Posted by psgels on 5 December 2009 with categories: Darker than Black - Ryuusei no Gemini



I had my doubts when I heard that the goofballs of the first season would return in this episode. Especially combined with Hei, shaving his beard: the creators would have to very skillfully write these final episodes, even more than the previous eight episodes. The danger of this show turning into one that goes into its on direction, yet gives up in the end and simply decides to go with the tried and true formula of the first season would be disastrous.

Instead, what this series now has to do is instead of completely going back to the style of the first season, bring both seasons together: converge the two of them into one. And bloody hell, this episode actually did it.

Of course, this perhaps wasn’t the best episode of the second season, but the two goofballs were a lot less annoying than what I remember them to be. They again had a clear purpose: to form a contrast with the contractors in this series, and they went further than the goofball in this series by actually pushing Suou towards meeting her mother; something that she for some reason didn’t look forward to. It’s a really good episode that contributed to how she’s struggling with her own identity as a contractor, while brilliantly having her avoid the usual angsty indecisive teenager route.

On top of building upon the themes of the second season, this episode was also chockful of references to the first season: Amber seems central to the plot, Hei has cut off his hair and finally has another reason to act like the nice guy he pretended to be in the first season. What’s more, some of the characters of the first season seem vital to the plot of the second season. You can see that the creators have put a lot of thought into it.

That scene in which Suou met her mother surprisingly lacked impact for me, though. I’m not sure what it was, but I was much more interested in just about everything around it. There are still a few huge questions behind it that need answering: why that woman from the CIA direct Suou to her mother? What is she trying to achieve? What has Suou’s mother been up to anyway?

Also, colds in Japan are weird. Instead of taking quite a few days to blow over, you simply faint, sleep and it usually completely disappears after a few hours. Either that or a lot of Japanese mistake colds for anemia, which is also much more common than where I live…
Rating: * (Good)

28 Responses

  1. Puran says:

    There’s a scene after the ED I don’t think you should miss btw.

  2. psgels psgels says:

    Ah, I hate it when shows do that. I just watched it, and you’re right, that was one hell of a plot twist.

  3. Autonomous Monster says:

    Psgels, I think the scene with Suou and her mother was lacking in emotional charge because Suou had little to no emotional reaction to it. At least visibly.

    And I don’t think the blond woman is CIA. Previous episodes seemed to peg her as an independent information broker. Hei was working for her when he was working for the CIA, yes, but I think the two were presented as seperate loyalties.

    The following contains… well hardly spoilers, but spoilerish speculation. Consider yourself warned.

    Shion’s power is resurrection? Great Christos.

    That, at least, is my interpretation of Suou and Dr Pavlyuchenko’s mysterious returns from death.

  4. Frost says:

    I loved the Hei chase scene where we get the little techno background… Everytime the soundtrack kicks in this anime rocks (more than usual)

    And yeah, wasnt expecting that plot twist… I wonder what else they can fit into 12 episodes

  5. The funny thing about the two “goofballs”, the writers even acknowledge that they are annoying.

    When Kiko enters the subway, she is complaining about a movie she just saw saying:

    “That was terrible! What the heck were they expecting from us? Who even wants a gag character like that these days? I was actually getting into it because it was starting to get good and serious! I’m not going to let the director get away with this!”

    Exactly! The writer/director understands clearly, then why are they foisting these annoying idiots upon us?

    Also that scene after the closing credits was HUGE!
    I would have missed that if Puran hadn’t mentioned it. Now I am going to have to go back and see if I missed any others.

  6. jho says:

    Wow resurrection?! That’s really interesting monster. Does that mean he has two powers then? Resurrection & gun/copy?

    Anyways I thought this would be some kind of humor filler (which I thought would be lame considering the lack of episodes this season), but it was a great episode, I enjoyed it almost as much as any other this season. Man they make this anime really well.

  7. jho says:

    @Alex – yea I’ve noticed a lot of shows including FMA employing an epilogue kind of scene at the end of episodes.

    The only reason I caught it for DtB is that I really love the OP & ED of this show so I just watch it until it closes and that is a pretty crazy plot twist.

  8. headachebaby says:

    Hei is back! I loved his fight chase scene…wished it was longer. Yeah, Hei has good fighting skills rather powers to defeat his enemies.

    Geez, 12 episodes…what is up with good animes that stops are 12 episodes? Is it budget cut? I need a second season to this anime!!!

  9. Sywen says:

    i noticed Suou’s mother called her Shion. i find that pretty strange. Would a mother forget her children’s names?

  10. Snowolf says:

    Sywen, SPOILERS COMING UP:

    Suou’s mom called her Shion because they look alike. When Suou tells her that she’s mistaken, she suddenly is shocked, and tells Suou that this cannot be possible as Suou died 8 years ago.

    Speculation: I personally think that this is a matchup mess….didn’t the comet hit two years ago? So many damn questions!

    1.) What the hell does Izanagi have to do with the plot?
    2.) What is this eternal strife?
    3.) What is Shion’s power? Resurrection?
    4.) What happened eight years ago? Did Shion have to pay the price of resurrecting Suou by sitting in that wheelchair all this time? If so, it’s to be said that Shion was a contractor BEFORE the comet…..right?
    5.) Who is that blonde chick? And is she really part of the CIA? What are her true intentions?
    6.) So does this mean that Suou hasn’t seen her mom in eight years?……
    7.) Will Hei get his powers back?
    8.) Why did Hei kidnap that lab girl? To get back his powers? Or to find where Izanami is?
    9.) What is Izanami’s true power? And how does this relate to the fact that she’s an Anti-Contractor weapon?
    10) Why couldn’t Hei see Yin’s observation Ghost in episode before last, and Suou could?

  11. Jellyfish Marine says:

    I think some of you missed the short scene after the ED.
    The reunion was not emotional because it was extended into this scene. Check it out =w= b

  12. kyuzo says:

    just a thought… was it mentioned anytime in the series as to how long the doctor has been working/researching about (the) ME? i can’t recall (and just too lazy to watch the last 8 episodes right now, hehe). anyhoo… could it be that the doctor used it on his wife? the project would have been in its early stage so the effect wouldn’t have been the same as a total erasure. hmmmm… hmmm… HMMM…

    oh, and i hope this is the start of more fight scenes with BK201. i just can’t get enough of them, hehe.

    can’t wait for ep 10!!

  13. Kurage says:

    Snowolf, I think the reason that Hei is no longer able to see Yin’s observation ghosts is that he’s no longer has the powers of a contractor. I’m pretty sure at some point they mention that only contractors can see observation ghosts.

    The real question is why Suo could see the observer ghost in episode 2, before she became a contracter.

  14. spike says:

    I think something else you glossed over was the fact that it is directly stated that SHION killed Tanya not Suou. Also the gun remianed after the event so therefor, it is unlikely that it was created from a contractor power like Suou’s.

    Could be important in the coming eps/

  15. Sam says:

    I don’t know about resurrection, but isn’t it possible the Suou we know is actually just a doll?

  16. Victoria says:

    @Sam – That could be totally possible.
    Remember the one chick from the first season in the first episode, the one that ended up being a doll? Her eyes glazed over at one point and so did Suou’s right before she became a contractor, when she was shooting at Tanya and stuff.

    sorry, I forgot the one girl’s name ^^

  17. kyuzo says:

    @kurage – 10:36 to 10:45 of episode 3, i think that’s the first time that suou saw an observation ghost. did you happen to notice hei’s reaction? he knew that she’s already a contractor.

    @victoria – i think you’re talking about chiaki. reason behind the glazed eyes was she was switched off by jacques by saying a certain phrase if im not mistaken.

  18. Chris says:

    Maybe I missed something, but why did hiei kidnap that girl?

    Oh, and did you stay for the final scene with sou’s mother? There was one after the credits where it indicated that she literally thought sou was dead.

    It’s implying that she saw her die.

  19. PhantomX says:

    Hmm… do we know who Izanagi is yet? I think Izanami is supposed to be Yin… so who’s the other half to the deadly equation?

  20. juu says:

    but didn’t every episode of dtb2 have a scene after the ending? wonder why so many people seem to have missed it @_@

    somehow I hope that Shion’s power is not ressurection… though it would really explain some things.

  21. pgal says:

    Just in case: ALL the episodes had an additional scene after the ending song.

  22. Jabba says:

    Like what it was stated in ep 1, Shion became a Contractor after the meteor strike…
    But did anyone find it weird that their father was only worried about Shion alone?
    And that the Suou Shion saw looks disturbing like an observation ghost?
    What if… I know this sounds totally far-fetched… What if his power is to not resurrection but to “give” emotion onto someone?
    Cos Contractors are not without emotions, they just are not ruled/affected by them. But dolls… Dolls ARE emotionless.
    And after all, Suou did NOT materialize the gun. It’s the pendant that did it after absorbing Hei’s power.

    The theory is probably too far out but just throwing my 2 cents in. XD

  23. TehFonz says:

    @PhantomX — It was mentioned in Episode 7 (when the Section 3 chief Kobayashi was talking to that old guy) that Izanagi is Shion. He actually says: “Is the information on Izanagi’s Father being here already true?”

  24. omg, I just went back and looked at the end of a couple of others. The other episodes DO have stuff after the credits! Arg!

  25. jho says:

    LOL Alex, tough luck missing on so much. I hate missing those plot twists, they reveal a lot. At least you know better from now on.

  26. Kurotowa says:

    My first thought was actually not a Resurrection power, but clones and a memory transfer machine. Remember, the Russians tried to do a memory scan of the “dead” Dad and found it only had one day’s worth of memories.

    Maybe it’s somewhere in between. Shion has the power of “Creation” of some sort. Recreating Suou this completely gave him a remuneration high enough that he was crippled for years. Creating a dupe of his Dad with only a single day’s life was much easier. And via the meteor amulet Suou can borrow enough to create the rifle.

    Eh, no way to really know yet.

  27. Reltair says:

    About the colds in Japan, it’s probably just because it’s anime? Anything goes in anime. ^^;

  28. reverse says:

    ahhh the plot twist, I remember readingsomeone who predicted that early in the show. but it got axed quickly because the similarity with Tm8

    his predicted wasn’t wrong as I though it would be

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  • Emma
    (Saturday, Jan 31. 2015 04:15 PM)
    And I’d go as far to say this beats out birdman for me by miles.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    The film is a solid mood piece thanks to the in tone cinematography, a great performance from Hoffman that along with his characters drama makes for an emotionally investing film. And before it gets TOO sad theres all those bits of dark humour fitted in there that work out pretty well. This is probably my favourite work by Kaufman currently.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    Well Bam, I had a go of synecdoche there. A bit of a slow burner, near the end slightly drawn out, however that last stretch was forgiven by that bonkers ending.
  • Emma
    (Saturday, Jan 31. 2015 01:23 PM)
    The voice of the main character got kind of annoying though, the dub wasn’t all that good either.
  • Emma
    (Saturday, Jan 31. 2015 01:22 PM)
    This was based on/was a homage to a series by the Gigantor creator and having grown up with gigantors 90s reboot this felt like a nice throwback, plot is fairly simple but used effectively. It’s a shame that it feels like there was more to tell but at seven episodes I suppose it avoids outstaying its welcome.
  • Emma
    (Saturday, Jan 31. 2015 01:20 PM)
    Decided to marathon Giant Robo, I think this was mentioned by someone on here before. I guess it was fairly entertaining, great action direction, looked good for its time, you don’t notice the hour long episodes go by, adequate characters, nice retro artstyle also, not sure if I got excited over this as big O and Mazinger however but still fun enough nonetheless.
  • Emma
    (Saturday, Jan 31. 2015 07:10 AM)
    Seeing Hoffman in before the devil knows your dead and his character being dependent on drugs, that was another thing that hit me a bit knowing the circumstances of his death. Watching most wanted man I could also see that he was wearing out physically.
  • Bam
    (Saturday, Jan 31. 2015 07:00 AM)
    This is not Anno bitching about otakus jacking off to his characters and turning around and selling Rei panties, this isn’t the idiots at Shaft throwing around meaningless camera angles and the oh-so-symbolic teeth brushing scenes, this is a human being looking you in the eye with fear and telling you that he’s dying; morbid, honest, moving and remarkable.
  • Bam
    (Saturday, Jan 31. 2015 06:55 AM)
    Given my rants regarding Birdman it should be clear that I’m a sucker for these rare instances where the line between movie and reality get blurred- when an actor looks at a camera and just bares their heart out. This is the realism that reality tv tried but could never capture. this is art in one of its most sincere forms.
  • Bam
    (Saturday, Jan 31. 2015 06:50 AM)
    Oh yeah Hoffman was a massive talent and a beloved actor, so I don’t take it lightly when I call Synecdoche his greatest role ever. Given his death and knowing the circumstances of his life at the time imbues this performance with a chilling sincerity that just breaks your heart and leaves you in awe.

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