Posted on 30 June 2010 with categories: Monthly Summaries

I think what mostly set this month apart was a lack of disappointments: all of the series I’ve been following were interesting and enjoyable, and actually none of the series that I watched (22 of them) felt like a waste of time for me. Series that once were annoying redeemed themselves, and even the shows I liked to bitch about has plenty of good stuff to like.

Overall, This season was average: it wasn’t among the best seasons I’ve seen, but also not among the worst. It set itself apart with well thought-out settings, which was definitely what I liked about this season overall the best. The worst about this season was that there are just too many series that were too short. But that’s a dead horse that I think is already beaten enough.

#22 (new) – Sekirei – (7,5/10) – The first episode pretty much was what the first season was, only with even worse comedy. Yeah, I know it’s a fanservice show and all, but it’s among the better ones. The only reason you’d want to watch this if you’re not horny is the plot, but still, it’s pretty decent and solid for its genre.
#21 (20) – Hetalia World Series – (7,5/10) – The biggest problem with this series is its balancing issues. Yes, we know that Prussia is an evil bastard, can we finally move on now? The thing is, that this is called Hetalia WORLD SERIES, but it has only been focusing on European politics of three hundred years ago.
#20 (21) – Marie&Gali – (7,75/10) – I’m getting used to the new main character. I’m not sure whether it’s supposed to be a good thing for one to get used to a mosquito buzzing around your ears for a week and a half, but the fact remains: the creators have not lost one ounce of their creativity. Even with annoying presence of ‘her’, they still focus on making explaining science fun.
#19 (15) – Heroman – (7,75/10) – Here’s the thing with this series: its initial premise really was riddled with cliches, staple characters, and plain idiocy. But really, the creators took this concept, and actually developed it quite well. Most of the major characters have grown by now, the plot is completely different from what it was ten episodes before, and while the government people are sometimes portrayed a bit too stereotypical, it definitely makes for an interesting intrigue plot.
#18 (19) – Uragiri wa Boku no Namae wo Shitteiru – (7,75/10) – There are a lot of faults in this series I like to bitch about. But really: at its core it’s a solid series. Characters are solid in their interactions and build-up, the atmosphere is very good, I like how it uses its CG. There are a number of plot-holes, but nothing major.
#17 (16) – Kaidan Restaurant – (7,75/10) – A rather abrupt ending, but it remained as enjoyable light horror until the end. The final episode was a good way to close off, albeit a bit forced.
#16 (12) – Ichiban Ushiro no Daimaou – (8/10) – Well, this series did what it was supposed to do: make a very entertaining finale that was consistently fun to watch. Sure, it made no sense at times, but that was nowhere where the appeal of this series lay for me. The action-scenes were fun, the characters themselves did their job, and didn’t become boring or tedious to watch at all. I also liked some of the crazier plot twists it pulled. I know it’s a guilty pleasure of mine, but I personally enjoyed it a lot. Shouldn’t that be enough?
#15 (11) – Katanagatari – (8/10) – This month’s episode wasn’t the best, but nevertheless very solid. Making use of a well known trope didn’t hurt the overall dialogue at all.
#14 (17) – Kuruneko – (8/10) – I’ll review this one as soon as I can find the final three episodes, but seriously, they’re almost impossible to track down. It’s a bloody shame that Akitaro Daichi’s series are so incredibly underrated, because Kuruneko has been consistently enjoyable from start to finish.
#13 (18) – Anymaru Tantei Kiruminzoo – (8/10) – I’m pleasantly surprised here. The series still consist of random episodes, but you can really see things develop very, very slowly. Characters are starting to think about what they can do themselves, Riko got some surprisingly touching moments that made her quite a colourful character, and the humour still ranges from cute to hilarious.
#12 (8) – Angel Beats – (8,25/10) – I’ve said this before: I’d rather watch a series with a ton of hiccups, but a ton of interesting ideas and concepts, than a series that might not have any holes in its plot, but also doesn’t take any risks at all, has no originality and doesn’t attempt to think outside of the box. Angel Beats was chaos, but it was fun, enjoyable, and varied in the way that it actually succeeded pretty well with all kinds of different genres. The climax did not live up to Key’s usual standards, but nevertheless it stood out in its ideas. That is for me enough to make up for the lesser parts of the series.
#11 (14) – B Gata H Kei – (8,25/10) – I really thought that at the halfway point this series would just go downhill and not match the fun of the first episodes. And then it turns out that the creators saved some of their best jokes for last. A number of priceless scenes, along with some actually surprisingly solid development of the lead characters ended this series on a very good note for me. It has definitely become my favourite fanservice comedy (and it’s ABOUT TIME an actually good one showed up).
#10 (13) – Durarara – (8,25/10)

This is a bit of a response to the criticisms I have received for my review of this series, most notably “how come show X (in this case Daimaou and Angel Beats) is rated as high as Durarara?” Now first of all: why are you comparing a show as Daimaou with Durarara? They have completely different purposes, I rated the former the way because it succeeded as entertainment that kept me engaged from start to finish. I rated the latter this way because for a show with substance, it could have done better and was a bit overshadowed by other series with substance, including its own first half. In fact, I still really like the character-development, and if a Durarara sequel will pop up, there is no doubt that I’m going to rate it higher. But the past arc just wasn’t the right one to quit the series with.

#9 (7) – Senkou no Night Raid – (8,25/10)

The thing I loved about this series is how thought provoking it ended up to be, combined with its characters who, while bland at first sight, had this air of maturity and lack of overacting that made them a very solid cast to watch. The big problem is a number of plotholes and characters changing sides a little too easily, but despite that it’s been a very solid finale.

#8 (9) – Rainbow – (8,5/10)

It’s impossible to talk about Rainbow this month without mentioning spoilers, but I do want to say that I absolutely love that SPOILER, and not only that, but also SPOILER. With 13 episodes lift, this opens the door to so much character-development!

#7 (6) – Gag Manga Biyori – (8,5/10)

The best of this month was the manga artist episode. It’s brilliant how the creators carried on that one single joke, and instead they built further upon it rather than dragging it out. It’s really sad to see this show go now, though. It’s definitely been my favourite comedy of the past two seasons, and I can’t imagine anything surpassing it as my favourite comedy of 2010.

#6 (10) – Ookiku Furikabutte – (8,75/10)

Definitely the best month of the second season. It was rushed, sure, but even under these circumstances the creators delivered an awesome match. The animation was consistently excellent throughout and the creators really showed the ins and outs of baseball.

#5 (5) – Heartcatch Precure – (8,75/10)

We’re about to get to some turning points, but in the meantime this series continues its delightful trend of heart-warming stories along with its incredibly addictive and engaging main cast. The animation really allows the creators to show a ton of different emotions and really make them dynamic characters.

#4 (4) – Giant Killing – (8,75/10)

This month was nearly all about one big football match. This really allowed the creators to get the best out of the involved character, and make it a real turning-point for the series. Not just for the players, but everyone round it: the supporters, the coaches, the managers, the press. Everyone is important in this series. The only downside is the strange includes of recaps at the beginning of each episode.

#3 (1) – Sarai-ya Goyou – (8,75/10)

My favourite parts of this series still are located in the middle, but the past month has also had a number of very impressive episodes. Especially Yaichi’s background is handled really well.

#2 (2) – Yojou-han Shinwa Taikei – (9,25/10)

Deciding my number one for this month was a very tough decision. In the end, I decided to put Yojou-han second, mostly because we haven’t seen the end yet. It’s already a masterpiece, but that ending could even make it surpass itself even more than that it did this month. The way the creators developed Watashi, putting everything around him into context was just masterful. Masaaki Yuasa definitely did it again. I can only imagine how amazing that conclusion must be.

#1 (3) – Full Metal Alchemist – Brotherhood – (9,25/10)

The climax of this series was amazing. Everything came together wonderfully, the action was epic, and the characters showed their best sides. I love how nearly everyone helped in their own ways. It’s awesome to see that this everything that this series has been building up for during the past five seasons has come together.

Posted on with categories: Rainbow



Recap. I didn’t really feel like watching it entirely so I just glossed through it, but it did not have any new content aside from some monologues of Mario that didn’t really say anything new. This was really meant as a break for this series.

Either way, it came at a rather annoying moment, just when the series is really getting interesting. Oh, if the creators play their cards right this is going to make for a VERY interesting second half.
Rating: — (Recap)

Posted on 29 June 2010 with categories: Anime Reviews



Last season I accidentally posted a review of this series before it had actually ended. No worries, though, because this just give me another excuse to try and hype the hell out of this series. With thirteen extra episodes, I have no doubt that this is going to end up as my favourite comedy of 2010. I know that this series has a really obscure reputation, but really: it’s absolutely hilarious.

The formula of the fourth season is 50 percent recap, and 50% original episodes. This makes it an excellent way to get introduced to the series for even those who haven’t watched it, and the thirteen new episodes are as hilarious as ever. In fact, from what I’ve seen of the series, it’s actually gotten better by time.

The thing that really sets this series apart from all other comedies is its energy. Seriously, you will not find a series that is more hyperactive than this. Even the Excel Saga, Sexy Commando Gaiden and Gintama feel slow. The dialogue leaves absolutely no time to catch your breath. The voice actors are all excellent in the way that they keep the energy going, finding a great combination between overacting and deadpan tones.

The subject matter of this series varies widely, but episodes can generally be divided into two types: the historical parodies and the anime parodies. My personal favourites were the latter, but that’s mostly because I have more affinity with it, compared to the surprisingly obscure yet important historical figures that the former addresses.

Either way though, this series may be known as random, but that also does a bit of injustice to its premise. Sure, the characters here are all morons, but very often you can see episodes build up to some kind of punch-line, some of which are just brilliant in the tropes that they make fun of. In fact, these are the best episodes of the entire series, with my personal favourite being the spaceship episode.

I know that Humour is something personal that’s different for everyone, but if you’re looking for hyperactive humour, then you really can’t get more hyperactive than this. I know that I keep teasing everyone during my monthly summaries with my huge praises of this series, but I really want to give it as much exposure as possible, in the hope that it’ll eventually get noticed by a fansub group who want to pick it up. This is an awesome addition to the comedy genre in anime, it doesn’t deserve to get forgotten like this!

Storytelling: 9/10 – Insane pacing. Never fails to keeps the balls in the air and deliver great jokes with an unrivalled hyperactivity.
Characters: 8/10 – A bit hard to judge in this context, but there are surprisingly few cliched characters in this series. Most characters only have up to five minutes of airtime, but they still manage to be hilarious. Well written in its own way.
Production-Values: 8/10 – A rating of 8 here obviously doesn’t mean eye candy, but the animation is solid, and never gets in the way of the humour. In fact, the simple graphics are refreshing for the anime medium that way too often goes for moe and bishies.
Setting: 9/10 – Clearly spent a lot of time thinking up ideas for tropes that it was going to parody. Great finds, and references to surprisingly underrated historical figures.

Suggestions:
– Excel Saga
– The other Gag Manga Biyori Seasons
Kodomo no Omocha
Sexy Commando Gaiden

Posted on with categories: Random Posts

So yeah, I made it to the quarterfinals of the Aniblog Tourney. Thanks everyone for voting so far.

This time I’m up against Impz and his posse. Be sure to check it out before voting, but chances are that you already know about it.

Anyway, for the THAT groupies who have come to check out this site: welcome to Star Crossed. I’ve been blogging series weekly for about four and a half years now. I also write series reviews and first impression, all of which you can find in the sidebar below.

Posted on 28 June 2010 with categories: Anime Reviews, Senkou no Night Raid




The fact that a series is slowly subbed doesn’t mean that it can’t be excellent. Really, with Yojou-han immediately subbed, this was by far the hardest one to translate by fansubbers, and therefore it didn’t get the coverage and attention that it should have gotten. Night Raid is a special series, and much more series should share the utter guts that it displayed. Be sure to support it when it eventually does come out in English!

But first and foremost, let me respond to the naysayers out there: no, Night Raid does not rape history. As a series about a group of Japanese people in China, in the 1930s. This could have been the most historically insensitive series out there. The problem is that, if I understood things correctly, there is this habit of the Japanese to really ignore anything they did around the second world war, and instead of accepting that they did a lot of things wrong and move on, there seems to be this air of not wanting to talk about it and learn from it at all.

This series, it seems to me, wanted to be a response to statements like this. While we follow a group of Japanese spies in the middle of China, it makes sure to cause no misunderstanding: the Japanese did some horrible things, and they consciously chose to do these things. In fact, a huge part of this series is about them, making these decisions, considering the alternatives, and act based on what they believe is right. Self-righteousness is a huge theme in this series, and the way this series explores them makes it a very thought-provoking series. Sure, some of the tropes it uses have been used a number of times before, but never in this context.

Now, as for the actual execution, this one could have been a bit more solid at times. The result is a number of plot-holes that are there to just keep the plot from going further. With thirteen episodes, it also doesn’t exactly have the time to give the characters a lot of background, though it definitely does try.

The acting department is a bit of a mixed bag. Some characters put down very convincing performances, like Yukina and Airi. Others, like Aoi, sound a bit too immature and unrefined. Especially in the first few episodes does this get tedious to watch.

Which is especially annoying because the first half really exist to just set everything right. It’s episodic in the way that it introduces all of the concepts, and fleshes out the setting. I think the most notable here is the infamous fourth episode, which is only dedicated to fleshing out the characters and nothing else.

If you’re interested in this series however, I do urge you to watch until episode seven before passing judgment, because it’s there where the series shows its true feathers. The thing with Night Raid is that on the small picture, it is indeed a bit inferior to its predecessor Sora no Oto. In the big picture however, I really believe that it surpasses it.

Storytelling: 8/10 – Knows its priorities, knows how to build up and most importantly: knows how to be subtle with its drama.
Characters: 8/10 – Good depth for the short length of only 13 episodes, some are well acted, others could have been done better.
Production-Values: 8/10 – A-1’s best artists were at Ookiku Furikabutte this season, but nevertheless solid enough, plus a very good soundtrack also helps.
Setting: 9/10 – The guts it has with its subject material as a medium of anime surpasses even Zipang. Very daring and thought-provoking.

(On a side-note: I really wish that I could rate this one higher, but unfortunately I can’t find an excuse for it. It unfortunately had a few too many faults, but the advantages really made up for it for me.)
Suggestions:
Zipang
The Cockpit
Mobile Suit Gundam – War in the Pocket

Posted on with categories: Senkou no Night Raid



My only real issue with this finale is that Kazura changed his opinion a bit too quickly too often. But really, this was a surprisingly good finale with a number of very interesting ideas put into it. On top of that, you could also see it play around with a number of very overused ending tropes.

The biggest surprise by far was the sudden death of Isao, but it’s also a brilliant move. There was no death speech, no overdramatic rise of tension before his death and most importantly: he died really fast here. It just shows how everyone can just die here, and that even though he was the main villain, his death doesn’t have to be over the top, or saved for the end.

Suddenly, the series turns into a rush operation to prevent the Japanese from getting their hands on the atomic bomb (how’s that for nationalism, huh?). Sakurai turns from this nice gentleman into someone desperate to get his own hands on that bomb, and to use it according to his own ideas. I actually loved it how the creators decided to solve that problem: with that blue-haired guy, who turned out to be a counter-spy. He had no backstory, but at the same time, there was a ton of spy activity at the time. It makes perfect sense for people to also have infiltrated the Japanese army. But really: his voice sounded just weird. Who was that voice actor?

In any case, the trope in which the villain dies, yet leaves some kind of projectile of doom behind that needs to be stopped. It’s been done before, but it’s the context here that makes the difference. Instead of a megablast of doom, we’ve got something very concrete that’s about to destroy a city: it’s something we can relate to much more than your average nuclear blast, because we know exactly what will happen if it goes off.

And there also is the ultimate cliche: our hero faces certain death after the climax finishes. It’s not certain whether he lived. The epilogue starts, and at the end we indeed see him back. This episode averted this in quite an interesting way by having first of all Kazura live, yet not show anything about him. Aoi meanwhile somehow failed to get out of the burning plane in the spur of the moment. I didn’t like how suddenly the creators made his powers extreme enough to be able to blast an atomic bomb into space (or at least hundreds of kilometers far into the sea), however, we never get to see him after that.

All we hear is a crappy violin, but that could have been anyone who was trying to cheer on the troops of soldiers, as they left for the upcoming war. Yes, this series decided to end with anything but a good ending. The war is still going to kill many people, and this series never got bigoted as to think that it could create a plot in which people wouldn’t end up suffering horribly throughout the next decade.

Overall this series would have benefited some more natural actors. However, the intention of the creators here was very good. It’s by far the most down to earth series in terms of character reactions: people cry when they lose a loved one, but there was hardly any overacting, and people remained surprisingly calm for anime, which tends to overreact even the slightest things. There were a number of very good voice actors, like Yukina for example. She pulled off a very convincing performance. Aoi meanwhile could have used more subtlety; his voice didn’t really suit the serious nature of the series. The Chinese girl is up for debate. Oh, she yelled, but girls her age who work at a restaurant… I can imagine them to need a loud voice.
Rating: ** (Excellent)

Posted on 27 June 2010 with categories: Giant Killing



Yeah, so the result of the match was predictable. But like always with this series, it’s everything around it that made it memorable. The euphoria, the different reactions of everyone,. That made this really into a colourful episode. It’s really refreshing to see another sports series in which it doesn’t mean the end of the world if you lose: in this series, what matters is the long run.

It seemed like everyone had a different way to interpret the match: Murakoshi was simply glad to have another win again. The fans on the other hand were ecstatic that they finally won again, while that one fan of Tsubaki in particular got his old passion back. That Japanese forward meanwhile was immediately thinking how he destroyed himself during that match. The Nagoya coach was more looking into the future (which really fits his professional outlook), while Tsubaki was already seeing more and more opportunities to break through his defence. The football is one thing, but what really makes this series memorable is how it brings all of these different characters together.

Also, I like how the creators handled Tsubaki: he’s really meant to be this future talent who is still very rough around the edges, but yet he’s far from your average shounen hero. He’s really still a rookie and this series knows it. He has the ability to pull these crazy stunts, but that’s all exactly because he just loses himself in his soccer. This episode also stressed very much that football is a team sport by letting Gino score. Also, I loved the way he was at a loss for words when those Brazilians came up to him, and had to answer that interview.
Rating: ** (Excellent)

Posted on with categories: Uragiri wa Boku no Namae wo Shitteiru



Luka. He is so badass that even rose petals instantly want to commit suicide by his sword.

Seriously though, I know I often criticise this anime, but episodes like this one really show that it knows how to build up an atmosphere. I really have no complaints whatsoever about that, because this really was an engaging episode to watch. The creators made well use of the background music, characters and visuals to create a bit of a creepy atmosphere that I was able to take seriously, despite the angst and large amount of suicidal themes of this series.

As for the graphics… this episode pretty much showed that we shouldn’t expect too much of the animation itself. The action scenes just consisted out of a bunch of still frames of wounds, and cut a lot of corners. The eye candy here really was in the visual effects, as the creators of this series may not be good animators, but they’re pretty good at CG and blending it in with the rest of the drawings.

Without the CG, this really feels like this kind of retro series that could have just as easily aired fifteen years ago. It’s definitely got its charms because of this.

But really… regarding Shuusei… how? Do we really not get any kind of explanation, other than that Yuki zapped him? I mean, what did the manga artist have in mind when he created him? Having an all powerful character with Yuki, who can apparently heal any kind of wound, while also being able to stop all kinds of powerful magic with his crosses. That’s really hard to balance out! At a certain point the tension will just completely vanish because there’s no reason to fear for any of the characters to die here. Luka with his extreme powers is one thing that still is within bounds, due to his flaws, but Yuki is about to go too far in this.
Rating: ** (Excellent)

Posted on with categories: Heartcatch Precure



Ohohoho, things are getting really interesting now: there’s going to be a third main character. I have a really good suspicion on who it’s going to be, but whoever it’s going to be, new main characters who show up half-way often have a great effect in terms of character development. Both for themselves, but also for the ones around them.

I also want to praise the creators for not giving any shallow hints towards this in prior: it really was this episode that dropped the bomb on a new character, so that the first half of the series would really focus on Tsubomi and Erika, instead of it becoming a sort of waiting exercise for this third character to appear.

Also, Dune has a boss. This is even more of a hint that we’re going to get him taken under the loop somewhere along the line. It does introduce the show to the “bad guy behind the shadows” syndrome, however. You know, those series that might have well developed mid-bosses, but very stereotypically evil end bosses who don’t end up doing anything until the final episode. It’s going to be interesting if this series manages to avoid this.

The main story of this episode wasn’t the best, nor the worst. It clearly was cut a bit short in favour of the third critter that appeared. It’s a nice story about being able to take criticism, but lacked the depth of the previous episodes.

And on a side-note: Kumojacky and Cobraja need to do that ambush trick more often, as it worked surprisingly well.
Rating: ** (Excellent)

Posted on with categories: Full Metal Alchemist - Brotherhood



Aha, so the creators really reserved the 64th episode for the aftermath of the series. This really was meant to be the climax of Full Metal Alchemist. Interestingly,t he creators chose not to end it with a bang, but rather tone down the action in order to focus on the main characters. Father really was already defeated at the end of the previous episode. This episode was really meant to wrap everything up: show the end of Father, and resolve the plot thread of Ed and Al getting their body back.

As expected, the characters found some sort of loophole in order to get Al’s body back. This time, the loophole was the door. We learn that every character has a door of alchemy, and apparently Ed knew that he could trade that in, instead of offering another of his limbs to get back to Al.

As for the budget, well, the creators were lucky that a lot of this episode was about a bunch of simple shapes (Greed, Flask (as I’ll call him for now, as “The inhabitant of the Flask” is a bit too long), God), so they could really plan the best of their budget to the previous action-packed view. The final confrontation between Flask was a worthy climax for the series, even though he already had been defeated.

One thing I did not understand was Hohenheim, though. Why did he end up dying? Was it because Father sucked all of the philosopher’s stones out of him or something?

Overall though, this has been an awesome series. It’s not among my favourites, but it still was a wonderful ride. I really hope that Bones is going to adapt more manga in the same way in the future.
Rating: *** (Awesome)

CHANGE USERNAME
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
Total users: 40

Star Crossed Anime Blog

7 User(s) Online Join Server

Featured Posts

Wotaku ni Koi wa Muzukashii – 02[Are We Now Dating?]

After a strong first episode I come back to this show and find a rather middling second episode. There is some good content here, namely the Evangelion references, one of which was butchered by the crunchyroll translators.(Narumi and Hanako were arguing over who was best girl in Evangelion with notes over their head about whose […]

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

7 years. It has been almost 7 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

Legend of the Galactic Heroes Die Neue These – 2/3[The Battle of Astarte/An Indomitable Prodigy]

If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

Golden Kamuy – 02 [Nopperabo]

Leave it to Japanese cartoon that done the Western genre better than the Westerners, at least from what we have seen so far (note: despite my pun, Western the genre doesn’t refer to the Western culture, but to the American Old West). Granted, Japanese cinema and literature has a strong tradition of samurai genre, which […]

Hinamatsuri – 02 [This Is How You Have a ESP Battle!]

Welcome to THE comedy gold of the season. Before I get into anything specific, let’s me discuss about what make this little show about a psychic girl and a yakuza hilarious in the first place. The main source of humor in Hinamatsuri largely comes from situation-based weirdness. Putting these characters out of their comfort zones […]

Darling in the Franxx – 14[Punishment and Confession]

Last time Darling and the Franxx had it’s best episode yet which raised my opinion of the series and gave me hopes for greater things moving forward. So it’s sad that they follow this up with the worst episode of the series to date. This episode was pure frustration to watch because you knew exactly […]

Megalo Box – 2 [The Man Only Dies Once]

Welcome to the Spring 2018 anime season! I am proud to present to you the Ashita no Joe 50th Anniversary project, Megalo Box. Easily the most stylish anime of the season. Lets jump in! With just 2 episodes, Megalo Box has become my favorite for the season. Everything about it feels like it comes from […]

Darling in the Franxx – 13[The Beast and the Prince]

That was the best episode of Darling in the Franxx to date. Truly I am impressed with this though it may be perhaps because the fanservice aspects of the show were not present at all during this episode. Todays episode was spent entirely on the past of Hiro and Zero Two. When this episode is […]

Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

It hard to have an opinion on the last three episodes of Fate/Extra when the content has been quite similar to the previous episodes of the cour. For now the series has ended with the remaining episodes coming as a special later. Still unknown if that was the actual special broadcast that was originally considered […]

Latest Reviews

A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]

After the Rain (2018 Winter) Review – 89/100

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep […]

Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

Junji Ito Collection Anime Review – 40/100

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an […]

Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]

Mahoutsukai no Yome – 69/100

Fantasy is a rather prolific genre in anime, with a vast majority of Isekai and Shounen fitting snugly into it. Most take place in their own unique setting, either Amestris of Full Metal Alchemist or the made of world of the latest Isekai trash. Few however try to set themselves in our world. To peel […]

Mary and the Witch’s Flower – 73/100 (Joint Review)

Wooper: Mary and the Witch’s Flower is the first feature film from Studio Ponoc, which spun off from Studio Ghibli in early 2015. Given Ghibli’s towering reputation, the bar was high for this inaugural flick, which recently made its way to U.S. theaters, giving Lenlo and I a chance to see it on the big […]