This episode was… tedious to sit through. It was basically just Kurumi trying to get a love triangle started, which is probably going to be worthless in the next episode when everyone realizes that it was just a misunderstanding. Agh, it’s like Itazura na Kiss all over, but without the funny parts.
Let me list a bunch of shoujo-series that actually did get the love triangle right (Minor spoilers included):
– Bokura ga Ita: mainly worked because the love rival got fed up with the indecisiveness of the lead male, which was a huge theme of the series.
– Kodomo no Omocha: worked because we actually see both the lead male and female go through other relationships with other people, while it’s actually the distance between them, created by the lead female’s job as an idol that prevents them from hooking up, rather than the ditzy love rivals being the sole reason.
– Ashita no Nadja: we actually see the lead female hanging out with other guys without it suddenly creating a huge drama.
On top of that, we also have shoujo-series as Glass Mask, DNAngel and Full Moon wo Sagashite in which the romances work because of their realism and the way they let their relationships progress naturally. Not in the forced way that Kimi ni Todoke has been doing for the past twelve episodes…
I’m interested to see the other sides of the story, though. I’ve heard quite a few arguments why this show is popular, but those all seemed to come from the ones who didn’t like it. When I look at various blogs, all I see is squealing over various characters, but for the past months I’ve hardly seen any people who liked this show and came with valid reasons.
Sure, that might just been me, looking at the wrong places, but still: fans of Kimi ni Todoke, enlighten me! What makes this show so great that it deserves such a high score on various anime sites? What was so good about this series that everyone vote for it here? Or is this really just another Twillight which has tons of squealing fangirls who like it just because of the hot guys and sparkles?
Whether I’m going to drop this show at the start of the Winter-Season, I don’t know yet. Because Aoi Bungaku, Darker than Black, Erin, Konnichiwa Anne, Kuchuu Buranko, Umineko and White Album are going to be ending all within a week, this means that I need to find seven new bloggable shows among the line-up of the upcoming Winter-season. Which is a lot during such a small season. However, if number eight does pop up, then expect to see this show in the dropped-list.
Right now, this show is just… too convenient. Sawako doesn’t really have to work hard for her newfound popularity. She gets protected everywhere, and her exaggeratedly weird personality makes sure that all the bad guys’ plans go wrong. At first I praised this series because it showed outcasts as they try to live back into society, but that’s not even what this series is about. We’ve just got another Mary Sue here where the entire plot revolves around. Sure, Sawako has flaws, but all those flaws seem to be more and more used in favour of her, rather than creating her as a character.
Rating: — (Lacking)