Posted by psgels on 15 May 2010 with categories: Angel Beats



Last episode I was rather afraid of the creators misusing the fact that Otonashi’s background was special somehow. Well, this episode proved me wrong. His background was in no way the most extreme. While typical Key, it actually made sense within the story.

All sorts of elements of Key’s usual stories returned in his back-story, I’m not sure whether it’s a homage or just lazy considering how creative the rest of the setting here is, but in any case: the reason he’s special in this series is because Tachibana reminds him of his dead sister. Him getting close to her… it’s all just for the sake of him, trying to get back to his sister.

The humour in this episode was also quite good. The recurring jokes remained rather lame (someone, please start calling Christ Christ so that he can disappear…), but the new material (the student council president) was very funny. For me it was the most successful episode of Angel Beats yet: it was charming and stressed how the characters rely on each other to keep them going though this strange world. The giant fish was a bit silly, but it had none of the nonsensical plot twists that plagued the previous number of episodes.

Now that we’ve already passed the series’ halfway point, I’m getting ore curious about the finale. Especially the Kyoani versions of the previous key incarnations improved significantly in their second half, and also the Osamu Dezaki movies just got better as they went on. At this point Angel Beats seems to be done with its introductions, so we’re about to get to the meat of the story.

On a side-note: these guys really ended up at an awesome school here. I’m not sure whether it’s from Key or some other anime staff, but the architecture of schools in Key adaptation really is fantastic. Gone are the boring schools with three floors that look the same everywhere.
Rating: ** (Excellent)

6 Responses

  1. anon says:

    ***spoiler***

    Any comment on the “other” angel that appeared in this episode

    ***End Spoiler***

  2. anon says:

    to #1

    ***spoiler***
    ep.3 show that Angel has “Harmonic”, skill that seem to duplicate herself. In this episode, she duplicate herself to slash the Master of River. The duplicated body has red eyes, just like “Another Angel” show up in the end.
    ***End spoiler***

  3. Applehat says:

    Somehow, I’m reminded of the Kana~Little Sister.

  4. tk007 says:

    Yeah, that reminded me of Kana~little sister too.

  5. inkka says:

    Interesting past from Otonashi.It can handle and describe the feeling that he has to Kanade now very well.

    From all the past that we see and heard so far.I like Otonashi’s past the most.I don’t know but it’s the one that I concern the most.Maybe because it didn’t look forced..

    And Naoi and Kanade joined SSS and can make some more fuunny jokes? Didn’t expected that at all.But because of them didn’t be their enemy anymore.We see more of charming and funny side form SSS.It’s nice anyway

    Interesing twist again.Looking forward to next ep!

  6. starlog-akemi says:

    Haha… I the clothespin part was pretty funny. He had Hinata on his knees crying like a baby. And then Otonashi came and he was just like “Good morning, Otonashi-san!”
    Schizophrenia.

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  • Emma
    (Tuesday, Feb 24. 2015 07:21 AM)
    All thats left now is macross 7.
  • Emma
    (Tuesday, Feb 24. 2015 07:20 AM)
    However this one begged to go on for more than just five episodes, come on now and it had the franchises penchant for weak villains. It doesn’t get me as emotional as do you remember love does, the characters of Macross plus were more likeable. Still its a step above Macross II and I at least had fun with it on an action level.
  • Emma
    (Tuesday, Feb 24. 2015 07:17 AM)
    Thats Macross zero completed then, it was great to see the background arc/plot for this franchise, the pace is tight and the action is arguably the most immersive, well done of the Macross universe along with Frontier.
  • Bam
    (Tuesday, Feb 24. 2015 04:33 AM)
    While Tatami Galaxy and Ping Pong were definitely sharp I felt that Kemonozume and Kaiba were more inventive.
  • Emma
    (Tuesday, Feb 24. 2015 04:30 AM)
    Aye,it was the visual style of the film being so different from the norm that drew me in. Still out of Yuaasa’s stuff I found myself more taken with tatami galaxy.
  • Bam
    (Tuesday, Feb 24. 2015 04:22 AM)
    I think creatively the anime industry has plateaued a bit by now, where we see more derivative stuff and there has a formed an almost universal “anime style” which hinders non-traditional voyeurism.
  • Bam
    (Tuesday, Feb 24. 2015 04:18 AM)
    I love the tonal whiplash that the story goes thru and the then-impressive-and-new visuals. Both 4°C and Hifana take queues from the Kansai art and the underground graffiti styles that prospered in Japan after the 70’s. Parallel to the postmodern movement in the Western world, the new wave was more expressive than fine and you see its heavy influence on the manga and anime industry.
  • Emma
    (Tuesday, Feb 24. 2015 04:14 AM)
    @Bam: It is at the last stretch on the film where it is at its strongest visually in my opinion.
  • Emma
    (Tuesday, Feb 24. 2015 04:10 AM)
    @Bam: For only 100 minutes it did a decent enough job on its protaganist in any case.
  • Bam
    (Tuesday, Feb 24. 2015 04:02 AM)
    Mindgame is amazing. It is as unorthodox as they come but not really pretentious. It’s pretty humble and does have an actual message and proper story arc, so it’s definitely not just random for random’s sake. The industry needs more Yuasa.

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