Sanity says:

    I’ve been waiting to watch Aoi Bungaku after my assignments’ deadline… but I suddenly realised. Which genre fits it the most? I’ve been trying not to read too much of your summaries so as to not spoil myself.
    Will there be many scenes that will totally freak one out? I don’t take horror movies that well unfortunately :’D Or if it is too awesome to be missed, I can try to endure it.

  5. psgels psgels says:

    Sanity: I don’t exactly know what you mean by “horror”, but rest assured: there is no gore in this seres. All of the horror is psychological, and if you even hate that, than only the second story (In the Woods… etc) will be a bit too heavy.

  6. Sanity says:

    Thanks for replying :D I like psychological stories, and Aoi Bungaku looks very intriguing.

  7. headachebaby says:

    Okay…so it took a while for the subs to come out and I’ve read this blog before watching the anime. I usually don’t want someone’s opinion on an anime until I watch it first but this blog praised this story as being the best. After watching it yesterday, I’ve got to admit I like the style drawing and conversation better.

    This anime continues to make use of subtle great music to enhance each story.

    I wish this story “Run, Melos!” could’ve been expanded into 5 episodes since it’s a good story and created so well.

    There should be more animes like Aoi Bungaku where the stories are based on novels.

    …still waiting for subs on episode 10 :(

Leave a Reply

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • Emma
    (Sunday, Mar 29. 2015 05:18 AM)
    Oh, awesome, dark horse is releasing volume 10 of black lagoon in April, its been nearly five years since the last complete volume…
  • Emma
    (Sunday, Mar 29. 2015 03:56 AM)
    @Aidan: I think theres something seriously wrong when theres the actually possibility of there being a good PA works anime but we all have our opinions =P
  • AidanAK47
    (Sunday, Mar 29. 2015 03:13 AM)
    @Raggers, I will go into detail when I review it. But I think something is seriously wrong when I get a far more satisfying ending out of shirobako than Death parade.
    Looking forward to writing a review of shirobako too.
  • Raggers
    (Sunday, Mar 29. 2015 02:56 AM)
    @Aidan: it wasn’t bad though. I think it suffered from too high expectations and lack of focus (or overreaching).
  • AidanAK47
    (Sunday, Mar 29. 2015 02:29 AM)
    Well. Death parades ending was quite underwhelming.
  • Emma
    (Saturday, Mar 28. 2015 11:21 PM)
    Waiting between releases for this will be a good thing, its the sort of manga you pick up and put down, then go back to with breaks in between.
  • Emma
    (Saturday, Mar 28. 2015 11:13 PM)
    13 volumes into dorohedero, I’ve found it good enough to buy now that I’ve caught up with the official English releases. While the plot meaders and is kind of messy, isn’t up to much, I love how crazy the gory action is, the gritty artstyle/world and the black comedy more than well make up for it. It works best when focused on those masked gangster magician guys and also the main character, the others are only alright.
  • Raggers
    (Saturday, Mar 28. 2015 02:19 AM)
    @Aidan: true, but I don’t think the level is anywhere close to a true shounen. And once the basic rules are established it’s strategising and straight out fighting.
    I’d be more inclined to call it seinen with shounen elements than actually shounen.
  • Emma
    (Friday, Mar 27. 2015 09:59 PM)
    Good all action finale to cap off Garo there, went out with a bang, though thing is I have no idea where their going to go with this when the movie, second season comes along, this seems like a pretty good point to finish.
  • Emma
    (Friday, Mar 27. 2015 05:35 PM)
    I think that just about all the manga serialized in ultra jump feel less seinen than those serialized in other seinen magazines.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Parasyte The Maxim Review-82.5/100

Parasyte, along with Gugure Kokkuri-San, are the only two shows from the last season that I’ve actually finished, and that’s actually saying quite a lot–seeing as how I haven’t been watching (much less blogging) anime at all this past season. However, I figured I should at least write a final review for Parasyte, just because […]

Death Parade – 11

So we are reaching the final conclusion and things are coming to a head. Chiyuki’s memories are restored and we find that in life she was an ice skater. An odd choice but it did lead to a rather beautiful scene of Chiyuki skating on Ice as she recalled her past. Admittedly I did try […]

Death Parade – 10

So Onna name is finally revealed and newly christened Chiyuki plays a game of old maid with a storyteller. Death parade, you are doing it again. You are drifting from what should be the focus of the series and really pushing this ongoing plot thread. So we learn a number of things. One, that Chiyuki’s […]

Durarara!!X2 – 09

  In reflection I think Durarara may have been a poor choice to blog. The reason being that when I sat down to watch this episode I was fully intent on finding something I could comment on. Then as the end credits roll I find myself at a loss to what to write about. With […]

Death Parade – 09

Well the end of the episode did get over melodramatic but still, a very good episode. It is rather amusing to see two people bond over a shared goal of revenge. Their thinking slowly edged towards a dangerous outlook it became clear that one of these two is not on the same wavelength as the […]

Durarara!!X2 – 08

No animation issues this time around thankfully. Really like the touch of Irelands flag on the cup Shinra gave the girl at their apartment. Sometimes it’s easy to forget that Celty is indeed Irish. Probably one of the few Irish characters in anime. And here we learn that the one who told the little girl […]

Death Parade – 08

Why do you do this to me death parade? You dodge your true potential and instead focus on background exposition or, of all things, comedy. Then just as I was about to lose interest and give up, you present the best episode of the series so far. Now this, this is what I was talking […]

Durarara!!X2 – 07

I think the problem with this episode was evident right from the opening scene. I had to do a double take when seeing a very poorly drawn Simon. I even questioned whether it was a new character entirely. But no, the animation budget took a nosedive. Or the guy who was to do the inbetweens […]

Death Parade – 07

Why is the girl from the last episode still around? This episode brought up three rules about arbiters. The third rule, about arbiters not having emotions, Is odd to me. For the arbiters we have been introduced to are very emotional. They state that Decim was given human emotions yet he is the least emotional […]

Latest Reviews

Clipboard06

Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

Clipboard04

Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

Clipboard07

Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

Clipboard05

Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]