Posted by psgels on 17 April 2010 with categories: Katanagatari



The big potential pitfall for this series was becoming too formulaic. You know, having every episode consist out of talking that leads up to a fight between Shichika and whoever holds the next of the twelve swords, in which we get to see the story of that swordsman examined. So what does this episode do? It just skips all of this in order to focus on something completely different. Nice. I love it when shows pull twists like that.

And on top of that, this episode was surprisingly intense. This episode completely reversed the parts of good and evil in this series. While Katanagatari wasn’t exactly a battle between good and evil to begin with, there always was a clear side of protagonists: Togame and Shichika, while the antagonists were also pretty well defined. This episode however… wow. Shichika’s sister is evil.

At first sight it seems a bit boring to have three random maniwani try to attack her, but this is really one of those cases in which the creators’ decision to go with double-length episodes pay off. If this had to be condensed into 20 minutes it would have just failed, but with forty minutes we really could get to know these guys beyond the shallow appearances that the maniwani had made thus far in this series. On top of that, Nanami’s monologues were really intense to watch in the way that she completely killed off the first people she was able to talk to since years, aside from her brother and Togame. It made for a very slow-paced episode though. This episode might actually have the most dialogue out of any Katanagatari episodes yet. Ah, those poor subbers.

Overall it was one of the best episodes so far, however it did seem that a part of the animators was on some sort of holiday or something. There was an unusual amount of still frames and extreme close-ups that were shot so that the creators wouldn’t have to animate the characters’ mouths. Thankfully it was nowhere near as bad as with Bakemonogatari, but it still stood out. With these series that show a lot of long monologues, it’s of course no problem if you cut away to a few photos and pictures to illustrate your point or show the surroundings, but there is a thing as overdoing it, and this episode felt to me like it was cutting a few too many corners.
Rating: ** (Excellent)

18 Responses

  1. m says:

    I’m still at a loss to explain what this show has done to my brain, because I was initially unimpressed by the visual style, but now find myself quite liking it. I don’t care for the male character designs all that much, but the backgrounds and the female designs are appealing. There’s a certain animated storybook quality to it. Every month I think, “Wow, this series looks better than I remembered.”

    I think Migiri is my favorite character. There isn’t much new about the gentle-voiced monster, but I still find her pretty funny. There’s also a certain amount of misdirection where the possibility of a cheesy intervention looms, only for another bout of sadistic invulnerability by our (my) heroine.

    Listening to the cannon fodder talk was really taxing though. It has the same effect on me as listening to Duane Gish.

    I didn’t think this episode was quite as slickly composed as the previous one, though. The previous episode was pretty polished while I thought this sagged a little. Though if one is to compare it to Bakemonogatari, it’s obvious this show benefits greatly from the absence of SHAFT.

  2. PL says:

    lol m, shaftbo would have made a mockery of this story. I’m very glad they went with a completely different studio, instead of just trying to latch on to the commercial success of bakemonogatari.
    I enjoyed this episode a lot; although I was kind of in a groove with the formula and wouldn’t have minded if all 12 eps had gone that route, this was a very interesting detour and leaves me wondering what subsequent episodes will choose to focus on.

  3. chounokoe says:

    I have to be one of the few people who does not enjoy this show that much, especially compared to the brilliantly executed Bakemonogatari (at least in terms of adaption).

    Most of the time I fail to see the reason for it to be anime at all, because characters are mostly not moving at all and the designs of the world, apart from some costume, is rather bland.
    Bakemonogatari had the same initial problems with it’s setting, but at least Shaft spiced it up.

    Still the positive fact remains that at least some of the useless chats of Shichika and Togame are shortened and I don’t have to work through 20-40 pages of recap each book.

    I still hope most Nishio critics are wrong and this wasn’t the strongest story in Katanagatari…but I fear it will be, because next episode we will return to the same formula as before.
    Yes the episode was good and I liked Nanami very much, I would feel kinda dissappointed if she really turned out to be the most interesting character in the story.

  4. nys says:

    I liked this episode. Until the end. I can never predict what I`m going to like. But, for once, I did not fall asleep during a Shichika and Togame chat because I was on the edge of my seat over what (evil things) Nanami was gonna do to the maniwani. We didn`t know anything about her skill before, but this episode introduced her again really well.

  5. K.K. says:

    Love how she automatically nicknames them “Maniwani” as well. Like brother like sister, I guess.

    Sabi Hakuhei really got shafted though. I kept expecting them to reveal that the next episode was going to be about him, since he’s supposed to be THE mega-baddy in the show. Still, that was one (probably) amazing fight, huh…?

  6. Bruce says:

    Haha, I like how they even animated parts of that fight in the previews. Very disappointed with the fact that we didn’t see that, but that made the ending conversation that much funnier.

    @chounokoe: IMO shaft did those things even worse, what with all the black/red screens, close-eye shots, and the parts where they were literally just show text on the screen.

  7. chounokoe says:

    @Bruce: Well I think that depends on what you’d expect from a visual presentation.
    For me there is not much there in Katanagatari to look at, most screens are almost stillframes for some minutes, they could as well have made it a Drama-CD with some illustrations.

    That’s the problem when a studio adapts something that largely consists of conversation. And Katanagatari’s visual novelity quickly wears off, as backgrounds are mostly rather bland and costumes…well they work for the first minutes.
    Bakemonogatari would have become boring quite quickly if characters would have just stood there and talked.

    I don’t know if you watch it with subtitles, but I think that’s still a little different, because there’s something else on screen you have to concentrate about.
    But well…maybe it’s only me.

  8. PL says:

    Personally, I find Katanagatari one of the most visually appealing things I’ve seen in ages. I love the backgrounds, character designs and costumes. Yeah, it’s a lot of dialogue, but it’s more enjoyable animated, and the fights are lots of fun to watch. But, I’ve been a pretty hardcore defender/fanboy of this series from episode 1 so I’m not objective, for sure. Then again, fans of bakemonogatari are unlikely to be objective either, because the art and style has been taken in a very different direction. This is one of the best things airing, though, and that’s an objective statement of fact ;P j/k

  9. chounokoe says:

    Haha, yeah it’s always difficult to set the fanboy google totally aside when talking about an anime. I think it’s impossible to ever be fully objective. XD
    Well I like Take’s art, so of course the character design and costumes are neat, but as with Bakemonogatari there is not that much background in the first place, because Nishio doesn’t go into that much detail concerning places.
    The amount of dialogue is okay and I think Yojouhan Shinwa Taikei will be even harder on the subbers as an anime (just finished reading the novel), but I think the content isn’t that interesting and it often shows that he just HAD to come up with something to fill those 200-300 pages. There’s just better works by him…Bakemonogatari was okay, Zaregoto seems to be great, but I haven’t read any real novels by him.

  10. Michael says:

    I continue to be pleased by the use of irony in this series. The creators/writer of the show really know how to take audience expectations and completely reverse. I almost never see this in a series. But this is the 2nd episode the creators have done this, the 1st being when Shichika showed absolutely no remorse killing his opponent in episode 3, when the entire episode was dedicated to fleshing out her sympathetic character. I will always like shows like this, that force you to reconsider right/wrong and completely and utterly surprise you.

  11. Nomus says:

    I have most complex feelings towards this series. It has a lot of unexpected turns and good dialogs, but how I hate main characters. Really, after 3rd ep I started to think that Shichika is just a merciless killer. But now it’s obvious, that all of their bloodline are insane maniacs, who were sent to that island for a good reason.

    And Togame is not much better. Slaughtering everyone with Shichika for her own revenge. I know, they betrayed her, but all the sword-owners they killed had some good reason in their life (in spite of that poisoning she’s been blabbering about). And she… At this point I can’t imagine her doing something good with those swords. And, in addition, she’s not the brightest one.

  12. Gunslinger says:

    Aaaaaaah , based on last episode’s preview i really wanted to see the hakuto hari fight. hope they fit it in another episode :(

  13. Matt says:

    ooh i liked this episode alot. I like the humanization of the maniwani characters. I find the sister to be scary. I have no clue but i feel like it might be brother versus sister at the end. I love the dialogue in this series, very enjoyable.

  14. PL says:

    All the stuff about ripping out his fingernails, and disciplining him for not collecting the swords fast enough WAS very creepy. You can tell she was warped really badly by her father not choosing to train her. It is interesting to me that despite having very little in the sense of an adult’s conscience, shichika has an essentially good nature while naname is obviously quite dark and twisted.

  15. tomtom says:

    I can’t understand so many people are indifferent towards this series. Witty, great art, long episodes. I actually like the simple plot in this series, it reminds me of those western and samurai movies in which the mental and perceptive side of the battles are the central story element.
    Its clear that Nanami at least as crazy in the head as her brother after this episode but on the other hand Im not so convinced she is pure evil (you cant really expect two siblings who spent their entire youth on an island training in solitude to develop a ‘normal’ grasp of morality after all).

  16. PhantomX says:

    PL, I don’t think she was warped by her father at all. It’s mostly a byproduct of her body being rattled with excruciating disease coupled with her natural instincts fighting off her death (which she used to wish for).

  17. Reltair says:

    Shichika’s sister really means serious business. I sense an impending fight between her brother and herself.

  18. Alec says:

    Nanami isnt evil… her methods are just twisted. I her bro is also like that… She a “dont u ******* mess with me, or ur gonna get IT” person xD…

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  • Bam
    (Friday, May 22. 2015 04:42 AM)
    Even Anno admitted that Evangelion’s success was heavily reliant on Yoshiyuki Sadamoto’s unique and attractive character design. It was familiar but still original. Rei and Asuka’s designs as well as the plug suits and the look of ye Evas had a huge impact in the industry and inspired a whole slew of future animators. You could’ve done the same exact series with a cruder art style and it wouldn’t have been nearly as good.
  • Bam
    (Friday, May 22. 2015 04:19 AM)
    @Aidan: art-style is integral to the overall quality of a product, that’s why it irks me so much when Type-Moonies endlessly praise Nasu and underappreciate Takeuchi as if he didn’t contribute all that much to Fate’s success.
  • AidanAK47
    (Friday, May 22. 2015 02:38 AM)
    @Bam, it’s a rough style admittedly. But mate I played Umineko with the original artwork. It’s hard to find anything worse than that…expect Higurashi’s artwork…(shivers)
    Ryukishi, great writer but not an artist.
  • Bam
    (Friday, May 22. 2015 12:24 AM)
    You guys made me want to go see Fury Road in IMAX now.
  • Bam
    (Thursday, May 21. 2015 10:13 PM)
    @Aidan: you know I tried looking into Muv Luv since it’s supposedly a seminal LN, but that character design is horrendous. The story sounds interesting but there’s such a divide between that and the art style that there’s no way I can get into it.
  • AidanAK47
    (Thursday, May 21. 2015 02:04 PM)
    Another Muv luv spinoff gets an anime adaption. Sure, lets adapt everything except the work that made it famous in the first place.
  • Emma
    (Thursday, May 21. 2015 04:10 AM)
    Muthafuckas cancelled the Constantine tv adapatation…
  • Emma
    (Thursday, May 21. 2015 03:45 AM)
    Come to think of it, Tsugumi’s personality at odds with her monster design. I’m getting reminded of that mech from zone of the enders dolores that had the personality of a young girl .
  • Emma
    (Thursday, May 21. 2015 03:43 AM)
    @Aidan: The bear will be explained as it was done so recently enough in the manga, Ochiai remains however a very dull villain.
  • AidanAK47
    (Thursday, May 21. 2015 03:27 AM)
    You know when grabbing screenshots Sidonia really does look better when you look at it in still images. I really do think that if they just gave the models more natural movement then it would look metric tons better.

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