Posted by psgels on 30 May 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Yeah… tons of fanservice in this episode. It’s annoying when moe shows do this, but with the bishies it’s just as bad. Especially during that bathing scene I’m surprised that sparkles didn’t start flying off the characters. You could also really see that Yuki used to be a girl when he started making necklaces for everyone.

So yeah, this was another laid back episode meant to flesh out the characters. It did its job well, we got to know a bit more about zess (he finally doesn’t feel like a one-dimensional paper bag anymore, though he still looked like an idiot when he brought Yuki to school). It’s nice and all, but this episode did remain boring. It’s not a chore sitting through it, but that also pretty much everything positive you can say about it.

The first and foremost priority of the creators is avoiding to pull another 07-Ghost here. These past two episodes are one thing, but the show shouldn’t stick too much inside its own fillers. Whether these came from the manga or not shouldn’t matter. The manga should also have tried to make these chapters more interesting.

Having said that though, the background art in this episode was quite good.
Rating: (Enjoyable)

4 Responses

  1. reyan16 says:

    i actually bursted out in laughter when i saw zess/luka driving the car (due to his outfit)

  2. Chronolynx says:

    Yeah, Luka’s outfit was hilarious. (And he still needs to trim those nails!) Anyone else catch the bit at the end where he says he wants to trim the hedges?

    But I’m hoping things’ll start moving next episode.

  3. Tanz says:

    “You could also really see that Yuki used to be a girl when he started making necklaces for everyone.” lol you do know he said it’s as a protective charm. He didn’t make it out of fancy, and just because he was a girl -.-

  4. Meep says:

    Well I’m sorta interested in Yuki’s next encounter with his friend now. XD

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  • Emma
    (Friday, Dec 19. 2014 02:57 AM)
    I have heard of directors admitting bullshit before, Von Trier is said to have done so and I love the ground that man walks on.
  • Bam
    (Friday, Dec 19. 2014 02:56 AM)
    @Emma: yeah, he mentioned that many elements of NGE where simply for visual flair or to elicit a response from the viewer, which to me is fine.
  • Emma
    (Friday, Dec 19. 2014 02:55 AM)
    And both of you have a point about the power fantasy thing. Would also like to add here that a writer, writing is essentially a power fantasy to an extent as he or she essentially is elevated to the position of a God that has full control over their own world and characters.
  • Emma
    (Friday, Dec 19. 2014 02:52 AM)
    Has Anno mentioned himself that he knows when he’s just messing around?
    Also I like his wife’s works a fair bit and more.
  • Emma
    (Friday, Dec 19. 2014 02:48 AM)
    I’m of the opinion that if symbolism and pretty pictures click with you whether in terms or looking further or not, the sign of good symbolism is that it would also lend to a sense of immersion even if you don’t get it.
  • Bam
    (Friday, Dec 19. 2014 02:39 AM)
    @Aidan: but specially the powerloss. The overly rich and powerful tend to seek pleasure in different ways.
  • Bam
    (Friday, Dec 19. 2014 02:37 AM)
    Even here in ME!ME!ME! he seems to be criticizing the otakus with the female Eva figures that he himself makes good money on with no apparent sense remorse; that’s the ultimate troll.
  • AidanAK47
    (Friday, Dec 19. 2014 02:35 AM)
    Though they also seek power fantasies even when not faced with real life consequences. People just like to feel powerful.
  • Bam
    (Friday, Dec 19. 2014 02:34 AM)
    @Aidan: well a good animator that has a great and unique eye foe animation can be rightfully called a visionery. Anno bullshits, I know this, but even his bullshits are made meticulously and with thought which is something you can’t say for the majority of directors out there.
  • Bam
    (Friday, Dec 19. 2014 02:30 AM)
    There was also a small section where it focused on how when people are faced with real life consequences that make feel powerless they then look into power fantasies to reconcile that in their mind. This was portrayed with the mecha and FPS scene.

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