Posted by psgels on 4 June 2010 with categories: Yojou-han Shinwa Taikei



Awesome, this is exactly as I hoped: this show just continues to get better and better. Screw the repetition, every episode manages to add ten new things for everything it recaps. I was a bit fearful of the prospect of having an episode more similar to its predecessor than ever (who knows, perhaps it might even have pulled a “Seraphim Call”), but this episode very skillfully took the the previous episode, and built further upon it.

The overall scenario is pretty much the same as in the previous episode, it’s just the focus and ending are different. Instead we gloss over Hanuki and the pen pal, and instead this episode is about the love triangle around between Watashi, Jougasaki and the love doll. Oh, and Johnny. He has gotten way more extreme with this episode.

This episode really was masterfully written, not just how Watashi’s feelings kept spiralling out of control, but also that Jougasaki kept entrusting Kaori more and more to Watashi in a surprisingly similar way as how we’ve seen him in the second episode. On top of that there were also a ton of parallels with that proxy proxy war of episode four. Seriously, it felt like Ozu kept pestering him even without Watashi’s help. That could explain why he’s been so relatively absent in the past few episodes. It would be pretty awesome if he was some kind of ever-present prankster.

The next episode will be about the pen pal. the end of this episode even hinted at that. But what about episode 10 and 11? Especially Akashi had a really weird role in these episodes, as she was supposed to be the female love interest and instead Watashi has chosen three other girls to fall in love with. Will episode 10 actually be the same as these past two episodes, but on the perspective of Akashi?

It makes me think about the one oddball episode about this series: the one about Higuchi’s disciple. All of the other episodes were about portraying Watashi as some sort of socially awkward loser: the past two episodes were all about his desire to remain pure, and the other episodes really all stressed what a social dork he is. That episode was different, though. His life was miserable there not because of his own actions, but rather only because he ended up choosing the wrong club at the beginning of his university life. That proxy-proxy war was completely different from Watashi’s other struggles, not to mention that really weird scene in which Higuchi suddenly started riding a giant whale.
Rating: *** (Awesome)

6 Responses

  1. Puran says:

    I really, really, hope this series has a strong conclusion.

    I am really really enjoying it so far, because I really love its quirkyness both visually and storytelling-wise. But I find it hard to suggest it to other people.

    But if it has s conclusion that is strong and meaningful (as Masaaki Yuasa’s works tend to), it will make it so much easier to recommend it to people and it will put the series in my top 10 list.

  2. Machi says:

    I think the point about Akashi IS that she’s the opportunity dangling right in front of him, but alas he’s too ignorant or stubborn to notice (lets face it I don’t see the three women he’s trying to pick as being his “ideal”).

    @Puran: I don’t see how this show wouldn’t be meaningful when its painfully stressed its “meaning” or theme so to speak with one recurring motif. Namely grabbing the opportunity that is dangling right in front of you, as the fortune teller repeats without fail or variation (except for the prices XD). Whether you find it weak or strong is up to you, how relevant is that idea to you?

    Though personally I think the style of the show would be enough for me to recommend to others, its different enough to be a breath of fresh air (may not be as good as Kaiba but definitely up there in the efforts of Yuasa, I believe its his first adaptation).

  3. Michael says:

    The first few episodes deal with Watashi not knowing what he is really seeking: all he wants is a chance at a raven-haired maiden. It goes badly for him, however, so he results to bitterness and bile towards other people. This is for the first two episodes. Things become clearer to him in the third episode: rather than pursuing a raven-haired maiden, it is clear that his focus is primarily only on Akashi. This is obscured in the fifth episode, however, as he tries to pursue not merely a raven-haired woman, but a faceless ideal – he somehow regresses, only to recognize in the next episodes that it is love he desires.

    The problem is that he has deep-seated fears in intimacy and commitment while still pursuing respective ideals: the three women in episode six represent certain ideals. The faceless ideal (the totally impossible), the realistic ideal (Hanuki), and the inanimate ideal (2D complex in Kaori). It is only gradually that he will have to know that reality is far from the ideal – yet despite that there is an opportunity dangling in front of him, the Mochiguman, representative perhaps of Akashi.

    Actually I find it telling (as I’ve written in my own blog entries) that the Mochiguman is connected to the light in his room. At times we see moths circulating it, perhaps representative of his obscurity, but at later episodes there isn’t a moth to be seen in his room: I think this represents that he knows love to be the answer; he just doesn’t reach up to turn the light on.

  4. Puran says:

    @Machi: I really like the theme, as you described it, but if all there is to it is what the show has told us already, I will be a little disappointed.

  5. Johnson says:

    Well, you could argue that his failure to quit the proxy war (i.e. his inaction) caused his life to be miserable there, It’s basically the same thing.

  6. Machi says:

    @Micheal: Interesting theory on the moths but I would have to disagree at one point with them being an obscurity. As from what I can tell about the moths they’re partially a visual cue to reminiscing about the so called promise, during the time Akashi freaked out seeing one. Interestingly that scene with Akashi and Watashi speaking gradually disappears, or loses its luster, as the moths in the light disappear themselves. In that sense as well Akashi has been portrayed more or less “human” (from a frigid genius) without having to resort to the moth scene. Still it is telling that the Mochiguman is attached to light, and so are the moths, all of which relate to a visual cue or a reminder about Akashi.

    One thing to note though about the episodes as they progress Watashi has definitely been less “talkative” as compared to the first episode. I feel far less distracted by dialogue and visuals. I don’t feel they clash at one another, the director seems to have been adjusting or is it part of the plan (?) In any case its been quite a pleasure as of late watching the show.

    @Puran: How can that be all there is to the show? Love is just one point of missed opportunity, I think its quite telling that he described his “ideal” woman this episode and we have Akashi nicely showing up (yet he doesn’t even make a mention of considering her). I feel he is missing his opportunity with love due to his own stubbornness at times, he knows what he really wants but keeps to clinging to his raven haired ideal as an excuse.

    Then you have another variation of the music of failure with Watashi’s lack of or misplaced initiative at times, good example is the English club at first or the movie club as he makes that ‘documentary’.

    Then at times its just plain ignorance or bad decision, the cycling club and lets face it we all know how badly it would go if one only entered a club for the sole purpose of finding love (clubs are about what you’re interested in or what you’re good at, which as of late he is slowly realizing with the English club and the heroic club).

    The theme runs a lot deeper when you think about it, so its definitely not all there is to it. Moreover, there are enough visual cues in the series (and I haven’t even touched that much) for you to decipher or interpret so I see strong replay value with this.

Leave a Reply

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • AidanAK47
    (Tuesday, Apr 28. 2015 12:30 PM)
    @Bam, While there are people who claim that Ufotable screwed up Shirous characterisation(One fellow claims that in the visual novel Shirou was Sadistic, calculating and emotionless. Which I say “What the hell where you reading? Cause it wasn’t fate.”) and whine about not enough monologues I think this adaption is the best we could get from the source. Not sure if there’s much of a point in reading the source now. Though I am still going to after the run.
  • AidanAK47
    (Tuesday, Apr 28. 2015 12:26 PM)
    @Emma, Fate/stay nights Rider is handicapped by her current master who really can’t do jack besides hold the command spells. With a real master she could show more of her capabilties.
    Also I would have been completly surprised if you liked this show.
  • Emma
    (Tuesday, Apr 28. 2015 07:11 AM)
    @Bam: Aidan mentioned seven minutes were cut from an episode. Maybe that’ll be on the blurays.
  • Bam
    (Tuesday, Apr 28. 2015 06:48 AM)
    Is there anything extra on the BD releases? Also I don’t think there were any content censored for the tv broadcast, were there?
  • Emma
    (Tuesday, Apr 28. 2015 04:44 AM)
    I think less than I did before of fate stay nights rider now because she’s not as good as the one from fate/zero.
  • Emma
    (Tuesday, Apr 28. 2015 04:42 AM)
    *do like the
  • Emma
    (Tuesday, Apr 28. 2015 04:42 AM)
    I want to add to my little UBW review thing back there that I do the caster fights.
  • Raggers
    (Tuesday, Apr 28. 2015 04:34 AM)
    @Bam: UTW have season 1 BDs up for when you do. Glorious fight scenes, and you can skip the tsundere crap. Win-win.
  • Bam
    (Tuesday, Apr 28. 2015 04:10 AM)
    Now that things have slow down a bit and stil some time left till Witcher 3, I came up with the grand idea of getting around to finishing F/SN UBW route before the series ends so I can jump on the wagon as it rolls thru the last few episodes. I think that’d be kinda cool.
  • Bam
    (Tuesday, Apr 28. 2015 03:39 AM)
    Madhouse is still a very descent animation studio, and some of those older talents still remain with the company, but the market demands that they pander to the supposed “core” anime demographic. Although Masao Murayama did take a lot from Madhouse when he left to form studio MAPPA tho.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Fate/Stay Night Unlimited Bladeworks – 16

So at the start of this episode featured the big moment of Gilgamesh ripping out Illya’s heart and it was surprisingly underwhelming. It is true that in context this makes more sense and fits his character better. But it is a little disappointing. Strangely this wasn’t how it was in the visual novel and this […]

Fate/Stay Night Unlimited Bladeworks – 15

The word that encompasses this episode in a nutshell would be brutal. Whether you love her or hate her, I say few would believe that Illya deserved this fate. The tragedy is ever more pungent if you know the full details of her past. Anime only viewers may not get the most out of this […]

Fate/Stay Night Unlimited Bladeworks – 14

As a reader of the Fate/stay night visual novel I can confirm that the majority of this episode was anime original content. However instead of being about castors history like I thought, it’s of his backstory with her first master. In all honestly making the episode be about her history with Jason would have been […]

Some Quick First Impressions: DanMachi, Denpa Kyoushi and Arslan Senki

Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Short Synopsis: Our protagonist wants to be an RPG pimp I am getting SAO reminders already. Let me talk about something for a moment. You see when I first played the game dark souls I was frustrated and angry at myself because of my own […]

Some Quick First Impressions: Gunslinger Stratos, Seraph of the end and Yahari season 2

Gunslinger Stratos Short Synopsis: Our protagonist falls into an alternate world full of trigger happy people. I am fairly certain that Gen is not writing this. You can see part of him in the concept but not anywhere else. The episode gave me a mixed impression. I hate the characters and find the main to […]

Fate/Stay Night Unlimited Bladeworks – 13

It’s back and still as beautiful as ever. Sadly not a fourty minutes long and still leaves me hungry by episodes end. It does seem to cut off suddenly rather than end. So after telling Shirou to stay away and stating how only masters should stay in the war, Rin is thrust into the exact […]

Death Parade Review – 65/100

  When I heard that Death Billards would be getting a full 12 episode series called Death Parade I was quite excited. The one episode short looked to be an excellent concept for a episodic series. A bar which people are sent to when they die which decides whether they go to heaven or hell […]

Death Parade – 12

So this is the end of Death Parade. Or at least this is the end of what may be it’s first and last season. The ongoing plot didn’t so much as tie itself up but rather fizzle out. Leaving a second season to tie up loose ends. A second season that may never come. I […]

Parasyte The Maxim Review-82.5/100

Parasyte, along with Gugure Kokkuri-San, are the only two shows from the last season that I’ve actually finished, and that’s actually saying quite a lot–seeing as how I haven’t been watching (much less blogging) anime at all this past season. However, I figured I should at least write a final review for Parasyte, just because […]

Latest Reviews

Shirobako Review – 80/100

When you see a harem anime and sigh as the breasts of the female lead jiggle with every step and wind that can flip a skirt it’s easy to forget that somewhere in Japan a group of people worked hard to get that jiggle right and draw each frame of animation. The hardships of the […]

Clipboard06

Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

Clipboard04

Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

Clipboard07

Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]