Posted by psgels on 1 June 2010 with categories: Rainbow



Oh, how awesome could this series have been if it had an actually good director who knew the meaning of subtlety. Even with the overacting, I’m completely hooked to this series right now. This show has great pacing, and the strength of the manga really shines through at this point. This episode again featured excellent, believable plot twists when you don’t look at how much the voice actors were hamming it up.

Setsuko (the nurse) takes up a vital role in this. She was vital in restoring An-chan back to health, something that the others probably wouldn’t have been able to do this fast. She also knew an interesting shelter, and I also assume that they lived in a time where people have a lot more to do than to look at wanted posters, which allows them to keep hidden for quite a while. The big mistake Joe made earlier was that it was extremely predictable where he was going. It’s not without flaws, though. As soon as someone in the hospital starts talking, they’ll be in trouble.

While it’s going to be obvious that An-chan at least will escape, the creators succeeded in one thing: portraying how important it is for him to actually get away: Joe in this episode may have made sure that Psycho-guard (who is beginning to sound more and more like a cat in a blender by the way) won’t be able to make the lives of Baremoto, Heitai and Cabbage miserable, they will kill An-chan when they see him again. This is so different from your average shounen hero who survives battles against all odds.

And the best thing is probably the promise that there’s much more in store here. I’m still looking forward to the moment that the characters will leave prison and move on with their lives. If this plays such a big role in the OP, which just keeps hinting at it, it’s bound to play some sort of a big role in this series, and not just pop up as a resolution at the last half of the last episode.
Rating: ** (Excellent)

5 Responses

  1. cx says:

    :( this and raid don’t get no love subbers

  2. Shippoyasha says:

    I kinda like the hamming up of the voice acting considering how outrageously violent the show is. And the mangaka himself has said he wanted to show the MANLINESS of the weak and exploited. Kinda leads up naturally into the ham territory.

  3. Tuskus says:

    I don’t get why you keep saying that there’s too much overacting. Being over-the-top is exactly what this show (as well as all other manly anime) is about.

  4. Taxy says:

    pdgels, I’ve read in the brandnew issue of the german anime-magazine ANIMANIA, in a report about the Anime Toyko Fair, that RAINBOW is a 26-episodes-series! Did you know that? I really like the idea, that this series goes the long way! :) Hope you like that, too!

  5. psgels psgels says:

    Taxy: Excellent, that’s the news I was waiting for. Still, the original manga is twenty volumes long, will that be able to fit? Does anyone know at which point in the manga we currently are?

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  • Emma
    (Saturday, Dec 20. 2014 10:25 PM)
    And really shinichi and Reiko’s growth as characters do make up for a lot.
    Your not wrong on the love triangles normalcy now that I think about it but I found those parts to be forgettable though not detrimental.
  • Emma
    (Saturday, Dec 20. 2014 10:23 PM)
    Now granted its all still a very good series of course.
  • Bam
    (Saturday, Dec 20. 2014 10:03 PM)
    @Emma: I don’t know, although the characters are flat the love triangle still seems to work here. That’s probably due to relatively normal way they interact with eachother which doesn’t have too many “senpai!” moments.
  • Emma
    (Saturday, Dec 20. 2014 09:39 PM)
    *there
  • Emma
    (Saturday, Dec 20. 2014 09:39 PM)
    I think going through Parasyte again as an anime outside of the soundtrack I’m starting to realize that I wasn’t really into the characters beyond Reiko, Shinichi and Migi a whole lot. Beyond that I was mainly their for the violence.
  • Bam
    (Saturday, Dec 20. 2014 09:18 PM)
    I don’t even know how they are going to get to where the PP movie poster suggests, as Akane is wearing a police-like uniform in that while her inspector status was reinstated by the end of the second season, so bunch of more contrived (and possibly inconsequential) events are sure to ensue.
  • Bam
    (Saturday, Dec 20. 2014 09:14 PM)
    @Cap: this season’s characterizations were straight up appalling. From Ginoza to the police chief to the cartoonist breakouts of Togane and Kitazawa to every single factor regarding Shimotsuki were gravely mishandled.
  • Bam
    (Saturday, Dec 20. 2014 09:10 PM)
    @Aidan: honestly if that’s the biggest criticism of the show then it must be doing pretty good. He uses bunch of electronic styles, all of them in various degrees of bad taste, but I started not noticing it as much since I was focused on the plot or the action, so it must be one of those things that only really bothers you if you’re actively looking for it.
  • CapRooney
    (Saturday, Dec 20. 2014 06:33 PM)
    Also the wasted potential of Ginoza’s character, from a detached investigator who saw the Enforcers merely as tools for administering justice, to someone whose screen time was less than Akane’s Kogami hallucinations, when his downfall to Enforcer rank could have been a lot more interesting, and maybe become a character like Masaoka.
  • CapRooney
    (Saturday, Dec 20. 2014 06:26 PM)
    I even went and rewatched her arc in the first season to see if there were some hints that could conduct her to turn out like this, and no, seems like this Mika was just created straight out of thin air.

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