Posted on 30 April 2010 with categories: Monthly Summaries

Before this season started, I called it the “season of opportunities”, and it turned out to be exactly that. There is a ton of potential, there are a lot of series about adults and only a very tiny percentage is the usual crap we get at the start of each season. Provided that all of the show grab the potential that’s handed out for them, we’re dealing with an excellent season here.

#31 (new) – Metal Fight Beyblade – (2/10) – Ridiculously badly produced. Seriously, the creators put no effort into this whatsoever. The forget about a huge crowd in the background and make even less inspired than the most standard of shounen fare. Dropped.
#30 (new) – SD Gundam Sangokuden Brave Battle Warriors – (3/10) – Sunrise… just… why? Why did you even think of this, and why does it have such a good soundtrack and background artist? They’re completely wasted on such a silly script. Dropped.
#29 (new) – Jewel Pet – (4/10) – Again this is just another terrible kids’ show with ridiculously obnoxious animal sidekicks. There’s no creativity, nothing. Just the same regurgitated over and over. Dropped.
#28 (new) – Hime Chen! Otogi Chikku Idol Lilpri – (7/10) – The first episode was wonderfully cheesy. If the rest of the episodes would have continued this I would have kept watching it, however after that it quickly fell into a dull formula of repetition, and the jokes quickly became unfunny and annoying. Dropped.
#27 (new) – Arakawa Under the Bridge – (7/10) – It’s really much of the same for Shinbo; we have a hyperactive lead character who keeps ranting, who is surrounded by a bunch of side-characters who are all a bit weird. I’ve gotten tired of this a long time ago. Dropped.
#26 (new) – Hakuouki – (7,25/10) – Very cheesy, with a ton of out-of-place bishies, but at least the dialogue is good. It can go either way at this point, but it’s definitely nowhere near Studio Deen’s better works.
#25 (new) – Mayoi Neko Overrun – (7,5/10) – Enjoyable enough, I especially like how each episode has its own director. The problem however is the horribly obnoxious female cast. Dropped
#24 (new) – K-On – (7,5/10) – I mostly dropped this due to time constraints: while the first episode of K-On!! had its charms, there are just too many series that are more interesting. The animation was very good though. Dropped.
#23 (13) – Marie&Gali – (7,5/10) – What? Noooo! The second season is much worse than the first. Instead of letting everything flow naturally, episodes are just full with stereotypical overacting. It’s not just that the new lead character sucks, the rest of the cast aside from Marika are all trying way too hard to be funny now. What a shame!
#22 (new) – Heroman – (7,5/10) – The big flaw of this series is its characters: lifeless clichés that you see everywhere. However, in terms of the alien invasion the creators did a pretty nice job. Finally we have a bunch of invading aliens who know what they want, instead of the pansies that heroes usually have to fight.
#21 (new) – Saikyou Busho-den Sangoku Engi – (7,75/10) – I mostly dropped this series because of personal bias: with anime’s history of raping the Romance of the Three Kingdoms novels, I just can’t take it seriously any more. I do have to say though, that that animation was really good.
#20 (9) – Kaidan Restaurant – (7,75/10) – It’s been fun, but I do think that I’m going to drop this series now. Why? There’s no progress whatsoever. Every episode is the same, there’s no development, nothing. I’d rather drop this while it’s still remotely fun before seeing it burn out and becoming too repetitive.
#19 (new) – Kaichou wa Maid-sama – (7,75/10) – I was hoping that Hiroaki Sakurai could breathe life into this premise, but at the moment it’s just not as good as some of his other series. The problem mostly lies with the premise: it just tries way too hard to make us as an audience feel sorry for the lead character. The scenarios it comes up with aren’t that creative. I’m mostly watching for the characterization, which did turn out to be pretty good.
#18 (new) – Hetalia World Series – (7,75/10) – It’s still pretty much the same old Hetalia, only with more countries. Granted, I do like it more now that it’s also focusing on the other lesser known countries, but the balance between their screen-time is a bit weird.
#17 (new) – Kuruneko – (7,75/10) – Finally caught up with this one again, and it’s proven to be a gentle slice of life series about a woman and her cats. Some of the episodes are quite funny, but that’s not what this series is about. Even when episodes aren’t funny, it’s still very enjoyable to watch the bond she has with her cats.
#16 (new) – Ichiban Ushiro no Daimaou – (7,75/10) – Artland is strange. They’ve got this talent of making their harem shows look as cheap as possible, but when you come down to it they’re actually kind-of good. The jokes work surprisingly well, and it isn’t afraid to try out new ideas. There’s a nice combination between creativity and cheesiness here.
#15 (new) – Senkou no Night Raid – (8/10) – So while the spies in this series are more James Bond than real spies, it’s a show that definitely has its charms. It’s well produced and the characters are likeable, and it’s very good at building up tension and pacing an episode. I would have liked to see some bolder and more realistic ideas, though.
#14 (10) – Anymaru Tantei Kiruminzoo – (8/10) – So far, this series has been quite refreshing, and this month only added to that. The problems here were all down to earth and when it did go over the top it did so with subtlety. Because of this, now that we’re getting a bit more dramatic, the drama so far has felt natural and not forced. It’s going to be interesting if the creators can keep this up.
#13 (3) – Durarara – (8/10) – I’m a bit iffy on the pacing of this series during this month. I’m not sure what it is, but it didn’t seem too balanced, and while there were highlights (like what happened to Anri), it just wasn’t as good as it used to be.
#12 (new) – Rainbow – (8/10) – Well, let’s face it: this show is flawed. The acting is just way over the top at times. And yet, I consider this to be the most intense and captivating show of the new season, just because of the full force that it throws at you as a viewer. Maintaining this balance is very difficult: start dragging or repeating and my suspense of disbelief will probably be broken very easily, but so far it’s got enough to make up for the bad acting.
#11 (new) – B Gata H Kei – (8,25/10) – The only thing I do not like about this series is the love rival. That’s just too much of a cliché. Otherwise however, I really can’t deny that I’m enjoying this series more than any other fan-service comedy that I’ve seen. The chemistry and sexual tension between the two lead characters is still fresh after 5 episodes, and I love how the creators keep playing with them. This isn’t a series about a girl who wants to have sex with 100 guys. This is just about a girl who thinks that she wants to have sex with 100 guys.
#10 (new) – Uragiri wa Boku no Namae wo Shitteiru – (8,25/10)

The big disadvantage of this series is its lack of originality. However, it’s a pretty solid series so far. The acting is pretty good, there is angst, but it doesn’t go over the top, and the lead character himself may be a wimp, but he’s a wimp who can take responsibility. Oh, and the soundtrack only gets better and better with every episode.

#9 (new) – Angel Beats – (8,25/10)

So far I love the amount of creativity that has been put into this series. It’s completely chaotic because of its characters, but these flaws make the huge cast quite charming. It’s got its flaws, and at times the pacing is just off and it’s unbalanced as heck, but it’s definitely a fun, interesting and varied watch.

#8 (11) – Katanagatari – (8,25/10)

The fourth episode was quite surprising, and overall this series has proven to be quite enjoyable with its nearly endless dialogues. It’s very good at building up for its short-but-sweet action scenes.

#7 (new) – Ookiku Furikabutte – (8,25/10)

An excellent series once more. The amount of detail in even the smaller matches really stands out. In this month the lead characters took a step back to focus on the side-characters, so I’m very interested in the results of this.

#6 (7) – Gag Manga Biyori – (8,5/10)

Seriously, aside from the best episodes of Gintama and the Law of Ueki, I don’t think I’ve laughed this consistently hard at an anime as here. I’m really glad to see that this series has gone past 13 episodes, because it deserves to be amongst the best comedies of the year.

#5 (6) – Heartcatch Precure – (8,5/10)

Heartcatch Precure continues to have an excellent balance between episodes dedicated to the main characters, and to random people. All of them are well written instead of the usual cheese that you see with these episodic series. It doesn’t try to do things that wouldn’t make sense for their characters, while still remaining fun and touching.

#4 (new) – Giant Killing – (8,75/10)

For me, this was the biggest surprise this series. Giant Killing stands out in its chemistry; the cast is excellent, it’s varied, flawed, charming, and the creators love to try and get the maximal amount of potential out of them. Te tension is really well built up, and the background music is simple but very effective. A very fun and addictive series to watch.

#3 (new) – Sarai-ya Goyou – (8,75/10)

The characterization of this series is truly excellent: characters are really brought to life with Manglobe’s excellent animation. It’s a very relaxing series that at the same time has plenty of serious issues to deal with, confronting the lead character with heavy decisions and forcing him to crawl out of his shell a bit. I’m sold.

#2 (new) – Yojou-han Shinwa Taikei – (8,75/10)

Oh, it’s awesome to see Masaaki Yuasa back again, and I just love the concept behind this series. It’s told with wit, and a ton of creativity has gone into making this as interesting as possible. Watashi is a very interesting lead despite his clichés, and the incredibly fast talking definitely has its charms when you get used to it.

#1 (2) – Full Metal Alchemist – Brotherhood – (9,25/10)

This show just continues being awesome. Every episode this month has delivered, combining excellent action-sequences with powerful drama. With excellent pacing and characters who only continue to develop, I’m very impressed with how this series turned out.

Posted on with categories: Yojou-han Shinwa Taikei




Oh, I love this. This season, I’ve paid a lot of attention to good acting. That’s also why I ended up blogging the most solid series. However, then this series comes along to prove that originality isn’t dead. I love it when a series comes along that is in no way afraid of trying out new things, and avoiding the safe, tried and true.

As it turns out: this series pulls an even more extreme version of Higurashi: every episode rests and tarts right from the start of Watashi’s entry at university, where he just joins different clubs. This time: the movie club. The similarities and differences are fascinating. While in the Tennis club, he was a complete loser who just liked to destroy others’ relationships. Here however, he actually does something: aside from playing as a punching-bag, he also made his own array of weird and stupid films along with Ozu, who is still with him. Akashi is also present.

Central in this episode are again that promise that Watashi made to Akashi, but instead he isn’t jealous of other couples, but rather the weird and fetishist captain of the movie club. In this episode, rather than causing trouble for everyone, he brings this guy’s weird habits to light. Again he blames Ozu, but even more than last episode it’s something he did on his own. The cake also returns, but plays a completely different role. Oh, and what’s up with those straps? Am I the only one who is reminded of Maromi from Paranoia Agent?

Also, the animation is truly excellent again. I could hardly spot any still frames. A ton of stuff was moving, and while it may not have been as smooth and detailed as with Sarai-ya Goyou, the other visual effects definitely made up for that. Masaaki Yuasa’s typical simple characters may seem a bit strange at first, but he really uses them in order to be able to animate them better. I also don’t think that there was any CG here, and if it was there it was really well used. It really has some excellent visuals.

And on a side-note: I loved that poster that showed Ozu as some sort of weird monster.
Rating: ** (Excellent)

Posted on with categories: Ookiku Furikabutte



And so the first match that did not have Mihashi at the centre has ended, and even though it’s mostly been used as building and warming up, it still was a fun and interesting game to start off the second season with. Mihashi works surprisingly well as a side-character (which I guess is a trait that a lot of lead characters have: refreshing when they aren’t the ones in the spotlights), as the entire team works hard to get a called game.

Looking back, the opposing team probably has the least amount of depth out of all the teams that the lead characters have faced so far, but they still have their charms, and they’re much, much better than what you’d usually see with those unimportant matches. The one thing that was interesting though was that it did very much break a stereotype that you often see in baseball series: the fact that awesome hitters are solely responsible for victory. This episode showed that even though you have probably one of the best hitters out there, you can still lose without scoring a point on a called game.

It’s interesting: I’m a big fan of baseball series, but before, I never watched them because of their baseball. I loved Cross Game for its slice of life, Touch rocked due to the character-development, One Outs kicked ass because of the mind games and Princess Nine had its atmosphere. Ookiku Furikabutte is really the first that really is awesome because of how much time it puts into its baseball.
Rating: ** (Excellent)

Posted on 29 April 2010 with categories: Sarai-ya Goyou



What a wonderful episode. The danger with these slice of life series is to have them too much about nothing, or to not put any creativity in the scenarios that the characters find themselves in. This however was an episode that confronted Masa deeply, and it as well mirrored Yaichi’s past (at least, I assume that he’s the kid in the flashbacks, right?). The creators have chosen two wildly different ways to flesh out the two of them: Masa gets explored because we get to see exactly who he is: what motivates him, in what way he’s such a loser, et cetera. Yaichi on the other hand is being portrayed as dark and mysterious: the guy with a dark past who turned into a confident criminal, who mainly gets fleshed out by his words, instead of his actions. And who knows what can lie behind those words? Unlike Masa, this guy hides plenty of things.

I’m wondering about Matsu’s role in all of this. The side-characters all have their own great and subtle characterization. The thing is however that they’re probably going to have to make way in terms of development, in order to let Masa and Yaichi fully shine. The length is probably going to be the biggest issue for this series: did the creators put enough thought into making the best out of the length of this series? I’m having faith in Tomomi Mochizuki, however. He has experience with changing stories from their source-material, in order to make them fit the anime format perfectly (just look at Touka Gettan and Yami to Boushi to Hon no Tabibito, and I also refuse to believe that Porfy no Nagai Tabi was 100% faithful to its novels), and I’m really counting on him to put the same skills to work here.

In any case though, this episode was really well animated. It’s really series like this that use their animation to get the best out of the characters, bringing them to life. I’m in love with the saturated colours here, and especially that flashback looked beautiful.
Rating: ** (Excellent)

Posted on with categories: Durarara



After the previous episode, I remember noting how this series hasn’t exactly delivered yet in its second episode. It’s like it was missing something. But yeah, after this episode I realize that it was just building up. This episode was much more like it. It’s here where the creators really start playing with what they’ve built up.

My guess was that the previous episodes were mostly trying to shed the remaining Baccano-roots that had somewhat grown after the first half. While you can very much tell that the first half of Durarara comes from the same creators as Baccano, with the second half you really can’t.

The mystery in this series is definitely interesting: it’s the kind that keeps huge secrets about its lead characters: it only drops a few hints here and there, but Mikado’s involvement with the Dollars was a complete surprise. Just as how even though we’ve known Anri for sixteen episodes now, we never knew that she could pull a freaking sword out of her arm!

The twist that everyone in the city is getting turned into a bunch of zombies is perhaps a bit lame, but I guess that it is an interesting twist for the series’ setting: it’s previously been established that Ikebukuro is full of life, and here this old spirit comes and turns everyone into a bunch of obedient and lifeless zombies.

It’s all going to depend on how the rest of the series will use this, because this episode was pretty damn tense with the way that the red eyed people made their appearance, answering a ton of questions about the plot in the progress, and fully explaining the point of the previous episode, and why the guy in the trench-coat was featured in the first place.
Rating: ** (Excellent)

Posted on with categories: Anime Reviews



If you managed to watch the TV-series of Patlabor, I really urge you to also check out the Second OVa. It’s very much a direct sequel to the TV-series, and it’s got all of the charms that made it so memorable and timeless; all condensed in just 16 episodes, it’s in no way inferior to its already excellent predecessor.

It’s got the same formula: one really big arc, and a whole number of episodic stories. What stands out the most are these episodic stories, though. Especially because they’re everything that episodic stories should be. Instead of having dull and uninspired slice of life scenarios that have been done for ages, it always builds its episodes around a certain idea or concept that really tries to be fresh and original.

The result is a number of classic episodes that are up to par to the best episodes of the TV-series; my personal favourite being the episode about the serial-bomber, with the “driving-home”-episode on the second place. Every episode is well built up, and what makes them even better is how grounded in realism they are: some crazy and wacky stuff happens here, but the creators never forget to base it on its realistic characters and scenarios, rather than just being wacky and over the top all of the time. There are those rare series out there who should serve as an eample of how to do things right at their genre. Patlabor without a doubt belongs to them.

On top of that, it still has the classic element that makes any Patlabor installment worth watching: the cast. After finishing this OVA, I’ve now seen everything from the Patlabor franchise, which amounts to 70 episodes and 3 movies in total. After so much time, the cast has really grown into a lovable and memorable bunch of people.

Watching this OVA, I really have to say that it’s a shame that Mamoru Oshii doesn’t do TV-series and long OVAs anymore, because he really is brilliant at bringing these characters to life. It’s a bit of a shame that for the past years he’s gotten stuck at things like Musashi, because he really is a one-of-a-kind director.

Storytelling: 9/10 – Wonderfully built up, nice ideas, very varied.
Characters: 10/10 – Incredibly charming characterization that’s in no way inferior to the previous Patlabor installments.
Production-Values: 8/10 – Good and detailed, though not the best Patlabor has to offer.
Setting: 9/10 – One of the best mecha settings of the pre-Evangelion age: realistic, creative and believable, despite the strange scenarios that pop up once in a while.

Suggestions:
Patlabor – The Second Movie. The conclusion to the Patlabor-franchise. Do note that if I were to watch it today, that review would look completely different.
Ooedo Rocket
Rumiko Takahashi’s Rumic Theater

Posted on 27 April 2010 with categories: Rainbow



Watching this series is seriously making me think again about what makes a good anime. I mean, especially now that I dropped Hakuouki, this series features the worst acting out of all the shows that I’m blogging at the moment. It’s way over the top, way too early, and full of cheese. And yet, I just can’t deny that out of every show that premiered this season, it’s actually the most intense to watch by far.

With these kinds of shows that have very obvious major flaws, it’s always a matter of trade-offs: how much you’ll enjoy these kinds of series depends on how much of the flaws you can stand, and the way in which the series in question actually makes up for it. It’s very similar to series as Shangri-La. It’s obvious that this series is no Sarai-ya Goyou or Yojou-han, but still. Out of all the series that feature bad or sub-par acting this season, this show makes up for it the most. The key to this series’ success in the long term is that it needs to continue to keep the balls in the air. As soon as the show starts dragging, my suspense of disbelief will break and it’ll turn into just another dull series.

This episode however, continued episode 2’s pacing and delivered yet again one heck of an atmosphere. Baremoto’s entrance in the sea of fire was cheesy, but despite that it had something really cool about him. This episode was all about teamwork, and the manly bonds between the group of lead characters.

Because seriously, despite the fact that this just isn’t Madhouse’s best staff at work, you can really see the strength of the manga author shine through. One by one, the characters are shedding their stereotypes. Mario at first was portrayed as your typical punk. Yet, the previous episode showed that he’s just a softie. Baremoto, at first introduced as your typical bookworm instead also has shed his stereotypical skin in this episode. I also wonder how Psycho Guard was in the manga: how much of that ridiculously overblown scumbag was present in the manga, and how much of it did the anime creators just make up to increase the tension?
Rating: ** (Excellent)

Posted on with categories: Senkou no Night Raid



Ah, the spy genre. Where our lead characters have to take care of dangerous threats, international bombings, diplomatic turbulence… and obese felines who steal photographs.

So obviously this was a bit of a silly episode, but at least it gave us a bit of a chance to get to know the lead characters, which is also important. I would have preferred it if the creators just dumped that strange photograph subplot and just showed the characters as they are on their days off, but this episode had its charms.

On a side-note, at first I wasn’t that enthusiastic about it, but on second thought I’m beginning to like this series’ tour of the world with languages more and more. I now understand why it was impossible for the creators to find a good voice actor for the lead character: is there really someone who speaks fluent in Japanese, German, Chinese and Russian all at the same time? And who knows how many more languages are going to be featured? In any case, it shows that Shanghai is growing into the international metropolis that it is today. For the series’ faults, you can at least say that it’s not looking down on its setting. Or not in a way that I can see anyway.

Also, the animators choose the strangest places to use their budget at. Most of the times, filler episodes like this don’t receive much of a budget to play with. Take a look at how well that fat cat was animated; I’ve hardly ever seen cats animated this life-like in such a TV series. Also, the crowd shots in this episode are also really well done: you can see that the streets are alive with people, who may not all be moving, but all have their own designs. And then there also are these things as the food, and the camera that they used in this episode. All were really well drawn.
Rating: * (Good)

Posted on 25 April 2010 with categories: xxxHolic, xxxHolic Rou



Before watching this OVA, I had heard from people that xxxHolic Rou would be very confusing. But Bloody Nora, I never thought that it’d be this extreme! The non-manga readers who have yet to see this episode: STAY AWAY FROM THIS POST! MAJOR SPOILERS AHEAD.

Because of xxxHolic Shunmuki, I was expecting something Tsubasa-related as well. Instead, the Tsubasa-cast doesn’t make an appearance at all. Instead, we get a time-skip of who knows how many years, in which A TON has happened: Yuko is dead, and Watanuki has now taken her place. This episode asked a whole tidal wave of new questions: what the heck happened to Yuuko? What caused her to come back? Why did Doumeki’s name change? Why does it seem that Watanuki can’t leave the shop? And taht’s just the tip of the iceberg.

Even for xxxHolic’s standards, this episode was dark. Watanuki has changed a lot. The visual comedy around him and Doumeki is completely gone now. Instead, the jabs he takes to Watanuki are short and subtle. Also, this episode never left the shop: everything we see is from Watanuki’s perspective, who somehow doesn’t leave the shop. Doumeki also lost the wise-cracking part of him: he now really doesn’t fool with Watanuki anymore. He’s actually graduated university at this point.

I guess this episode was all about Yuuko’s… rebirth or something, but what got to me the most was that phone-call at the end of this episode. After all that build-up! After all that time that was spent on the relationship between Watanuki and Himawari to make them like the perfect couple… she actually ended up marrying someone different and the two have grown apart!

I must say, Clamp: you did it again. This episode really was amazing in its character-development. It’s such a stark contrast from what xxxHolic used to be. Including the time-skip was a brilliant idea.
Rating: *** (Awesome)

Posted on with categories: Uragiri wa Boku no Namae wo Shitteiru



Whoa, the soundtrack for this series just continues to get better and better. that’s a very pleasant surprise for this series. Shougo Kaida seems to be very much a newbie composer, but something tells me that he’s someone to look out for.

The story so far has been a mix between cliches and interesting ideas, so it can still go anywhere. The biggest cliche in this episode was of course the lead character-deciding whether or not to join the organization of the other good guys. However, Yuki himself made up for it by showing that, while hey may be a bit of a wimp, that he does know how to take responsibility. In this episode he really showed that there’s no way that he would just go out on a flimsy adventure just for the sake of his family, and abandon the children around him. The creators also prepared a perfectly valid reason for him to change his mind in the next episode: the fact that he did not know that those monsters were after him. Compare that to 07-Ghost, in which the lead character at this point was randomly angsting and wandering around.

The big one-sided character for Uragiri meanwhile is Zess. This is the guy that needs the most work, and he’s going to need a lot of chemistry from the other characters to work out well, and his obsession is a bit overstated. Instead of talking things out, he instead just sends out blasts, and this guy seriously needs to grow a character.

This show is clearly no Night Head Genesis, I know that it lacks the many interesting ideas that that series had. Aside from Zess, the lack of originality right now is the series’ biggest flaw. But then again, who knows? So far the past three episodes have been solid, I’m hoping for the substance to come in the next number of episodes, as soon as we get to explore the characters.
Rating: * (Good)

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  • k-off
    (Saturday, Nov 29. 2014 08:07 AM)
    But the MC keeps digging a deeper hole for himself every chapter that it gets frustrating to read.
  • k-off
    (Saturday, Nov 29. 2014 06:23 AM)
    @Aidan in hindsight, you missed Ore ga Doutei wi Sutetara- it’s a textbook definition of an antiharem.
  • k-off
    (Saturday, Nov 29. 2014 05:44 AM)
    @Friend I’ll be glad to give you guys advice about NYC and LA if you need it. Like where to avoid, where to eat, sleep, etc.
  • ninjarealist
    (Saturday, Nov 29. 2014 04:51 AM)
    @Emma I really can’t wait to see where that one goes. It’s been a scintillating read so far. I’m mostl interested in the whole Ecchan plotline. Also, yeah, I have been flying through these recs. I just have been severely depressed this past week or so and as a result have felt an intense craving for this type of manga.
  • Bam
    (Saturday, Nov 29. 2014 04:21 AM)
    @Friend: I understand that, and true the tickets themselves will be expensive (unless you plan this smartly and avoid the busy seasons), but once you’re here we’ll treat you guys and cover the activities.
  • Emma
    (Saturday, Nov 29. 2014 02:51 AM)
    @Realist: I’m hearing very promising things about the untranslated chapters of kuzu no honkai, that it gets pretty crazy later on.
  • k-off
    (Saturday, Nov 29. 2014 02:50 AM)
    @Friend But you live in Stockholm- you’re pretty rich.
  • Friend
    (Saturday, Nov 29. 2014 02:45 AM)
    *My friends and I are
  • Friend
    (Saturday, Nov 29. 2014 02:45 AM)
    @Bam It all depends on our budget X( we’re all artists, we’re poor XD
  • Bam
    (Saturday, Nov 29. 2014 02:43 AM)
    @Friend: would be a pleasure. I’m in Northern California but if you’re coming to the US then it would be a shame to miss the chance to see San Fransisco anyways, specially given your artistic inclinations. So try to make that a destination ;)

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Ah, the story progression that I was looking for. I finally find myself having a reason to get attached to Leone and Kaisar, because this episode devotes an entire episode to their rivalry and is just all around an improvement from last episode. I’ve talked about how the slow pacing hurts this show, and this […]

Parasyte-the Maxim- 03-05

Let me put up a disclaimer: When I first started to review this series, I didn’t foresee the obvious outcome that this show would end up so mediocre. I debated whether or not I should write reviews in groups of 2-3 episodes versus reviews that would drone on about the same issues every single episode, […]

Your Lie in April – 04 & 05

Episodes 4 and 5 of Your Lie in April were crucial ones in terms of how the series would develop. Episode 4 was a very important episode in the series as we see Kousei reintroduce himself to the music world after his mother’s death left him unable to play the piano. How the writers would […]

Fate/Stay Night Unlimited Bladeworks – 05

Always elegant. That is the motto of the Tohsaka household and the mask of Tohsaka Rin. The meaning clearly that no matter what you do, do it with style and grace. It is the creed which Rin upholds by playing the honor student. Though as you can see, at times cracks can appear in the […]

Latest Reviews

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Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

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Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

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Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

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Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

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Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]