Posted by psgels on 27 December 2009 with categories: Aoi Bungaku



This post is going to be short, since I’ve got a certain episode 12 that I’m really looking forward to, but damn, that was intense. The fifth story, The Spider’s Thread had only one episode to work with, but it used it really well and turned it into not just a visual feast, but also one heck of an intense experience.

For the most part of the episode, I was wondering where it wanted to go, but the final minute everything made sense. Throughout the episode, you really get the idea what’s going on inside the mind of a killer, someone who has no regards for human life, and is just out there to have fun and kill people. He’s very much a person who’s sick in his head.

The main point about this story is that after he dies, he gets one chance to get out of a hell that will probably mean an eternal time of torture for him. And yet he blows it, both by the weight of his sins and because he still doesn’t want to repent for his sins. It’s obvious that the original writer was a devoted christian, but it’s nonetheless an interesting story.

What I liked most about this episode was the screenplay, though. It’s done by a guy who didn’t do anything before this, but the way that the visuals and the music, the poses and the art enhance the story is really well done. It’s that what really impressed me about this episode and made it so powerful for me. It’s not the best instalment of Aoi Bungaku, but really: I don’t have any complaints whatsoever.
Rating: ** (Excellent)

8 Responses

  1. terrorist says:

    I’ve read this novel of Ryunosuke Akutagawa. It wasn’t the best of him as well so I am not having THAT high expectations as i am having on Hell Screen. It’s too big to adapt in 20 minutes So I am hoping that it will be good enough to show it to my father who’s also really enjoyed reading Hell Screen.

  2. PL says:

    Actually the original story IS about Shakyumuni Buddha and not the Christian God at all… Buddhism holds that there are six mythological realms where we can be born based on our karma ranging from a paradise realms where we are re-born as gods and all our desires are granted to a hell world where we exist to work off the karma created from strong hatred and violence. Only in our middle realm, the human realm, are we able to attain Buddhahood and permanently escape the entire cycle, though if we are born into any of the upper realms it is clearly preferred to the lower ones where there is so much suffering, and those born into the upper realms have a better chance of being born human in the next life. Many modern buddhists consider these to be metaphors or psychological archetypes rather than actual truths about reality, but some traditions still have a literal belief in the Six Realms.
    In a sense, this story can be taken as a criticism of so-called Hinayana (Smaller Vehicle) Buddhism, which is a derrogatory name given by early Mahayana Buddhists to sects which still hold to the original traditions of Buddhism wherin each individual focuses only on his own attainment of Nirvana and for the most part has no lay teaching so that to achieve salvation one must enter into monastic life. The largest remaining tradition that would fall under this classification is the Theravada tradition, though much of the criticism here is unfairly applied to their teachings, and such criticism really only applies to Buddhist sects that existed around the beginning of the millenia.

    In contrast, the reform movement called Mahayana (Greater Vehicle) Buddhism, which contains most of the modern traditions of which Zen and the Tibetan tradition are the most visible in the Western World, has a large focus on teaching the laity, although even here there is a strong emphasis on monastacism. The biggest difference is the Boddhisatva vow that all Mahayana Buddhists take in which the aspirant vows not to enter Nirvana until all sentient beings have been saved.

  3. chounokoe says:

    Actually the original story 蜘蛛の糸, which is only a few pages long as far as I recall, had another frame story and Kandata’s story very much consisted only of his escape from hell.

    In the source story of this a Buddha is stroling along paradise and comes upon a flowerpond through which he can look down to hell.
    There he sees Kandata and takes pity in him, because of his one good deed (sparing the spider) and thus orders a spider to let down a thread into hell. The thread was, even though it always seemed to snap every minute, made so that it would hold Kandata at every time, as long as he retained a part of goodness.
    The rest we saw in the episode, too, he prefered to be a selfish idiot and pushed the other souls down the thread…which made him loose his chance.

    I think the original moral was something like ‘You have to retain at least a piece of goodness, no matter how terrible your existence may become.’

    I think this could be considered almost compulsery reading throughout Japan, or at least most Japanese fill in the blanks when you see the glistening spider and the round window to a brighter place up above.
    But of course…for people with Christian background like most of us it’s a bit different.

  4. koja says:

    @PL

    It’s defnitely not buddhism. At least buddhism tells me that you cannot just go to heaven by clinging onto a spider thread, ie. repent for all your killings by just saving a spider. That’s just too convenient. But then it works in christianity though.

  5. animedyum says:

    According to ANN, these two episode’s screenplays are belong to Ishizuka Atsuko who is btw not a guy, a woman.

  6. animedyum says:

    According to ANN, these two episode’s screenplays are belong to Ishizuka Atsuko who is btw not a guy, a woman.

  7. Pi says:

    Acid Trip.

    That’s all I gotta say. Well, not really. “Spider’s Thread”‘s author point of view of Hell is quite colourful if you ask me. I think at this point, I’d rather have Kandata’s Hell in black and white… hmm… that makes it even scarier.

  8. Tako says:

    I think this episode is pretty stretched out and possibly one of the least interesting novels out of Aoi Bungaku. Getting to the point in this episode could most likely have been done in half it’s episode length, possibly leaving time for another short story/novel to fill the 30 minute gap.

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  • Emma
    (Wednesday, Nov 26. 2014 01:02 PM)
    Generally later on when alot of comedies need to wrap things up they try to force in a plot so they can get some kind of ending. I know, agree its generally terrible, some of the drama later in toradora for example made me want to detusk a walrus in frustration.
  • WyattX
    (Wednesday, Nov 26. 2014 09:27 AM)
    What is it with light comedies trying to turn melodramatic as the series gets stretched out? What if we did the reverse? Let’s say theoretically that it happened to Tsubasa Chronicle. It would start out melodramatic as usual, then devolve into a simple, light slapstick comedy and forget about the story. People would lose their minds.
  • Emma
    (Wednesday, Nov 26. 2014 07:44 AM)
    Here I take a second look at time of eve/eve no jiken: http://emma-hime.deviantart.com/art/Review-Time-of-eve-496663893
  • Emma
    (Wednesday, Nov 26. 2014 03:06 AM)
    I’m not sure whether to watch the sequel or not.
  • Emma
    (Wednesday, Nov 26. 2014 03:04 AM)
    @Aidan: I try to avoid watching films where I can.
    Although you’ve got me to look back on my own review of guardians of the galaxy, the words I use in it don’t reflect the 4 out of 5 I gave it .
  • AidanAK47
    (Wednesday, Nov 26. 2014 03:04 AM)
    Started to notice pretty big plot holes too. like Gamora went to open the door to baddys chamber. But after opening it she shoots a hole in the roof and jumps straight into the bad guys chamber. So if you can get in that way then why did you send the others in a roundabout route instead of just blowing up the roof and getting there that way?
  • AidanAK47
    (Wednesday, Nov 26. 2014 02:49 AM)
    The comedy tends to only work once and it’s pretty weak. Like the “You are making me kick grass!” line. It’s not particularly funny, only random. The villain is just bland as hell. The characters are charming but not particularly deep.
    It’s a decent popcorn flick. But I am actually having second thoughts on getting it on DVD.
  • AidanAK47
    (Wednesday, Nov 26. 2014 02:46 AM)
    Hmm…Guardians of the galaxy wasn’t quite as good on a re-watch. First time it was pretty good. Now though it’s just…good. The film is just too damn long and like most marvel films…just mindless fun. That isn’t really bad, I mean there’s nothing wrong with fun. But when people are claiming this was one of the best superhero movies ever..yeah not so much.
  • Emma
    (Wednesday, Nov 26. 2014 12:52 AM)
    And on law in general, the age of responsibility thing feels far too simple when people mature at different rates, others are more mature at different ages/know what they are doing, while others are just born bad people.
  • Emma
    (Wednesday, Nov 26. 2014 12:49 AM)
    @K-off: That will not stop me supporting armed police force though and feeling the Irish mainstream police force should be also armed with guns.

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