Posted by psgels on 22 May 2010 with categories: Angel Beats



There are some things about this show that just don’t make any sense. It’s been established by now that Tachibana somehow managed to create all of her abilities out of self-defence. Why then did she bother to also create the ability to spawn an evil clone? Even if someone else was behind it, wouldn’t she have noticed when she logged on? Then there’s the pink-haired girl. I mean, what the heck was her purpose again? If she was just a random side-character, then okay. But was it really necessary to put her on the promo-art for this series, along with Yurippe and Tachibana? Wouldn’t it have made much more sense to put Otonashi there, so that you really get the three central characters there?

In any case, with this we’re two-thirds in. In the next episodes, this series is going to have to deliver. Angel Beats overall has been nowhere among my favourites, but it’s definitely been fun. Knowing Key however, they do tend to hold a ton of trumps that they only plan to use near the end, and if anything this episode very much hinted to that when Tachibana absorbed all of those thousands of clones. Now, there are two possibilities after this: Tachibana turns evil and makes everyone’s lives miserable, or Tachibana turns into the typical Kyoani Key female lead. Of course I hope I’m wrong with this and things turn out a bit more nuanced than that.

As for the humour, it’s very typical of the director: his humour either just works, or it just falls flat, and this episode was about fifty-fifty in that. On one hand, the heroic sacrifices were pretty funny, however it also kept reusing a ton of jokes, like that annoying pink-haired girl, and the former student council president’s double-takes over Otonashi also were used way too much.

In any case though, this series has been very varied so far, and that’s what I like about it. Even though this episode revisited a previous location, it’s very different from the second episode and I’m glad to see that the creators didn’t just delete it when it blew up. Again though, I feel that these final few episodes are going to make or break this series. It’s been fun, but it’s definitely been building up to something. I really suspect that whether I’ll remember this series fondly or not will depend on how well the creators are going to handle these final episodes.
Rating: * (Good)

10 Responses

  1. AznCoffee says:

    Baww ;___; Kanade…

    My hopes are that she does /not/ go all evil again.

  2. zomglazerspewpewpew says:

    Eh, for the question about the harmonics skill…

    I think that skill was not supposed to make an evil clone. It just happens that the skill was imperfect.

    i think….

  3. psgels psgels says:

    zomg: as a programmer, I just can’t buy that. A computer program isn’t just something that randomly generates cool new features whenever it feels like. Bugs don’t work that way unfortunately.

  4. Aaeru says:

    I think that is exactly it. For me, I’d take on step further from psgels opinion and say that the humour has made the show for me and it will always be memorable. Sure, there were flat parts, but even for a comedy to make me laugh 50% of the time equals major success. Big thumbs up Maeda Jun!

  5. Well now it’s goodbye to Kanade-as-we-knew-it…
    you would think that Yuripee would know english,
    or that the software manual would come in more than one language…

  6. Puran says:

    From what I gathered when I watched this subbed, the clone copied the aggressiveness Kanade had the moment she used it. She was about to slice that fish into pieces when she used it, so the clone turned up into a very aggressive one, forever.

    The other clones are evil too because they are clones of the clone.

    So, it wasn’t that the program was buggy or anything.

    Although, why did she use that skill in the previous ep anyway? Why did she need a clone to kill that fish? Did she kick off the clone to gain some momentum or something?

    Also, since there are a lot of digital aspects in this series (MMO metaphors, all the zeros and ones effects when tenshi uses her skills, the facts that the skills are created by programming them), does anyone get the feeling this is a virtual afterlife?

    Maybe some sort of afterlife… matrix. Maybe all the characters are in a coma (and maybe they are purposefully avoiding to show us their original deaths so they can throw a twist later “ha! they are actually in a coma”), connected to this virtual afterlife, that is programmed to eject them once they feel content, so they can die peacefully (or maybe it is to help them wake up? I don’t see that sort of happy ending being in a key story though).

    And Tenshi is either an AI, programmed to help them feel content, or maybe some uber hacker?

    I’ll be pissed off if I’m right though, because I find my explanation boring… :P

  7. Watcherzero says:

    I think the second half of this episode returned to comedy goodness for the first time since the big fish appeared. I had no problem with the evil clone (though why its all in english is questionable, perhaps she obtained the programming manual from someone else?). But remember this is a wolrd where if you picture something you can create it.

  8. Bruce says:

    I agree with you psgels, I’ve somewhat liked the series so far, but it hasn’t really connected with me on a level that a drama series should. Generally I’ve felt pretty disconnected from the cast as a whole. I hope they’re really able to pull off the final third of the series.

    @starburst0927: I think she knows english, but only at a typical high school level, so it’s probably a pain to read, especially a textbook worth of it.

  9. Narkins says:

    As a drama series its lacking somewhat but as a comedy its been a blast for me. The sacrifice spell in the middle had me in stiches I don’t think I found something that funny for a while.

  10. Roldan says:

    It’s weird how no one noticed the clone when she made it. also gotta admit the last-scenario-shonen manga joke was pretty damn funny.

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  • Bam
    (Tuesday, Jul 26. 2016 09:54 AM)
    Same with action scenes: I might like realistic grounded sword fights, with the battle settling after a few swings and slashes. Others might enjoy over-the-top sequences, with aerial flips and ridiculous power moves.
    This concept can be expanded to the enjoyment of romance, slice-of-life, historic, and any other subject matter. If someone’s a grownup adult and doesn’t realize such a fundamental concept, than they seriously lack critical thinking and social understanding.
  • Bam
    (Tuesday, Jul 26. 2016 09:51 AM)
    @Mike: this became very apparent to me after the initial Space Dandy reviews. Some people hated the juvenile humor and the T&A, while some others loved it for its sincerity and unpretentiousness. Who was right in this scenario? People clearly have different senses of humor, and neither is more correct than the other. People jumped on the positive reviewers’ throats, calling them ‘sellouts’ or ‘retards’, while the fact of the matter lied in different tastes.
  • Mike
    (Tuesday, Jul 26. 2016 09:39 AM)
    @K-Off @Bam I’d have to agree. One glance at any seasonal preview will show that, and psgels certainly didn’t hide his bias when he reviewed Galilei Donna for example. I enjoyed seeing him get upset that the Anime did not accurately portray the architecture in his native Netherlands.
  • Bam
    (Tuesday, Jul 26. 2016 09:36 AM)
    It’s the same with review scores. It’s just a relative metric used for comparison. For example, if a reviewer gives a series an 8 and another a 9, it simply means that they thought the latter was slightly better than the former. It’s all subjective, since only hard-boiled facts could be assessed objectively. A person’s enjoyment of a work is purely based on their personal preference.
  • Bam
    (Tuesday, Jul 26. 2016 09:32 AM)
    A number score doesn’t imply objectivity tho. When I worked as an EMT we would ask the patients to rate their level of pain from 1 to 10. This wasn’t done so we could compare their rating to some pain database, but rather so we could tell after a procedure if their pain has gone up or down.
  • K-Off
    (Tuesday, Jul 26. 2016 09:21 AM)
    @Vonter A conversational and opinionated format does not equal inconsistent and shoddy posts, I did not imply otherwise . Also, ratings. I’ve talked to Mario myself and the both of us don’t take it seriously. We’ll criticise and evaluate certain topics, yes. But that does not make us “critics” in the sense of the entertainment journalism industry, that emphasizes objectivism over personal opinion, which is what we specialize in as a blog. Which is the point I was making.
  • Badesh
    (Tuesday, Jul 26. 2016 09:18 AM)
    Guys with no life couldn’t write as eloquently. It’s a thing you learn from actual living. If you stand by your side, loving your self for your own opinion, you will learn that others stand by theirs.
  • Vonter
    (Tuesday, Jul 26. 2016 09:08 AM)
    @K-Off I think that’s cutting it short. There’s a consistency and I suppose effort in putting the posts together. As for conversational, I’ve find the shoutbox to be moreso. As for critic, is a person who judges, evaluates, or analyzes literary or artistic works, dramatic or musical performances. Given the blog gives scores, there’s evidently an evaluation involved.
  • K-Off
    (Tuesday, Jul 26. 2016 08:51 AM)
    @Bam @Kevin Funniest part about this is, that myself, psgels, Mario, Helghast, and Aidan are not even critics. We’re writers of a blog, a format in and of itself purely conversational and opinionated.
  • Kevin
    (Tuesday, Jul 26. 2016 08:46 AM)
    @Mike Who’s the one without a life now? You’ve been on this dump for 8 years. Go fuck yourself and go outside for once.
    I’m officially done at this point. Tired of psgels, tired of this bullshit ass circlejerk. As of right now I hope you realize how much of a no life cunt you lot are. Fucking fags.

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