Posted by psgels on 4 June 2010 with categories: Yojou-han Shinwa Taikei



Awesome, this is exactly as I hoped: this show just continues to get better and better. Screw the repetition, every episode manages to add ten new things for everything it recaps. I was a bit fearful of the prospect of having an episode more similar to its predecessor than ever (who knows, perhaps it might even have pulled a “Seraphim Call”), but this episode very skillfully took the the previous episode, and built further upon it.

The overall scenario is pretty much the same as in the previous episode, it’s just the focus and ending are different. Instead we gloss over Hanuki and the pen pal, and instead this episode is about the love triangle around between Watashi, Jougasaki and the love doll. Oh, and Johnny. He has gotten way more extreme with this episode.

This episode really was masterfully written, not just how Watashi’s feelings kept spiralling out of control, but also that Jougasaki kept entrusting Kaori more and more to Watashi in a surprisingly similar way as how we’ve seen him in the second episode. On top of that there were also a ton of parallels with that proxy proxy war of episode four. Seriously, it felt like Ozu kept pestering him even without Watashi’s help. That could explain why he’s been so relatively absent in the past few episodes. It would be pretty awesome if he was some kind of ever-present prankster.

The next episode will be about the pen pal. the end of this episode even hinted at that. But what about episode 10 and 11? Especially Akashi had a really weird role in these episodes, as she was supposed to be the female love interest and instead Watashi has chosen three other girls to fall in love with. Will episode 10 actually be the same as these past two episodes, but on the perspective of Akashi?

It makes me think about the one oddball episode about this series: the one about Higuchi’s disciple. All of the other episodes were about portraying Watashi as some sort of socially awkward loser: the past two episodes were all about his desire to remain pure, and the other episodes really all stressed what a social dork he is. That episode was different, though. His life was miserable there not because of his own actions, but rather only because he ended up choosing the wrong club at the beginning of his university life. That proxy-proxy war was completely different from Watashi’s other struggles, not to mention that really weird scene in which Higuchi suddenly started riding a giant whale.
Rating: *** (Awesome)

6 Responses

  1. Puran says:

    I really, really, hope this series has a strong conclusion.

    I am really really enjoying it so far, because I really love its quirkyness both visually and storytelling-wise. But I find it hard to suggest it to other people.

    But if it has s conclusion that is strong and meaningful (as Masaaki Yuasa’s works tend to), it will make it so much easier to recommend it to people and it will put the series in my top 10 list.

  2. Machi says:

    I think the point about Akashi IS that she’s the opportunity dangling right in front of him, but alas he’s too ignorant or stubborn to notice (lets face it I don’t see the three women he’s trying to pick as being his “ideal”).

    @Puran: I don’t see how this show wouldn’t be meaningful when its painfully stressed its “meaning” or theme so to speak with one recurring motif. Namely grabbing the opportunity that is dangling right in front of you, as the fortune teller repeats without fail or variation (except for the prices XD). Whether you find it weak or strong is up to you, how relevant is that idea to you?

    Though personally I think the style of the show would be enough for me to recommend to others, its different enough to be a breath of fresh air (may not be as good as Kaiba but definitely up there in the efforts of Yuasa, I believe its his first adaptation).

  3. Michael says:

    The first few episodes deal with Watashi not knowing what he is really seeking: all he wants is a chance at a raven-haired maiden. It goes badly for him, however, so he results to bitterness and bile towards other people. This is for the first two episodes. Things become clearer to him in the third episode: rather than pursuing a raven-haired maiden, it is clear that his focus is primarily only on Akashi. This is obscured in the fifth episode, however, as he tries to pursue not merely a raven-haired woman, but a faceless ideal – he somehow regresses, only to recognize in the next episodes that it is love he desires.

    The problem is that he has deep-seated fears in intimacy and commitment while still pursuing respective ideals: the three women in episode six represent certain ideals. The faceless ideal (the totally impossible), the realistic ideal (Hanuki), and the inanimate ideal (2D complex in Kaori). It is only gradually that he will have to know that reality is far from the ideal – yet despite that there is an opportunity dangling in front of him, the Mochiguman, representative perhaps of Akashi.

    Actually I find it telling (as I’ve written in my own blog entries) that the Mochiguman is connected to the light in his room. At times we see moths circulating it, perhaps representative of his obscurity, but at later episodes there isn’t a moth to be seen in his room: I think this represents that he knows love to be the answer; he just doesn’t reach up to turn the light on.

  4. Puran says:

    @Machi: I really like the theme, as you described it, but if all there is to it is what the show has told us already, I will be a little disappointed.

  5. Johnson says:

    Well, you could argue that his failure to quit the proxy war (i.e. his inaction) caused his life to be miserable there, It’s basically the same thing.

  6. Machi says:

    @Micheal: Interesting theory on the moths but I would have to disagree at one point with them being an obscurity. As from what I can tell about the moths they’re partially a visual cue to reminiscing about the so called promise, during the time Akashi freaked out seeing one. Interestingly that scene with Akashi and Watashi speaking gradually disappears, or loses its luster, as the moths in the light disappear themselves. In that sense as well Akashi has been portrayed more or less “human” (from a frigid genius) without having to resort to the moth scene. Still it is telling that the Mochiguman is attached to light, and so are the moths, all of which relate to a visual cue or a reminder about Akashi.

    One thing to note though about the episodes as they progress Watashi has definitely been less “talkative” as compared to the first episode. I feel far less distracted by dialogue and visuals. I don’t feel they clash at one another, the director seems to have been adjusting or is it part of the plan (?) In any case its been quite a pleasure as of late watching the show.

    @Puran: How can that be all there is to the show? Love is just one point of missed opportunity, I think its quite telling that he described his “ideal” woman this episode and we have Akashi nicely showing up (yet he doesn’t even make a mention of considering her). I feel he is missing his opportunity with love due to his own stubbornness at times, he knows what he really wants but keeps to clinging to his raven haired ideal as an excuse.

    Then you have another variation of the music of failure with Watashi’s lack of or misplaced initiative at times, good example is the English club at first or the movie club as he makes that ‘documentary’.

    Then at times its just plain ignorance or bad decision, the cycling club and lets face it we all know how badly it would go if one only entered a club for the sole purpose of finding love (clubs are about what you’re interested in or what you’re good at, which as of late he is slowly realizing with the English club and the heroic club).

    The theme runs a lot deeper when you think about it, so its definitely not all there is to it. Moreover, there are enough visual cues in the series (and I haven’t even touched that much) for you to decipher or interpret so I see strong replay value with this.

Leave a Reply

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • Friend
    (Saturday, Nov 1. 2014 05:54 AM)
    The more I use it, the less appealing Deviantart becomes. I’ve only been using it for 6 months and I have some problems with the community at large. I don’t mix well, basically :-/ I think I’ll start posting my art in other places, like Google+.
  • AidanAK47
    (Saturday, Nov 1. 2014 05:03 AM)
    Oh right it’s Halloween….I completely forgot.
  • ninjarealist
    (Saturday, Nov 1. 2014 03:43 AM)
    @Bam And Happy Halloween to you as well.
  • ninjarealist
    (Saturday, Nov 1. 2014 03:42 AM)
    @Emma Wish I could tell you more.
    @Bam I’m going to engage in copious sitting in my room and sleeping because I had a bear of a day at work. Left some fruit-flavored corn sryup snacks on the porch for the kids.
  • Bam
    (Saturday, Nov 1. 2014 03:22 AM)
    Happy Hallows’ Eve everybody! Go engage in copious debauchery of the highest order, but just remember to make it back alive ;)
  • Emma
    (Saturday, Nov 1. 2014 02:56 AM)
    @Realist: =< Ah I see, was asking around just in case it was worth watching.
  • ninjarealist
    (Saturday, Nov 1. 2014 02:42 AM)
    @Emma I haven’t seen that one, no.
  • Emma
    (Saturday, Nov 1. 2014 02:25 AM)
    @Realist: Have you seen only lovers left alive by Jim Jarmusch?
  • afgm
    (Saturday, Nov 1. 2014 02:05 AM)
    @Syndrom: Don’t strat too hard…
  • ninjarealist
    (Saturday, Nov 1. 2014 01:00 AM)
    @Emma Very true. But a lot of people don’t realize or acknowledge that.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Shingeki no Bahamut: Genesis- 04

By now, I have a general idea of where this story is going. Our characters finally face the main villains of the story and starting next episode, I reckon that we’ll get some real story progression because frankly, the past few episodes did almost nothing to get me to care much for the characters, no matter […]

Nanatsu no Taizai Episode 1-4

Sorry for not giving this a first impression but I felt that to do so at this point would be redundant. So Nanatsu no Taizai, or Seven Deadly Sins if you prefer. An anime that certainly does nothing new. Every ounce of which filled with standard shounen battle manga tropes. Yes this anime does nothing […]

Gugure! Kokkuri-San- 04

By now, I have a general idea of how the writers are going to go forward with this show. This show continues to jump the gun without setting up a clear voice for itself while pulling off some genuinely fun comedy, creating this weird combination that is somewhat off-putting yet fairly enticing. However, this episode […]

Grisaia no Kajitsu – 04

That’s it. I give up. I concede. I throw in the towel. I surrender. This is just a travesty, an unsalvageable mess. I have given this more patience than it deserves and it has rewarded me with tedium. The editing is schizophrenic and distracting. The dialogue and events passing by too fast for emotional impact. […]

Your Lie in April – 02 & 03

Your Lie in April has emerged as a bit of a nice surprise in this young season. The fairly popular noitaminA programming block has been pretty hit-and-miss of late, with some very good shows here and there but a much higher rate of complete duds compared to the block’s past. For this reason I approached […]

Fate/Stay Night Unlimited Bladeworks – 03

Well what can I say besides, I told you so. But even though I knew what was coming this is still remarkable. Not only is this episode excellent but it may in fact have topped it’s source material. It is at times like these that it is difficult to be both a Fate fan and […]

Akatsuki no Yona – 03

Hak and Yona flee Soo-Won’s men, but Yona’s mental and physical condition continue to deteriorate. Yona and Hak are both haunted by memories from the past. This was easily the best episode in the series so far. Whereas the first two episodes primarily took place in the present or the future, this episode is mostly spent in […]

Grisaia no Kajitsu – 03

This isn’t looking good. Let me explain, Grisaia has a somewhat nakige visual novel approach. Meaning that it has a comedic relatively plotless first half, followed by a tragic heroine backstory related story arc. Notable examples of this is any Key visual novel anime adaption you can think of. So for the first half we […]

Shingeki no Bahamut: Genesis- 03

Okay, so this episode didn’t focus on Leone and Amira’s adventure. Instead, it focuses on building Kaisar’s character and it does so a bit awkwardly. This episode takes Kaisar and puts him into an overly bombastic situation in order to tell us about Kaisar’s past family problems, but it was so out of tone from […]

Latest Reviews

Clipboard06

Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

Clipboard04

Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

Clipboard07

Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

Clipboard05

Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]