Posted by psgels on 28 May 2010 with categories: Sarai-ya Goyou



Oh my god… Tomomi Mochizuki might actually be surpassing himself with this series. Within seven episodes, he managed to put as much meaning into its characters as what Porfy no Nagai Tabi took 26. He’s got such a great sense of realism and character-development, and it also really helps that aside from directing he also did the series composition so that he could really put forth his vision of the manga. And on top of that it’s just awesome to see what a great manga he got to adopt. After having seen two of her stories now I really have to say that she’s a genius at characterization.

This episode again: from the outside the scenario was just about a few mundane tasks: Masa running away from a fight, him starting to train under that other older samurai, etc. From just those sentences it looks like a cheap shounen series, but just about every scene in this show was focused on putting as much meaning as possible in these events. A simple plot of Ume gets a ton of extra side-effects: it was his way of getting Yaichi to pay a visit to Masa. Yaichi knew very much that Ume was lying about Masa’s condition, but went anyway. He knew that he would be recognized, but at the same time he knew that it wouldn’t be that big of a problem since the old man wouldn’t tell much. And yet hints about his past were bound to be dropped here. It’s like he’s getting Masa to learn a bit more about him… but only a bit, nothing too much.

The characters here are nowhere near stupid. They’re very observant about each other. Masa himself knew very well that Yaichi had to have some sort of criminal past, and not just as some rogue bandit. You can really see him trying to get through to Yaichi, whether this is out of admiration, fear or something else still remains a bit of a question. Yaichi on the other hand can really notice Masa’s mood change as he gets to know more about him, and thus more afraid.

At the same time this episode was also very much about Masa’s self-loathing, or perhaps that’s a bit too big of a word. Either way, he’s being held back of an interesting career because of his personality, and knows it. The fight in this episode at which he ran away also really showed that he’s a guy who really keeps clinging to the past. As this is in his case a rather bad past (he had to cope being a samurai with that personality of his), he has a ton of anxieties, especially when alone and there being no reason for him to actually be tough.

This episode also gave a very interesting dimension to the older samurai and the graves he visited. The anecdotes he told about the people he lost were interesting yet down to earth, not to mention that that cliff-hanger was an interesting one. It’s obvious that there can be more dogs called Scruffy, but it is one gnawing cliff-hanger nevertheless.
Rating: *** (Awesome)

One Response

  1. Chapbook says:

    HI PSGels,

    I found this ep hard to watch only because I felt so for Masa. It was gut-twisting to watch his humiliation. I have seen psychological explanations for his problem on other boards; they seem plausible. The sticking point is him being watched by others in non-life threatening situations. Being alone doesn’t seem to be the central problem, rather being observed as he trains or duels. I truly hope he can overcome this even partially.

    I got a chill watching him and Yaichi prepare to duel. I wonder if that is foreshadowing for a future event in which Masa feels he must fight Yaichi. How I wish this had 26 eps, though I love the slow pace of characterization.

    Cheers,

    Chapbook

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  • Kaiser Eoghan
    (Wednesday, May 4. 2016 06:05 PM)
    @Bam: Actually let me rephrase
    I meant that you will like: http://letterboxd.com/film/the-company-of-wolves/
    Because it is fairyrale inspired
    Because you liked brotherhood of the wolf and tale of tales.
  • Kaiser Eoghan
    (Wednesday, May 4. 2016 06:02 PM)
    @Bam: I meant tale of tales =)
    @Mario: My usual ratings are ***/***1/2 rating and ****
    Generally that indicates a film is kind good/good or great.
  • AidanAK47
    (Wednesday, May 4. 2016 04:17 PM)
    The one liner Dialogue is getting on my nerves, the lack of a great villain characterisation(Zemo is a step in the right direction but still not enough) and most of all that each movie is setup to a another movie.
    Deadpool was a step in the right direction(Yep I knew it was fox and not disney) and was as good as it was because it shook things up. At the moment marvel movies are just too…safe.
  • AidanAK47
    (Wednesday, May 4. 2016 04:13 PM)
    @Bam, I am very much in agreement. I like what the marvel cinematic universe has done but things are getting out of hand. They have prefected the superhero formula too well and it’s causing the flims to be popcorn fodder. I am walking out of their movies admiting that I enjoyed them but I don’t really think I will remember them highly. Plus the thrends of the movies are really starting to bug me.
  • Bam
    (Wednesday, May 4. 2016 02:27 PM)
    Deadpool belongs to Fox, not Disney, but there are rumors circling of the two studios opening up to negotiation. The success of Spiderman Homecoming will greatly precipitate another such lucrative cooperation.
  • Bam
    (Wednesday, May 4. 2016 02:23 PM)
    I have yet to see Civil War, but by every new entry their colorful feel-good flicks are starting to become too derivative and cliche. It feels like as if they’re doing the same story arc over and over again. It’s almost lazy at this point, if you ask me, and they really need to Shae things up.
  • Bam
    (Wednesday, May 4. 2016 02:18 PM)
    @Aidan: such high praise. So Marvel did in a cameo what Sony failed to do in 5 movies. I hate the massive bandwagon that Marvel is steering, but I’m not the kind of hipster contrarian that hates on things just for their mainstream appeal, so I give them credit for doing things right; despite the fact that they really go out their way to please the masses. Their love and respect for the material far outshines their prerogative of their by the book fan-pleasing.
  • AidanAK47
    (Wednesday, May 4. 2016 12:21 PM)
    Also like how they differed him from the other fast talkers of the universe. Deadpool is pure insane comedy, Ant man has this sarcastic awkward thing going on and Spiderman is like the nerdy fanboy. I would love to see a movie with all three together as it would be pure comic gold.
  • AidanAK47
    (Wednesday, May 4. 2016 12:18 PM)
    @bam, I was taken back by him at first. I wasn’t used to seeing Spiderman and especially aunt May look so young. I thought he was too bumbling in the beginning but as I watched on he just clicked. He has the nerdy nature of Tobies Peter Parker and the spitfire commentary of Garfield’s Spiderman. He’s spot on perfect.
  • Bam
    (Wednesday, May 4. 2016 10:05 AM)
    I was staying clean for a drug test, and during this hiatus I completely fell out of anime. Surely enough, as soon as I resumed burning again I also started getting into some of this season’s shows. I wonder if there’s a direct correlation, or just a byproduct of having some free time again. I’m interested in comparing my experience to others, but (un)fortunately nobody here seems to share my vices.

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