Posted on 30 April 2010 with categories: Monthly Summaries

Before this season started, I called it the “season of opportunities”, and it turned out to be exactly that. There is a ton of potential, there are a lot of series about adults and only a very tiny percentage is the usual crap we get at the start of each season. Provided that all of the show grab the potential that’s handed out for them, we’re dealing with an excellent season here.

#31 (new) – Metal Fight Beyblade – (2/10) – Ridiculously badly produced. Seriously, the creators put no effort into this whatsoever. The forget about a huge crowd in the background and make even less inspired than the most standard of shounen fare. Dropped.
#30 (new) – SD Gundam Sangokuden Brave Battle Warriors – (3/10) – Sunrise… just… why? Why did you even think of this, and why does it have such a good soundtrack and background artist? They’re completely wasted on such a silly script. Dropped.
#29 (new) – Jewel Pet – (4/10) – Again this is just another terrible kids’ show with ridiculously obnoxious animal sidekicks. There’s no creativity, nothing. Just the same regurgitated over and over. Dropped.
#28 (new) – Hime Chen! Otogi Chikku Idol Lilpri – (7/10) – The first episode was wonderfully cheesy. If the rest of the episodes would have continued this I would have kept watching it, however after that it quickly fell into a dull formula of repetition, and the jokes quickly became unfunny and annoying. Dropped.
#27 (new) – Arakawa Under the Bridge – (7/10) – It’s really much of the same for Shinbo; we have a hyperactive lead character who keeps ranting, who is surrounded by a bunch of side-characters who are all a bit weird. I’ve gotten tired of this a long time ago. Dropped.
#26 (new) – Hakuouki – (7,25/10) – Very cheesy, with a ton of out-of-place bishies, but at least the dialogue is good. It can go either way at this point, but it’s definitely nowhere near Studio Deen’s better works.
#25 (new) – Mayoi Neko Overrun – (7,5/10) – Enjoyable enough, I especially like how each episode has its own director. The problem however is the horribly obnoxious female cast. Dropped
#24 (new) – K-On – (7,5/10) – I mostly dropped this due to time constraints: while the first episode of K-On!! had its charms, there are just too many series that are more interesting. The animation was very good though. Dropped.
#23 (13) – Marie&Gali – (7,5/10) – What? Noooo! The second season is much worse than the first. Instead of letting everything flow naturally, episodes are just full with stereotypical overacting. It’s not just that the new lead character sucks, the rest of the cast aside from Marika are all trying way too hard to be funny now. What a shame!
#22 (new) – Heroman – (7,5/10) – The big flaw of this series is its characters: lifeless clichés that you see everywhere. However, in terms of the alien invasion the creators did a pretty nice job. Finally we have a bunch of invading aliens who know what they want, instead of the pansies that heroes usually have to fight.
#21 (new) – Saikyou Busho-den Sangoku Engi – (7,75/10) – I mostly dropped this series because of personal bias: with anime’s history of raping the Romance of the Three Kingdoms novels, I just can’t take it seriously any more. I do have to say though, that that animation was really good.
#20 (9) – Kaidan Restaurant – (7,75/10) – It’s been fun, but I do think that I’m going to drop this series now. Why? There’s no progress whatsoever. Every episode is the same, there’s no development, nothing. I’d rather drop this while it’s still remotely fun before seeing it burn out and becoming too repetitive.
#19 (new) – Kaichou wa Maid-sama – (7,75/10) – I was hoping that Hiroaki Sakurai could breathe life into this premise, but at the moment it’s just not as good as some of his other series. The problem mostly lies with the premise: it just tries way too hard to make us as an audience feel sorry for the lead character. The scenarios it comes up with aren’t that creative. I’m mostly watching for the characterization, which did turn out to be pretty good.
#18 (new) – Hetalia World Series – (7,75/10) – It’s still pretty much the same old Hetalia, only with more countries. Granted, I do like it more now that it’s also focusing on the other lesser known countries, but the balance between their screen-time is a bit weird.
#17 (new) – Kuruneko – (7,75/10) – Finally caught up with this one again, and it’s proven to be a gentle slice of life series about a woman and her cats. Some of the episodes are quite funny, but that’s not what this series is about. Even when episodes aren’t funny, it’s still very enjoyable to watch the bond she has with her cats.
#16 (new) – Ichiban Ushiro no Daimaou – (7,75/10) – Artland is strange. They’ve got this talent of making their harem shows look as cheap as possible, but when you come down to it they’re actually kind-of good. The jokes work surprisingly well, and it isn’t afraid to try out new ideas. There’s a nice combination between creativity and cheesiness here.
#15 (new) – Senkou no Night Raid – (8/10) – So while the spies in this series are more James Bond than real spies, it’s a show that definitely has its charms. It’s well produced and the characters are likeable, and it’s very good at building up tension and pacing an episode. I would have liked to see some bolder and more realistic ideas, though.
#14 (10) – Anymaru Tantei Kiruminzoo – (8/10) – So far, this series has been quite refreshing, and this month only added to that. The problems here were all down to earth and when it did go over the top it did so with subtlety. Because of this, now that we’re getting a bit more dramatic, the drama so far has felt natural and not forced. It’s going to be interesting if the creators can keep this up.
#13 (3) – Durarara – (8/10) – I’m a bit iffy on the pacing of this series during this month. I’m not sure what it is, but it didn’t seem too balanced, and while there were highlights (like what happened to Anri), it just wasn’t as good as it used to be.
#12 (new) – Rainbow – (8/10) – Well, let’s face it: this show is flawed. The acting is just way over the top at times. And yet, I consider this to be the most intense and captivating show of the new season, just because of the full force that it throws at you as a viewer. Maintaining this balance is very difficult: start dragging or repeating and my suspense of disbelief will probably be broken very easily, but so far it’s got enough to make up for the bad acting.
#11 (new) – B Gata H Kei – (8,25/10) – The only thing I do not like about this series is the love rival. That’s just too much of a cliché. Otherwise however, I really can’t deny that I’m enjoying this series more than any other fan-service comedy that I’ve seen. The chemistry and sexual tension between the two lead characters is still fresh after 5 episodes, and I love how the creators keep playing with them. This isn’t a series about a girl who wants to have sex with 100 guys. This is just about a girl who thinks that she wants to have sex with 100 guys.
#10 (new) – Uragiri wa Boku no Namae wo Shitteiru – (8,25/10)

The big disadvantage of this series is its lack of originality. However, it’s a pretty solid series so far. The acting is pretty good, there is angst, but it doesn’t go over the top, and the lead character himself may be a wimp, but he’s a wimp who can take responsibility. Oh, and the soundtrack only gets better and better with every episode.

#9 (new) – Angel Beats – (8,25/10)

So far I love the amount of creativity that has been put into this series. It’s completely chaotic because of its characters, but these flaws make the huge cast quite charming. It’s got its flaws, and at times the pacing is just off and it’s unbalanced as heck, but it’s definitely a fun, interesting and varied watch.

#8 (11) – Katanagatari – (8,25/10)

The fourth episode was quite surprising, and overall this series has proven to be quite enjoyable with its nearly endless dialogues. It’s very good at building up for its short-but-sweet action scenes.

#7 (new) – Ookiku Furikabutte – (8,25/10)

An excellent series once more. The amount of detail in even the smaller matches really stands out. In this month the lead characters took a step back to focus on the side-characters, so I’m very interested in the results of this.

#6 (7) – Gag Manga Biyori – (8,5/10)

Seriously, aside from the best episodes of Gintama and the Law of Ueki, I don’t think I’ve laughed this consistently hard at an anime as here. I’m really glad to see that this series has gone past 13 episodes, because it deserves to be amongst the best comedies of the year.

#5 (6) – Heartcatch Precure – (8,5/10)

Heartcatch Precure continues to have an excellent balance between episodes dedicated to the main characters, and to random people. All of them are well written instead of the usual cheese that you see with these episodic series. It doesn’t try to do things that wouldn’t make sense for their characters, while still remaining fun and touching.

#4 (new) – Giant Killing – (8,75/10)

For me, this was the biggest surprise this series. Giant Killing stands out in its chemistry; the cast is excellent, it’s varied, flawed, charming, and the creators love to try and get the maximal amount of potential out of them. Te tension is really well built up, and the background music is simple but very effective. A very fun and addictive series to watch.

#3 (new) – Sarai-ya Goyou – (8,75/10)

The characterization of this series is truly excellent: characters are really brought to life with Manglobe’s excellent animation. It’s a very relaxing series that at the same time has plenty of serious issues to deal with, confronting the lead character with heavy decisions and forcing him to crawl out of his shell a bit. I’m sold.

#2 (new) – Yojou-han Shinwa Taikei – (8,75/10)

Oh, it’s awesome to see Masaaki Yuasa back again, and I just love the concept behind this series. It’s told with wit, and a ton of creativity has gone into making this as interesting as possible. Watashi is a very interesting lead despite his clichés, and the incredibly fast talking definitely has its charms when you get used to it.

#1 (2) – Full Metal Alchemist – Brotherhood – (9,25/10)

This show just continues being awesome. Every episode this month has delivered, combining excellent action-sequences with powerful drama. With excellent pacing and characters who only continue to develop, I’m very impressed with how this series turned out.

Posted on with categories: Yojou-han Shinwa Taikei




Oh, I love this. This season, I’ve paid a lot of attention to good acting. That’s also why I ended up blogging the most solid series. However, then this series comes along to prove that originality isn’t dead. I love it when a series comes along that is in no way afraid of trying out new things, and avoiding the safe, tried and true.

As it turns out: this series pulls an even more extreme version of Higurashi: every episode rests and tarts right from the start of Watashi’s entry at university, where he just joins different clubs. This time: the movie club. The similarities and differences are fascinating. While in the Tennis club, he was a complete loser who just liked to destroy others’ relationships. Here however, he actually does something: aside from playing as a punching-bag, he also made his own array of weird and stupid films along with Ozu, who is still with him. Akashi is also present.

Central in this episode are again that promise that Watashi made to Akashi, but instead he isn’t jealous of other couples, but rather the weird and fetishist captain of the movie club. In this episode, rather than causing trouble for everyone, he brings this guy’s weird habits to light. Again he blames Ozu, but even more than last episode it’s something he did on his own. The cake also returns, but plays a completely different role. Oh, and what’s up with those straps? Am I the only one who is reminded of Maromi from Paranoia Agent?

Also, the animation is truly excellent again. I could hardly spot any still frames. A ton of stuff was moving, and while it may not have been as smooth and detailed as with Sarai-ya Goyou, the other visual effects definitely made up for that. Masaaki Yuasa’s typical simple characters may seem a bit strange at first, but he really uses them in order to be able to animate them better. I also don’t think that there was any CG here, and if it was there it was really well used. It really has some excellent visuals.

And on a side-note: I loved that poster that showed Ozu as some sort of weird monster.
Rating: ** (Excellent)

Posted on with categories: Ookiku Furikabutte



And so the first match that did not have Mihashi at the centre has ended, and even though it’s mostly been used as building and warming up, it still was a fun and interesting game to start off the second season with. Mihashi works surprisingly well as a side-character (which I guess is a trait that a lot of lead characters have: refreshing when they aren’t the ones in the spotlights), as the entire team works hard to get a called game.

Looking back, the opposing team probably has the least amount of depth out of all the teams that the lead characters have faced so far, but they still have their charms, and they’re much, much better than what you’d usually see with those unimportant matches. The one thing that was interesting though was that it did very much break a stereotype that you often see in baseball series: the fact that awesome hitters are solely responsible for victory. This episode showed that even though you have probably one of the best hitters out there, you can still lose without scoring a point on a called game.

It’s interesting: I’m a big fan of baseball series, but before, I never watched them because of their baseball. I loved Cross Game for its slice of life, Touch rocked due to the character-development, One Outs kicked ass because of the mind games and Princess Nine had its atmosphere. Ookiku Furikabutte is really the first that really is awesome because of how much time it puts into its baseball.
Rating: ** (Excellent)

Posted on 29 April 2010 with categories: Sarai-ya Goyou



What a wonderful episode. The danger with these slice of life series is to have them too much about nothing, or to not put any creativity in the scenarios that the characters find themselves in. This however was an episode that confronted Masa deeply, and it as well mirrored Yaichi’s past (at least, I assume that he’s the kid in the flashbacks, right?). The creators have chosen two wildly different ways to flesh out the two of them: Masa gets explored because we get to see exactly who he is: what motivates him, in what way he’s such a loser, et cetera. Yaichi on the other hand is being portrayed as dark and mysterious: the guy with a dark past who turned into a confident criminal, who mainly gets fleshed out by his words, instead of his actions. And who knows what can lie behind those words? Unlike Masa, this guy hides plenty of things.

I’m wondering about Matsu’s role in all of this. The side-characters all have their own great and subtle characterization. The thing is however that they’re probably going to have to make way in terms of development, in order to let Masa and Yaichi fully shine. The length is probably going to be the biggest issue for this series: did the creators put enough thought into making the best out of the length of this series? I’m having faith in Tomomi Mochizuki, however. He has experience with changing stories from their source-material, in order to make them fit the anime format perfectly (just look at Touka Gettan and Yami to Boushi to Hon no Tabibito, and I also refuse to believe that Porfy no Nagai Tabi was 100% faithful to its novels), and I’m really counting on him to put the same skills to work here.

In any case though, this episode was really well animated. It’s really series like this that use their animation to get the best out of the characters, bringing them to life. I’m in love with the saturated colours here, and especially that flashback looked beautiful.
Rating: ** (Excellent)

Posted on with categories: Durarara



After the previous episode, I remember noting how this series hasn’t exactly delivered yet in its second episode. It’s like it was missing something. But yeah, after this episode I realize that it was just building up. This episode was much more like it. It’s here where the creators really start playing with what they’ve built up.

My guess was that the previous episodes were mostly trying to shed the remaining Baccano-roots that had somewhat grown after the first half. While you can very much tell that the first half of Durarara comes from the same creators as Baccano, with the second half you really can’t.

The mystery in this series is definitely interesting: it’s the kind that keeps huge secrets about its lead characters: it only drops a few hints here and there, but Mikado’s involvement with the Dollars was a complete surprise. Just as how even though we’ve known Anri for sixteen episodes now, we never knew that she could pull a freaking sword out of her arm!

The twist that everyone in the city is getting turned into a bunch of zombies is perhaps a bit lame, but I guess that it is an interesting twist for the series’ setting: it’s previously been established that Ikebukuro is full of life, and here this old spirit comes and turns everyone into a bunch of obedient and lifeless zombies.

It’s all going to depend on how the rest of the series will use this, because this episode was pretty damn tense with the way that the red eyed people made their appearance, answering a ton of questions about the plot in the progress, and fully explaining the point of the previous episode, and why the guy in the trench-coat was featured in the first place.
Rating: ** (Excellent)

Posted on with categories: Anime Reviews



If you managed to watch the TV-series of Patlabor, I really urge you to also check out the Second OVa. It’s very much a direct sequel to the TV-series, and it’s got all of the charms that made it so memorable and timeless; all condensed in just 16 episodes, it’s in no way inferior to its already excellent predecessor.

It’s got the same formula: one really big arc, and a whole number of episodic stories. What stands out the most are these episodic stories, though. Especially because they’re everything that episodic stories should be. Instead of having dull and uninspired slice of life scenarios that have been done for ages, it always builds its episodes around a certain idea or concept that really tries to be fresh and original.

The result is a number of classic episodes that are up to par to the best episodes of the TV-series; my personal favourite being the episode about the serial-bomber, with the “driving-home”-episode on the second place. Every episode is well built up, and what makes them even better is how grounded in realism they are: some crazy and wacky stuff happens here, but the creators never forget to base it on its realistic characters and scenarios, rather than just being wacky and over the top all of the time. There are those rare series out there who should serve as an eample of how to do things right at their genre. Patlabor without a doubt belongs to them.

On top of that, it still has the classic element that makes any Patlabor installment worth watching: the cast. After finishing this OVA, I’ve now seen everything from the Patlabor franchise, which amounts to 70 episodes and 3 movies in total. After so much time, the cast has really grown into a lovable and memorable bunch of people.

Watching this OVA, I really have to say that it’s a shame that Mamoru Oshii doesn’t do TV-series and long OVAs anymore, because he really is brilliant at bringing these characters to life. It’s a bit of a shame that for the past years he’s gotten stuck at things like Musashi, because he really is a one-of-a-kind director.

Storytelling: 9/10 – Wonderfully built up, nice ideas, very varied.
Characters: 10/10 – Incredibly charming characterization that’s in no way inferior to the previous Patlabor installments.
Production-Values: 8/10 – Good and detailed, though not the best Patlabor has to offer.
Setting: 9/10 – One of the best mecha settings of the pre-Evangelion age: realistic, creative and believable, despite the strange scenarios that pop up once in a while.

Suggestions:
Patlabor – The Second Movie. The conclusion to the Patlabor-franchise. Do note that if I were to watch it today, that review would look completely different.
Ooedo Rocket
Rumiko Takahashi’s Rumic Theater

Posted on 27 April 2010 with categories: Rainbow



Watching this series is seriously making me think again about what makes a good anime. I mean, especially now that I dropped Hakuouki, this series features the worst acting out of all the shows that I’m blogging at the moment. It’s way over the top, way too early, and full of cheese. And yet, I just can’t deny that out of every show that premiered this season, it’s actually the most intense to watch by far.

With these kinds of shows that have very obvious major flaws, it’s always a matter of trade-offs: how much you’ll enjoy these kinds of series depends on how much of the flaws you can stand, and the way in which the series in question actually makes up for it. It’s very similar to series as Shangri-La. It’s obvious that this series is no Sarai-ya Goyou or Yojou-han, but still. Out of all the series that feature bad or sub-par acting this season, this show makes up for it the most. The key to this series’ success in the long term is that it needs to continue to keep the balls in the air. As soon as the show starts dragging, my suspense of disbelief will break and it’ll turn into just another dull series.

This episode however, continued episode 2’s pacing and delivered yet again one heck of an atmosphere. Baremoto’s entrance in the sea of fire was cheesy, but despite that it had something really cool about him. This episode was all about teamwork, and the manly bonds between the group of lead characters.

Because seriously, despite the fact that this just isn’t Madhouse’s best staff at work, you can really see the strength of the manga author shine through. One by one, the characters are shedding their stereotypes. Mario at first was portrayed as your typical punk. Yet, the previous episode showed that he’s just a softie. Baremoto, at first introduced as your typical bookworm instead also has shed his stereotypical skin in this episode. I also wonder how Psycho Guard was in the manga: how much of that ridiculously overblown scumbag was present in the manga, and how much of it did the anime creators just make up to increase the tension?
Rating: ** (Excellent)

Posted on with categories: Senkou no Night Raid



Ah, the spy genre. Where our lead characters have to take care of dangerous threats, international bombings, diplomatic turbulence… and obese felines who steal photographs.

So obviously this was a bit of a silly episode, but at least it gave us a bit of a chance to get to know the lead characters, which is also important. I would have preferred it if the creators just dumped that strange photograph subplot and just showed the characters as they are on their days off, but this episode had its charms.

On a side-note, at first I wasn’t that enthusiastic about it, but on second thought I’m beginning to like this series’ tour of the world with languages more and more. I now understand why it was impossible for the creators to find a good voice actor for the lead character: is there really someone who speaks fluent in Japanese, German, Chinese and Russian all at the same time? And who knows how many more languages are going to be featured? In any case, it shows that Shanghai is growing into the international metropolis that it is today. For the series’ faults, you can at least say that it’s not looking down on its setting. Or not in a way that I can see anyway.

Also, the animators choose the strangest places to use their budget at. Most of the times, filler episodes like this don’t receive much of a budget to play with. Take a look at how well that fat cat was animated; I’ve hardly ever seen cats animated this life-like in such a TV series. Also, the crowd shots in this episode are also really well done: you can see that the streets are alive with people, who may not all be moving, but all have their own designs. And then there also are these things as the food, and the camera that they used in this episode. All were really well drawn.
Rating: * (Good)

Posted on 25 April 2010 with categories: xxxHolic, xxxHolic Rou



Before watching this OVA, I had heard from people that xxxHolic Rou would be very confusing. But Bloody Nora, I never thought that it’d be this extreme! The non-manga readers who have yet to see this episode: STAY AWAY FROM THIS POST! MAJOR SPOILERS AHEAD.

Because of xxxHolic Shunmuki, I was expecting something Tsubasa-related as well. Instead, the Tsubasa-cast doesn’t make an appearance at all. Instead, we get a time-skip of who knows how many years, in which A TON has happened: Yuko is dead, and Watanuki has now taken her place. This episode asked a whole tidal wave of new questions: what the heck happened to Yuuko? What caused her to come back? Why did Doumeki’s name change? Why does it seem that Watanuki can’t leave the shop? And taht’s just the tip of the iceberg.

Even for xxxHolic’s standards, this episode was dark. Watanuki has changed a lot. The visual comedy around him and Doumeki is completely gone now. Instead, the jabs he takes to Watanuki are short and subtle. Also, this episode never left the shop: everything we see is from Watanuki’s perspective, who somehow doesn’t leave the shop. Doumeki also lost the wise-cracking part of him: he now really doesn’t fool with Watanuki anymore. He’s actually graduated university at this point.

I guess this episode was all about Yuuko’s… rebirth or something, but what got to me the most was that phone-call at the end of this episode. After all that build-up! After all that time that was spent on the relationship between Watanuki and Himawari to make them like the perfect couple… she actually ended up marrying someone different and the two have grown apart!

I must say, Clamp: you did it again. This episode really was amazing in its character-development. It’s such a stark contrast from what xxxHolic used to be. Including the time-skip was a brilliant idea.
Rating: *** (Awesome)

Posted on with categories: Uragiri wa Boku no Namae wo Shitteiru



Whoa, the soundtrack for this series just continues to get better and better. that’s a very pleasant surprise for this series. Shougo Kaida seems to be very much a newbie composer, but something tells me that he’s someone to look out for.

The story so far has been a mix between cliches and interesting ideas, so it can still go anywhere. The biggest cliche in this episode was of course the lead character-deciding whether or not to join the organization of the other good guys. However, Yuki himself made up for it by showing that, while hey may be a bit of a wimp, that he does know how to take responsibility. In this episode he really showed that there’s no way that he would just go out on a flimsy adventure just for the sake of his family, and abandon the children around him. The creators also prepared a perfectly valid reason for him to change his mind in the next episode: the fact that he did not know that those monsters were after him. Compare that to 07-Ghost, in which the lead character at this point was randomly angsting and wandering around.

The big one-sided character for Uragiri meanwhile is Zess. This is the guy that needs the most work, and he’s going to need a lot of chemistry from the other characters to work out well, and his obsession is a bit overstated. Instead of talking things out, he instead just sends out blasts, and this guy seriously needs to grow a character.

This show is clearly no Night Head Genesis, I know that it lacks the many interesting ideas that that series had. Aside from Zess, the lack of originality right now is the series’ biggest flaw. But then again, who knows? So far the past three episodes have been solid, I’m hoping for the substance to come in the next number of episodes, as soon as we get to explore the characters.
Rating: * (Good)

CHANGE USERNAME
AidanAK47
One would think it was hard to top Coppelion and K in utter terrible but GoHands finds a way.
SuperMario
I might hold back on reviewing Hand Shakers, as at this moment I can't get pass its episode 8. Fallen asleep twice during the first few minutes of that episode. Overall I don't reall hate Hand shakers, but the show failed miserably.
Lenlo
Its attention getting, if nothing else.
AidanAK47
@Anon, That Yellow is blinding.
Anonymous972195
I doubt we'll see anything like ACCA 13 for a long time. It's so dang unique in every way: art style, world-building, subdued story telling, etc. It was kind of an anomaly to have an anime like this to begin with. Happy we got to enjoy it though, I really liked it.
SuperMario
@KTravlos: it ends well, doesn't it? My, my, can't wait to watch it tonight :)
AidanAK47
Just finished Nier Automata myself.
Little confused as to what exactly I should be feeling.
KTravlos
And thus ACCA 13 comes to an end. A truly exceptional series imho.
AidanAK47
@Kaiser, Horriblesubs do direct downloads.
http://horriblesubs.info/
Kaiser-Eoghan
Animefans ftw is dead, animetake doesn't do direct downloads =< Have to find new direct download site now =<
SuperMario
Just finished Rage of Bahamut and I have to say I didn't expect an emotional climax. Also Rita is the best in show here. But really I don't see the prospect of sequel, especially a 24-episodes one.
Anonymous967177
Evidently so. That still feels just wrong. He's sort of her father. Ehhhh
Anonymous967177
"I am a slave to my own blood" -Konatsu.
Anonymous965463
Aldnoah needed actually interesting characters and character arcs instead of boring assholes. Why does it need more time on the lore when it's just generic scifi jib
SuperMario
One minor thing that baffled me beside *that* in Rakugo was they don't show Konatsu's rakugo in the end. It makes more sense if we can see her perform, but I understand that the show have to put new rakugo material and that was impposible.
SuperMario
@Aidan: I think *that twist* is sweet (not). Points for the show for having a balls to address that, but...
AidanAK47
And that's Rakugo finished. A delayed finale but non the less a satisfying one....Though on the matter of *that* I am going full head canon and pretending it didn't happen. Because HELL FUCKING NO.
HelghastKillzone
Troyca's Aldnoah.Zero was 24 eps long but it really needed 50 to flesh out concepts and lore.
HelghastKillzone
*Virgin Soul
HelghastKillzone
Apparently, Virgin is going to be 24 episodes and Re:creators is 22 eps long. I don't know how to feel about that.
SuperMario
Catching up with Rage of Bahamoth myself. Say I really enjoy what I see so far. Characters are its weakest part and pacing is uneven, but everything else work quite well
SuperMario
... Feherlofia is Hungarian one. But I have a really fond feeling towards Soviet and those ex-communist animation. Movies as well
SuperMario
@Kaiser: yep, know both of them. Actually
SuperMario
@Topgavin: wuah your love with Madoka. I was like watching that show for 3 times, but Rebellion just once. I still think that Rebellion adds up to the series narratively. Shaft (be themselves) put a lots of extra background details to the Bluray version, so I'm sure you can't go wrong watching Madoka on Bluray.
Kaiser-Eoghan
Guess I'm just in the mood for some comfycore anime. =)
Kaiser-Eoghan
There's really stuff I need to get round to watching like alderman and chain chronicle, giving utawerumono's s2 another chance, watching those dumb old golgo ovas, catching up on Shamo and city hunter where I left off.
Kaiser-Eoghan
@Mario: If you are looking for something to review for the world animation project, I recommend Fehérlófia , a Soviet era psychadelic folktale animation. Also look into the available short animations by Alexander Petrov (he uses a style of animation which mixes oil painting on glass).
Konstantinos Travlos
Finished watching Chain Chronicle :Light of Hacchetias (TV version). While not something to write home about it was not bad. It did a tried old recipe well.
Lenlo
@SuperMario, we dont have to, but its fun to try and pinpoint the real-world timeline to the shows timeline.

@Topgavin, oh yeah. Madoka is amazing.
Topgavin
Just finished watching the Madoka Magica series, 4th rewatch but 1st time on blurays. The show is such a work of art, and I was surprised by the sheer quality of the backgrounds in the blurays. It looked 3x as expensive to make as the normal show, Shaft must've poured a lot of money into post-screening editing.
SuperMario
They are all just average shows to be honest, but at least they're deserved to have full reviews.
SuperMario
and just an update for readers, I intend to give full reviews on shows that I followed but haven't covered here, starting from this seasons. The verdicts are: Seiren, Demi-chan, Dragon Maid and Hand Shakers
SuperMario
Do we really need to know all the historical context to enjoy/ appreciate Tanya? I think making a comparison does have influence in your expectation of the show in later events.
Lenlo
But this is all from wiki articles, since the last time I actually studied WW1 & 2 was in highschool. So im alittle rough on the subject :P
Lenlo
I thought, time-wise, we were past WW1, but this was in reference to how Germany at the end of WW1 was defeated, but not destroyed, which allowed them to rebuild enough to start WW2. You know, that famous quote "This is not peace, this is an Armstice for 20 years".

Thought it was a reversal of that.
Kaiser-Eoghan
@Mario: Just one more note on silent voice, only one of those three omitted subplots I felt worth taking issue with, they leave out a couple scenes that flesh out Shoko's mother more.
AidanAK47
@Helgast, while that fairly obviously hinted at, don't spoil future events.
HelghastKillzone
@Lenlo We are way past the stalemate of WW1 and onto this anime's interpretation of the Battle of Dunkirk. Season Two is gonna be fighting against the Brits, Americans, the French Resistance and the Soviets.
Lenlo
I did some reading up, since WW1 & 2 arnt the points in history im really into, and I get her anger now. If they get a second season, possible time skip to WW2 because of it?

The episode was great btw, she just seemed to come out relatively unscathed for what she went through
AidanAK47
@Lenlo, It annoyed me that she got injured but then magically healed within the next scene but otherwise I loved the episode. It may be difficult to grasp in the show but if you know your history then you would realise just why Tanya was so bent out of shape. In truth this was Tanya's first major loss. One that renders her previous victories utterly worthless.
AidanAK47
@Anon, Your gonna have to elaborate on that "Most." When it comes to the three shows I was covering this season I thought I was praising them quite a bit. Only thing really bothering me is Rakugo stretching out it's ending. Otherwise this is one of the best seasons of anime I have seen in quite a while.
SuperMario
Hell yeahh, OwariMonogatari will air next Summer season. I'm hyped. Thank you Shaft
SuperMario
But it's good to hear your opinions on that. Like you said, honest opinion is good so I hope to hear more from reader's comments
SuperMario
@Anon958618: We writers are here to give you readers our personal impressions, and of course if we don't like a show we'd give the reasons why we don't like it, we can't really say otherwise if we found an episode to be sub-par. Personally, I have nothing but praise on my posts to the point I think I have to be stricter :)
Anonymous958618
I used to like reading this blog, but I find that most of the posts now are overly negative. Although I think honest opinion is good, it's a bit of a turn off in my opinion for readers...
Lenlo
Its nice to see everyone grown up in Rakugo. Old Yotaro and Konatsu. Also, how in the heck is Matsuda stil alive. That man was old when Yakumo was young. Finally, people need to stop telling that story if its gonna haunt everyone, I mean jeez.
SuperMario
It's Tanya for me next ^^
SuperMario
It ends happily. But go and see the twist. They make it like the most natural thing of all
Lenlo
Watchin Rakugo next. It end well?
Lenlo
Tanya disappointed me alittle. There was a change to actually hurt Tanya, but nope, she still comes out of it unharmed. She hurt herself more when she blew herself up than when someone else blew her up. Least shes seemingly drunk on war.
SuperMario
so sad to see Rakugo end... And that little twist. How can they make that twist so poetic?
SuperMario
@Lenlo: me & Kaiser? We were talking about the movie Koe to Katachi/ A Silent Voice
Lenlo
I must have missed something, because I have no idea idea what is being talked about.
SuperMario
@Kaiser: I purposely put off the manga so I could watch the movie with fresh perspective. 2 weeks until we have a screening here
SuperMario
@kaiser: woah, thanks Kaiser. I know packaging a 6-volume manga into a feature film means they have to cut quite a lot of subplots, I just hope the main plot is going to be rewarding
Kaiser-Eoghan
Actually, there aren't that many manga that portray disabled characters, not even hentai.
Kaiser-Eoghan
@Mario: One of the people I got talking to after the film talked about Clannad and we both laughed about "what if Lars van Trier worked at Key"
Kaiser-Eoghan
Rakugo you are now on hold again until you end.
Kaiser-Eoghan
@Mario: I look forward to your review of it.
Kaiser-Eoghan
@Mario: There were, because I talked to the audience afterwards and looked around, people who weren’t familiar with anime there, so it does have a wider appeal.
While cheesy/melodramatic obviously its nonetheless heartfelt and well executed.
Kaiser-Eoghan
The voice actress for Shoko is required to well, I can only call it deaf-voice-talk and she pulls it off quite well, it’s never cringy or forced.
Comparatively to other anime dealing at any point with bullying this does fare better and because it’s animated by kyoani, visually it’ll catch interest. The protaganists regret and redemption story still remains a very watchable one/theme.
Kaiser-Eoghan
@Mario: Putting a voice on Kawai and Ueno will make you rage at them more.
While I didn’t think it was too bad/overly used, you’re going to have to do with the maudlin piano score Kyoani gives it.
Kaiser-Eoghan
@Mario: At 130 minutes it’s a little lengthy, especially for an anime film, there is the feeling of attempting to stuff in the manga, three subplots at least have been removed/shortened yet at the same time despite the skipping in parts it does still feel long/aimless. Based on that I did feel it flows better in manga format.
Kaiser-Eoghan
@Mario: @Mario: I just came home from seeing koe to katachi/silent voice. Can't really say enough to fill a review, but it gets the general 3 1/2 out of 5 from me.
Kaiser-Eoghan
Warning the next few posts contain words words words:
Kaiser-Eoghan
But I can take or leave Kaiju stuff.
Kaiser-Eoghan
Wheras Mothra was the most fun.
Kaiser-Eoghan
Aside from that, I've seen a few Godzilla films, Mothra vs Godzilla, shin Godzilla, Garth Edwards Godzilla, 90s American Godzilla and original 50s, the 90s one has aged horribly, the recent American one felt more faithful, the 50s one and the new Japanese one feel most socially relevent.
Kaiser-Eoghan
Wait...whah, why'd I get logged out I registered =<
AidanAK47
I previously had no interest in a Godzilla Anime film. But after reading the concept here I am now very very interested: http://www.animenewsnetwork.com/news/2017-03-24/godzilla-anime-film-reveals-full-title-story-new-visual-november-premiere/.113863
SuperMario
@Kaiser: they are still around. And believe it or not the actual band members are Damon Albarn (former lead singer of Blur) taking care of all the music and Jamie Hewlett who taking of the animation. I love alternative music, I can enjoy hip-hop music and I'm a fan of animation => this band basically has everything I personally love
Anonymous956164
@Mario: Kaiser here, posting from public computer. I had no idea the gorillaz were still around, many years ago I would have listened to their Clint Eastwood song, aswell as dirty harry and feel good inc, I also remember the artstyle of their videos catching my attention.
SuperMario
Anyone here listen to Gorillaz? They're one of my favorite band and their new song Saturnz Barz is great. Excited for their coming album now
Kaiser-Eoghan
I guess I'm considering blood blockade also because I'm burnt out o demanding and old films to some extent.
SuperMario
@Kaiser: I really enjoyed the first season of Blockade. It's one of those cases where I think the delayed of the last episode killed all the exciment regarding the show. I actually fall behind and then catched up again as soon as the last episode was out so I enjoyed everything so much more
SuperMario
@Aidan: makes me really wonder why some of the studios are very uptight about their show's details. Like, they have to know if it is a short series or not, right.
Kaiser-Eoghan
Yet its not exactly a show that fits into being my thing.
Kaiser-Eoghan
Blood blockade battlefront is one of those shows that is always in the back of my head, despite negative biasI managed to at least enjoy some of gungrave, I grew up, sort of with trigun, so with blockade having Yuji Nightow involved theres always that part of me that says to watch blood blockade battlefront.
AidanAK47
This is one of the annoying things about previews. You got o the trouble of looking it up and writing on it only for it to get delayed or turn out to be a short series.
SuperMario
ohh, Blood Blockade Battlefront moves back to October airing. I might have a chance to cover it after all. Though look at how it gets delay and the change of director, it yells more concerns than optimism
AidanAK47
Yep, Manga is completed at 6 Volumes. But it's kinda weird that the series managed to cover 6 volumes when it's so slow paced. I normally thought that 5 to 6 episodes was needed to cover a manga volume on average.
SuperMario
@anon954341: ACCA will finish in 1 cour, as the manga is already completed and from what I heard episode 11 & 12 cover the last 5 chapters of the manga.
Anonymous954341
is Acca 13's story going to finish in 1 cour, or is it still ongoing?
Kaiser-Eoghan
Honestly do wonder how much longer anime blogging will be a thing and how much they have to compete with popular youtuber's channels.
Kaiser-Eoghan
I once had some idea of doing a forum with a friend, it never went anywhere.
Kaiser-Eoghan
Aidan gave good advice anon, I still found old posts from when I was teenager archived somewhere online and it made me facepalm.
Kaiser-Eoghan
Eh, I wanted to throw myself into Mario and your conversation about personalities by talking about myself, force of habit.
AidanAK47
@Kaiser, Not sure what this rambling is about but good for you...I guess?
AidanAK47
@Anon, Blogs take a lot of work for very little in return. I wouldn't try starting one unless you are ready to make a huge commitment. Besides at your age(Based on that comment) it would be best to not put too much on the internet. The internet never forgets and it can come back to haunt you later in life.
Kaiser-Eoghan
The reason I bring some of this up is because I think that even if someone isn't the most emotional person out there, they shouldn't ignore/bash on certain shows/genres because of that, even if you don't get feelings out of it, the story/drama/characters could still be worthwhile.
Kaiser-Eoghan
I do think getting pissed off though is much easier irl than doing it online where it doesn't bother me as much.
Kaiser-Eoghan
And it surprises me alot that I followed so many romance manga years ago, enjoyed them, but I've never been a romantic person irl at all.
Kaiser-Eoghan
I also hate incompetence/failure and am generally not especially patient.
Kaiser-Eoghan
I care about others and appearances mainly to extent it either is of benefit, if I have to or it avoids hassle.
Kaiser-Eoghan
People tend to think I'm cold, articulate, blunt irl too.
Kaiser-Eoghan
I'm not a sentimental or passionette/emotional person irl, I don't like wasting time with other peoples shit and don't bother with it, avoid looking at people or touching them physically, talk in long dry speeches and in general come off as a quiet, reserved but snarky/cynical person.
Kaiser-Eoghan
I probably unknowingly come off as different on this site than I would irl.
Kaiser-Eoghan
Honestly I'd veer towards depressing or surreal/strange/messed up work more out of just wanting to see weird and depressing stuff happen and little else, just interests me, I can't remember the last time I cried.
Anonymous953782
um i wanted to make my own blog but it wants a email but i dont want my parents finding out
AidanAK47
It is weird how we never clash on what we want to cover on each season. Anyway I need someone to contrast my egotisical self so it's all good.
SuperMario
haha, Aidan: heartless grumpy monster & Mario: sentimental sappy bloke. Readers, you got yourself quite an odd combination of writers here.
Anonymous951955
We'll see; trailers can give false impressions
Anonymous951955
Not that all changes from source adaptations are terrible, but in this case, at least the trailer makes it look pretty bad.
Anonymous951955
It looks not great; I understand the need to change it a bit to suit the format/audience, but at what point does it turn from adaption to "loosely based on"?
HelghastKillzone
I'm glad we're past the phase of moe club shows.
AidanAK47
@Helghast, now that's something I never thought I would hear.
HelghastKillzone
Hell ya. We are in a golden age of anime that is filled with options and quality.
Anonymous951809
What a great week! Iron Blooded Orphans, Onihei, Little Witch Academia and ACCA 13 all had great episodes! I am spoiled!
Anonymous950847
@Anon and @Aikan

The LoGH manga remake has been out. It did not work for me.

I hope he anime goes its own way. I do trust Production IG, so I hope. I think it might not be this year. No lgoic, just a hunch.
AidanAK47
@Anon, Only info I can find is that it's coming out this year and it will be by Production IG. But I think you are right in that if it;s coming this year it will definitely be winter.
Feeling rather cautious about the remake myself. LoGH is dated visually but in a way it is a product of it's time and things you could forgive in the old version wouldn't be so forgivable in the new.
Anonymous949997
Does anybody know when that LoGH readaptation is coming? It's supposed to be this year right? Probably winter right?
SuperMario
But I will give it a full review anyways because all the amount of time I spent in that series should be paid off somehow, right?
Kaiser-Eoghan
But serious Gohands is a studio that had potential its just a shame its wasted on rubbish writers. Although I did like mardock scramble, because cyberpunk =)
Kaiser-Eoghan
If I met handshakers in public I'd refuse to shake its hand =D
SuperMario
Oh, it's actually just an extra Hand Shakers episode that serves as a prequel story. Not that bad then
SuperMario
Not to disregard Hand Shakers, but the best way to describe how I feel about that series is mind-numbing
Kaiser-Eoghan
They tried with that Military guy and his daughter but not by much.
Kaiser-Eoghan
But I do agree that there needs to be more to the characters, right now its JUST Tanya.
Kaiser-Eoghan
As for Tanya, having caught up with it, its a nice trashy guilty pleasure, especially due to the protagonist and I enjoy the setting because I'm a war film fan and like some of the action/politicking. I still do wish it was aesthetically a bit better. The dub isn't that bad and I'd welcome a second season.
Kaiser-Eoghan
In an ideal world Kino's journey would have been a good model for what light novel adaptations can be and SHOULD be.
Kaiser-Eoghan
If we must have more light novel adaptations, I would prefer them to be like Tanya, Muvluv, okay hardly breathtaking, but still better than that thing Aidan linked.
Lenlo
*Sigh* It looks exactly how I imagined it would and its terrible.
Lenlo
Please dont tell me thats an actual title.
AidanAK47
In another world with my smart phone light novel to get an anime.

Oh my god...This literally sounds like a joke title you would see within an anime. Tried giving it an honest chance by reading it and it's just shit. Just pure terrible.
AidanAK47
If people in Japan are actually buying blurays thinking its a good show then something is seriously wrong with the world.
AidanAK47
@Topgavin, maybe too many people watched it because it was so terrible. I haven't watched past episode 1 but it doesn't sound like it improved.
Topgavin
Just incase you guys were avidly waiting for the announcement, Hand Shakers is getting a prequel season because it's apparently selling well......
SuperMario
Should be happy for it, though I'm a bit disappointed that I can't be able to cover it
SuperMario
Inside Mari gets live-action series adaptation. Why not anime?? Duh
Spike
Little Witch Academia finally tips it's hand on the overall plot! I'm pretty pleased and think some direction might help bump it up from just being 'good' overall.
HelghastKillzone
@KTravlos Still watching it week by week and I'll write up a review on the second season of Iron-Blooded when it ends.
Kaiser-Eoghan
@Mario: It is however the kind of anime film that would have the wide audience appeal though, as in anime for people who don't watch anime.
SuperMario
@Kaiser: just prove that people has paid attention to anime. That's an encouraging sign actually
Kaiser-Eoghan
Feck, silent voice was booked out when I got there just now....should have booked in advance, showing at 7:00 on Friday booking it now.
SuperMario
@KTravlos: I haven't, but that more because I'm not a big fan of Mecha genre. I believe one of our writer HelghastKillzone still follow the series
KTravlos
No idea, if you are all still watching MS Gundam: Iron Blooded Orphans. I am, and while the 2nd Season toned down some of the elements that made the 1st Season good, it is still pretty good with the last episode doing a great job. If it keeps it, it definitely is head to head with Turn A Gundam for my favorite long-form Gundam Series (I am doing Gundam Origins for the original story)
Lenlo
Mhmm. It was one of those shows it weave adult themes into a kids show, so it had something for both. Now I can also appreciate the artstyle that doesnt use hard black outlines for everything.
AidanAK47
If anything I get so much more out of Samurai Jack now than when I watched it as a kid.
Lenlo
Love that dude Aidan. And yes Kaiser, I think anyone get enjoy it now. I love that its back, but even without that its easily standing on its own
Kaiser-Eoghan
How much of this love of samurai jack is a nostalgia driven thing? I'm not knocking that nostalgia but would it be possible to get something out of the show now if I never watched it when I was younger?
Lenlo
Yeah, that conversation was great. Really shows you how messed up hes become. Its also amazing when you realize that was the last set of spoken dialogue in the episode. There was not a single word uttered in the second half.
Kaiser-Eoghan
The audience who enjoyed samurai Jack has grown up, them bringing up seppuku and blood is possibly a part of that.
AidanAK47
Scene with the coffins was awesome as was the fight in the dark. My personal favorite part of the episode though was Jack arguing with his old design self. And young jack suggesting committing seppuku made my eyebrows raise. I mean..damn.
Lenlo
I agree Aidan. That quick shot of Jack vs the Daughter, with the sudden blood, suprised me as much as it did Jack. I really loved the scene with the coffins. The music nad sound was just great there.
AidanAK47
@Lenlo, It was a really great episode. I love the meta of Jack being worn down by the wait and the wait the viewers had to endure for the new season. I is rather odd seeing blood in Samurai Jack though but it does make that particular moment have so much more impact.
Topgavin
April 16th for NZ. It is a lesser known movie than Kimi no na wa though, so I do wonder how available it's going to be in cinemas
Total users: 25

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