Posted by psgels on 28 March 2010 with categories: Anime Reviews, Hanamaru Youchien




Here’s a slice of life series that’s slightly different from what you usually see. The lead character is really a typical lead character, but he’s an actual adult. The series takes place not at a high school, but a kindergarten. Add a whole dose of role-play to that, and you pretty much get the formula of Hanamaru Youchien. A fun and relaxing series. And as an added bonus, the characters are well written as well.

Hanamaru Youchien basically spends its time either role playing, or fleshing out the characters. The former is just fun: we get to see inside the imagination of a bunch of five-year olds and their crazy ideas, and all of the adventures that they go on are consistently enjoyable, carrying an air of homage and parody that the creators (both Gainax and its director Seiji Mizushima) are famous for. The latter actually succeeds in making all of the adults into actual characters rather than stereotypes and paper bags.

Especially Tsuchida, the lead character, is one of those rare examples of a typical male lead done right. While he can be a loser at times, he also has enough things that he’s good at, his character is dynamic enough to allow him to evolve, rather than staying in the same one-sided stereotypes. The side-cat is also excellent in their support to the main cast. We get to know the backgrounds and motivations of everyone, and why they become involved as kindergarten teachers. In the end, the adults in this series get fleshed out so well that they actually manage to trump the adventures of the different kids in the series.

The biggest problem with this series however is that it doesn’t know whether it wants to also have romance or not. The ingredients are there: the lead character has someone he’s in love with. she’s just ridiculously clueless and at the end they’re still not together. I mean, if you’re going to set up some romance, at least have the decency to not build a brick wall between the lead characters.

There’s also a bit of an annoying sister, but she only appears in two episodes or so. The rest of this series is light-hearted and down to earth, but still has this sense of maturity that contrasts really well with the younger kids. The drama that’s there is short and focused, and doesn’t come across forced or too dramatic at all, so this series both ended up delivering in its serious and funny parts. On top of that, you also have to love what this series has done with its EDs: every episode has a completely different one, with a completely different style, genre and soundtrack.

Storytelling: 8/10 – Varied, fun and adorable.
Characters: 8/10 – This show confirms why I keep advocating adults in anime.
Production-Values: 8/10 – Solid animation and cute graphics.
Setting: 8/10 – Not the most creative series out there, but creative enough to fill 12 episodes, and the kindergarten itself and the world around it is also well portrayed.

Similar Series:
Ristorante Paradiso
Yume de Aetara
– Bottle Fairy

5 Responses

  1. pgal says:

    I liked the show in spite of its flaws. It was one show that I looked forward to on Sundays- cute and fun to watch. The ED were also creative.

  2. Chris says:

    Ristorante Paradiso similar? Hmm unique but I kinda see where you’re coming from

  3. Alec says:

    i was actually marathoning this anime just recently, until Tsuchi’s sister showed up

  4. Chris says:

    @Alec: get passed the annoying sister episodes, and then the show gets great again!

  5. Banchan says:

    Am I the only one who liked the tsundere brocon imouto?

    I found her voice fascinating, somewhere between hirano aya and chiaki omigawa.

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  • Masky
    (Sunday, Jun 26. 2016 02:09 PM)
    Wow, you almost filled this chat window with Eva geeking out ._.;
  • Bam
    (Sunday, Jun 26. 2016 10:32 AM)
    If a series wants to be sophisticated about complex concepts like war and conflict, then it has to presuppose the fact that it is part of human nature. Resources are limited, and even aside from that, greed exists. There is no way to take out a few head figures to stop a war- there will be a vacuum that will almost immediately be filled by a similar, if not worse, individual. A world “where no one cries” or suffers, or dies, etc, cannot exist as long as we have free will.
  • Bam
    (Sunday, Jun 26. 2016 10:26 AM)
    F/SN delved into this deeply with the Shirou/Archer dichotomy, but then it pussied out at the decisive moment. Archer was right, his arguments made perfect sense, yet the arrogant naive Shirou had to pull thru by sheer will alone, and a vague hope and promise that he’ll find a way somehow. I swear, I’m not sure if Nasu gave in to pressure to make a so-called “good prevails” ending, or that he honestly believes in it. Looking at his material, I’ll bet on the former.
  • Bam
    (Sunday, Jun 26. 2016 10:22 AM)
    hehe … that’s why you don’t get me started on Eva or Berserk.
  • Bam
    (Sunday, Jun 26. 2016 10:20 AM)
    It also delved into the depth of what a desperate goodie-two-shoes people-pleaser protagonist would actually be like, and the reception he would get from his peers, specially the women. That alone right there was a deconstruction of the majority of shonen main characters.
  • Bam
    (Sunday, Jun 26. 2016 10:00 AM)
    There was no hype machine back then. The internet was still in its infancy. So when a show became this popular there was certainly some merit to it. The organic/machine hybrid mecha was relatively new, and the scene construction and cinematography was for the most part immaculate. There’s a reason why the mecha genre is divided to “pre-Eva” and “post-Eva”.
  • Bam
    (Sunday, Jun 26. 2016 09:53 AM)
    It also didn’t hurt that the character, costume and mecha designs were slick and attractive, done by the under-appreciated Yoshiyuki Sadamoto.
  • Bam
    (Sunday, Jun 26. 2016 09:31 AM)
    It came up with clever scenarios to common mecha tropes, and answered the questions that would arise from them:
    -Why do we use mechas with melee weapons against alien invaders instead of conventional weapons? AT fields on Angels.
    -Why use kids to pilot them? The Gehrin Project.
    -What happens when you put kids in sever combat situations? Extreme PTSD.
  • Bam
    (Sunday, Jun 26. 2016 09:27 AM)
    These types of deconstruction shows that are run-of-the-mill now didn’t really exist back then. Eva did afterall became the tropemaker for Gainax endings. To see the creator’s psyche twist in front of our eyes was incredible. The show went from a regular monster of the week mecha series to a deranged psycho-thriller by the end of it.
  • Bam
    (Sunday, Jun 26. 2016 09:23 AM)
    Eva was fresh and quite unique for its time. Not that everything they did was original, but they certainly put their own twist on it. I also enjoyed the “fuck-you” ending of the tv series. Anno always defended it as intentional, but we all know it was really a budgetary constrain. well, at least we got the amazing End of Evangelion movie to supplement it.

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