Posted by psgels on 15 March 2010 with categories: Anime Reviews



My one big fear for the second season of Emma is that it would be too ambitious. You know, when a formula works in one series, the creators try to do the same, only bigger in the sequel, ruining the subtlety that made the original so wonderful. And indeed: Victorian Romance Emma’s second season is a lot more emotional than the first. But it still works wonderfully. What a great romance series!

And granted, while this season isn’t as subtle as the first, it packs a punch with powerful character-development. It’s all about making difficult and life-changing decision that all have their consequences, inside the uptight English noble culture of a few centuries ago. Emma herself still is a wonderful character, with an excellent combination of strengths and weaknesses. William, the male lead also grows tremendously throughout this season.

The animation quality is also surprisingly good for a slice of life series. The poses are creative and consistently detailed with a great sense of aesthetics. The soundtrack is also even better than the first, with a lot of simple but powerful piano tunes, and other kinds of classical instruments.

In order to tell its story however, this series does pull a few coincidences that might not fall well. The way that the story is continued is a bit questionable, and the climax as well, while closing off the characters wonderfully, does include a few strange accidents, that curiously all happen at the same time.

Nevertheless if you ignore that, then this is a series that’s very well built up. Like the first season, it’s a series in which not a lot happens, but that allows the creators to really explore whatever does happen in great depths. I’ve never really understood the appeal of the maid fetish, or why so many series need to have one for God’s sake, but this is a worthy exception: mature, engaging and heart-warming. A recommendation for everyone who likes history and romance.

Storytelling: 9/10 – A few coincidences don’t stop it from being very well built up and giving everything ample time to develop.
Characters: 9/10 – Wonderful characters with great development.
Production-Values: 8/10 – Very solid.
Setting: 9/10 – Excellent depiction of Victorian England’s upper classes.

5 Responses

  1. Chris says:

    Reminds me of those Mexican and European soap operas, where they have moments of epicness but since they’re so long they have too much filler. Well since Emma is a short series they cut out the filler an left in only the huge story elements and it made the series engaging and the characters lovable —Elanor is such a tragic character =(

  2. Alec says:

    is this anime any good?… il give it an episode or 2..hope i wont drop, but it seems unlikely that il drop this since its been licensed.. i expect good things from this one

  3. Machi says:

    The thing about this rendition is that it lacks the subtlety of the first season big time. Along with that the restraint, which is what I applaud the series for as Emma and William never really give in to their romance entirely making sure that the series never falls entirely into a melodrama. The whole thief scenario in the first episode was totally unecessary and just added drama where there was none. This in turn does lessen the impact of a much more powerful scene which is when Emma cries during the party. The difference with Emma just coldly accepting the new life at the manor was just much weaker with the addition of the drama showing her to stand out, put another way her earning her place rather than quietly working.

    On the otherhand with this rendition its obvious that the animators were more interested in the melodrama and allowed it to dominate much more than it should. The whole Hanz, Emma, and William love triangle was just excessive (part of Hanz’s charm was that you never really saw him entirely fall for Emma leaving him an enigmatic character while here its obvious that he wears his heart on his sleeve). I think the biggest qualm I have about this love triangle is the fact that it does lessen the impact of Emma’s love for William as she actually considers another man. In the original she simply thinks about William and does not consider anyone else.

    My qualm with the direction of this second act is really that it ended up being a watered down version. They added spice to make it more digestable but ended up weakening key scenes which relied on the subtlety of the original. Don’t get me wrong I’m not calling the Second Act bad it is good in its own right just that it could’ve easily been better.

  4. windy says:

    If it’s so well written it’s because it faithfully follows the main storyline of the manga,they’ve just completed the story as it should be , they didn’t sort it out of nowhere because the first season happened to be success.

  5. n3wgrass says:

    Everyone’s looking askance in those pictures. lol

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  • Bam
    (Tuesday, Sep 1. 2015 03:47 AM)
    the original LoK:Blood Omen was a pretty expansive RPG tho. Nosgoth felt like a lived-in world with quite a sprawling story and landscape. You can equip weapon, armor, item and magic from an interesting set, and it was one of the few vampire games were you could use all of their famed forms: bats, wolf, specter and even a human disguise to talk to town-folk who will remain dead and come back as ghosts after slain.
  • Bam
    (Tuesday, Sep 1. 2015 03:44 AM)
    @Aidan: well the company went bankrupt, so whatever they were doing didn’t work out for them too well. Eternal Darkness had decent gameplay imo- the sanity meter was a pretty cool concept. They tend do expect too much and overload their battle mechanics which aren’t as robust as they think.
  • AidanAK47
    (Tuesday, Sep 1. 2015 03:24 AM)
    Bloody hell. I was going to quit at Soul Reaver 2. And you tell me the game doesn’t even end there?
    Silicon Khight seem to me like a company who tend to go for story over gameplay. Same went for eternal darkness. Shit gameplay, good story. It’s a pity that sequel kickstarter didn’t get funded.
  • Bam
    (Tuesday, Sep 1. 2015 02:35 AM)
    Time doesn’t do PS1 era 3D games any favors either. The never-before-seen scope and sprawling worlds end up feeling claustrophobic now, and low polygon models with no texture don’t get any better with age. The style, story and voice-acting still remain commendable tho.
  • Bam
    (Tuesday, Sep 1. 2015 02:29 AM)
    @Aidan: That’s generally what happens when you break relations with the original creators (Silicon Knights of Eternal Darkness and MGS:Twin Snakes fame) and then overshoot your capacity so much that you end up breaking an already reduced game straight in half; the story of which doesn’t get resolved until LoK:Defiance.
  • Bam
    (Tuesday, Sep 1. 2015 02:24 AM)
    I don’t think I’m invested in any anime/manga franchise’s story as much as Berserk; which probably sucks cuz we have a pretty high chance of never seeing it concluded. I speculate that if we don’t get to an important juncture before the next ‘break’ then the series will end up unfinished.
  • Bam
    (Tuesday, Sep 1. 2015 02:19 AM)
    @Kaiser: yeah it’s nice to see that Miura still got it, that was some of the kinetic battles that he’s known for. It’s all good to have him meeting his deadline schedules too; he might be back on the horse for real this time.
  • AidanAK47
    (Tuesday, Sep 1. 2015 02:17 AM)
    As someone who used to play this games demo on a PS1 and loves the design of the character and story…I think it’s fair for me to say that Legacy of Kain Soul Reaver kinda sucks.
  • Kaiser Eoghan
    (Tuesday, Sep 1. 2015 02:07 AM)
    I expected more of the chrono crusade author but the plot has now descended into a mess.
  • Kaiser Eoghan
    (Tuesday, Sep 1. 2015 02:07 AM)
    I the only one really disappointed by how the manga, World Embryo turned out? Ever since after the revealed the identity of the villain its all been downhill.

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