Posted on 31 May 2010 with categories: Senkou no Night Raid



This episode did a great job of bringing the series together. It’s really interesting how different the build-up in this show is compared to its Anime no Chikara’s predecessor: there, everything was all over the place, fun and whimsical. Here the characterization
has been composed and mature. Aside from episode four, the creators have been carefully building everything that’s necessary to the plot and characters, while Sora no Oto’s pace felt much more random. It’s very interesting to see how different these shows can get, even though they’re both about impeding war.

A major theme of this episode was the following question: what’s more important to you, a loved one or your father land? Aoi here tried to get his loved one back, against all orders. These plots really need a lot of build-up in order for them not to get annoying, since it’s based on a very overused shounen stereotype. within this context however, it gets a totally different dimension here. It’s been constantly stressed that the stakes of this war are incredibly high. Heck, we actually see the Japanese portrayed as the bad guys in this series. At this point the characters are all performing delicate work that unlike earlier on at the series will have very big consequences on failure. Aoi trying to get his girlfriend back is totally different from an angsty teenager with superpowers who refuses to obey his superiors because he’s rebellious.

This episode was all about seeing your past back. Yukina’s brother also becomes a lot more dimensional here when we get a few hints about his intentions. It’s not like he’s immediately a good guy either, he has done enough morally objectionable things, however at the same time I’m getting the feeling that he’s acting out of fear. We still don’t exactly know how and when he learned of the atom bombs, but my guess is that he’s trying everything in his might to stop one from hitting Japan. Again coming back to that theme of choosing your country above your loved one: he consciously decided to sin, in an attempt to save a large amount of people with a plot that might not even work, above taking care of his family.

Oh, and added to that: the soundtrack really was amazing in this episode.
Rating: ** (Excellent)

Posted on with categories: Monthly Summaries

Milestone time: this is the fiftieth month in which I’ve written such a summary about the shows I’ve been watching. Woohoo!

Anyway, this month showed interesting developments: you can really see some shows delivering and becoming better and batter, while also an array of series just failed to live up to its expectations. The success of this season is really going to depend on how June turns out, though. Many series will then end, and many series have been promising a lot of potential for their finales.

#23 (26) – Hakuouki – (6,5/10) – Yeah, I dropped this one. The lead female just keeps getting rescued over and over, and instead of learning she just continues to go into dangerous situations. The plot behind it may have been interesting, but I couldn’t take her any more.
#22 (19) – Kaichou wa Maid-Sama – (7/10) – Ah, screw it, this one’s dropped as well. Episode nine was the final straw for me. For one thing: if you make a nonsensical filler episode: make it funny. This was just stupid, pointless and suggested to me that even the creators have given up on it. I’ve got many better things to do than keeping up with this thing.
#21 (23) – Marie&Gali – (7,5/10) – This series is still incredibly creative, but the thing with this sequel is that it’s now explaining science for the sake of explaining science. It lacks the spontaneity of the first season, and the new main character is also more annoying than she is funny. Such a shame!
#20 (18) – Hetalia World Series – (7,75/10) – Nothing much can be said about this one. It’s the same as ever: not the best, but solid entertainment.
#19 (10) – Uragiri wa Boku no Namae wo Shitteiru – (7,75/10) – The past few episodes have been rather dull, but there is definitely potential here. The characters are interesting to watch, and I especially like the role of the kids in this series. A big problem is the new side-cast, though. They either need to develop or leave.
#18 (14) – Anymaru Tantei Kiruminzoo – (8/10) – I do have to say that the creators often rely on the same gimmick: putting a creature in Japan that has no reason whatsoever of being there. I know it makes sense in the story, but something new has to happen. You can’t keep milking that forever.
#17 (17) – Kuruneko – (8/10) – Releases are very sporadic, but this still remains an enjoyable slice of life series. The different cats all have their different quirks and they remain fun to watch even after forty episodes.
#16 (20) – Kaidan Restaurant – (8/10) – Yeah, okay, I was wrong. This show is just too good to be dropped. It’s repetitive, but the bite-size chunks of horror work every time, and are surprisingly well told. It will have a lot more competition once the Summer season starts, though.
#15 (22) – Heroman – (8/10) – Props to Heroman, for actually delivering quite a solid saturday-morning-ish show. The plot has its clichés and overused tropes, but it has also been continuously moving with a lot of potential to develop into.
#14 (11) – B Gata H Kei – (8/10) – Not as good as during the first few episodes, but still very enjoyable. The big problem with this show is the huge amount of overused clichés, but the chemistry between the lead characters still manages to elevate this far beyond any other fan-service show for me. The two are hilarious together with the sexual tension that keeps sparking between the two of them, and the side-characters all do their jobs to support this despite their clichés.
#13 (13) – Durarara – (8,25/10) – Overall, this series has been good, but not as enjoyable as I would have expected. The whole conflict that is spiralling out of control is of course interesting, but to me it still feels like it’s missing something, and it doesn’t really help that this show keeps giving off hints to Baccano while it in fact is completely different. If the series would go on for more than 24 episodes, then I probably wouldn’t be complaining as much as I am now, but i just feel that the conclusion of this series just isn’t going to get the best out of the concept with so many novels still unanimated.
#12 (16) – Ichiban Ushiro no Damaou – (8,25/10) – I’m really surprised at how good this show has become, especially considering how it has so much pointless fan-service. The wit of especially the green-haired girl is delightful, and you can see that the creators are having a lot of fun pulling all kinds of weird twists into the plot. The serious parts aren’t the most interesting of this series, but they work well enough I guess.
#11 (8) – Katanagatari – (8,25/10) – It’s still a consistently enjoyable show with a ton of dialogue. The past episode again showed that it’s sufficiently varied to keep the audience’s attention, and as the show goes on I’m getting more and more faith in it. The dialogues are still excellent and interesting and the action again is short but sweet.
#10 (7) – Ookiku Furikabutte – (8,25/10)

The big match of this season has finally started, and again this series sets itself apart with a huge attention to detail in its matches. Consistently enjoyable so far,though I noticed that the creators are using quite a bit more comedy than that they did in the first season. It works, so there’s nothing wrong with that.

#9 (12) – Rainbow – (8,25/10)

Yeah, the acting can be pretty bad at times, but the overall scenario, pacing, plot and story really are excellent here. When you can stomach the overacting you’ll be rewarded with a great story with excellent characters who all help each other survive the harsh prison they’re in. Especially the past few episodes have to be praised for how far they actually went.

#8 (9) – Angel Beats – (8,25/10)

It really has had its ups and downs, but Angel Beats really looks like it’s heading towards a very solid conclusion. The past few episodes have become really good and the characters are more and more coming together. I had my doubts at first, but the creators now actually have a good chance of pulling this one off.

#7 (15) – Senkou no Night Raid – (8,5/10)

Episode seven sold me on this series. It really was amazing how well the creators handled such a touchy subject, and I really admire their balls balls to actually go through with such an episode. Overall, this show has really grown on me despite the slow start, and it’s especially getting interesting now that the episodic stuff is dropped and it’s moved to a continuous story. The characters all have been fleshed out quite well and they become more and more interesting to watch. If it continues like this, it’s really going to surpass Sora no Oto for me.

#6 (6) – Gag Manga Biyori – (8,5/10)

It’s still absolutely hilarious, pulling parodies from all kinds of genres. My favourite was the spaceship episode. I’m not going to spoil what it was about, I just want to say that… it really had a point there. :P

#5 (5) – Heartcatch Precure – (8,75/10)

This series really has been amazing for the past month. Whether the episodes were about a random story or the main plot, they all kicked ass. We’re not even halfway yet, and it’s already a heart-warming series with utterly gorgeous graphics. Only episode 17 was a bit shallow in comparison, though.

#4 (4) – Giant Killing – (8,75/10)

I love what the creators have been doing with this series. They brought in a ton of foreigners (who all spoke in their native tongue, rather than Japanese), the tension just keeps increasing because Tatsumi still hasn’t turned the tables for his team and they still kept up with everything that made the earlier episodes so enjoyable: the fans, press, player, staff, rival coaches, everyone here is important, gets his own characterization and stands apart from the others. Because of this attention to detail I’m really enjoying this series and more than willing to forgive a bit of unrealistic soccer play.

#3 (1) – Full Metal Alchemist – Brotherhood – (9/10)

To be honest, this hasn’t been Full Metal Alchemist’s best month. It however still kicks ass beyond belief, and it’s been a consistently excellent action series to watch for the past month and the story has delivered quite a few interesting plot twists. The animation has been in a dip through he past number of episodes, though. Considering the budget that this series used to have, it is a bit unnerving.

#2 (2) – Yojou-han Shinwa Taikei – (9/10)

You’ve got to love the presentation of this series. After six episodes Watashi has gotten really fleshed out now, despite every episode resetting. The episodes are all unique and well written, and I don’t just mean the dialogue by that. The scenario, choreography, storyboard, everything about the script in this show excels beyond belief here.

#1 (3) – Sarai-ya Goyou – (9,25/10)

Utterly amazing; the characterization in this series is incredibly well executed. Every line, every scene is meant to flesh these guys out and add more meaning to them. The characters are poignant, deep and fascinating as they make their decisions. The plot has really been mature and even though the pacing is slow, the creators have really made use of every second to get their message across.

Posted on 30 May 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Yeah… tons of fanservice in this episode. It’s annoying when moe shows do this, but with the bishies it’s just as bad. Especially during that bathing scene I’m surprised that sparkles didn’t start flying off the characters. You could also really see that Yuki used to be a girl when he started making necklaces for everyone.

So yeah, this was another laid back episode meant to flesh out the characters. It did its job well, we got to know a bit more about zess (he finally doesn’t feel like a one-dimensional paper bag anymore, though he still looked like an idiot when he brought Yuki to school). It’s nice and all, but this episode did remain boring. It’s not a chore sitting through it, but that also pretty much everything positive you can say about it.

The first and foremost priority of the creators is avoiding to pull another 07-Ghost here. These past two episodes are one thing, but the show shouldn’t stick too much inside its own fillers. Whether these came from the manga or not shouldn’t matter. The manga should also have tried to make these chapters more interesting.

Having said that though, the background art in this episode was quite good.
Rating: (Enjoyable)

Posted on with categories: Anime Reviews



I know that this is an anime blog, however that doesn’t mean that I’m not allowed to talk about anything else. Japan certainly isn’t the only country that can produce great works of animation. I’ve reviewed Korean and Chinese movies, so why not? This Oscar nominated co-production between Ireland, France and Belgium is certainly worth a look, and I also believe that modern anime can learn a lot from it.

The graphics of this movie are very impressive. At first the character-designs may seem simple, especially the lead character Brendon. However, the animation itself totally makes up for it, as it is incredibly smooth. What steals the show is the artistic direction, though. Gorgeous, imaginative and varied, this is a feast for the senses. The soundtrack is also excellent; it’s a great composition that combines traditional instruments with a modern soundtrack feeling.

The story looks a lot like a family movie, but make no mistake that this is based on Irish folklore. On one hand you have some often used tropes of a boy who wanders into a forest and meets a cute mysterious girl spirit. On the other hand, this movie is also about the Viking invasion of Ireland. It’s got a surprisingly elaborate story to go through in just seventy minutes, on top of building up its characters. There’s also plenty of character-development, the characters are all likable, and the most important ones are well fleshed out.

The creators may have been a bit too ambitious with this, though. Trying to stuff as much as they did in this movie lead to a number of strange leaps in logic, or plot twists that lack poor build-up. The ending for example is based on a bunch of great ideas, but the creators reserved too little time to make it flow naturally, reducing impact from what it could have been.

Storytelling: 8/10 – A bit rushed, but well told, nice humour, excellent scenario.
Characters: 9/10 – Engaging characters in Irish folklore.
Production-Values: 9/10 – Excellent artistic direction. Very fluid animation.
Setting: 8/10 – Great portrayal of the old Ireland, though the Vikings and other monsters don’t get a lot of depth.

Suggestions:
Comedy
Arete Hime
Night on the Galactic Railroad

Posted on with categories: Anime Reviews



The Tales of-franchise stands out because every game gets to be adapted by a different production company and a total different staff. This leads to a wide variety of different adaptations with all their own focuses, interpretations and things at which they stand out. With Tales of Vesperia, it’s Production IG’s turn, and they went with the movie format. And holy crap, is it good. This is everything an RPG adaptation should be.

At first it might seem like your average fantasy story: alas, the protagonists are young. One of them appears to have a princess as girlfriend, there are more cute girls, meant to act as the voice of reason when the lead males go out of control again, blah blah blah. But make no mistake: for every cliche that this show uses, it subverts two of them. While this is a fantasy movie, it for once does not require the leads to travel across the world and have all kinds of adventures. No, these guys are part of a town guard: they simply belong to a unit, responsible for protecting a bunch of people. There’s nothing like saving the world in here. Aside from the initial cliches, there’s no attempt made to make these characters seem any bigger than they are: they merely follow the orders of their captain when they fight a battle.

Also, this is animated by Production IG, and it really does live up to their name. The battles here are incredibly well animated: in duels, there are no still frames or convenient cuts; a lot of focus has been put on the sword skills, team work (and not just a team of four warriors or something, they often fight battles with a small squadron in which everyone knows his place). Fights aren’t a matter of whacking a sword long enough until the other party goes down, instead they’re calculated, realistic and believable. Because of this, the magic system can also be fleshed out a lot more: the spells here are a lot more interesting, logical and believable than you usually see in fantasy series.

There is a lot of drama in this movie, most of it centred around the coming of age of the two lead characters. The two of them are flawed, and a lot of the focus of this movie is about fleshing these two out, and developing them. Especially in the first half of the movie these two like to cause trouble, which can be annoying to watch at times, but it’s all with a purpose: to get the best out of their development. They really both develop into great characters in the end. What also helps throughout the first movie is a great sense of humour: it’s got a very good comedic timing.

The fact that the characters for once are simple town guards also has another advantage: you really can get a good feel of the people who live in this town, and this movie takes optimal advantage of that: it chooses a few random townspeople and gives them a convincible personality and character, which all do a great job of bringing the town to life.

I do have a few question marks about the ending credits, though. I’m not sure whether it’s meant to be an advertisement about the games, or a sequel, but it showed many of the cliches that this movie avoided so well. In any case though, this movie is yet another excellent example of how good RPG adaptations can be when some actual effort is put into them. Despite some initial cliches, it’s got excellent characters, a believable scenario, excellent animation really manages to bring its setting to life.

Storytelling: 9/10 – It’s got a ton of fantasy and action, but brings this realistic and believable. Well paces, nice ideas and good attention to detail.
Characters: 9/10 – There are cliches, but makes up for this with excellent character-development and great chemistry between the characters.
Production-Values: 9/10 – What you’d expect of a movie: no cut corners, well portrayed battles that find a very nice balance between believability and action.
Setting: 8/10 – Inspired and lively, though loses points because of how young some of the characters are.

Suggestions:
– Tales of the Abyss, Eternia, Symphonia, Phantasia.
Strange Dawn
Popolocrois.

Posted on with categories: Heartcatch Precure



Yay, more Cure Moonlight. This really was a build-up episode, meant to develop the relationship between her, Tsubomi and Erika. From now on we should probably see her more often.

The Desatorian of this episode was a bit less compared to the other episodes, though. He lacked the time due to this focus also on Cure Moonlight, and the conclusion was overly simplistic. This series is set up in such a way that being turned into a desatorian shouldn’t make you see the light, however the way in which the guy in this episode immediately realized what he had done wrong felt forced.

But ah well, there’s always next time. The parts that focused on Cure Moonlight rocked as ever, and even though the drawings of the baking family lacked a bit of inspiration, just about everything else in this episode looked again beautiful.
Rating: * (Good)

Posted on with categories: Giant Killing



So we’ve already had English, Dutch and French, and now this episode also throws in a bunch of Brazilians. Awesome. Their portrayal is a tad stereotypical, but they did well in contrasting with the rather uptight Japanese players. And who knows, something’s telling me that the next episode will add a lot more colour to them. One of the reasons this show is so awesome is because of its huge and incredibly diverse cast, and with this episode it became even more diverse.

This episode had no soccer matches, but for a series like this that’s no problem at all: it again showed that this isn’t just a series about football, it’s a show about everything that involves football, from the players to the fast to the press and the coaches and all of the other staff members behind a team who all have their own functions. With so many details, I can more than forgive the few unrealistic parts about the soccer.

The cast really is huge, probably the largest of the entire season, but nearly all of the characters here stand as individuals. Take the supporters for example: you have the loyal fans, then there are the fans with the most status who rally everyone on to cheer as hard as possible, and then there also are the older fans who long for the nostalgia of the old Tatsumi.

I also loved Tatsumi in this episode, you can really see that he knows that he’s not going to win easily, and even he has to motivate himself a bit after such a losing streak of five matches. I think that for a lot of people, they’re into a test of endurance: how long can they keep up with the team’s abysmal performance? How long will it be before Tatsumi will live up to his name and brings a victory to the team? Seriously, out of all of the sports series I have seen so far, this one feels by far the most unique.
Rating: ** (Excellent)

Posted on with categories: Full Metal Alchemist - Brotherhood



We’re really nearing the climax for this series now, you can really see that the focus is getting more and more back to the lead characters and especially the lead villains. The next episode should be all about Father, trying to do whatever he needs to do in order to execute that plan of his. After that there are going to be three more episodes to wrap everything up. Should be enough.

Thumbs up for especially Al in this episode: he actually refused to go back to his body, because he knew that it would be impossible to be useful with that kind of a posture. That was actually very well built up: ever since he got stuffed in that box and Pride got hold of him, he’s had a lot of trouble being useful, having to play the part of damsel in distress a few times, along with just being too far away to help out in the early battles of Central City.

This episode made a ton of promises for interesting fights: it’s not just the question of “Will Al be able to redeem himself?”, but also, “how will Roy kick ass now that his eyes are gone?”, and “what will Mai Chang’s role be if the creators went through the trouble of putting her amongst the most central characters of the story at the most crucial time?”, to a fight between Scar and Mustang that will continue into the next episode. And then there’s Ed: as the lead character but nowhere near the best fighter, what is his role going to be?

The animation was quite inconsistent in this episode: some parts were animated quite smoothly, and you can really see that the animators really like animating the fights that involve Bradley with great detail, but there also were a few speedlines, unrefined faces and still frames. The big question for that is obviously going to be whether or not the creators saved enough budget for those final episodes, especially since they’ve been teasing us over and over with that ED.
Rating: ** (Excellent)

Posted on 29 May 2010 with categories: Anime Reviews




I did not like the first Rebuild of Evangelion because, well… it was a recap. I’ve got a big problem with movies that do nothing other than follow the exact same scenario as their predecessor, it should be a format for trying out new things, experimenting and just going all out with wild ideas.

Anyway, the second movie however follows its own scenario, which makes it a lot more enjoyable to watch. It combines the build-up of the first movie, a few things here from the TV-series and a bunch of other things that are completely new. A lot of the “monster of the week” angels of the TV-series were dropped, and instead the action focuses much more on the three lead characters. At the same time, we get an array of new characters, and the new twists that this movie pulls are definitely interesting. The final two movies do have a bit of work to do to cover up for the seeming techno- and myth-babble of this episode, but at this point there is no reason why they shouldn’t be able to do that.

The thing I liked most about this movie was the artistic direction during the action-scenes, which was with no doubt fantastic. The action, the use of colours, the soundtrack. Everything was a feast for the senses. This is just one of those movies with unique and awesome graphics. I also liked how the creators discovered that you can get pretty neat effects when you play a piece of soundtrack for a scene that at first sight doesn’t fit it at all. At the same time though, surprisingly little has been done to blend in the CG with the traditional animation outside of the action-scenes.

My biggest issue with this movie was the characterization, though. It’s just unrefined and rushed. Asuka’s development is just way too quick and sudden, and the quiet moments in the movies, which should be used to build characters, make use of too many shallow cliches. You know, the cliches that you see in dozens of high school shows already. The focus on cooking has been done to death by now, Shinji’s friends have degenerated into these typical high school “best friends”. Characters also really like to describe themselves with cliched one-liners, and these small things just keep piling up.

So yeah, this is pretty much a movie that kicks ass during the climaxes but is a bit tedious to watch during the quiet parts. This is one part of balance and characterization that the next two movies really have to get better if they really want the Rebuild of Evangelion to be remembered ten years from now.

Storytelling: 8/10 – A bit of myth-babble does not take away imaginative twists on the original Evangelion with clear attempts to make the story even more interesting in the next couple of movies.
Characters: 7/10 – Nice ideas, but the characterization is too shallow and there are too many cliches.
Production-Values: 9/10 – Magnificent during the action scenes. I would have given 10/10 here if it wasn’t for the obtrusive CG at times.
Setting: 8/10 – Nice potential, interesting ideas.

Suggestions:
Ghost in the Shell II: Innocence
Bonen no Xamdou
Princess Mononoke

Posted on with categories: Tales of Symphonia



Awesome. Nearly an entire episode dedicated to Regal and Presea, my two favourite characters of the game. It was a bit cheesy, sure, but I don’t care! This is the episode I’ve been anticipating ever since the Tales of Symphonia anime got announced. After more than four years of waiting this episode was SO worth it.

It’s awesome to see that in an adaptation of a game that shined because of its side characters, the creators indeed intend to give all of them ample time to show themselves, especially considering the limited time that this OVA has to deal with. The characters didn’t end up travelling to Ozette or Regal’s company, and the point about the rotting corpse of Presea’s father was also omitted, but instead Regal immediately recognized Presea, and didn’t keep his past secret, wanting to settle it immediately. That works too.

A bit surprise was also that Presea’s character is completely different from the game. In the game, when she recovered, she still remained quiet: she only said something when necessary, and she remained introvert. Here however, she’s much more outspoken. Her voice actress also gives a very different dimension to her character compared to her English voice actress from the game. I actually liked this difference quite a bit, to see such a different interpretation of her character like this.

Adapting a game is probably the most difficult kinds of adaptations that you can get. With mangas and light novels, you can pretty much copy and paste the scenario from start to finish. With games however, you can’t just do that: there are so many things that just can’t be translated to the animated medium: random battles, quick-saves, the battle system, having to slowly travel around the world and talk to random people. You really have to think outside the box to make these work. And again, I’ve got to applaud Ufo Table for actually pulling off a pretty good attempt here.

This episode did have its nitpicks again, though. The biggest wut of this episode came at the beginning, when Yggdrasil showed off a skill that not only he never had, but also introduces quite a bit of plotholes. When he has the ability to stop time, then how the heck can it be expected to beat him? In all the battles he can just stop time and kill everyone before they can do anything. In the games, he was just ridiculously strong and used that to beat everyone. He could have easily used that here too.

Also, the flashbacks. In the games, we never saw an actual flashback of the moment at which Lloyd’s father killed his mother, people only talked about it. It’s quite reasonable, since Lloyd shouldn’t remember anything about it. It was pretty much a big question mark at this point. In the anime however… yeah. Is there anyone who hasn’t played the games and does still now know what’s up with Lloyd’s father? Great subtlety, guys.

Overall, Lloyd and Collette were the least interesting characters of the games, and that again pretty much shows here. It’s very refreshing to see an entire episode without Collette, while Lloyd felt like he had a bad case of constipation in this episode. The rest of the cast was wonderful, though. Zelos’ jokes were a lot funnier than in the games, and the chemistry between him and Genius worked surprisingly well.

I expect the next episode to again kick a lot of ass. The final episode… well… in the games it was a standard climax. It definitely wasn’t among the best parts.
Rating: *** (Awesome)

CHANGE USERNAME
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
KTravlos
Well I binge watched Princess Principal. That is a very good show. I was surprised. Good animation, good music, the art is good, hell I even did not mind the protagonist art. But what I really like is the stories. All the episode were pretty solid and interesting.
AidanAK47
Just won a fight by the skin of my teeth thanks to my Lancer, Cu Chulainn. You the man Cu!
AidanAK47
@Amagi, Been playing Grand Order myself. It's rather fun. There are some good original character in it but I notice with Quantity certain figures designs were pretty terrible. I thought Assassins of black was the worst but some Grand Order servents manage to top it in terrible. Why all the bikini's?
Amagi
Fate/GO has quite some interesting original characters there. Wish we'd see them in some actual manga or anime series with more backstory someday. - I also like that we finally have an overpowered, interesting and competent Hassan with King Hassan for once. His design is metal AF too.
KTravlos
Binge watched Altair. The pacing of the show is a problem, but in general the raw material is good. Altair is sympathetic, and the world is interesting. But I do feel this is the kind of show that would had gained by a Monster or LOGH type treatment. Also, man it is scary how accurate they got some of the traits of Greeks (Phoenicians in the show). I am a Greek, I should know! :p
KTravlos
forgot to mention. I saw the 91 Days special. Three side stories that give some depth to the events in the main anime, but nothing that goes beyond it's end. Still they were in general ok to good.
SuperWooper
It's got Jude Law playing "this kind of huge robot butler called Charles, who is also a rocket ship." What could possibly go wrong?
AidanAK47
Anime with Jaden Smith? Um..I don't know about this.
SuperMario
@Kaiser: one of the good thing about SoL shows like Centaur and even 18if is that their episodes are self-contained, so you can just jump right in to watch the good ones and ignore the rest
SuperMario
I just love Chise's presence so I might enjoy the last episode more than anyone else. But yeah I'm quite satisfied with Princess Principal right now
AidanAK47
Actually I am quite surprised Princess Principal hasn't gone off the rails yet. Might even turn out to be a fun show in the end. If the man can make it to the finish line without a misstep.
AidanAK47
Hey I am having fun with my Shows. Made in Abyss is still quite excellent and Fate/Apoc is picking up. Even started playing Fate/Grand Order.
Lenlo
Man, sounds like I was the only one to have a good week with their show. Reflection really stepped it up this week in pretty much every category. Not sure it will last, but hey. Ill take one
Kaiser-Eoghan
I'm so disappointed in 18...if. Perfect opportunity to capitalize on something with a dreamlike feel to it and be creative only it ends up getting held back.
Kaiser-Eoghan
And I see Vonter and Mario are seducing me into watching Centaur.
Kaiser-Eoghan
*can't
Kaiser-Eoghan
I can'y see myself giving re creators a second chance, and from skimming these conversations, why should the show only get going at the end? It just sounds like too little too late.
AidanAK47
Honestly that's what Re:Creators biggest issue is. It builds up these great interesting idea's and then refuses to capitalize on them.
AidanAK47
Then it would be a battle to win over the audience and he who entertains them the most would get the most power. Just think of how many interesting ways that would take the fight. Like Altair could lose power and have to win over the crowd with her backstory and theatrics. A hero could purposefully get beaten to hell just so they can get a powerup from saying a boastful speech about kicking ass.
AidanAK47
@Anon, Exactly. Now there is an interesting fighting element. Imagine if both Altair and the heroes had to fight with the limitation of keeping the audience entertained. Altair couldn't pull out overpowered nonsense because the audience wouldn't approve and her power would drop. Same goes for the heroes.
Anonymous1378112
On the other hand I am not a fan of this whole final arc. It's just not believable to me to gather such a big audience who will do nothing but watch and accept everything you show them. Not to mention that the show is technically live acting to them. Considering how much anime fanbases already hate the DN movie and stuff I doubt many would sit there and accept that
Anonymous1378112
@Aidan: This made me pretty angry. like, they wasted a ton of screentime with these boring info dumps and now they're just irrelevant and the enemy just fucks over it
AidanAK47
Actually the last development was actually a screw the rules moment as well. So the only way to beat Altair is to just chuck aside the rules established with the last 20 episodes.
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