Posted by psgels on 31 December 2009 with categories: Yearly Summaries

Overall 2009 wasn’t exactly the best year ever, but it still had its share of awesome series and concepts. Here’s my list of the ones that stood out the most:

Biggest Disappointment

Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai

Gundam 00 is a heavy contender in this category. While the first season had a complex political story, the second season merely degenerated into “Kill Ribbons”. The side-plots hardly ever went anywhere, not to mention the dumbest way to waste military resources ever with the Trans-Am Kamikaze Gagas. Still, even this was trumped by the Munto Remake. Here the characters had the chance to remake a series with a fascinating setting and give it give it the time it deserves. So what do they do? A bloody recap! If this was any other studio it might make sense as a way to save budget and all, but this is KYOANI: out of all the production-companies out there, they should be the least worried about money-problems.

Worst First Episode

Abunai Sisters

I still consider it as one of the highlights of this year that I was actually asked by a professional company to review the first episode of this, but I really can’t deny that it was also the worst first episode of not just this year, but of the whole decade. There were so many things wrong with it, the voice acting, the humour, the graphics.

Worst Series

Zan Sayonara Zetsubou-Sensei

Of course, this award only goes for the series that I actually completed, OVAs and Movies excluded. I didn’t watch any series that were too terrible this year, but the bottom of the ladder is for me populated by Saki (too much moe, too many clichés and stereotypes, way too little substance), Kurokami (pointless action with a very underdeveloped backstory), Munto TV (only what? 3,5 episodes of new material?). But this one really takes the cake. 90% of the time it’s just not funny and simply repeating itself over and over again, and the very few funny moments didn’t excuse the pain it was for me to sit through this.

Most Promising Studio

David Production

This is the award I hand out every year for production-companies that are either new or have put forth major improvements. This year, I’m in no doubt of which studio to give it to. David Production came from absolutely nowhere, and yet they already put forth two very impressive series with their own distinctive style, which both were very refreshing for their respective genre: Ristorante Paradiso is a very gentle slice of life series, while Armed Librarians had a very bold execution, breaking heaps of clichés and stereotypes in the process. Of course, there’s also that matter of Dogs Bullets and Carnage, but ah well.

Best Animation Studio


Bones really surpassed itself this year in terms of animation. It didn’t have just one awesome-looking series, it had four of them that I loved (Bonen no Xamdou, Full Metal Alchemist Brotherhood, Tokyo Magnitude and Darker than Black Ryuusei no Gemini). They weren’t always paced well (coughXamdoucough) but all of them had a lot of creativity and very good production-values.

Biggest Surprise

Tokyo Magnitude 8.0

This category is simple: what series surprised me the most during the past year. Birdy the Mighty is for example a really heavy contender in this category: its first season had plenty of faults, and there the second season came and improved on it in every single aspect. Or take the new Mazinger: I really didn’t expect beforehand that it would turn into such an epic series with an actual linear storyline. Still, I’m going to hand out this award to the start of Tokyo Magnitude: it started off with a seemingly mundane episode in which nothing happened. The huge contrast with the dark and bittersweet second episode managed to land it this award.

Best Old Series I Happened to See This Year

Strange Dawn

I’ve watched a lot of great series this year. Ashita no Nadja, Glass Mask (2005) and Kaleido Star really deserve a special mention here because of their amazingly developed characters, but the series that impressed me even more was Sato Junichi’s Strange Dawn. There’s so much detail put into the storytelling, and the characters are just incredible. It’s a very dramatic series, but for me the drama really worked and culminated into an absolutely stunning ending.

Best Animation

Bonen no Xamdou

Okay, I’ve talked about Xamdou’s amazing animation often enough already, but seriously: it does have the best animation of any TV-series I have seen thus far. Every episode is just incredibly well animated, ranging from the quiet scenes to the busy action scenes. Runners up are Hashire, Melos! from Aoi Bungaku, Canaan, Aoi Hana and Eden of the East.

Best Background Art

Guin Saga

Eden of the East had gorgeous backgrounds, but granted most of them were just filtered photos. The really great stuff in terms of background art this year came from the fantasy architecture: the Atlas building of Shangri-la was jaw-droppingly beautiful, the architecture of the various buildings in Armed Librarians was full of imagination, but the Guin Saga really deserves the most credits here, because it feels like every single building was designed with epic in mind: huge, imaginative, colourful. They made sure that there was always some kind of eye-candy to look at.

Best Music


It’s getting a bit boring to keep giving away these awards to Bee-Train (this is the fourth year in a row that a Bee-Train series walks off with the award for best music in my summaries), but they just keep making these series with awesome music. With this soundtrack, Hikaru Nanase solidified herself as my favourite soundtrack composer along with Yuki Kajiura. The soundtrack of Phantom is varied, exciting and powerful. There are so many styles in this soundtrack and nearly all songs kick ass. Runners up are Michiko e Hatchin (hey, it was produced by the director of Cowboy Bebop and Samurai Champloo) Guin Saga (epic, just like the series) and Birdy the Mighty Decode 2 (excellent in creating a dark atmosphere).

Best-Looking Graphics

Aoi Bungaku

This award isn’t for animation quality, but rather: which series looked the best? I was ready to hand out this award to Casshern Sins again, but then Aoi Bungaku appeared. It had six different animation and graphic styles that, each of which looked absolutely beautiful and they were full of eye candy. That’s not to say that Casshern Sins dulled in, of course. It still was an absolutely beautiful series with some of the best character-designs out there.

Best Action

Birdy the Mighty Decode 2

2009 had 3 series with beyond epic action-scenes: the new Mazinger, Bonen no Xamdou and Birdy the Mighty’s second season. Xamdou’s action had some of the best animation to back it up with, the Mazinger was always fun to watch with its over the top storyline, but I decided to give this award to Birdy the Mighty due to Kazuki Akane’s powerful directing that made even the least impressive action scenes stand out and make impact.

Best Comedy

Marie & Gali

2009 was a great year for comedies: we had such gems as GA Geijutsuka Art Design Class, which always provided fresh and interesting jokes around various art topics. Then there was Skip Beat with its hilarious sense of humour when it wanted to, and let’s not forget Tentai Senshi Sunred with its typical style of combining extreme realism to extreme stupidity. Still, for me Marie & Gali was without a doubt the best in the comedy genre this year. Every single episode, it comes with something incredibly creative and imaginative to make fun of the principles of physics, and every single episode, it delivers and cracks me up. Now that’s what I call a good comedy.

Best Slice of Life

Cross Game

2009 was an excellent year for the slice of life genre. There were countless series that provided a great take on something so seemingly dull as just showing the daily lives of a bunch of people. Ristorante Paradiso was a very gentle and well-paced series (in which the characters are actual adults for once!), Tentai Senshi Sunred took this to the absurd with its parodies of the Super Sentai Genre, and GA was also a delight to watch simply because of its characters, even during the times when they weren’t trying to make jokes. Cross Game wins in this category though, because of its always tongue-in-cheek execution that loves to play around with all of the different characters. When the characters are living their daily lives, there’s always something interesting going on.

Best Mystery

Umineko no Naku Koro ni

This is of course a no-brainer. The other great mystery-series of 2009 were Pandora Hearts and Full Metal Alchemist, which both had really well integrated mystery into their settings, and both just kept the twists coming. Umineko however took this even a step further. Nearly every episode had me form countless of theories about what the heck was going on, why things happened the way they did and which one of the tons of plot twists actually wasn’t a red herring.

Best Movie (out of the ones that I watched anyway)

Ponyo on a Cliff by the Sea

It’s always a bit tricky to figure out which movies I can put into these categories and which ones not; this year there were four movies that made the biggest impression on me: Furusato Japan (quiet but very solid and great songs), The Sky Crawlers (Mamoru Oshii doing something completely different… and it actually works), the fifth Kara no Kyoukai movie (great and complex storyline) and Ponyo. It sounds clichéd, but I’m really going to have to say that Ponyo is the best of those four. Miyazaki really showed that he’s still able to make wonderful movies with amazing visuals and charming characters.

Best Romance

Aoi Hana

2009 was an excellent year for romance. There were so many quality romance shows that aired this year, that I’m probably going to remember this as a year of romance. There were great romance series as Genji Monogatari, Sasameki Koto and White Album, and the romance in other shows also rocked, like in Birdy the Mighty, Clannad After Story, Cross Game, Ristorante Paradiso, Spice and Wolf II and Shikabane Hime Kuro. Still, Aoi Hana did it best in my opinion. Even though it’s lesbian romance, it still was very detailed, engaging and realistic. It made excellent use of its characters and their development and the romance was never cheesy or unrealistic.

Most Imaginative Setting

Michiko e Hatchin

Full Metal Alchemist really surprised me how deep its setting was, especially considering the first season. Armed Librarians is also looking out to a great setting here, and Umineko really revolutionized the mystery-genre with its background story. Still, I’ve been the most impressed by Michiko e Hatchin and its depiction of Brazil a few years back. It felt like the creators did a huge amount of research in order to make it come across as authentic as possible.

Best Character-Development

Birdy the Mighty Decode 2

What an improvement the characters made over the first season. It feels like every single one of them had some memorable development. The new characters also rocked, and even they went through subtle changes. I also really liked how Phantom developed its characters throughout its arcs. It was a bit over the top, but the main cast was always engaging. Other greatly developed characters were Touya (White Album I and especially II), Remus and Amnelis (Guin Saga), Hatchin (Michiko e Hatchin) and Erin (Kemono no Souja Erin).

Best Story

Michiko e Hatchin

This is a tough one, but I decided to give Michiko e Hatchin this award, because pretty much everything clicked. It was varied, it had a great conclusion, it was fun, endearing, tense and all sorts of other things throughout the series. Of course, Birdy the Mighty Decode also had a great story, Guin Saga had great politics, and Full Metal Alchemist and Armed Librarians are looking to be great contenders for next year’s version of this award.

Top 10 2009

I’m not going for a top 20 this year, for two reasons. First one is time constraint (hey, last years I didn’t have to write a decade summary at the same time as well), but also because I noted that as I compiled my list of favourites, that I really didn’t have any particular order for the numbers 11-25. There were a lot of great series this year, but just don’t ask me to rank them beyond a top 10. If you want to know which series I mean: Shangri-La, White Album, Pandora Hearts, Bonen no Xamdou, Ristorante Paradiso, Cross Game, Shin Mazinger, GA, Spice and Wolf II, Jigoku Shoujo Mitsuganae, Darker than Black – Ryuusei no Gemini, Hajime no Ippo – New Challenger, Full Metal Alchemist – Brotherhood and Shikabane Hime Kuro. All of these were great, just don’t ask me to rank them. Now that that’s out of the way, here’s my Top 10 for this year:

#10: Guin Saga

The Guin Saga was epic fantasy done right. It started out in a land full of creative creatures, races and locations, and gradually moved to a more politically oriented story, both of which rocked. Now granted, it is a very incomplete story (still waiting on that second season announcement…) and the animation at times wasn’t sufficient to capture all of the epicness of the storyline, but it’s a great series nonetheless, with a terrific soundtrack and background art.

#9: Aoi Hana

I really liked the concept of Noise: Fuji TV’s attempt to create a second Noitamina. All of the series that resulted from it were excellent, but it’s a shame that it didn’t work out in the end and the timeslot was dropped. Nevertheless, Aoi Hana was a truly excellent series with a great direction and production-values. It’s was very realistic for a romance series, and the characters were very charming and engaging to watch.

#8: Clannad After Story

This sequel of Clannad earned its place on this list, mostly due to the amazing developments it took during its second half. While most of the series was just a regular high school series (that has been done much better by other series this year, like Aoi Hana and GA), it really set itself apart from the rest during this second half. I’m not going to spoil what exactly happened, but the character-development that the lead character got out of it was amazing. Just a shame of that ending.

#7: Casshern Sins

Casshern Sins remained a very strong series throughout its second half. It still was beautifully drawn and animated, and the main storyline was very impressive. While it didn’t surpass the first half in terms of individual episodes, when you look at the total picture it remains a very impressive series with creative and well written dialogues and scenarios.

#6: Armed Librarians – The Book of Bantorra

While this is the only series on this list that hasn’t finished yet, I do want to include it somehow because of its terrific execution, which was a true breath of fresh air in the fantasy-genre. The way it weaves tons of different storylines into one is done almost brilliantly, and it really makes use of the past in order to flesh out the present, and give every character sufficient and memorable development. Hamyuts Meseta herself is my favourite: a unique anti-heroine that kicks ass and yet isn’t your stereotypical evil overlord…ess.

#5: Tokyo Magnitude 8.0

Tokyo Magnitude: a series that shows what would happen to Tokyo if it were struck by a huge earthquake today, all seen through the eyes of a young girl. And boy, was it impressive. It was a bittersweet series and the biggest tear-jerker of the year for me, and Mirai was such an engaging character. I’ve seen quite a few people who didn’t like the final twist at the end, but I personally loved the results of having this included. It made for a very memorable series.

#4: Phantom

Phantom turned into my favourite Bee-Train series after .Hack//Sign. It has many of their staples, but executed even better than usual. The great character-development of Ein and Zwei throughout the series is memorable and makes excellent use of its time-frame. The excellent music also adds. At times the drama may be a bit unrealistic and overstatement, but it had me hooked from start to finish.

#3: Michiko e Hatchin

I personally loved how this series had its moments of silliness, tension, action, drama and always made it a mystery what it would focus on next. On top of that, Hatchin was an awesome character, Satoshi was an awesome villain, Michiko was an awesome anti-heroine, and the chemistry between the entire cast rocked. The portrayal of Brazil was very accurate in my view, and this series always had something interesting. Definitely in my top 3 of this year.

#2: Aoi Bungaku

Madhouse did it again with this series. Amazingly stylish in six different and distinct ways, Each of the stories is different and stands on its own as a great story. The storytelling is just awesome, with as highlight Hashire Melos, but all of the other stories were amazing as well.

#1: Birdy the Mighty Decode 2

So my number one isn’t that much of a surprise for those who’ve been following my blog for a while now. The first season of Birdy the Mighty was pretty nice, but too childish at times. Then this series comes, and improves on it in every. single. way. The graphics are amazing, the action is fantastic, the characters gained tons of depth, it still pays attention to the setting and the people living in it, the storyline is compelling, the villains are awesome, I could just go on and on with singing praises over this series. It’s a well deserved favourite of this year, and only established Kazuki Akane even more as my favourite director ever.

Well, that’s it. A happy new year to everyone in advanced. And what were your favourites of 2009?

22 Responses

  1. Wyrdwad says:

    Man, I still say the ending to Clannad After Story was fantastic. If it had ended any differently, I don’t think I could’ve taken it… that show NEEDED the ending it had, or I would’ve been emotionally destroyed after watching it. (: Plus, even if only tangentially, it DID fit in with the magical realism of the show. It wasn’t an out-of-nowhere plot twist, but one that had been building in the background for the entire course of the show. All in all, I just thought it was really well-done.

    Anyway, nice list overall! An online acquaintance of mine keeps saying that anime is nowhere near as good as it once was, and lists shows like Bleach and Naruto as examples of how the whole medium has fallen. I keep telling him, he just isn’t watching the right shows… now, I think I’ll just link him to this list, to show him that even in 2009 alone, there have been a LOT of great anime.


  2. reverse says:

    1) Tetsuwan Birdy Decode S2
    2) Shin Mazinger Shougeki Z Hen
    3) Armed Librarians: The Book of Bantorra
    4) Blue Literature
    5) Michiko e Hatchin
    6) Requiem for the Phantom
    7) Tokyo Magnitude 8.0
    8) Aoi Hana
    9) Casshern SINS
    10) Tentai Senshi Sunred
    11) Full Metal Achemist – Brotherhood
    12) Shangri-La
    13) Guin Saga
    14) Hajime no Ippo
    15) Zoku Natsume Yuujinchou
    16) Bonen no Xamdou
    17) Darker than Black – Ryuusei no Gemini
    18) Kemono no Souja Erin

    Konnichiwa Anne, Spice and Wolf 2, Clannad After Story .Cross Game

  3. reverse says:

    forgot one thing
    since I view animation differently than you
    my top 3, Best Animation
    1. Birdy the Mighty Decode 2
    2. K-on
    3. Michiko e Hatchin

  4. Nomus says:

    Great choices and good arguments. Of course, I’ll never agree with you on “Zan Sayonara Zetsubou-Sensei”, but thats the only point. (Though I am really surprised there is no “Kemono no Souja Erin” in top 10) Haven’t finished “Phantom”, “Michiko e Hatchin” and second “Birdy the Mighty”, but now, I definitely shall. It was a good year for anime, I wish the next one will be at least the same.) Happy new year, hope it will be good for you and your blog!

  5. Solaris says:

    I don’t know. I dropped so many series only God knows. I can name so few series worth to remember, maybe Tokyo Magnitude or Shangri La.
    Sadly i still have to see a couple promising series such as Erin and FMA, so i can’t name those either!
    Damned lineage 2 still eats too much of my time. I still need to catch up with so many shows!!

    Btw Happy New year 2010!!!!

  6. veee says:

    Happy New Year! :D

    A lot of those series are still on my “to watch” list, so I can’t really choose ^^;
    Anyway, I’m glad to see slice-of-life series like GA and Ristorante Paradiso getting mention here :D

    Tokyo Magnitude was one of the surprises of the year to me. Aoi Bungaku was really good, since it’s still pretty fresh in my memory.

  7. m says:

    Xam’d was appealing visually. In a different setting it improved on common visual elements of Eureka Seven, which is the show it reminded me of the most. I really wish it had a longer run.

    Aoi Bungaku packs in a lot of raw beauty by having each director focus on 2-3 episodes. It’s like having them make little short movies out of classical literature. Its use of music mirrors this approach, and Ningen Shikkaku strikes me as the most complete when seen in this way. The shorter lengths of the segments really allowed them room to play with, and among other scenes, I watched the last scene of the last episode several times in a row. As a single entity it doesn’t have the rich world of a longer running series, but I do hope that they poach stories from literature more and trash heap less.

    The magical ending of Clannad After Story was foreshadowed continuously from the first show by the dumb technobabble that passed for physics and the other world they kept showing so I can’t really fault them for pulling it out. The way it was done may have been awkward, but I’m not sure how they could have better conveyed visually the sort of drudgery that visual novels must subject their readers to. If Key adaptations have a major fault it’s that their arcs are completely predictable, and if a character has anything resembling a slice of happiness in the show the next episode is going to stab you in the chest. The thing that always amuses me about this formula is that while I can always see what’s coming they are no less successful at manipulating my emotions.

    Michiko to Hatchin really had an interesting story in the style of a modern fairytale without the Disney magic, and even though I didn’t really find the story aesthetically pleasing I had to appreciate the world they built out of the setting. If it weren’t for some of the story hacks they used to continue the adventure and the cartoonish metaphors they relied upon a couple of times with the police chases it would have been even better.

  8. windy says:

    Happy new 2010 year and best wishes!

  9. Ruby says:

    I have ALOT of favs but I can’t decide among them >

  10. Reltair says:

    Lots of great series this year. Bones did excellent animation work with FMA:Brotherhood and Darker than Black 2. Looking forward to more series done by their studio.

  11. Machi says:

    You know… I would be wary about calling Michiko and Hatchin’s depiction of Brazil to be ‘realistic’. Sure it may have gotten some stereotypes known about the place, huge income inequalities, but its certainly a very much an outsiders view or put another way its quite an exotic view. It did pull off well its exotic view, and I laud it for that, but I wouldn’t go calling it ‘realistic’.

    I definitely agree with Armed Librarians being on the list for best of 2009 (though I guess by some technicalities it shouldn’t be there). But hey that series needs love. And somehow I doubt seeing the way its going that it would necessarily mess up BADLY.

  12. Canne says:

    It’s pretty cool to have an award for background art! and I think Guin Saga deserves it with Ristorante Paradiso’s Roman background close behind.
    btw, Where is DTB2?

  13. thomas says:

    I was really bored watching the first season of Birdy, to the point where I’m not really sure if it’s worth finishing just to see the second season…

  14. Alec says:

    i personally liked Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai , though it had some problems, then again I never watched the OVA coz theyre just basically d same thing, except its shorter….

    neways i liked d anime….
    and felt that the movie was crap!

  15. reverse says:

    @ thomas
    you’re not the first who said that. come on it ain’t that bad, you seen worst anime right.
    since you a bit discourage here birdy02 AMV,
    it contain hint of stuff that happen in second season, definitely check this out if you gonna drop it

  16. Denizen says:

    I mostly agree, though I have to say the best backgrounds by far are Basquash’s. Guin Saga’s were pretty, but anyone can draw forests and rocks – the architecture, design, creativity, colouring and detail of Basquash’s backgrounds are absolutely outstanding.

  17. Jeff says:

    Anyone know if Birdy Mighty Decode will get another season?

  18. reverse says:

    since I like the show, I shouldn’t leave thing unexplained as why i pick birdy02 as the best animation. if not it just a bias opinion

    my Priority went judging animation
    1.Character animation
    2.Simultaneous animation
    3.Background animation
    4.Clean/glossy animation
    5.Background art
    6.Character design

    people judge animation by only considering 6,5 and 4. it pretty unfair in birdy02 case because it not it main focus, the show has high level character animation, simultaneous animation and Background animation, which should be taken into consideration in judging a piece of animation. in 1,2 and 3 category birdy should be remain unrivaled by any tv anime period

    well i did pick K-on too.
    scratch K-on on my list, it difficult to explain why I pick that

  19. Shippoyasha says:

    One thing that is almost downright annoying to read for me was that the ‘most imaginative locale’ was Michiko e Hatchin. What about worlds that were totally created from scratch like Soul Eater or Casshern Sins?

    I can respect the love for Michiko e Hatchin, but the locale is not imaginative in my book. Brazil’s Favelas are pretty infamous for how run down it is. Sort of like how the Slumdog Millionaire used its locale. Very well done, but you really can’t call it innovative in my book.

  20. reverse says:

    After reading my post, it feel pretty immature of me to put K-on number 2 on the list. not that its bad, but there a lot more that are better. basically I subconsciously dismiss show that you thought has a good animation. before people dismiss my point because of that here the real list

    Birdy Decode S2 ( sacrifice art for animation fuck yeah since art is subjective matter anyway )
    Shin Mazinger Shougeki ( high framerate , multiple movement how could people say this show has bad animation )
    Michiko e Hatchin ( the most consistent animation of the year but never really has anything memorable )
    Bonen no Xamdou ( the start with amazing animation but only on the first 2 episode ) the framerate start to drop very considerably by each episode ( well its bones after all, they like to burn budget on the first episode )
    Basquash similar reason as to bonen no xamdou

  21. Firechick says:

    although my 2009 was pretty bad (because of family issues and school issues combined), I was still presented with a decent line of awesome anime.

    My top 10 anime of 2009 (some weren’t made in 2009, but I don’t care. 2009 happens to be the year I saw some of the series listed here)
    1. Tokyo Magnitude 8.0
    2. Zoku Natsume Yuujinchou
    3. Ringing Bell
    4. Clannad After Story
    5. Jungle Emperor 2009 special
    6. Haibane Renmei
    7. 07-Ghost (haha. Get it?)
    8. Yumeiro Patissiere
    9. Kobato
    10. Munto TV series (please don’t hate me for loving this)

  22. Firechick says:

    Aw, dangit! I forgot to add Aoi Hana to the list! Durn!

Leave a Reply

Though I actually was happy when they went invisible as that's when I can shave off a heavy chunk of their HP. Still if you happen to miss the small sign of where they jumped then you are screwed on that.
Healing, huge area of effect attacks, grab moves with barely any windup, freeze weapon effects that slow down attack animations, three goddamn forms, can turn invisible, long ass combos leaving little counterattack room and having to fight two bosses at the same time. Honestly, my victory here really depended in them not using certain attacks.
@Lenlo, I liked the visual design and the idea of it. However they gave it far too many cheap attacks. The second form is way to chaotic and depending on how they attack can put you in a position where you really can't do anything. Like when one breaths fire while the other starts healing, then you can't stop it. The final form as well, the minute they get you into a corner, you are done.
Whaaat? I loved that last boss.
Took me 2 and half hours to see everything in the DLC. Took me another 3 hours to beat the boss. Damn that boss had me in the zone. I think its was a serious bullshit artifical difficultly boss but man...beating that bullshit boss solo...felt good.
@Mario, starting to think I didn't need my help after all. I hope they make something worthwhile.
On a unrelated note the Dark Souls 3 DLC boss is serious bullshit.
Hey Aidan, thqt Kickstarter project Mecha-ude has passed its goal (nearly double now with 10 more days to go). Seems like people getting real hype for it
Wonder if Bam has played the new Dark Souls DLC. Found it rather lacking when compared to previous DLC from the last games.
@Anon, it's just a video of a still image of anime girls in bikini's with a red circle around one of their chests. Seeing as this thing has no views or subscribers my guess is someones is fishing for views. To which i say...what really is the point of making videos if this is the only way you can get people to watch them?
[link src="
I"] hate this crap that they corrupt anime with (crappy video that insults anime)
So RWBY's back. I actually miss the whole RWBY team. Still prefer Ruby's old custom more. Nora looks cool.
With the fourth episode, Vivid Strike seems to have crossed an invisible line that makes it more like the original Nanoha shows rather than Vivid. The kind of brutal beatdown delivered by the co-protagonist and the build up to it is something quite alien to a normal SoL/Sports anime show.
Ep. 4 of Tiger Mask was a lot better than the last 3, quite a hyped fight that was a full 6mins long. Will continue watching in hope of an awesomely long final fight.
Kaiser Eoghan
Kaiser Eoghan
Going back to the fanservice topic, its very easy to complain about it in anything but then something actually comes along that actually does it for you. I mean I always say that I don't watch a show/movie for its fanservice elements and stick with pictures on image boards, but then I ended up seeing a film where I actually got something out of the fanservice while watching the film its.
Kaiser Eoghan
The oujia prequel was competent genre fare, the director cared about the characters and every now and the built up a decent mood. Although jump Scares are there . And I always appreciate a horror film having a mean spirited ending. One of the rare cases where the young actors do well in a horror film. The pace is a bit uneven, rushed and a bit laggy .
Kaiser Eoghan
In the sense of how messed up/especially bleak those two episodes were.
Kaiser Eoghan
There was the sense too with both those episodes of "Jesus...I wasn't ready for that...."
Kaiser Eoghan
Though the first episode of the first season and the third episode of season 3 are very hard to beat. Adding to what I thought of s3 ep3 I felt that one hit me on the same level as s1 ep1 did so.
Though in previous seasons I generally only really liked 2 out of the 3.
@Kaiser, though the previous seasons where only 3 episodes long and you enjoyed 3 out of 6 in this season. So yo essentially get the same amount of enjoyment as previous seasons.
Kaiser Eoghan
Based on my comments, it looks like I had a mixed reaction to the third season. Three out of six, but the great was was great and forgives it but I still feel that there was more of a consistentancy in quality in the other seasons. I enjoyed every story in seasons 1 and 2.
Kaiser Eoghan
The final episode felt like a movie all on its own, I'd have gladly watched another thirty minutes of it, ending was a nice punch in the gut.
Just finished black mirror season 3. I hear people basically complaining that it's not as strong as the previous two season but I disagree. I really enjoyed this and this is a show that deserves much more episodes. Personal favorite is between shut up and dance and hated in the nation. Worst I thought was San Junipero. Overall thought each episode was interesting.
Kaiser Eoghan
On the upside I loved black mirrors fifth episode, I'm a sucker for war/action-dramas and I particularly liked the tech in this one.
Kaiser Eoghan
Yeah this is impossible for me to sit through, the romance part is also rather dull.
Kaiser Eoghan
Eh, this fourth episode is plodding and trite, feels like a bad, poorly dated 90s film.
Kaiser Eoghan
@Aidan: Third episode also instilled a great sense of paranoia.
@Kaiser: thanks for that mate. I have too much to say for Flipflappers but to put them all in coherent flow is goddamn hard. And like I said I still fell I left many details out: that gung-ho potato or Yayaka and the twins
@Friend: jugding from the last convention I went to, people loved Re:Zero customs (Emilia and Rem, Ram were highlights. Or you could try RWBY characters (I for once love to see someone cosplay Pirrha Nikos or Velvet Scarlatina)
Kaiser Eoghan
@Aidan: Didn't care much for new black mirrors second episode, then again I'm not really the target for that story. The third episode while a bit heavyhanded and predictable was suspenseful, nasty/mean and I liked that about it, did in 50 minutes what some thrillers fail to achieve in two hours.
Holo is a good one :0
Materials aren't a problem at all for the most part, except for anything too crazy like working in brass. I'd prefer it to be characters I'm familiar with.
Does it matter to you that they're from shows that you like, or are you just in it for the challenge?
@Friend Aidan has some good ones there. I'd also give the cast of Akame ga Kiru a shot, I don't like the series but it has a lot of neat character designs.
I was thinking simple as I didn't know what kind of materials you got on hand. I was also thinking of Holo from spice and wolf or Kino from Kinos journey either.
Mm, Tatsumaki might be not challenging enough to design for. Doesn't Shiki simply wear either a coat or Japanese kimono? I do work in set design and not in character prop design, but I'd love to try something that would let me reasonably challenge myself.
@Friend, Spit balling here but Tatsumaki from One Punch Man? I know the costume for that one would be simple enough. Or maybe Shiki from Kara No Kyoukai?
*I don't want to do anything too complex for my first try, but I also don't want to do anything boring. Boring would be a character like Rukia or Celty. Any ideas?
I remember talking about this with Emma/Kaiser before, but has anyone here gone cosplaying at an expo before? I thought it would be neat to try designing my own costume and try something else beside drawing on a computer.
@Kaiser, I am up to episode 4. 3 has been the best one so far.Though in all these episodes I pretty much figured out the twist from the get go. Still this shows always tends to get you thinking.
Kaiser Eoghan
I think the roles/identity thing with flipflappers, at least with the protaganist does fit in well with adolescence.
Kaiser Eoghan
@Aidan: I've only seen the first episode so far. I felt the acting was intentional and reflected the satire Brooker was going for on the shallow nature of society. Bleak as ever but gloriously grotesque.
Kaiser Eoghan
@Mario:Good in depth reviewing there Mario of flipflappers episode three.
Good god this first episode of black mirror is hard to watch. I know exactly how it's going to turn out but it's just so damn painful to watch.
Well, tbh up to where I've seen there's not much explicit yaoi in yuri on ice, only a lot of fujoshi fuel.
@Kaiser. thanks for the torrent. Gonna blaze through this today.
@Topgavin, as someone who watches a metric ton of anime I am rather surprised at that estimate that 90% of it contains Yuri.
My god those gay scenes in Yuri on Ice are hard to watch for me. Wonder if this is how it feels to be a girl watching 90% of normal anime nowadays.
okay, Flip Flappers episodic review was up. This is my lengthiest weekly review so far and I still feel I missed a lot of points. Damn you Flip Flappers
Kaiser Eoghan
You have seen the light, not needing to know everything thats happening to enjoy something ^_^
Kaiser Eoghan
I've given some consideration to reviewing that oujia film followup.
Whether you see one or the other is entirely up to your preferences, so it makes no difference to me which is worse. I have gotten very tired of generic character types, but again that's just because of the things I decide to regularly follow.
I will say if it must come down to either unnatural dialogue or unnatural character types, at leas the character type is speaking their own words and not the words of the script writer.
Or was that a black and white fallacy? Maybe it was a little of both.
@Realjustified, K-Off wasn't agreeing with me. That's a Moving the Goal Posts logical Fallacy but well I will answer regardless. Honestly it's preferable to have neither. The big mistake you are making here is that you are putting down a condiction that a show must have one or the other. But both cartoons and anime can have both. I just think it's a lot more prominent in cartoons than anime.
Like, having read hundreds of harem manga over the years, a majority of the ultimate love interest always happens to be the first girl the protagonist meets.
Wait wait wait wait. Aidan and K-Off. I get that dialogue in cartoon can seem like it was written by a script writer, but at the same time, lots of anime have characters whose sole purpose is entirely scripted. The whole spectrum of "deres" and everything. What do you think is worse? Unnatural dialogue, or unnatural character types?
You guys should really go fuck yourself, it's a solution and it's nothing short of great!
You guys should really watch the first 4 episodes of Bungo, it's a prequel and it was nothing short of great!
omg!! I just realized To be Hero was one of the show that I reviewed its 1st episode back in Chinese Animation post. I watched raw then though
forgive me if I'm a bit too overwhelmed by Flip Flappers... For this episode alone I took like 25 screenshots...trying to write a review now...
I have absolutely no idea what is going on in Flip Flappers plot. And yet for some reason I am OK with that.
Anyone out there that's a fan of crude humor should go watch ep.3 of To Be Hero. Certinately stepped it up a notch from the last two humor-wise.
One downside I can think of already is that I'm bound to lose or break one of the detachable controllers. The cost for those pieces is what I'm most interested in.
Nintendo Switch hmm? Honestly it looks too good to be true. I expect some major downsides to this thing.
I like cartoons, don't get me wrong. Certainly good for a change of pace. But there is something about the way they are written that I find rather distracting.
I don't know, maybe if I said it's like the difference from how characters talk in movie vs how characters talk in a sitcom?
@K-Off, I said one liner's or jokes. Not one liner jokes. It's hard to explain. Basically when I hear a conversation in anime even if it is based in stereotypes, it at least feels like a conversation that's being had in the moment. In cartoons however there is a layer of artificiality and it feels like characters know what a person is going to say and has a response prepared.
That's probably why some of my favorite anime in recent years haven't been very heavy on character archetypes, or were either parodies of it.
Comedic dialogue with anime in recent years have leaned too much on the idea of playing off character archetypes. The collected character vs the energetic character, for one. I'd like to see more variety. Some more word play, hyperbolic humor, body humor, etc etc.
@Aidan Not quite sure what you mean by that, because it's certainly not even a majority of cartoons that rely on cheap one liner jokes. I suppose it's entirely up to taste, but I can appreciate the energy in cartoons like Steven Universe or Regular Show when compared to the increasingly repetitive dialogue found in some recent anime.
@Topgavin: I just read that review and his main reason being Shelter is pretentious. oh well! Can't never please anyone.
Thought I'd check out the reviews for Shelter on MAl and the top review is a 1/10. Apparently because it's a cute girl we sympathise with her more, which is bad because reasons. I mean.. what? MAL never ceases to amaze me
@Mario, no. It's more that the dialogue keeps trying to push out one liners or jokes regardless of whose talking.
@Aidan: maybe because they spoke in your native language do you can feel that it's artificial, ya know? I know I have the same problem with Vietnamese drama/ cartoon and maybe Japanese people have that same issues with anime?
By which I mean, the way characters talk in cartoons is very...artificial. Like you can tell that the dialgoue was clearly written beforehand and it never really sounds natural. At least to me.
@Anon, I wouldn't. The writing and structure are too cartoon. What with the episodic nature and dialogue that generally pushes for a comedic tone.
Kaiser Eoghan
Flanagan also directed absentia which I haven't seen yet but I think someone I came across of 4chan linked it to being lovecraftian?
Kaiser Eoghan
Oculus was a film of two halves for me. Hush was a pretty standard home invasion thriller, making the victim deaf was an interesting twist but not as unique as you might think, still suspenseful though.
Kaiser Eoghan
I never saw the first oujia film. Though Mike Flanagan who did the sequel, he's never made a bad movie but he's never really made a great one either.
Kaiser Eoghan
I stick to the firm belief that cartoons and anime, visually should do and be their own thing. I'll prefer a western artstyle for cartoons rather than one pretending to look like anime style.
But this is a good topic and I'm sure everyone has their own opinions so I'm looking to hear some more arguments
@anon352392: no they aren't. For me not because of where their production based, nor their intended audience, but rather their styles, both visually and storytelling-ly, are different
Anime,” they assert, is not a “style” of illustration or animation.
That's where I differ to those guys. For me, anime is a style. In that sense, I consider RWBY, and Canadian-produced short Flutter as an anime. Thunderbolt Fantasy is not and anime-influence shows/movies that are intented for Western audience like AniMatrix or Afro Samurai are anime
@Anon nah they wouldn't be because they aren't made by a japanese producer for the japanese market. Quality isn't the question, production is
NX and Red Dead Redemption 2 trailers tomorrow.
They are good series and i honestly like them alot more than most anime series, would their quality make them anime?
What about cartoons like Steven Universe, Gravity Falls, Wander Over Yonder, Star Vs The Forces Of Evil?
In other news a sequel to an absolutely terrible horror movie called Ouija is out and it's...actually pretty good? Wondering if critics were paid off or it is legit good. Well it did have the guy who was behind Oculus and that was a pretty good movie.
Simplify the term down enough and anime is literally anything animated but the whole point of the term is to distinguish it. For to call Spongebob an anime makes me want to projectile vomit. Point is this, you say you watched a cartoon, people think Tom and jerry, Scooby doo etc. You say you watched an anime, people think Cowboy bebop, Attack on titan, etc. Whole point of the term.
For example, I don't consider Avatar or RWBY to be anime for while they use anime style, the writing is fundamentally structured like an American cartoon. Through I would consider Bloodivores an anime even though it was made by a Chinese animation company, making it technically a Chinese cartoon.
As far as what is and isn't anime I honestly think of the term as a means of distinguishing it from cartoon which gives the impression of being for children. It's like Graphic novel is to comic book. Though techically graphic novels are issues of comics bound in book form, the term Graphic novel is often used to distinguish works that go above superhero comics and whatnot.
Basically I think it was due to Porter Robinsons involvement that they didn't consider it anime.
@Aidan: Did the mods give any concrete reasons why they didn't consider it an anime?
@Mario, It wasn't the community that had the problem. It was the mods. The community made it pretty clear that they considered it anime.
So despite the art style is obviously anime, the character speaks in Japanese, and the production was animated by A1 Studios, it's not an anime? Sometimes I feel sad that the anime community keeps limiting themselves with such fixed minds.
I saw it yesterday and yes it was good. For a 5-minute story, they don't make it too overwhelme with details, and still pack an emotional punch. Moreover it elevates the song. Good stuffs.
Shelter was quite good though. It works well and the animation was beautiful. Song is not bad either. It's got a nice emotional punch to it though it's a bit simple a story.
Well anyway I only saw all this because I checked out the video for the first time and wanted to see how others thought of it with a quick scan through reddit. And I get this shitshow instead.
Playing the victim is the one really pisses off the internet. For refusing to admit you f*cked up only encourages people to shove how you f*cked up into your face. That's what really grinds peoples gears.
Yep, seen that too. The mods even put up another tread about the video and tried to guilt trip people by saying they got death threats. Look, internet rules 101. If you said or did something stupid admit to it and just walk away. Do not try to deflect blame or play the victim, that only adds fuel to the fire.
@Aidan oh yeah saw that live lol. Porter himself even commented on twitter about it, gotta love internet drama
So did anyone happen to catch the big old shitstorm of that Shelter music music when a mod of the Anime subreddit decided it wasn't "Anime" enough and removed the discussion post about it? Oh internet drama...what silly nonsense.
Finally caught up with JoJo. Diamond is Unbreakable has turned out to be much better than Stardust Crusaders. Should have waited for the season to finish through as I really loved marathoning it.
I had a feeling that might be the case considering the source materail for luger.
@Mario Oh I watched that, certinately worth it. Packed more story that some 12-episode shows do nowadays and gorgeous animation.
and I will check out "Shelter" music video to see what all the fuss is about
*this weekend to be exact.
Sounds like Luger Code 1951 is an OVA that will air next week, the same air date with "my" Zaregoto OVA.
@Mario: doesn't sound real at all to me lol
@Mario, I might be able to manage. If all else fails I can talk about the past of these historical figures.
While I don't mind watchinng Drifters, I swaer if I had to cover that show, I couldn't come up with anything to say.
Do you guys know what language the fairies speak in Drifters? It does sound like a genuine language
@topgavin: humanity has declined is a great show. It has good writing and dark, witty sense of humor. I could talk about it in length but psgels pretty much covered it all. He was really impressed by that show however.
That should be me covered till the weekend. Why do all my shows air on the weekend...
@Mario nah I've watched the whole thing but I'd heard about it at the start of this year and put it off. The dialogue between her and the fairies was great stuff, probably gonna rewatch it this weekend now that you mention it
Alright, I got three posts written up and will be throwing them out in about two hours or do.
I thought you've finished it. Yeah I love her character a lot, so cynical but witty. My favorite moment was when she read about fairy's plan to invent religions. She was like "so religions are invented?" (beat) "I've learn something new today". Priceless
@Mario Oh nice, it was one that I had heard about but never got round to. To put it in simple anime terms, Watashi is best girl
@topgavin: I just finished the series yo mentioned the other day: humanity is declined. Man, I love it. I know now I have a thing for dark twisted absurdist anime
@Ano340004: the name is Watashi ga Motete Dousunda, or to put it short Motete. I have fun with it but i'm not that enthuastic
@anon the english name is Kiss him, not me. Search through the first impressions if you need the jap name.
then that girl really loves BL (boy love)
what is the name of the anime that the girl is fat and then she got depressed because her favorite boy anime died then she got thin?
Season 7 is awesome so far too. It feels like the tone of the show is finally back to normal and it feels like Adventure Time again.
Whew, I binged all seasons of Adventure Time this weekend. The show hit a low spot in Season 6 but I think it needed to happen...Poor Finn needed the serious character development after what he did to FP.
You guys are too hard on it
Motete is very funny
Kaiser Eoghan
When it comes to gag manga and four-koma, I just eventually reach a stopping point with a comedy series in that format. Even with hidamari sketch.
I think it was typical light novel trash based on what was in the PV. I laughed that despite it being horrible that the crowd still cheered anyway, likely because it had a bath clip in it.
The PV was hilarious. I had no idea what the anime was about.
@Aidan I'm good, I'll stick with Working.
@K-Off, you could switch to something like Gi(a)rlish Number if you like. I for one am really digging the satire of the show. Plus I like that it's basically showing how an utter train-wreck of an anime can be made. That PV in the last episode was truly painful.
Feeling pretty disappointed with Working. I haven't gotten any more cynical with comedies, at least I don't think, and its flaws are so irritating.
@Adam Le, I find that with Comic book dialogue. Which is one of the reasons I have gone off marvel movies. Cartoons have it to a degree as well.
I love the instagram shots in Yuri
Maybe I can have a watch through those live action films and do a compare/contrast to see which version works better. After all movie and tv series are 2 different medium, and live-action vs animation is the topic that we never get tired of
speaking of which, the overlap between anime and live-action adaptation from manga is overwhelming. For this year alone, there were Erased, 3-gatsu no Lion, Fune o Amu, orange, and Chihayafuru (part 1&2). Those were just the ones I know.
@Adam: Don't know which genre you're into but you can try Fune o Amu (The Great Passage)
Adam Le
I can't seem to get into any of these new shows. I don't know, the dialogue always seems off to me and the forced comedy is a big turn off.
Reminds me of a thought I had when I was last at the Getty art museum. People walking past works of art hundreds of years old, but only taking a second-long glance before moving on to the next one. Not their fault really, it's only the professional critics who can understand what they see with depth.
I'm the opposite really, they're getting paid for what they said so they better know their shits
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