Posted by psgels on 27 March 2010 with categories: Anime Reviews, Eden of the East



After watching this movie, I’m sure of it: Higashi no Eden should never have been a Noitamina-series. The time-slot is perfect for those short stories that have a small but dedicated focus a la Tokyo Magnitude, slice of life stories like Hataraki Man and Antique Bakery or episodic series in the way of Kuchuu Buranko or Hakaba Kitarou. Series that want to tell a huge story are far better off with a regular time-slot of 26 or more. This is the mistake that shows as Library Wars and Jyu Oh Sei also made. The series of Higashi no Eden just jumped around too much to really allow the story to develop properly.

The movie’s pacing is completely different. It’s here where Kenji Kawayama has more than enough time to spend on telling his story. And that’s exactly what made it work for me. It’s a shame that the build-up of the first season left things to be desired, because otherwise it really would have been an excellent movie.

And seriously, I was expecting the two Eden of the East Movies to jump around just like the TV-series did. Instead, they focus on believability and realism. The background sounds are kept to a minimal. And instead we get to see long, long scenes of character-building that don’t attempt to cut any corners whatsoever. It really takes its time to let everything flow naturally, which makes for a very slow-paced movie, but the characterization is worth it. This really is just like Seirei no Moribito: not afraid to get boring in order to be realistic, which often has its uneventful times. It’s been a while since I’ve had the chance to watch such an anime, and it’s without a doubt refreshing and I’ve got to admire the restraint of this movie, avoiding the use of overly cheesy monologues or over the top plot twists, while occasionally packing a punch where needed.

There are a bunch of weird things with this movie, though. While the TV-series did a surprisingly good job at handling the language barrier, the movie… um… didn’t. One scene shows Saki talk in English to an American with a really weird accent who uses really short sentences. A while later, we see Akira talk to the same guy, in JAPANESE. The American understands him and just talks back in English. Uh, why? How? There are also some of the side-characters that I still couldn’t buy. The comic relief of Saki’s friends… I’m still not much a fan of them.

Nevertheless, I have to admit: a lot of attention to detail was put in the atmosphere of a young company. I can very much relate to that (due to my current internship and all), and I must say that the creators caught it spot-on. And that’s really the great thing about this movie: the realism that you really don’t get to see in many other anime. Despite the hiccups, this movie was really refreshing compared to how the TV-series disappointed me. There are still a ton of questions that need to be answered in terms of the plot. But hey, with 90 minutes, Paradise Lost should be able to do it.

Storytelling: 9/10 – Much more focused than the TV-series. Really slow pacing allows for lots of realism.
Characters: 8/10 – Such a slow pacing gives a nice feel to the characters, but they still spend a bit too much time on exposition + badly portrayed Americans.
Production-Values: 9/10 – No significant increase in quality compared to the TV-series, but that one already looked awesome so there still is a ton of eye-candy.
Setting: 8/10 – I first want to see what Paradise Lost is going to do before celebrating this part: there is a ton of potential in this setting, provided that the next movie handles it well.

11 Responses

  1. Shounen A says:

    Given how the King of Eden unfolded, I have a good feeling about Paradise Lost.

  2. PL says:

    That part with the cab driver…he doesn’t understand except for the words Akira speaks in “Engrish”… terrorist, bomb, police. That is why he keeps acting confused, besides just generally not wanting to say anything about his involvement with saki. Granted, it wasn’t handled well, and his voice acting was atrocious, but it does make more sense than them understanding each other.

  3. Amper says:

    Where did you dl/torrent this from or do you understand Japanese so you just watch the raws?

  4. Nichokiu says:

    I was wondering the same thing… I’d really like to download and watch the subs to this movie!!

  5. psgels psgels says:

    Subs have been released. You can find it on Tokyo Toshokan.

  6. Puran says:

    Let’s all hope paradise lost is the awesome conclusion this series needs it to be. And after all this build up it has to be awesome.

    King of Eden was good, but we still don’t have any answers to the real mysteries of the series.

    With that said, it did flow much better than the series. The mystery parts and the romance parts blended together much better than it did in the series.

  7. Jeff says:

    I was somewhat confused about those trailers/trucks at the end :/ where did that plot device come from?

    everything else was good ^^;

  8. Phil says:

    The trucks confused me too – according to the wiki page each contained the matching part of Juiz for that Seleco (this is how Juiz was moved), so when a truck was destroyed they were removed from the game.

    The sub I watched didn’t have the phone mesages translated so it might be made clear in those.

    I did think that Juiz seemed more chatty and human than in the tv series

  9. PL says:

    This was foreshadowed because on the phone, JUIZ had a very different personality depending on which Selecao she was talking to, so I had already guessed that each Selecao had a different JUIZ.

  10. Elle says:

    I honestly wasn’t a fan of The King of Eden. The series was far too short, making the plot holes many. And for me, the series was much too rushed for me to understand what was going on, so there were quite a few parts in the movie that I didn’t quite understand.

    And considering how many plot holes that the first movie left un-filled, I have my doubts about the second movie. You don’t have a single clue about the Supporter, you only meet half of the Seleção, there isn’t much info Ato Saito, the mystery of Juiz’s location, and (what I found dissapointing) the lack of Akira and Saki’s current relationship. The series is listed under pyschological, mystery, and romance, and I thought the series was lacking in that last aspect.

    However, I did think that the series had an addictive plot line, interesting characters, and exquisite design. I just thought it was far to rushed and didn’t live up to its full potential.

  11. Elle says:

    (Forgot this part)

    I just think there are too many plot holes to be filled within a 90 minute time frame.

    If there is a single bit of hope for more episodes, I think they should jump at the chance. This anime was far too good to end at 11.

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  • Emma
    (Tuesday, Feb 24. 2015 07:21 AM)
    All thats left now is macross 7.
  • Emma
    (Tuesday, Feb 24. 2015 07:20 AM)
    However this one begged to go on for more than just five episodes, come on now and it had the franchises penchant for weak villains. It doesn’t get me as emotional as do you remember love does, the characters of Macross plus were more likeable. Still its a step above Macross II and I at least had fun with it on an action level.
  • Emma
    (Tuesday, Feb 24. 2015 07:17 AM)
    Thats Macross zero completed then, it was great to see the background arc/plot for this franchise, the pace is tight and the action is arguably the most immersive, well done of the Macross universe along with Frontier.
  • Bam
    (Tuesday, Feb 24. 2015 04:33 AM)
    While Tatami Galaxy and Ping Pong were definitely sharp I felt that Kemonozume and Kaiba were more inventive.
  • Emma
    (Tuesday, Feb 24. 2015 04:30 AM)
    Aye,it was the visual style of the film being so different from the norm that drew me in. Still out of Yuaasa’s stuff I found myself more taken with tatami galaxy.
  • Bam
    (Tuesday, Feb 24. 2015 04:22 AM)
    I think creatively the anime industry has plateaued a bit by now, where we see more derivative stuff and there has a formed an almost universal “anime style” which hinders non-traditional voyeurism.
  • Bam
    (Tuesday, Feb 24. 2015 04:18 AM)
    I love the tonal whiplash that the story goes thru and the then-impressive-and-new visuals. Both 4°C and Hifana take queues from the Kansai art and the underground graffiti styles that prospered in Japan after the 70’s. Parallel to the postmodern movement in the Western world, the new wave was more expressive than fine and you see its heavy influence on the manga and anime industry.
  • Emma
    (Tuesday, Feb 24. 2015 04:14 AM)
    @Bam: It is at the last stretch on the film where it is at its strongest visually in my opinion.
  • Emma
    (Tuesday, Feb 24. 2015 04:10 AM)
    @Bam: For only 100 minutes it did a decent enough job on its protaganist in any case.
  • Bam
    (Tuesday, Feb 24. 2015 04:02 AM)
    Mindgame is amazing. It is as unorthodox as they come but not really pretentious. It’s pretty humble and does have an actual message and proper story arc, so it’s definitely not just random for random’s sake. The industry needs more Yuasa.

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