Posted by psgels on 7 May 2010 with categories: Sarai-ya Goyou



This series just surpassed itself. This really was a wonderful episode that wasted no time to get to the bottom of its characters, this episode was all about subtle hints at the background of various characters. We learn about how Matsu met Yaichi, and also that Otake knew him for the longest.

But the best thing about this episode was again the interplay between Masa and Yaichi. The way in which Masa tries to find out more about the Masa who never talks about his past was really well portrayed. Especially when Masa hit the nail on the head: Yaichi doesn’t seem to be doing the kidnappings for the money. The way he throws around money… it’s just as if he’s asking for it to run out faster so that he can do another job.

Then consider what Matsu said: he has really changed. Could it be that this change started when he started the kidnappings? Like Ume said, they haven’t done even 10 of them, and Yaichi was already involved with three of them, so they probably started quite recently. Because of whatever caused him to change, he started getting interested in Masa, and doing stuff that wouldn’t really be important contrary to what he would have done when Matsu first met him. Either that, or Matsu always had the wrong image of him: you never hear the other characters talk about his change.

On another note, it’s a shame that even though Noitamina is currently so well written and produced, with Sarai-ya Goyou and Yojou-han, the tv ratings have reached a depth for the series. 1.7%… that’s even less than Kuchuu Buranko. I have a hard time grasping the cause for this, actually. Noitamina has always been a timeslot that was also popular amongst non-anime fans.

It seems that the best-rated shows of the time-slot play in modern settings. There are exceptions, like the early Honey and Clover and Paradise Kiss, which aired when the time-slot was still young, and Hakaba Kitarou (the best rated Noitamina show ever), which made use of its huge nostalgia factor, but Nodame Cantabile, Moyashimon and Hataraki Man all are about down to earth characters that anyone could relate with. The same with Eden of the East and Tokyo Magnitude: it’s very easy to relate to these characters. And I guess that that’s something that Yojou-han and Sarai-ya Goyou do not have: it’s hard for your average person to sympathize with a bunch of kidnappers, or a ridiculously fast talking loser. This trend is probably going to continue for the next summer. And don’t get me wrong, I’m really looking forward to Shiki, but again: it doesn’t look like the mainstream will have much to relate to there either.

It’s interesting how the people in charge of Noitamina don’t seem to be marketing geniuses. And that’s a shame, because Noitamina is such a great timeslot because it has proven that in order to go mainstream, you can also appeal to adults: instead of trying to win viewers with panty-shots and yelling teenagers, it has shown time and time again that anime is also very appealing for adults. While I love Sarai-ya Goyou and Yojou-han, I’m a bit sad that they’re doing so badly in the ratings, defeating the entire purpose of the timeslot. The thing I’m worried about isn’t exactly Noitamina changing, but rather that the ratings will end up in a downwards spiral, causing it to get cancelled. That’s what I’m most afraid of.
Rating: *** (Awesome)

9 Responses

  1. Joojoobees says:

    “it’s just as if he’s asking for it to run out faster so that he can do another job.”

    That’s an excellent observation. I love the way they really show the personalities.

    This show can be quite subtle. I don’t know if this is causing its problems with viewership. It seems, however the ratings have been awful from the start, so I have a hard time understanding how people could have judged the show (since they obviously never watched it).

  2. theone says:

    they could have watched it from the beginning…

    ALthough I kinda think its the main character,

    hes just being such a pansy for a samurai of that time period that it just turns some people off, even im like *ok its episode 4 … join them already!*

    I mean he even flinched when the woman was in his bed. . .I facepalmed at that, as thats the kind of sht that the *yelling teenagers* in mainstream series would do.

    come on dude, you’re a ronin in the edo period, show some balls ffs

  3. Kim says:

    Yeah it’s a real shame this series is not doing better ratings wise.

  4. c160 says:

    wow,the ratings were that low??I really liked all shows on this time slot and I’ll be one sad puppy if it gets canceled :(

    I think the reason that most of the previous shows were so popular is due to the original source was also quite popular.Compared to the likes of Paradise Kiss,Honey and Clover and Harataki Man,I think not many people heard of the original manga of Sarai-ya Goyou or the novel of Tatami Galaxy before the anime were announced.

    Of course,Eden of the East were all original material(right??),but it was still quite popular.

  5. Johnson says:

    I never understood why people need “relatable” characters. In some settings, sure you want your characters to be relatable. But it’s not always a requirement. If all characters ever were people we could relate to (i.e. similar to people we’ve met), then why the hell would we ever watch TV in the first place? Why not just go out and talk to actual people?

    I mean, Cowboy Bebop is so fucking cool because I know I’ll never meet a bounty hunter from space. Five Leaves is so cool because I’ll never meet a pussy ass samurai. If Five Leaves was about the Edo equivalent of some douchebag yuppie who held a standard job and made an honest living, who would give a fuck?

  6. spoon says:

    I don’t think the 1.7% viewership problem has to do with whether one can relate or make a personal connection to the main character. It’s just that people in Japan the past twenty or thirty years have had a certain fascination concerning Edo-period ronin/samurai and a pussy ass ronin is just not going to cut it. In that sense, the timing of this show is just bad.

    I don’t understand why Yojou-Han isn’t doing better though, unless maybe the millions of otaku who haven’t grasped that rosy campus life feel the show is hitting too close to home for their comfort lol.

  7. Frost says:

    Just like you said, the series surpassed itself with this episode… Its one of those animes that really takes me away into its own world, its entrancing, and you dont want the episode to end

    Right now I think this is already tied with Durarara for best show airing right now

    I mean there are so many good things about it, like the music and the art (and Im still not a fan of the character design)…

    For example that last scene where Yaichi is smoking, it just blew me away:

    http://img194.imageshack.us/img194/5401/mpchc2010050802582865.jpg

    Think Ill have to re-watch it tomorrow, it was just THAT good

  8. Johnson says:

    Well, I was just ranting about something that always bugged me.

    I think the viewership is down because they’re both sort of unconventional, and people in general don’t like unconventional things. For example, the people in Five Leaves are hella ugly, and the art in Yojou-han is sorta wacky (and it’s pretty wacky in general). I mean, no one really watched Kaiba, no one liked Kuchuu Buranko… all shows I liked btw.

  9. Earl says:

    hmm i think il give this anime a shot and see in what side i fall into.. i think the art is okay though im a big fan of shounen so.. haha i prob wont like it?

Leave a Reply

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • AidanAK47
    (Tuesday, Apr 28. 2015 12:30 PM)
    @Bam, While there are people who claim that Ufotable screwed up Shirous characterisation(One fellow claims that in the visual novel Shirou was Sadistic, calculating and emotionless. Which I say “What the hell where you reading? Cause it wasn’t fate.”) and whine about not enough monologues I think this adaption is the best we could get from the source. Not sure if there’s much of a point in reading the source now. Though I am still going to after the run.
  • AidanAK47
    (Tuesday, Apr 28. 2015 12:26 PM)
    @Emma, Fate/stay nights Rider is handicapped by her current master who really can’t do jack besides hold the command spells. With a real master she could show more of her capabilties.
    Also I would have been completly surprised if you liked this show.
  • Emma
    (Tuesday, Apr 28. 2015 07:11 AM)
    @Bam: Aidan mentioned seven minutes were cut from an episode. Maybe that’ll be on the blurays.
  • Bam
    (Tuesday, Apr 28. 2015 06:48 AM)
    Is there anything extra on the BD releases? Also I don’t think there were any content censored for the tv broadcast, were there?
  • Emma
    (Tuesday, Apr 28. 2015 04:44 AM)
    I think less than I did before of fate stay nights rider now because she’s not as good as the one from fate/zero.
  • Emma
    (Tuesday, Apr 28. 2015 04:42 AM)
    *do like the
  • Emma
    (Tuesday, Apr 28. 2015 04:42 AM)
    I want to add to my little UBW review thing back there that I do the caster fights.
  • Raggers
    (Tuesday, Apr 28. 2015 04:34 AM)
    @Bam: UTW have season 1 BDs up for when you do. Glorious fight scenes, and you can skip the tsundere crap. Win-win.
  • Bam
    (Tuesday, Apr 28. 2015 04:10 AM)
    Now that things have slow down a bit and stil some time left till Witcher 3, I came up with the grand idea of getting around to finishing F/SN UBW route before the series ends so I can jump on the wagon as it rolls thru the last few episodes. I think that’d be kinda cool.
  • Bam
    (Tuesday, Apr 28. 2015 03:39 AM)
    Madhouse is still a very descent animation studio, and some of those older talents still remain with the company, but the market demands that they pander to the supposed “core” anime demographic. Although Masao Murayama did take a lot from Madhouse when he left to form studio MAPPA tho.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Fate/Stay Night Unlimited Bladeworks – 16

So at the start of this episode featured the big moment of Gilgamesh ripping out Illya’s heart and it was surprisingly underwhelming. It is true that in context this makes more sense and fits his character better. But it is a little disappointing. Strangely this wasn’t how it was in the visual novel and this […]

Fate/Stay Night Unlimited Bladeworks – 15

The word that encompasses this episode in a nutshell would be brutal. Whether you love her or hate her, I say few would believe that Illya deserved this fate. The tragedy is ever more pungent if you know the full details of her past. Anime only viewers may not get the most out of this […]

Fate/Stay Night Unlimited Bladeworks – 14

As a reader of the Fate/stay night visual novel I can confirm that the majority of this episode was anime original content. However instead of being about castors history like I thought, it’s of his backstory with her first master. In all honestly making the episode be about her history with Jason would have been […]

Some Quick First Impressions: DanMachi, Denpa Kyoushi and Arslan Senki

Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Short Synopsis: Our protagonist wants to be an RPG pimp I am getting SAO reminders already. Let me talk about something for a moment. You see when I first played the game dark souls I was frustrated and angry at myself because of my own […]

Some Quick First Impressions: Gunslinger Stratos, Seraph of the end and Yahari season 2

Gunslinger Stratos Short Synopsis: Our protagonist falls into an alternate world full of trigger happy people. I am fairly certain that Gen is not writing this. You can see part of him in the concept but not anywhere else. The episode gave me a mixed impression. I hate the characters and find the main to […]

Fate/Stay Night Unlimited Bladeworks – 13

It’s back and still as beautiful as ever. Sadly not a fourty minutes long and still leaves me hungry by episodes end. It does seem to cut off suddenly rather than end. So after telling Shirou to stay away and stating how only masters should stay in the war, Rin is thrust into the exact […]

Death Parade Review – 65/100

  When I heard that Death Billards would be getting a full 12 episode series called Death Parade I was quite excited. The one episode short looked to be an excellent concept for a episodic series. A bar which people are sent to when they die which decides whether they go to heaven or hell […]

Death Parade – 12

So this is the end of Death Parade. Or at least this is the end of what may be it’s first and last season. The ongoing plot didn’t so much as tie itself up but rather fizzle out. Leaving a second season to tie up loose ends. A second season that may never come. I […]

Parasyte The Maxim Review-82.5/100

Parasyte, along with Gugure Kokkuri-San, are the only two shows from the last season that I’ve actually finished, and that’s actually saying quite a lot–seeing as how I haven’t been watching (much less blogging) anime at all this past season. However, I figured I should at least write a final review for Parasyte, just because […]

Latest Reviews

Shirobako Review – 80/100

When you see a harem anime and sigh as the breasts of the female lead jiggle with every step and wind that can flip a skirt it’s easy to forget that somewhere in Japan a group of people worked hard to get that jiggle right and draw each frame of animation. The hardships of the […]

Clipboard06

Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

Clipboard04

Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

Clipboard07

Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]